Be Fabulous and Confident By, Thinking Like a Drag Queen
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Trixie Mattel and Katya Dating
UNHhhh ep 5: "Dating PART 2" with Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 4: "Dating" with Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 3: "Traveling" w/ Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 2: "RDR8 Cast Advice" w/ Trixie Mattel & Katya Zamolodchikova. 1 day ago · Trixie and Katya are back with new episodes of UNHhhh Season 5 and they've got the trailer to prove it. Here's everything you need to know about Trixie and Katya. Trixie Mattel is the stage name of Brian Firkus, a drag queen, performer, comedian and music artist best known as a Season 7 contestant of RuPaul's Drag Race and the winner of All Stars Following the success she got thanks to the show, Trixie started presenting a web show with Katya, entitled "UNHhhh", on the WOWPresents' YouTube renuzap.podarokideal.ru later starred on their new show entitled . Jul 15, · Katya: Paint on a different one! Trixie Mattel: This is a window for you, Carolyn, to become the new hot girl in the office right under everyone’s noses. Because you watched a few makeup. Mar 27, · Ever since Katya Zamolodchikova returned to Twitter, fans have been anxiously awaiting to see if the drag star would say anything about her friend and former co-star Trixie Mattel’s win on. Mar 24, · — Trixie Mattel (@trixiemattel) December 20, Trixie hasn’t revealed much about her boyfriend. She protects him from social media users as well. Trixie Mattel Net Worth and TV shows. The drag queen, Trixie Mattel has an estimated net worth of $2 million. Trixie started performing drag in the year at LaCage NiteClub. -
2020 Submissions
2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St. -
16 • the Official Mag: Ambushmag.COM • October 12-25, 2010 • Official Gay Mardi Gras Guide• Gaymardigras.COM Real Estate
16 • The Official Mag: AmbushMag.COM • October 12-25, 2010 • Official Gay Mardi Gras Guide• GayMardiGras.COM real estate potentially make the difference between a Tips for LGBT home prompt sale and a listing that languishes sellers - Attracting a on the market without any real nibbles or purchase offers. qualified buyer Here are five things to consider, for veryone is well aware that for example, to assist the listing agent: the past couple of years the Maintain Curb Appeal Ereal estate market has been Although it may take an extra hour a rather lopsided in favor of buyers and quite week, keeping a home looking attractive challenging for sellers and their real estate from the street is one of the easiest ways agents. That situation is based on lots of to add intangible equity. Think of the visual economic factors but it all boils down to the appeal of the home as charisma that can fact that there is an excessive inventory of be felt from the street. Keep the lawn homes on the market, so buyers have manicured, the flowerbeds tidy, and put a plenty to choose from when they go shop- new coat of paint or varnish on the front ping. More houses for sale means greater door because it can work wonders in terms competition for a finite number of qualified of pulling in buyers and making the listing buyers, so LGBT homeowners who are agent’s phone ring with inquiries. able to more effectively market their homes Set the Stage home by keeping it free of clutter, because under the gaydar ...from 14 will have a distinct advantage. -
Que a Melhor Mulher Vença: Problemas De Identidade De Gênero E Questões Drag Em “Rupaul’S Drag Race”
QUE A MELHOR MULHER VENÇA: PROBLEMAS DE IDENTIDADE DE GÊNERO E QUESTÕES DRAG EM “RUPAUL’S DRAG RACE” João Vinícius Nascimento de Jesus (João Bertonie)1 Resumo: Este trabalho tem como objetivo analisar os problemas de gênero, em sua abordagem relativa à identidade de gênero, e suas relações com questões drag, queer e LGBT encontrados no reality show estadosunidense “RuPaul’s Drag Race”, que envolve uma competição entre diferentes graus de articidade e habilidades performáticas de drag queens. Articulando autores como Butler (2003, 2006), Zumthor (2001) e Scheschner (2003, 2006), percebemos o quanto o programa televisivo explora questões relativas à legitimação e autenticidade em relação à arte drag e à cultura queer e LGBT e como ele atua de modo a regular produções de articidade e, principalmente, de identidades contemporâneas. Palavras-chave: drag queens, performatividade, performance, gênero, RuPaul. Introdução Ao meio de todo episódio do reality show americano “RuPaul’s Drag Race” (LOGO; VH1, 2009-2016, 2017-), RuPaul desfila no main stage ao som da sua música “Cover Girl (Put The Bass In Your Walk)”, enquanto luzes de holofote são apontadas freneticamente para ela. Em seu programa, drag queens americanas competem, ao longo de diversas provas que testam seus talentos performáticos, ao título de Próxima Drag Superstar dos EUA. Seu visual assinatura é um cabelo volumoso loiro, expressivos olhos esfumados e um vestido longo que lhe confere uma cintura de ampulheta. Após saudar os jurados fixos e os convidados e explicar o desafio da semana, ela repete o bordão, de forma pomposa e entusiasmada: “Senhores, apertem os cintos, e que a melhor mulher vença!”. -
