DOCSLIB.ORG

Isaac Hayes Shaft Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Isaac Hayes Shaft Mp3, Flac, Wma Isaac Hayes Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Stage & Screen Album: Shaft Country: Germany Released: 1978 Style: Soul-Jazz, Soundtrack, Jazz-Funk, Soul, Funk MP3 version RAR size: 1368 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1656 mb Rating: 4.3 Votes: 692 Other Formats: AAC MOD VOX MMF ADX DXD MP4 Tracklist A1 Theme From Shaft (Vocal) 4:37 A2 Bumpy's Lament 1:49 A3 Walk From Regio's 2:22 A4 Ellie's Love Theme 3:16 A5 Shaft's Cab Ride 1:07 B1 Cafe Regio's 6:09 B2 Early Sunday Morning 3:47 B3 Be Yourself 4:27 B4 A Friend's Place 3:21 C1 Soulsville (Vocal) 3:47 C2 No Name Bar 6:09 C3 Bumpy's Blues 4:01 C4 Shaft Strikes Again 3:04 D1 Do Your Thing (Vocal) 19:38 D2 The End Theme 1:56 Companies, etc. Record Company – Stax Records, Inc. Recorded At – Stax Recording Studios Credits Arranged By [Horns & Strings] – J.J. Johnson (tracks: A3), Johnny Allen (tracks: A1, A2, A4 to D2) Art Direction – The Graffiteria Backing Vocals – "Hot" "Buttered" & "Soul"* Bass Guitar – James Alexander, Ronald Hudson (tracks: A5) Bongos, Congas [Congos] – Gary Jones Copyist – Mickey Gregory, Onzie Horne* Creative Director – Larry Shaw Design [Cover] – Tony Seiniger Drums, Tambourine – Willie Hall Edited By – Daryl Williams Electric Piano – Lester Snell Engineer – Bobby Manuel, Dave Purple, Henry Bush, William Brown* Engineer [Re-mix] – Dave Purple, Ron Capone Lead Guitar – Charles Pitts*, Michael Toles Performer [Rhythm Section] – The Bar-Kays*, The Movement* Piano – Sidney Kirk (tracks: A5) Piano, Vibraphone [Vibes], Organ, Electric Piano – Isaac Hayes Producer, Composed By, Performer, Arranged By [Horns & Strings] – Isaac Hayes Rhythm Guitar – Charles Pitts*, Michael Toles Strings, Horns – The Memphis Strings & Horns Notes Enterprise Records, A Division of Stax Records, Inc., 98 North Avalon, Memphis, USA Recorded at Stax Recording Studios, Memphis, Tenn. Special thanks to Lester Snell and Tom McIntosh Second pressing with Enterprise rainbow vinyl labels Track listing as on back cover, track listing on labels is different Copies might include inner sleeves promoting new Stax releases Also released with different album indicators Barcode and Other Identifiers Matrix / Runout (Album 1 Side One): ES-0297 Matrix / Runout (Album 1 Side Two): ES-0300 Matrix / Runout (Album II Side One): ES-0298 Matrix / Runout (Album II Side Two): ES-0299 Other versions Title Category Artist Label Category Country Year (Format) ENS-2-5002, ENS Isaac Shaft (2xLP, Enterprise, ENS-2-5002, ENS US 1971 2-5002 Hayes Album, Blu) Enterprise 2-5002 Isaac Shaft (LP, ENLP 9083 Enterprise ENLP 9083 Brazil 1974 Hayes Album) Shaft (CD, Stax, Universal Isaac UK & 0888072317512 Album, Dlx, Music Group 0888072317512 2009 Hayes Europe RE, RM) International ENS 2-5002, Isaac Shaft (2xLP, Enterprise, ENS 2-5002, Canada 1971 ENS-2-5002 Hayes Album) Enterprise ENS-2-5002 Shaft (2xLP, Isaac 0888072029248 Album, RE, Enterprise 0888072029248 Europe 2018 Hayes RM, 180) Related Music albums to Shaft by Isaac Hayes Isaac Hayes - Theme From Shaft / Cafe Regio's Isaac Hayes - Theme From "Shaft" / Theme From "The Men" Dando Shaft - An Evening With Dando Shaft Isaac Hayes - Live At The Sahara Tahoe The Ventures - Theme From Shaft Isaac Hayes - Theme From Shaft R.B. Freeman / The R.B. Freeman Band - I'm Shaft (You Ain't Shaft) Isaac Hayes • Gordon Parks • Johnny Pate - Shaft Anthology: His Big Score And More! Isaac Hayes - Live At Montreux 2005 Pocho Perez y Su Orquesta - Vilinista En El Tejado / Theme From Shaft Isaac Hayes / Jean Knight - The Golden Dance-Floor Hits Vol. 18 Various - Theme From Shaft.
