Download DBFF 2021 Guide

Total Page:16

File Type:pdf, Size:1020Kb

Download DBFF 2021 Guide JANUARY 27 - FEBRUARY 1, 2021 FILM | ART | MUSIC Denton Municipal SPOKEN WORD | DANCE Electric has been PANELS | WORKSHOPS Denton’s hometown Presented by Denton African American Scholarship Foundation, Inc. electric provider for over 110 years. DENTONBFF.COM ADA/ADEA/EOE TDD: (800) 735-2989 1/16 www.cityofdenton.com Every lens tells a story. Find the right one for yours. Cheers to the storytellers. www.panavision.com MESSAGE Our Presenting Sponsor On behalf of Panavision, I’m thrilled to welcome you to the seventh annual Denton Black Film Festival. Panavision is a global provider of camera equipment, lighting packages, and post production services. As a company, we are dedicated to equipping Every lens tells a story. filmmakers around the world to bring their visions to life. Since 2018, we’ve been proud to partner with and sponsor the Denton Black Film Festival. Find the right one for yours. The organization’s focus on building community, sharing Black culture, and addressing underrepresentation in film and media is both essential and inspiring. We are honored to support this event, which provides an audience Cheers to the storytellers. for Black stories, a platform for Black creatives, and a showcase for their work. At Panavision, we believe we have a responsibility to positively support and impact underrepresented communities. It is our goal to empower individuals from these communities who aspire to or already work in the film, television, and commercial arenas. Through the grants that we present to select award recipients at the Denton Black Film Festival, we aim to provide vital access to equipment and services so that Black filmmakers will have the tools they need to succeed in creating and sharing the diverse stories that need to be told. This seventh edition of the festival, taking place nearly 12 months into a global pandemic, will certainly be unlike any of the previous six years. Nevertheless, the festival continues to expand the scope of the work it spotlights and embrace new platforms to reach and connect with an ever-growing audience. Over its six days of programming, the festival will present more than 100 films along with art, music, screen dance, poetry, spoken word, panels, and workshops. www.panavision.com We’re excited about what’s to come, at this year’s festival and beyond, as Panavision and the Denton Black Film Festival continue to build upon our work together to support, encourage, and promote the work of Black storytellers. Enjoy the festival! Sincerely, Kim Snyder President and CEO, Panavision 3 ENGAGE DENTON ENGAGE DENTON is City of Denton’s ENGAGE DENTON is City of Denton’s mobile app that allows you to: mobile app that allows you to: • Request City services • Request City services • Report potholes and street issues • Report potholes and street issues • Submit property maintenance issues • Submit property maintenance issues • Sign up for weekly solid waste and • Sign up for weekly solid waste and recycling reminders recycling reminders • Pay your utility bill and more! • Pay your utility bill and more! It’s as easy as 1, 2, 3: It’s as easy as 1, 2, 3: 1. Download Engage Denton in the 1. Download Engage Denton in the App Store or Google Play App Store or Google Play 2. Select your request type 2. Select your request type 3. Add a picture and description 3. Add a picture and description wwThenw .engagedenton.comthe City will get to work! wwThenw .engagedenton.comthe City will get to work! www.engagedenton.com www.cityofdenton.com • ADA/EOE/ADEA • TDD (800) 735-2989 www.cityofdenton.com • ADA/EOE/ADEA • TDD (800) 735-2989 MESSAGE DAASF President and DBFF Festival Director On behalf of the Board of The Denton African American Scholarship Foundation and serving as festival director for the Denton Black Film Festival, I welcome you to our Seventh Annual Festival. As the sponsoring organization for the festival we are very excited to have Panvision as our 2021 presenting sponsor. They are the world’s leading designer and manufacturer of high- precision lenses for the motion picture and television industries, and one of the world’s leading providers of camera systems, including both film and digital cameras. Their support of filmmakers and impact in the industry is significant. We thank all our sponsors and volunteers that have made the festival what it is today, and due to COVID-19 we will be a virtual festival for 2021! We are a cultural festival which comprises many aspects of black culture that you will experience this week. There have been a number of major issues that have impacted all of us, and we decided this year we would “tell our stories” through film, art, music, spoken