MASTERCLASS Meet
MASTERCLASS Meet uPaul Charles’s chameleonic qualities have made him a television icon, spiritual guide, and R the most commercially successful drag queen in United States history. Over a nearly three-decade career, he’s ushered in a new era of visibility for drag, upended gender norms, and highlighted queer talent from across the world—all while dressed as a fierce glamazon. “Be willing to become the shape-shifter that you absolutely are.” Born in San Diego, California, RuPaul first experienced mainstream success when a dance track he wrote called “Supermodel (You Better Work)” became an unexpected MTV hit (Ru stars in the music video). The song led to a modeling contract with MAC Cosmetics and a talk show on VH1, which saw RuPaul interviewing everyone from Nirvana to the Backstreet Boys and Diana Ross to Bea Arthur. He has since appeared in more than three dozen films and TV shows, including Broad City, The Simpsons, But I’m a Cheerleader!, and To Wong Foo, Thanks for Everything! Julie Newmar. RuPaul’s Drag Race, Ru’s decade-old, Emmy-winning reality drag competition, has gone international, with spin-offs set in the U.K. and Thailand. He’s also published three books: 2 RuPaul 1995’s Lettin’ It All Hang Out, 2010’s Workin’ It!, and 2018’s GuRu, which features a foreword from Jane Fonda. Recently, he became the first drag queen to land the cover of Vanity Fair. His Netflix debut, AJ and the Queen, premiered on the streaming service in January 2020. RuPaul saw drag as a tool that would guide his punk rock, anti-establishment ethos. -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
Rupaul's Drag Race
HALLELOO! “RUPAUL’S DRAG RACE” RETURNS TO LOGO FOR A NEW SEASON OF OUTRAGEOUS REALITY COMPETITION IN JANUARY 2012 The Nation’s Most Elite Drag Performers Compete for $100,000 Cash and the Title of “America’s Next Drag Superstar” To Tweet This Release: http://logo.to/s6k7Wu NEW YORK - November 14, 2011 – RuPaul and Logo are prepping an all-new squad of 13 lucky contestants who will vie for the crown, an unprecedented $100,000 cash prize and the coveted title of “America's Next Drag Superstar.” Logo’s smash-hit reality competition show “RuPaul’s Drag Race” returns January 2012. Over three trail-blazing seasons, “RuPaul’s Drag Race” has taken the country by storm, evolving from a cult hit to a certified pop culture phenomenon. With a devoted and diverse following ranging from soccer moms to Hollywood royalty, “RuPaul’s Drag Race” has become appointment television for viewers who can’t get enough of the outlandish fun, drama, “eleganza” and most of all, heart that comes with the show. "We challenged ourselves to make TV's most outrageous show even more outrageous,” said Executive Producer, RuPaul. “And I'm happy to report we've succeeded." This season, a new crop of top-tier drag hopefuls are strapping on their helmets and revving their engines for the most competitive drag race and biggest grand prize yet. The following are the 13 season four “RuPaul’s Drag Race” contestants: · Alisa Summers Tampa, FL #DragRaceAlisaSummers, @alisasummers · Chad Michaels San Diego, CA #DragRaceChadMichaels, @chadmichaels1 · Dida Ritz Chicago, IL #DragRaceDidaRitz, @HelloDiDa · Jiggly Caliente Queens, NY #DragRaceJigglyCaliente, @JigglyCaliente · Kenya Michaels Dorado, Puerto Rico #DragRaceKenyaMichaels, @Kenya_Michaels · Lashauwn Beyond Tampa, FL #DragRaceLashauwnBeyond, @LashauwnBeyond · Latrice Royale Ft. -
Un Reality Para Los Que Entienden Y Los Que No