Load more

Recommended publications
  • Download DBFF 2021 Guide
    JANUARY 27 - FEBRUARY 1, 2021 FILM | ART | MUSIC Denton Municipal SPOKEN WORD | DANCE Electric has been PANELS | WORKSHOPS Denton’s hometown Presented by Denton African American Scholarship Foundation, Inc. electric provider for over 110 years. DENTONBFF.COM ADA/ADEA/EOE TDD: (800) 735-2989 1/16 www.cityofdenton.com Every lens tells a story. Find the right one for yours. Cheers to the storytellers. www.panavision.com MESSAGE Our Presenting Sponsor On behalf of Panavision, I’m thrilled to welcome you to the seventh annual Denton Black Film Festival. Panavision is a global provider of camera equipment, lighting packages, and post production services. As a company, we are dedicated to equipping Every lens tells a story. filmmakers around the world to bring their visions to life. Since 2018, we’ve been proud to partner with and sponsor the Denton Black Film Festival. Find the right one for yours. The organization’s focus on building community, sharing Black culture, and addressing underrepresentation in film and media is both essential and inspiring. We are honored to support this event, which provides an audience Cheers to the storytellers. for Black stories, a platform for Black creatives, and a showcase for their work. At Panavision, we believe we have a responsibility to positively support and impact underrepresented communities. It is our goal to empower individuals from these communities who aspire to or already work in the film, television, and commercial arenas. Through the grants that we present to select award recipients at the Denton Black Film Festival, we aim to provide vital access to equipment and services so that Black filmmakers will have the tools they need to succeed in creating and sharing the diverse stories that need to be told.
    [Show full text]
  • “It's Just a Matter of Time”: African American Musicians and The
    “It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
    [Show full text]
  • NPRC) VIP List, 2009
    Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • HAYES by ROB BOWMAN
    i S f ? PERFORMERS HAYES By ROB BOWMAN IN THE PAST FIFTY YEARS, THERE HAVE BEEN A HAND- Hayes’s story is one of epic proportions. Begin­ ful of seminal, innovative albums that truly changed ning in 1969, with the release of Hot Buttered Soul, the course of popular-music history. LPs such as he became the biggest artist Stax Records ever pro­ Miles Davis’s Kind of Blue, James Brown’s Live at the duced and one of the most important artists in the Apollo, the Beatles’ Sgt. Pepper’s Lonely Hearts Club history of rhythm & blues. In the first few years of Band and the Sex Pistols’ Never Mind the Bollocks the 1970s, he single-handedly redefined the sonic opened new doors, created new possibilities and possibilities for black music, in the process opening suggested new directions to other musicians, record up the album market as a commercially viable me­ company personnel and fans alike. Each of these al­ dium for black artists. Earlier, Hayes, alongside bums, in its own way, defined a moment in time, cap­ partner David Porter, had helped shape the sound tured the Zeitgeist of an era and helped create a mu­ of soul music in the 1960s with such definitive com­ sical subgenre in the process. To have created one positions as “Hold On! I’m a Cornin’,” “Soul Man,” such album over the course of a career “When Something Is Wrong With My Isaac Hayes: (Opposite) is a heady accomplishment. To have Baby,” “B-A-B-Y,” “I T hank You” and In 1972, in Shaft mode, and “Wrap It Up.” The fact that one artist done it twice, as Isaac Hayes did with (above) as Black Moses, Hot Buttered Soul and Shaft, puts one in the title of one of three could be responsible for such disparate extremely rarefied company indeed.
    [Show full text]
  • CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September
    18738 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 with counterterrorism in a way that no Whereas Isaac Hayes greatly influenced Foundation, to schools in Memphis, Nash- other agency can. Working hand-in- contemporary music, and his style still re- ville, and Washington, DC for the purpose of hand with overseas entities who have sounds in the music of today; improving the musical education programs the charge for that, they make it their Whereas Isaac Hayes was born on August of those schools and for the purchase of mu- 20, 1942, in Covington, Tennessee, and, or- sical instruments; business to ensure that that foreign phaned in infancy, was raised by his mater- Whereas the State of Tennessee issued a terrorism doesn’t become an American nal grandparents; proclamation on August 18, 2008, honoring tragedy. Whereas Isaac Hayes spent his childhood Isaac Hayes and his contribution to the No other group is so prepared to rec- and formative years in Memphis, Tennessee, State of Tennessee and the entire Nation; ognize the needs of America and the years that shaped his future success as a Whereas Isaac Hayes was a loving father of civil rights of America. The FBI has songwriter, singer, and actor, working in 12 children, 14 grandchildren, and 3 great been a critical tool for President after cotton fields while going to school, and even grandchildren; and shining shoes on the famous Beale Street; President to enforce our civil rights Whereas, with the passing of Isaac Hayes Whereas Isaac Hayes graduated from Ma- on August 10, 2008, at his Memphis, Ten- laws often against the powerful, even nassas High School in Memphis in 1962 at the nessee home, the Nation has lost a talented against governors and other elected of- age of 21, having returned to school after and influential humanitarian, actor, artist, ficials who chose not to recognize the dropping out; radio show host, and singer-songwriter: Now, importance of the U.S.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected]
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected] Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. Paper 664. http://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. King’s legacy in mass culture. This work likewise is wrought from an intricate combination of support and insight derived from many individuals who, in some way, shape, or form, contributed encouragement, scholarly knowledge, or exceptional wisdom.
    [Show full text]
  • Wavelength (September 1982)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1982 Wavelength (September 1982) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1982) 23 https://scholarworks.uno.edu/wavelength/23 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MEXICAN A! and ... Double Mexicana! MARGARITAS 2 for the price of one through September 15th both locations. If you have not yet discovered Vera Cruz, then you are in for a treat ... its delicious, authentic Mexican cuisine, wonderfully extensive menu, casual and charming atmosphere and friendly staff have made Vera Cruz one of the most popular meeting spots in the city. Stop by and sample one of our superb daily specials or have a cooler at the bar and acquaint yourself with an extraordinary restaurant! Uptown - Mon.-Sat. 11:30 am-10:30 pm, later on weekends Sunday - 11:30 am-9:00 pm Downtown - Mon.-Fri. 5:00 pm-10:30 pm . Saturday 12 noon-10:30 pm 1 Sunday 12 noon-9:00 pm Uptown on Maple Street French Quarter on Decatur 1141 Decatur (corner of Gov. Nicholls) 523.. 9377 • 7537 Maple St. 866-1736 ISSUE NO. 23 • SEPTEMBER 1982 "I'm not sure, but I'm almost positive, that all music came from New Orleans.
    [Show full text]
  • CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14
    18740 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 music unequaled by any other single per- Today is a day of both great sadness and PRIVILEGED REPORT ON RESOLU- former.’’ joy—sadness that Isaac has left us too soon TION RECOMMENDING THAT THE Isaac Hayes hailed from humble beginnings and joy that we were fortunate enough to have HOUSE OF REPRESENTATIVES in Covington, Tennessee. He spent his child- known him. Isaac was a personal friend and a FIND KARL ROVE IN CONTEMPT hood and formative years in Memphis, years supporter in my re-election bid, actively partici- OF CONGRESS FOR REFUSAL TO which shaped his future success as a song- pating in my campaign. I appreciate his talent, COMPLY WITH A SUBPOENA writer, singer, and actor, graduating from Ma- his contributions to his fellow man and his DULY ISSUED BY THE COM- nassas High School. Undoubtedly, Isaac’s in- friendship. He rose from the most humble of MITTEE ON THE JUDICIARY fluences can be attributed to his time spent in beginnings to fame and wealth but he never Mr. SCOTT of Virginia, from the church singing gospel music with the Morning forgot where he came from and he retained Committee on the Judiciary, submitted Stars, doo-wop with Sir Isaac & the Doo-Dads, his love and respect for his fellow human a privileged report (Rept. No. 110–847) the Teen Tones and the Ambassadors. Isaac beings. Being in the presence of Isaac made on the resolution recommending that Hayes became a soul music icon with his one want to be a better person, to do good.
    [Show full text]
  • Isaac Hayes Shaft Mp3, Flac, Wma
    Isaac Hayes Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Stage & Screen Album: Shaft Country: US Released: 1971 Style: Soul-Jazz, Soundtrack, Jazz-Funk, Soul, Funk MP3 version RAR size: 1407 mb FLAC version RAR size: 1589 mb WMA version RAR size: 1805 mb Rating: 4.6 Votes: 518 Other Formats: DXD MP2 AIFF AU WMA DTS TTA Tracklist A1 Theme From Shaft (Vocal) 4:37 A2 Bumpy's Lament 1:49 A3 Walk From Regio's 2:22 A4 Ellie's Love Theme 3:15 A5 Shaft's Cab Ride 1:07 B1 Cafe Regio's 6:09 B2 Early Sunday Morning 3:47 B3 Be Yourself 4:27 B4 A Friend's Place 3:21 C1 Soulsville (Vocal) 3:47 C2 No Name Bar 6:09 C3 Bumby's Blues 4:01 C4 Shaft Strikes Again 3:04 D1 Do Your Thing (Vocal) 19:38 D2 The End Theme 1:56 Companies, etc. Manufactured By – Polydor Ltd. Distributed By – Polydor Ltd. Recorded At – Stax Recording Studios Mastered At – RCA Studios, Toronto Credits Arranged By [Horns & Strings] – Johnny Allen Art Direction – The Graffiteria Backing Vocals – "Hot" "Buttered" & "Soul"* Bass Guitar – James Alexander, Ronald Hudson (tracks: A5) Bongos, Congas [Congos] – Gary Jones Copyist – Mickey Gregory, Onzie Horne* Creative Director – Larry Shaw Design [Cover] – Tony Seiniger Drums, Tambourine – Willie Hall Edited By – Daryl Williams Electric Piano – Lester Snell Engineer – Bobby Manuel, Dave Purple, Henry Bush, William Brown* Engineer [Re-mix] – Dave Purple, Ron Capone Lead Guitar – Charles Pitts*, Michael Toles Performer [Rhythm Section] – The Bar-Kays*, The Movement* Piano – Sidney Kirk (tracks: A5) Piano, Vibraphone [Vibes], Organ, Electric Piano – Isaac Hayes Producer, Composed By, Performer, Arranged By [Horns & Strings] – Isaac Hayes Rhythm Guitar – Charles Pitts*, Michael Toles Strings, Horns – The Memphis Strings & Horns Notes ℗ 1973 Manufactured And Distributed By Polydor Ltd.
    [Show full text]
  • Isaac Hayes Hotbed Mp3, Flac, Wma
    Isaac Hayes Hotbed mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Hotbed Country: France Released: 1978 Style: Soul, Disco MP3 version RAR size: 1835 mb FLAC version RAR size: 1550 mb WMA version RAR size: 1321 mb Rating: 4.7 Votes: 740 Other Formats: WAV VOC AUD DXD AAC XM MOD Tracklist Hide Credits A1 Use Me 5:47 A2 I'm Gonna Have To Tell 4:07 A3 The Ten Commandments Of Love 6:00 B1 Feel Like Makin' Love 13:36 Hobosac And Me B2 4:39 Keyboards – Lester SnellSynthesizer – Lester Snell Credits Art Direction – Phil Carroll Bass – Errol Thomas, William Murphy Congas – Jimmy Lee Thompson Drums – Willie Hall Guitar – Charles Pitts*, Sammy Watts Horns – The Memphis Horns Keyboards – Isaac Hayes, Sidney Kirk Liner Notes – David Porter Mastered By – Larry Nix Percussion – Gary Jones , Willie Cole Photography By – Norman Seeff Producer – Isaac Hayes Remix – William C. Brown III Strings – The Memphis Strings Vocals – Isaac Hayes Barcode and Other Identifiers Rights Society: SACEM Other versions Category Artist Title (Format) Label Category Country Year STX 4102 Isaac Hayes Hotbed (LP, Album, Gat) Stax STX 4102 US 1978 5C 062-61376 Isaac Hayes Hotbed (LP, Album, Gat) Stax 5C 062-61376 Netherlands 1978 STX-4102 Isaac Hayes Hotbed (LP, Album) Stax STX-4102 US 1978 PM 472 Isaac Hayes Hotbed (Cass, Album) Fonit Cetra PM 472 Italy 1980 C-LP-S-95-1 Isaac Hayes Hotbed (Cass, Album) Stax C-LP-S-95-1 Portugal 1978 Related Music albums to Hotbed by Isaac Hayes Isaac Hayes - Juicy Fruit (Disco Freak) Isaac Hayes - And Once Again Isaac Hayes - Groove-A-Thon Isaac Hayes - Joy Isaac Hayes - "Shaft" Dance Mixes Isaac Hayes - Shaft Isaac Hayes Movement - Disco Connection Isaac Hayes - Don't Let Go Isaac Hayes - Light My Fire Isaac Hayes - Chocolate Chip.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions Of
    E1796 CONGRESSIONAL RECORD — Extensions of Remarks September 16, 2008 HONORING THE LIFE AND MUSIC Whereas Isaac Hayes, through his Isaac side Gate 19 in United’s Terminal C. Both OF THE LATE ISAAC HAYES Hayes Foundation, built an 8,000 square foot memorials appeared spontaneously, raised educational facility in Ghana, West Africa, and by airport and airline employees without SPEECH OF fanfare or ceremony. These two memorials was a strong advocate for the education and are one and the same. And there is no HON. STEVE COHEN well-being of the children of Ghana; In 1992, grander memorial. That memorial is the flag OF TENNESSEE in recognition of his humanitarian work, he of the United States of America. IN THE HOUSE OF REPRESENTATIVES was crowned an honorary king of Ghana’s The flags fly proudly to this day, and will Ada district. likely fly forever. They symbolize the deter- Monday, September 15, 2008 Whereas Isaac Hayes donated thousands of mination of this airport, this Nation, and the Mr. COHEN. Mr. Speaker, Isaac Hayes dollars, through grants from his Isaac Hayes community assembled here to recover from made an indelible impact on the hearts, minds Foundation, to schools in Memphis, Nashville, that grievous wound. Today, we dedicate a third memorial as a and souls of his fans that has sustained for and Washington, DC for the purpose of im- remembrance of that day and its impact on generations. Dick Clark observed: ‘‘It’s rare proving the musical education programs of all of us. This memorial is accessible to all when an artist’s talent can touch an entire those schools and for the purchase of musical who come to this airport.
    [Show full text]