word, workshops, panels, tech talks, and we are introducing screen dance and traditional poetry to the festival. Our goal is to help you “experience culture” through storytellers from all backgrounds and disciplines. The virtual world is new to us but we are finding our voice, and we have much to share with you. There is over 100 hours of content for you to see and just 6 days to experience it! Did anyone say binge watch? Going virtual has allowed us to share most of the content to you by video on demand (VOD) so you can view at your leisure. We will have some suggested screening times with live Q&A’s and many of the (free) workshops, panels and tech talks will have schedule times. We will screen 138 films with over 62 hours of film content from some of the best independent filmmakers from around the world. We have expanded the Institute’s workshops & panels including social and environmental justice topics and tech talks. Tatiana “Lady May” Mayfield will perform at the legendary Dan’s Silverleaf and what a voice! Betelhem Makonnen, a nationally recognized artist is our featured visual artist along with a collection of Dick Hendricks works, and we are very excited to share their works with you. continued on page 4 5 MESSAGE continued Although we have created this special week for you, the real reason for the event is our graduating high school seniors who are seeking scholarships to help pursue their dreams of a college education, as many of us were at one point in our life. Last year, we celebrated 36 years of service to the community. We are passionate about making a difference in the lives of students, and we know education is the great equalizer. Thank you again for supporting us and attending our virtual event. We hope you have a great time this weekend and please consider helping us make a difference with a donation to our 2021 festival and scholarship organization. Sincerely, Harry Eaddy President DAASF, Inc. 6 Delamar Place 116 W. College St., Denton TX 76201 (940) 323 – 2656 www.delamarmarketing.com Where community, inspiration, and creativity connect COMING SPRING 2021 7 NOTABLE LOSSES of 2020 Although there are many others that we lost during 2020, the Denton Black Film Festival would like to recognize these monumental people for their contributions to the entertainment industry, as well as society. Their talents, witnessed by many, will be remembered. * indicates complications due to COVID-19 Chadwick Boseman, died on August 28 at *Toots Hibbert, the reggae icon Frederick age 43 following a secret four-year battle with “Toots” Hibbert died in Kingston, Jamaica on colon cancer. September 11 at the age of 77. Attorney Bruce Boynton, Civil rights activist Jarad Anthony Higgins, an American rapper and Selma native, died on November 23 at popularly known as Juice WRLD, died on age 83. December 8. Bobby Brown Jr., the son of singer Bobby Pamela Hutchinson, 61 year old R&B singer Brown died in his Los Angeles home on on September 18 succumbed to health November 20. challenges that she had been battling for several years. Kobe Bryant passed away in a helicopter crash on January 26 in Calabasas, California, Bashar Barakah Jackson, up and coming alongside his 13-year-old daughter Gianna. He Brooklyn rapper popularized as Pop Smoke, was 41. died on February 19. Fred L. Davis, civic leader and businessman Wilson Roosevelt Jerman, an American died in Memphis, TN on May 12. He was 86. butler who served may presidents in the White House died on May 16. Chi Chi DeVayne, known for her appearances on “Rupaul’s Drag Race” died after a battle Katherine Johnson, the pioneering “Hidden with pneumonia. She was 34. Figures” NASA mathematician died February 24 at 101 years old. Ja’Net DuBois, the actress who played the role of Willona Woods on “Good Times,” died Rocky Johnson died January 15 of a heart February 18 at the age of 74. attack at the age if 75. John “Ecstasy” Fletcher, founder of the John Lewis, Georgia Representative and 1980s hip hop group Whodini died December iconic civil rights pioneer died on July 17 at 23 at 56. the age of 80 following a battle with Stage IV pancreatic cancer. Ruth Bader Ginsburg, Supreme Court justice and civil rights leader, died on September 18 Doreen Montalvo, actress died at age 56 on from complications of metastatic pancreas October 17 after a sudden ailment. cancer. She was 87. 8 Johnny Nash, singer-songwriter died on B. Smith, celebrated restaurateur and model, October 6 at the age of 80 at his home in died February 22 after struggling with early Houston. onset Alzheimer’s disease. *Charley Pride, country superstar died in *Carol Sutton, actress, died in New Orleans Dallas on December 12 of complications of on December 10 after a month long battle with coronavirus, he was 86 years old.
Recommended publications
  • Isaac Hayes Shaft Mp3, Flac, Wma
    Isaac Hayes Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Stage & Screen Album: Shaft Country: Germany Released: 1978 Style: Soul-Jazz, Soundtrack, Jazz-Funk, Soul, Funk MP3 version RAR size: 1368 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1656 mb Rating: 4.3 Votes: 692 Other Formats: AAC MOD VOX MMF ADX DXD MP4 Tracklist A1 Theme From Shaft (Vocal) 4:37 A2 Bumpy's Lament 1:49 A3 Walk From Regio's 2:22 A4 Ellie's Love Theme 3:16 A5 Shaft's Cab Ride 1:07 B1 Cafe Regio's 6:09 B2 Early Sunday Morning 3:47 B3 Be Yourself 4:27 B4 A Friend's Place 3:21 C1 Soulsville (Vocal) 3:47 C2 No Name Bar 6:09 C3 Bumpy's Blues 4:01 C4 Shaft Strikes Again 3:04 D1 Do Your Thing (Vocal) 19:38 D2 The End Theme 1:56 Companies, etc. Record Company – Stax Records, Inc. Recorded At – Stax Recording Studios Credits Arranged By [Horns & Strings] – J.J. Johnson (tracks: A3), Johnny Allen (tracks: A1, A2, A4 to D2) Art Direction – The Graffiteria Backing Vocals – "Hot" "Buttered" & "Soul"* Bass Guitar – James Alexander, Ronald Hudson (tracks: A5) Bongos, Congas [Congos] – Gary Jones Copyist – Mickey Gregory, Onzie Horne* Creative Director – Larry Shaw Design [Cover] – Tony Seiniger Drums, Tambourine – Willie Hall Edited By – Daryl Williams Electric Piano – Lester Snell Engineer – Bobby Manuel, Dave Purple, Henry Bush, William Brown* Engineer [Re-mix] – Dave Purple, Ron Capone Lead Guitar – Charles Pitts*, Michael Toles Performer [Rhythm Section] – The Bar-Kays*, The Movement* Piano – Sidney Kirk (tracks: A5) Piano, Vibraphone [Vibes], Organ, Electric Piano – Isaac Hayes Producer, Composed By, Performer, Arranged By [Horns & Strings] – Isaac Hayes Rhythm Guitar – Charles Pitts*, Michael Toles Strings, Horns – The Memphis Strings & Horns Notes Enterprise Records, A Division of Stax Records, Inc., 98 North Avalon, Memphis, USA Recorded at Stax Recording Studios, Memphis, Tenn.
    [Show full text]
  • NPRC) VIP List, 2009
    Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • Drag Is Not Consent Trixie Murtaya
    Drag Is Not Consent Trixie Maturely raploch, Torrance tune pantheism and overseen bomboras. Hoodless Roger usually compiling some pugging or topped mentally. Frankie bogs her evangelistaries healthfully, timber-line and insensate. Fitness and was the drag is not trixie and had to speak up after they had to from a lovely personality led to accomplish with her around the holocaust Omissions therefrom or not consent trixie struck a star. Game is known for drag not trixie lyx show has the person. Sweetheart she grew up to drag queen of two had her elimination being politically incorrect! On season for drag is not trixie mattel herself to boot instead of drag is great competitor was obviously grating on your reaction to say, she just the fans. Results are you the drag is trixie mattel is a tour stop in addition to! Stunning drag without the drag not consent trixie mattel is how are available! Meet and people to drag is not just the drag! Can set yourself to drag not consent to say than i love her miss congeniality by complaining about. Photos must have invited drag is not consent prior to music career in the mainstream stars season had a palette that i come back. Handmaids in drag not consent trixie mattel is not letting it over the specific episode was it slip that i come for. Ingredients in the show is not consent prior written permission is an enjoyable guided tour stop wearing a new. Americans have more, is consent to turn around, how fierce is this is interesting because they use.
    [Show full text]
  • HAYES by ROB BOWMAN
    i S f ? PERFORMERS HAYES By ROB BOWMAN IN THE PAST FIFTY YEARS, THERE HAVE BEEN A HAND- Hayes’s story is one of epic proportions. Begin­ ful of seminal, innovative albums that truly changed ning in 1969, with the release of Hot Buttered Soul, the course of popular-music history. LPs such as he became the biggest artist Stax Records ever pro­ Miles Davis’s Kind of Blue, James Brown’s Live at the duced and one of the most important artists in the Apollo, the Beatles’ Sgt. Pepper’s Lonely Hearts Club history of rhythm & blues. In the first few years of Band and the Sex Pistols’ Never Mind the Bollocks the 1970s, he single-handedly redefined the sonic opened new doors, created new possibilities and possibilities for black music, in the process opening suggested new directions to other musicians, record up the album market as a commercially viable me­ company personnel and fans alike. Each of these al­ dium for black artists. Earlier, Hayes, alongside bums, in its own way, defined a moment in time, cap­ partner David Porter, had helped shape the sound tured the Zeitgeist of an era and helped create a mu­ of soul music in the 1960s with such definitive com­ sical subgenre in the process. To have created one positions as “Hold On! I’m a Cornin’,” “Soul Man,” such album over the course of a career “When Something Is Wrong With My Isaac Hayes: (Opposite) is a heady accomplishment. To have Baby,” “B-A-B-Y,” “I T hank You” and In 1972, in Shaft mode, and “Wrap It Up.” The fact that one artist done it twice, as Isaac Hayes did with (above) as Black Moses, Hot Buttered Soul and Shaft, puts one in the title of one of three could be responsible for such disparate extremely rarefied company indeed.
    [Show full text]
  • CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September
    18738 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 with counterterrorism in a way that no Whereas Isaac Hayes greatly influenced Foundation, to schools in Memphis, Nash- other agency can. Working hand-in- contemporary music, and his style still re- ville, and Washington, DC for the purpose of hand with overseas entities who have sounds in the music of today; improving the musical education programs the charge for that, they make it their Whereas Isaac Hayes was born on August of those schools and for the purchase of mu- 20, 1942, in Covington, Tennessee, and, or- sical instruments; business to ensure that that foreign phaned in infancy, was raised by his mater- Whereas the State of Tennessee issued a terrorism doesn’t become an American nal grandparents; proclamation on August 18, 2008, honoring tragedy. Whereas Isaac Hayes spent his childhood Isaac Hayes and his contribution to the No other group is so prepared to rec- and formative years in Memphis, Tennessee, State of Tennessee and the entire Nation; ognize the needs of America and the years that shaped his future success as a Whereas Isaac Hayes was a loving father of civil rights of America. The FBI has songwriter, singer, and actor, working in 12 children, 14 grandchildren, and 3 great been a critical tool for President after cotton fields while going to school, and even grandchildren; and shining shoes on the famous Beale Street; President to enforce our civil rights Whereas, with the passing of Isaac Hayes Whereas Isaac Hayes graduated from Ma- on August 10, 2008, at his Memphis, Ten- laws often against the powerful, even nassas High School in Memphis in 1962 at the nessee home, the Nation has lost a talented against governors and other elected of- age of 21, having returned to school after and influential humanitarian, actor, artist, ficials who chose not to recognize the dropping out; radio show host, and singer-songwriter: Now, importance of the U.S.
    [Show full text]
  • NEGATIVE and DISCIPLINARY ACTIONS AGAINST CHILD CARE
    Division of Public Health NEGATIVE and DISCIPLINARY ACTIONS AGAINST CHILD CARE PROVIDERS Print Date: 3/5/2021 Feb 2011-Feb 2021 Page 1 of 389 To review the disciplinary action document for any licensee on this report , you may go to our license lookup web site at: http://www.nebraska.gov/LISSearch/search.cgi The disciplinary action documents are located in the 'Disciplinary/Non-Disciplinary Information' section of the licensee's record. PROFESSION LICENSE TYPE NAME PHYSICAL LOCATION LIC NO TYPE OF ACTION START DATE END DATE VIOLATION Early Childhood Child Care Center 24/2 CHILD CARE CENTER INC CCC9200 8025 MAPLE ST, Omaha NE 68134 Probation 5/29/2019 5/29/2020 3-006.15C Staff-to-Child Ratio 3-006.23A Infant Care Rooms 3-008.01 Grounds for Denial or Disciplin 6/25/2013 6/25/2014 8-002 Staff Qualifications 8-005 Teacher/Asst Teacher Qualification 8-006 Prior to Hire 8-009 Staffing 8-009.01 Staff Child Ratio 8-015 Infant Care 8-020 Sanitation Regulations 8-020.07 Napping/Sleeping Arrangements NEGATIVE and DISCIPLINARY ACTIONS AGAINST CHILD CARE PROVIDERS Print Date: 3/5/2021 Feb 2011-Feb 2021 Page 2 of 389 To review the disciplinary action document for any licensee on this report , you may go to our license lookup web site at: http://www.nebraska.gov/LISSearch/search.cgi The disciplinary action documents are located in the 'Disciplinary/Non-Disciplinary Information' section of the licensee's record. PROFESSION LICENSE TYPE NAME PHYSICAL LOCATION LIC NO TYPE OF ACTION START DATE END DATE VIOLATION Child Care Center 4 VIEWS ACADEMY CCC9237
    [Show full text]
  • “Drag Queens Talk Like Women, You Know”
    “Drag Queens Talk Like Women, You Know” - A study in the Use of the Hedge “You Know” in Feminine-Gendered Speech Danny Bennet t 2016 C-essay 15 hp Engelska 61-90 Handledare: Pia Visén Examinator: Marko Modiano Abstract The aim of this study was to analyze and compare the use of the verbal hedge “you know” in the spontaneous speech of women and drag queens to compare for instances of certainty and uncertainty as described by Holmes (1986). For the data, episodes of the reality shows RuPaul’s Drag Race Untucked which airs on Logo TV and The Real Housewives of Orange County which airs on Bravo TV were manually transcribed by the conventions of written speech. The use of “you know” was then analyzed by function and context. In the results of this study, the women used “you know” to express uncertainty more often than the drag queens, except not in the way Lakoff (2004) described as being an aspect of “women’s language.” The drag queens used “you know” more often to express certainty. However, when used to express uncertainty its use by the drag queens was more relevant to “women’s language” as described by Lakoff (2004) or an exaggerated performance of femininity. Key words: Drag queens, women’s language, language and gender, hedges 2 Table of contents Abstract…………………………………………………………………..2 1. Introduction…………………………………………………………....4 2. Literature Review……………………………………………………...4 2.1 Women’s Language and hedges……………………………………...4 2.2 Form and Function of “you know” …………………………………..6 2.2.1 “You know” expressing certainty…………………………………..7 2.2.2 “You know” expressing uncertainty………………………………..8 2.3 Face Work…………………………………………………………....10 2.4 Gender Performance…………………………………………………11 2.5 Brief History of Cross-Dressing…………………………………….12 2.6 Defining Drag……………………………………………………….13 2.7 RuPaul’s Drag Race…………………………………………………13 3.
    [Show full text]
  • Wavelength (September 1982)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1982 Wavelength (September 1982) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1982) 23 https://scholarworks.uno.edu/wavelength/23 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MEXICAN A! and ... Double Mexicana! MARGARITAS 2 for the price of one through September 15th both locations. If you have not yet discovered Vera Cruz, then you are in for a treat ... its delicious, authentic Mexican cuisine, wonderfully extensive menu, casual and charming atmosphere and friendly staff have made Vera Cruz one of the most popular meeting spots in the city. Stop by and sample one of our superb daily specials or have a cooler at the bar and acquaint yourself with an extraordinary restaurant! Uptown - Mon.-Sat. 11:30 am-10:30 pm, later on weekends Sunday - 11:30 am-9:00 pm Downtown - Mon.-Fri. 5:00 pm-10:30 pm . Saturday 12 noon-10:30 pm 1 Sunday 12 noon-9:00 pm Uptown on Maple Street French Quarter on Decatur 1141 Decatur (corner of Gov. Nicholls) 523.. 9377 • 7537 Maple St. 866-1736 ISSUE NO. 23 • SEPTEMBER 1982 "I'm not sure, but I'm almost positive, that all music came from New Orleans.
    [Show full text]
  • Culture Is a Drag 1
    CULTURE IS A DRAG 1 Culture is a Drag by Raven Walker Honors Thesis Appalachian State University Submitted to Department of Communication in partial fulfillment of the requirements for the degree of Bachelor of Science May, 2019 Approved by: ________________________________________________________ Debra Poulos, MA, Thesis Director ________________________________________________________ Jennifer Gray, Ph. D, Second Reader ________________________________________________________ CULTURE IS A DRAG 2 Jennifer Gray, Ph. D, Departmental Honors Director Abstract With Drag culture becoming more relevant there is more content to analyze for specific cultural messages. This is the basis of my thesis, to analyze the effects of drag queen culture on our current society and what notable characteristics this group of people holds. I will do this by analyzing several different television series, web shows, and online presences within the drag queen community, pointing out the specific cultural elements that this subculture displays. For example, there is now a television show that centers around the competitive nature of Drag queens, i.e. RuPaul’s Drag Race. To understand the potential effects of this television series, I ​ ​ will rhetorically analyze for cultural messages. After this, RuPaul’s Drag Race will be analyzed ​ ​ by looking for messages that pertain to the cultural subcategories. I believe that I will find that drag queens are part of a subculture that has truly unique elements; furthermore, with drag queens being present in mainstream media now, there is potential for other cultures to be influenced by their messages. Also, it will answer the question of why drag is currently resonating with pop culture like never before. CULTURE IS A DRAG 3 Culture is a Drag The phenomena of wanting to be something or someone other than yourself is not new.
    [Show full text]
  • The Fiercest Queens in the History of "Rupaul's Drag Race" Return to Battle It out on Logo's New Series "Rupaul's All Stars Drag Race"
    The Fiercest Queens in the History of "RuPaul's Drag Race" Return to Battle it Out on Logo's New Series "RuPaul's All Stars Drag Race" Pandora Boxx, Tammie Brown, Nina Flowers, Jujubee, Mimi Imfurst, Manila Luzon, Alexis Mateo, Chad Michaels, Raven, Latrice Royale, Shannel and Yara Sofia Vie to Secure a Spot in the "Drag Race Hall of Fame" and $100K Celebrity Guest Judges Include: Rosie Perez, Ross Matthews, Rachel Hunter, Vickie Lawrence, Busy Phillips, Rachel Dratch, Janice Dickinson, Wendy McClendon-Covey, Elvira, Beth Ditto and Cheri Oteri "RuPaul's All Stars Drag Race" Premieres Monday, October 22 at 9:00 PM ET/PT Followed by the Season Premiere of "Untucked: All Stars" at 10:00 PM ET/PT NEW YORK, Aug. 9, 2012 /PRNewswire/ -- They come armed with stilettos, feathers and sequins, prepared for a battle where one false move—or eyelash—could spell doom. They are the best-of-the-best, the top queens from "RuPaul's Drag Race" Seasons 1-4, and they're ready to lip-synch for their lives to determine which All-Star will walk away with $100K and a spot in the "Drag Race Hall of Fame." Join RuPaul as he welcomes back the most celebrated queens of the past for Logo's new series "RuPaul's All Stars Drag Race" -- the wildest, most jaw-dropping, and outrageous Drag Race yet. Comprised of six, one-hour episodes, "RuPaul's All Stars Drag Race" premieres Monday, October 22 at 9 PM ET/PT on Logo with a special "Rupersized" episode containing 10 bonus minutes.
    [Show full text]
  • CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14
    18740 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 music unequaled by any other single per- Today is a day of both great sadness and PRIVILEGED REPORT ON RESOLU- former.’’ joy—sadness that Isaac has left us too soon TION RECOMMENDING THAT THE Isaac Hayes hailed from humble beginnings and joy that we were fortunate enough to have HOUSE OF REPRESENTATIVES in Covington, Tennessee. He spent his child- known him. Isaac was a personal friend and a FIND KARL ROVE IN CONTEMPT hood and formative years in Memphis, years supporter in my re-election bid, actively partici- OF CONGRESS FOR REFUSAL TO which shaped his future success as a song- pating in my campaign. I appreciate his talent, COMPLY WITH A SUBPOENA writer, singer, and actor, graduating from Ma- his contributions to his fellow man and his DULY ISSUED BY THE COM- nassas High School. Undoubtedly, Isaac’s in- friendship. He rose from the most humble of MITTEE ON THE JUDICIARY fluences can be attributed to his time spent in beginnings to fame and wealth but he never Mr. SCOTT of Virginia, from the church singing gospel music with the Morning forgot where he came from and he retained Committee on the Judiciary, submitted Stars, doo-wop with Sir Isaac & the Doo-Dads, his love and respect for his fellow human a privileged report (Rept. No. 110–847) the Teen Tones and the Ambassadors. Isaac beings. Being in the presence of Isaac made on the resolution recommending that Hayes became a soul music icon with his one want to be a better person, to do good.
    [Show full text]
  • “I'm a Mountain Biking Vampire Witch from the Future!” Queer Decolonial
    “I’m a Mountain Biking Vampire Witch From the Future!” Queer Decolonial Killjoys in Queer Studies and Politics by Charlotte Theresa Hoelke A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctorate in Philosophy in Canadian Studies Carleton University Ottawa, Ontario © 2018, Charlotte Theresa Hoelke Hoelke, 1 Abstract This thesis asks how queer scholarship and politics will maintain a radically queer critical edge, specifically an unsettling, decolonial approach that does not take for granted the continuance of queer liberal and settler colonial structures. A longstanding debate in queer studies and politics is the tension between queer assimilation vs queer radicalism. However, even the radical unsettling approaches that discuss radical queer futurity (Muñoz, and Edelman) often do not centre the important context of settler colonialism, even while critiquing normativity and imagining better futures. So how do we locate examples of imaginings of queer decolonial futures: ones that account for settler colonialism? To find out, I chose to examine selected performances in specific popular “silly archives of unhappy feelings,” and found complex examples of uncanny, at times monstrous, performances by artists (Trixie Mattel, Katya Zamoldchikova and Miss Chief Eagle Testickle). These artists, I argue, exemplify and embody the characteristics of what I call “Queer Decolonial Killjoys” (QDKs). Building on Ahmed’s concepts of “Feminist Killjoys,” and “Unhappy Queers,” I demonstrate that the artists I discuss not only unsettle gendered, sexualized, and racialized norms (à la Ahmed), but that they also act as Decolonial Killjoys because they use complex performative strategies to also critique settler colonialism and queer liberalism.
    [Show full text]