Un reality para los que entienden y los que no El programa RuPaul’s Drag Race y su contexto lingüístico: la dificultad de traducir el vocabulario drag y los juegos de palabras Arnau Pérez i Sampietro Tutor: Patrick Zabalbeascoa Terran Seminario 204: Traducció audiovisual Curso 2017-2018 Abstract This project aims to show different aspects that should be taken into account when translating a TV show like RuPaul’s Drag Race, a show because of the specific vocabulary of a subculture inside the LGBT minority, and because of its use of puns and sense of humour. As an introduction, a small explanation of what the program is about, its context in the USA society and its current fame are given, as well as a consideration about key aspects to be taken into account before getting into the translation. These include the thought process of deciding whether to use subtitles or dubbing, gender treatment of drag queen contestants, the presence of humour, and humour aspects behind what is said and how to make it possible for a Spanish-speaking person to understand them. After that, a small analysis of existing translations of the show into Spanish is presented. The most important aspect of this study is the translation we propose of different elements of the show. These translations are divided in three categories, including: typical slang used by drag queens on or off the show; specific phraseology that originated or has been popularised by the show; and puns extracted from the show. The translation options are followed by an explanation of the translation process, taking into account the fact that it should be as comprehensible as it is to an English viewer of the show but it also has to make a Spanish viewer laugh as much. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Rupaul's Drag Race All Stars Season 2
Media Release: Wednesday August 24, 2016 RUPAUL’S DRAG RACE ALL STARS SEASON 2 TO AIR EXPRESS FROM THE US ON FOXTEL’S ARENA Premieres Friday, August 26 at 8.30pm Hot off the heels of one of the most electrifying seasons of RuPaul’s Drag Race, Mama Ru will return to the runway for RuPaul’s Drag Race All Stars Season 2 and, in a win for viewers, Foxtel has announced it will be airing express from the US from Friday, August 26 at 8.30pm on a new channel - Arena. In this second All Stars instalment, YouTube sensation Todrick Hall joins Carson Kressley and Michelle Visage on the judging panel alongside RuPaul for a season packed with more eleganza, wigtastic challenges and twists than Drag Race has ever seen. The series will also feature some of RuPaul’s favourite celebrities as guest judges, including Raven- Symone, Ross Matthews, Jeremy Scott, Nicole Schedrzinger, Graham Norton and Aubrey Plaza. Foxtel’s Head of Channels, Stephen Baldwin commented: “We know how passionate RuPaul fans are. Foxtel has been working closely with the production company, World of Wonder, and Passion Distribution and we are thrilled they have made it possible for the series to air in Australia just hours after its US telecast.” RuPaul’s Drag Race All Stars Season 2 will see 10 of the most celebrated competitors vying for a second chance to enter Drag Race history, and will be filled with plenty of heated competition, lip- syncing for the legacy and, of course, the All-Stars Snatch Game. The All Stars queens hoping to earn their place among Drag Race Royalty are: Adore Delano (S6), Alaska (S5), Alyssa Edwards (S5), Coco Montrese (S5), Detox (S5), Ginger Minj (S7), Katya (S7), Phi Phi O’Hara (S4), Roxxxy Andrews (S5) and Tatianna (S2). -
June 4, 5 in 1991, Marchers Were Taunted, Personally Wants to Marry His Part Buffalo's Gay Pride Celebra Chased and Verbally Assaulted
Partnerships The Gay Alliance appreciates the continuing partnership of businesses within our community who support our mission and vision. Platinum: MorganStanley Smith Barney Gold: Met life Silver: Excenus+' lesbians in New York State." NIXON PEA BOOYt1r State representatives Like Buf The outdoor rally in Albany on May 9. Photo: Ove Overmyer. More photos on page 18. falo area Assembly member Sam Hoyt followed Bronson on stage, -f THE JW:HBLDR as well as Manhattan Sen. Tom ftOCHUUII.FORUM lltW tRC Marriage Equality and GENDA get equal billing Duane and Lieutenant Gover .-ew ..A..Ulli.LIItlletil nor Bob Duffy; former mayor of at Equality and Justice Day; marriage bill's Rochester. TOMPKINrS future in Senate is still unclear "Marriage equality is a basic issue of civ.il rights," Duffy told By Ove Overmyer Closet press time, it was unclear a cheering crowd. "Nobody in Bronze: Albany, N.Y. - On May 9, when or if Governor Cuomo chis scare should ever question nearly 1,200 LGBT advocates would introduce the bill in rhe or underestimate Governor Cuo and allies gathered in the Empire Republican-dominated Senate. mo's commitment to marriage equality. The vernorhas made Kodak State Plaza Convention Center He has scared char he will �? underneath the state house in not do so unless there are enough marriage equality one of his top le Albany for what Rochester area voces to pass the legislation. three zislacive issues chis/ear." 0ut�t.W. Assembly member Harry Bron On May 9, activists from Dutfy acknowledge the son called "a historic day." every corner of the state, from difficulties that a marriage bill Assembly member Danny Buffalo to Montauk Pc. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary.