DOCSLIB.ORG

CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 18738 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 with counterterrorism in a way that no Whereas Isaac Hayes greatly influenced Foundation, to schools in Memphis, Nash- other agency can. Working hand-in- contemporary music, and his style still re- ville, and Washington, DC for the purpose of hand with overseas entities who have sounds in the music of today; improving the musical education programs the charge for that, they make it their Whereas Isaac Hayes was born on August of those schools and for the purchase of mu- 20, 1942, in Covington, Tennessee, and, or- sical instruments; business to ensure that that foreign phaned in infancy, was raised by his mater- Whereas the State of Tennessee issued a terrorism doesn’t become an American nal grandparents; proclamation on August 18, 2008, honoring tragedy. Whereas Isaac Hayes spent his childhood Isaac Hayes and his contribution to the No other group is so prepared to rec- and formative years in Memphis, Tennessee, State of Tennessee and the entire Nation; ognize the needs of America and the years that shaped his future success as a Whereas Isaac Hayes was a loving father of civil rights of America. The FBI has songwriter, singer, and actor, working in 12 children, 14 grandchildren, and 3 great been a critical tool for President after cotton fields while going to school, and even grandchildren; and shining shoes on the famous Beale Street; President to enforce our civil rights Whereas, with the passing of Isaac Hayes Whereas Isaac Hayes graduated from Ma- on August 10, 2008, at his Memphis, Ten- laws often against the powerful, even nassas High School in Memphis in 1962 at the nessee home, the Nation has lost a talented against governors and other elected of- age of 21, having returned to school after and influential humanitarian, actor, artist, ficials who chose not to recognize the dropping out; radio show host, and singer-songwriter: Now, importance of the U.S. Constitution. Whereas Isaac Hayes began singing at the therefore, be it The FBI has never been a partisan or- age of 5 at his local church and soon after Resolved, That the House of Representa- ganization and has, in fact, served each taught himself to play the piano, electronic tives— organ, flute, and saxophone; (1) honors the life of Isaac Hayes; and every administration in a way that Whereas Isaac Hayes began playing in local we today commemorate and appreciate (2) recognizes Isaac Hayes for his invalu- bands, and at age 21 worked as a backup mu- able contributions to American culture; so much. sician for Stax Records, for which he eventu- (3) recommits itself to ensuring that art- Once again, Mr. Speaker, for the first ally became a noted music producer and in- ists such as Isaac Hayes receive fair protec- 90-plus years, the FBI was important. house songwriter; tion under the copyright laws for their cre- After September 11, 2001, the FBI’s ex- Whereas Isaac Hayes became a prolific ative endeavors; and panded role is vital. songwriter who, in partnership with his Stax (4) extends condolences to his family on With that, I urge the passage of this Records songwriting and production partner, the death of this talented and beloved man. David Porter, wrote many classic hits for bill. other artists, including ‘‘Hold On, I’m The SPEAKER pro tempore. Pursu- I yield back the balance of my time. Comin’ ’’, ‘‘B-A-B-Y’’, and ‘‘Soul Man’’; ant to the rule, the gentleman from Mr. SCOTT of Virginia. Mr. Speaker, Whereas the partnership of Isaac Hayes Virginia (Mr. SCOTT) and the gen- I yield back the balance of my time. and David Porter composed some 200 songs; tleman from California (Mr. ISSA) each The SPEAKER pro tempore. The Whereas Isaac Hayes created the will control 20 minutes. question is on the motion offered by groundbreaking musical score and theme The Chair recognizes the gentleman the gentleman from Virginia (Mr. song for the movie ‘‘Shaft’’; from Virginia. Whereas Isaac Hayes was the recipient of SCOTT) that the House suspend the an Academy Award, a Golden Globe, the Edi- GENERAL LEAVE rules and agree to the concurrent reso- son Award, the NAACP Image Award, and Mr. SCOTT of Virginia. Mr. Speaker, lution, H. Con. Res. 410. two Grammy Awards; I ask unanimous consent that all Mem- The question was taken. Whereas Isaac Hayes was inducted into the bers have 5 legislative days to revise The SPEAKER pro tempore. In the Rock and Roll Hall of Fame in 2002; and extend their remarks and include opinion of the Chair, two-thirds being Whereas Isaac Hayes, a BMI songwriter, re- extraneous material on the resolution in the affirmative, the ayes have it. ceived 5 BMI R&B Awards, 2 BMI Pop under consideration. Mr. ISSA. Mr. Speaker, I object to Awards, and 2 BMI Urban Awards, and was honored as a BMI Icon in 2003; The SPEAKER pro tempore. Is there the vote on the ground that a quorum Whereas Isaac Hayes was inducted into the objection to the request of the gen- is not present and make the point of Songwriters Hall of Fame on June 9, 2005; tleman from Virginia? order that a quorum is not present. Whereas Isaac Hayes generated more than There was no objection. The SPEAKER pro tempore. Pursu- 12 million performances from his songs Mr. SCOTT of Virginia. Mr. Speaker, ant to clause 8 of rule XX and the throughout his life; I yield myself such time as I may con- Chair’s prior announcement, further Whereas Isaac Hayes was instrumental in sume. proceedings on this motion will be staging the 1972 Wattstax concert performed Mr. Speaker, today we honor the life at the Los Angeles Coliseum in the summer postponed. of 1972, an event that was a great source of and musical legacy of Isaac Hayes, a The point of no quorum is considered pride for the African-American Los Angeles passionate humanitarian, whose pro- withdrawn. community of Watts and that focused world- lific songwriting and distinctive bari- f wide attention on issues of social and eco- tone were loved across generations and nomic justice for that beleaguered commu- around the world. b 1730 nity, while also highlighting the great Mem- He overcame humble beginnings and HONORING THE LIFE AND MUSIC phis Stax sound; personal obstacles to make excellent OF THE LATE ISAAC HAYES Whereas Isaac Hayes was a television and contributions in many endeavors. He film actor, appearing in countless television Mr. SCOTT of Virginia. Mr. Speaker, shows and three dozen movies, including was a true Renaissance man, an ex- I move to suspend the rules and agree roles in ‘‘The A-Team’’, ‘‘The Fresh Prince of traordinary singer, songwriter and to the resolution (H. Res. 1425) hon- Bel Air’’, ‘‘Girlfriends’’, and ‘‘Miami Vice’’; music producer who also achieved suc- oring the life and music of the late Whereas Isaac Hayes started the Isaac cess as a pianist, saxophone player, Isaac Hayes, a passionate humani- Hayes Foundation, whose mission is to glob- cookbook author, radio show host, and ally promote literacy, music education, nu- tarian, whose music laid the founda- television and motion picture actor. tritional education, and innovative programs Born in Covington, Tennessee, trag- tion for many musical styles, including to raise self-esteem among the underprivi- R&B, disco, and rap. leged; ically orphaned as an infant, and raised The Clerk read the title of the resolu- Whereas Isaac Hayes was strongly devoted by his maternal grandparents, Isaac tion. to promoting literacy through the world and Hayes came to know the pleasures of The text of the resolution is as fol- was named the international spokesman for country life but also the hardships of lows: the Applied Scholastics’ World Literacy Cru- rural poverty. sade; Shortly after his family moved to H. RES. 1425 Whereas Isaac Hayes, through his Isaac Memphis for the greater opportunities Whereas Isaac Hayes was a true renais- Hayes Foundation, built an 8,000 square foot in the ‘‘big city,’’ his grandfather sance man who achieved success in vocal per- educational facility in Ghana, West Africa, formances, songwriting, humanitarian work, and was a strong advocate for the education passed away. To help his family sur- and television and motion picture endeavors, and well-being of the children of Ghana; vive, Isaac Hayes worked in cotton and as a radio show host, pianist, saxophone Whereas Isaac Hayes donated thousands of fields, cut lawns, and cleaned bricks at player, restaurateur, and cookbook author; dollars, through grants from his Isaac Hayes two cents apiece, all while going to VerDate Mar 15 2010 12:59 Apr 06, 2011 Jkt 069102 PO 00000 Frm 00042 Fmt 0687 Sfmt 0634 E:\BR08\H15SE8.001 H15SE8 WReier-Aviles on DSKJ8SOYB1PROD with BOUND RECORD September 15, 2008 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 18739 school. He even shined shoes on Mem- He was an excellent advocate for his the Memphis sound that he had helped phis’ famous Beale Street. fellow songwriters and vocal artists. He to give birth to and the different Despite experiencing rural, and then was humble, well-spoken, and pas- genres that had been spawned by that, urban, poverty, he found ways to bring sionate about protecting creative and I know that all of Tennessee today music into a central role in his life. At works, not just for the benefit of art- is fiercely proud of Isaac and his work. the age of five, he began singing in his ists, but also for the benefit of our na- Isaac was more than a great musi- local church and before long had also tional economy.
Load more

Recommended publications
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool.
    [Show full text]
  • Ma Vis Sta P
    Biografia s es l vi p a t S Ma The Legendary Mavis Staples Mavis Staples, leggenda del Soul e del Gospel, è una delle più conosciute e preziose voci della musica contemporanea. Sia come solista che in collaborazione con i The Staple Singers, dimostra di essere una forza ispiratrice della moderna cultura po- polare e musicale. Slang Music Via S.Francesco, 3 - 25075 Nave (BS) Tel. 0302531536 - Fax 0302536348 - Cell. 3356715992 www.slangmusic.com - [email protected] Faith Comes Through Da oltre 40 anni sulle scene musicali, vincitrice di molti Grammy Awards, introdotta s nella “Rock and Roll Hall of Fame” come “100 Greatest Women of Rock and Roll”, Mavis è causa del divampare del Rhythm & Blues non abbandonando però mai le origini gospel. es l Influenzata da molti artisti da Bob Dylan a Prince, (che le danno il soprannome di vi “the epitome of soul”) vanta apparizioni con ognuno di loro a partire da Janis Joplin, Pink Floyd, Santana, Tom Petty & The Heartbreakers nonché collaborazioni con Dr John, Los Lobos, Aretha Franklin, Marty Stuart e molti altri. p Impegnata attivamente per ben 4 decadi nei movimenti dei diritti civili si esibisce alle inaugurazioni presidenziali di John Kennedy, Jimmy Carter e Bill Clinton. a Il suo CD Live: Hope at the Hideout, registrato al Hideout Club di Chicago e già nominato come Best Contemporary Blues Album, cattura l’energia di una sera, una t rara convergenza di tempo e spazio. Il piccolo club ricrea un ambiente famigliare dove Mavis riesce ad esprimere al mas- simo il suo stile e la band che la accompagna, formata da soli 3 membri e 3 vocalist S Ma permette di puntare l’attenzione interamente sulla sua voce.
    [Show full text]
  • Programme, Le Lieu Des Concerts N’Était Pas Encore Connu
    ATLANTIQUE JAZZ FESTIVAL #18 du 2 au 10 octobre / atlantique jazz tour À une époque où repli et crispation identitaire deviennent envahissants, où les Paul Jarret emma étranges étrangers sont parqués, maltraités et renvoyés aux frontières ; nous devons réaffirmer qui nous sommes, d’où nous venons. Marc Ducret ICI Nous ne pouvons laisser se tarir la création et la diversité musicale qui font la lun 11 oct / brest marque de Plages Magnétiques, car ces musiques sont des ponts entre l’histoire Heure Magnétique et le présent, l’ici et l’ailleurs, l’identité et l’altérité ; construites sur trois piliers : • l’hospitalité, le métissage et la différence. mardi 12 oct / brest Heure Magnétique Parce que vivre en relation est un besoin impérieux, KHAMSIN film l’Atlantique Jazz Festival dédie sa 18e édition aux migrations. H. Labarrière & S. Kassap + Julien Desprez Abacaxi De l’Est breton à la ville-phare de Brest, une myriade d’événements • sera proposée, placée sous le signe de la rencontre : mercredi 13 oct / brest Heure Magnétique … d’un temps à l’autre – à travers plus d’un siècle de jazz, entre oppression La litanie des cimes raciste et émancipation créatrice. La musique d’aujourd’hui continue de puiser Thing Big + The Bridge Crying out loud dans le combat permanent que des hommes, et encore plus des femmes, ont • mené pour vivre de leur musique et surtout la faire vivre. Jeudi 14 oct / brest Heure Magnétique … d’une rive à l’autre – nous vivons à un carrefour de routes maritimes et Quatuor Poisson Chat imaginaires reliant l’Amérique, l’Afrique et bien au-delà.
    [Show full text]
  • Robert Glasper's In
    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • A SIX -HOUR DOCUMENTARY- "WATTSTAX REVISITED" %S the WATTSTAX '72 CONCERT MADE MUSICAL HISTORY
    NOW AVAILABLE! A SIX -HOUR DOCUMENTARY- "WATTSTAX REVISITED" %s THE WATTSTAX '72 CONCERT MADE MUSICAL HISTORY LASTAUGUST IN THE LOS ANGELES MEMORIAL COLISEUM. OVER 100,000 PEOPLE TURNED OUT TO HEAR ONE OF THE MOST EXCITING LIVE CONCERTS EVER STAGED! Featuring THE BAR-KAYS EMOTIONS ISAAC HAYES DAVID PORTER ALBERT KING RANCE ALLEN GROUP SOUL CHILDREN STAPLE SINGERS TOMMY TATE JOHNNIE TAYLOR CARLA THOMAS RUFUS THOMAS EDDIE FLOYD BILLY ECKSTINE REV. JESSE JACKSON, JR. Special interviews and commentary with Stax artists including 30 full minutes with Black Moses himself. Now, a six -hour documentary, "Wattstax Revisited" is for radio ever produced. It's a powerful programming tool being made available to selected radio stations through- that will build audience and make you money at the same out the United States on an exclusive basis. It contains time. It will be available on a first come -first served basis all the excitement of the original concert mixed down into to only one station per market. a high quality recording plus interviews and commentary. If you are interested in acquiring the exclusive broad- This is the original Wattstax '72 concert in its entirety, and casting rights to "Wattstax Revisited" for your station, the total product in this documentary is not available any- contact us immediately and we will forward full informa- where else, in the film or on record. tion and a demonstration tape. "Wattstax Revisited" is one of the most exciting packages FOR ADDITIONAL INFORMATION Please contact: Produced by Ted Randal Enterprises Jim Dorse, Marketing Director Directed by Ted Randal & Tom Reed TED RANDAL ENTERPRISES Assistant Director Bill Graham 1606 N.
    [Show full text]
  • The Funky Diaspora
    The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music.
    [Show full text]
  • Lesson Plan #8 Tonight's Top Story
    Lesson Plan #8 Tonight’s Top Story Celebrating Black History Month Audience: Junior or senior high aged students or individuals Achievements: Exploring educational standards for English, Creative Writing, History, Civics, Public Speaking skills; Researching significant people and events in American and world history; Compiling details of a historical figure or event into a written paper or oral presentation. Activity: Lights, camera, action! Turn your classroom into the set of a network news station, and turn students into news reporters. Spend part of a class period discussing the developments of American music history and the significance of African Americans in the origins of rock ‘n’ roll and soul music. This activity would be best executed following a field trip to the Memphis Rock ‘n’ Soul Museum, which offers an extensive and comprehensive historical outline of the development of America’s musical genres from early rural music and field hollers through the creation of rock ‘n’ roll and soul music and to the present. Assign this activity before your museum visit, but executing it afterwards. Have students select an African American musician, producer or disc jockey who has made significant contributions to their field. Some possibilities would include Otis Redding, W.C. Handy, B.B. King, Al Green, Isaac Hayes, Barry Gordy, Russell Simmons, Robert Johnson, Leontyne Price, Thelonious Monk, Miles Davis, Tina Turner, Rufus Thomas, Quincy Jones, Mahalia Jackson. An extensive list and accompanying biographies are available at www.infoplease.com/spot/bhmpeople6.html. Students may also choose to research an event or entity like Wattstax, WDIA Radio, STAX Records, Hi Records, Soul Train or Motown Records.
    [Show full text]
  • Download DBFF 2021 Guide
    JANUARY 27 - FEBRUARY 1, 2021 FILM | ART | MUSIC Denton Municipal SPOKEN WORD | DANCE Electric has been PANELS | WORKSHOPS Denton’s hometown Presented by Denton African American Scholarship Foundation, Inc. electric provider for over 110 years. DENTONBFF.COM ADA/ADEA/EOE TDD: (800) 735-2989 1/16 www.cityofdenton.com Every lens tells a story. Find the right one for yours. Cheers to the storytellers. www.panavision.com MESSAGE Our Presenting Sponsor On behalf of Panavision, I’m thrilled to welcome you to the seventh annual Denton Black Film Festival. Panavision is a global provider of camera equipment, lighting packages, and post production services. As a company, we are dedicated to equipping Every lens tells a story. filmmakers around the world to bring their visions to life. Since 2018, we’ve been proud to partner with and sponsor the Denton Black Film Festival. Find the right one for yours. The organization’s focus on building community, sharing Black culture, and addressing underrepresentation in film and media is both essential and inspiring. We are honored to support this event, which provides an audience Cheers to the storytellers. for Black stories, a platform for Black creatives, and a showcase for their work. At Panavision, we believe we have a responsibility to positively support and impact underrepresented communities. It is our goal to empower individuals from these communities who aspire to or already work in the film, television, and commercial arenas. Through the grants that we present to select award recipients at the Denton Black Film Festival, we aim to provide vital access to equipment and services so that Black filmmakers will have the tools they need to succeed in creating and sharing the diverse stories that need to be told.
    [Show full text]
  • Various Music from the Wattstax Festival & Film
    Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The
    [Show full text]
  • Isaac Hayes Shaft Mp3, Flac, Wma
    Isaac Hayes Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Stage & Screen Album: Shaft Country: Germany Released: 1978 Style: Soul-Jazz, Soundtrack, Jazz-Funk, Soul, Funk MP3 version RAR size: 1368 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1656 mb Rating: 4.3 Votes: 692 Other Formats: AAC MOD VOX MMF ADX DXD MP4 Tracklist A1 Theme From Shaft (Vocal) 4:37 A2 Bumpy's Lament 1:49 A3 Walk From Regio's 2:22 A4 Ellie's Love Theme 3:16 A5 Shaft's Cab Ride 1:07 B1 Cafe Regio's 6:09 B2 Early Sunday Morning 3:47 B3 Be Yourself 4:27 B4 A Friend's Place 3:21 C1 Soulsville (Vocal) 3:47 C2 No Name Bar 6:09 C3 Bumpy's Blues 4:01 C4 Shaft Strikes Again 3:04 D1 Do Your Thing (Vocal) 19:38 D2 The End Theme 1:56 Companies, etc. Record Company – Stax Records, Inc. Recorded At – Stax Recording Studios Credits Arranged By [Horns & Strings] – J.J. Johnson (tracks: A3), Johnny Allen (tracks: A1, A2, A4 to D2) Art Direction – The Graffiteria Backing Vocals – "Hot" "Buttered" & "Soul"* Bass Guitar – James Alexander, Ronald Hudson (tracks: A5) Bongos, Congas [Congos] – Gary Jones Copyist – Mickey Gregory, Onzie Horne* Creative Director – Larry Shaw Design [Cover] – Tony Seiniger Drums, Tambourine – Willie Hall Edited By – Daryl Williams Electric Piano – Lester Snell Engineer – Bobby Manuel, Dave Purple, Henry Bush, William Brown* Engineer [Re-mix] – Dave Purple, Ron Capone Lead Guitar – Charles Pitts*, Michael Toles Performer [Rhythm Section] – The Bar-Kays*, The Movement* Piano – Sidney Kirk (tracks: A5) Piano, Vibraphone [Vibes], Organ, Electric Piano – Isaac Hayes Producer, Composed By, Performer, Arranged By [Horns & Strings] – Isaac Hayes Rhythm Guitar – Charles Pitts*, Michael Toles Strings, Horns – The Memphis Strings & Horns Notes Enterprise Records, A Division of Stax Records, Inc., 98 North Avalon, Memphis, USA Recorded at Stax Recording Studios, Memphis, Tenn.
    [Show full text]
  • Wattstax: “Black Woodstock” and the Legendary Film It
    Angeles headed by Forest Hamilton, the son of jazz drum- mer Chico Hamilton. Stax West was conceived with a man- WATTSTAX: date that included the promotion and marketing of existing Stax products, the ferreting out of untapped regional talent, and the establishment of Stax within Hollywood’s motion “BLACK picture and television industries. According to John KaSandra, one of Stax’s West Coast– based artists, Wattstax began in March of 1972 WOODSTOCK” when “I came down [to the L.A. office] with an idea that we’d have a black Woodstock.” Seven years earlier, to the chanting of “burn, baby, burn,” a sizable section of the pre- dominantly black Watts neighborhood of Los Angeles had AND THE been destroyed by fire during the first of the 1960s race riots (referred to as “rebellions” within the community). The Watts Summer Festival had been established to commem- LEGENDARY orate the rebellions and raise money for the ailing commu- nity. It was Hamilton’s idea that Stax should be involved in the 1972 festival for promotional purposes, and he had not FILM IT forgotten KaSandra’s “black Woodstock” idea. On August 20, 1972, that notion blossomed into an epic one- day festival at the Los Angeles Coliseum. The day INSPIRED opened with Reverend Jesse Jackson leading the audience in a proclamation of the black litany, “I Am Somebody,” followed by Kim Weston singing the black national anthem, by Rob Bowman “Lift Every Voice and Sing.” It closed with Isaac Hayes as Black Moses embodying the strength, beauty, and spiritu- ality of contemporary black culture.
    [Show full text]
  • Global Music Pulse: the POP CATALOG Poser's Collective
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IIII111II1 II I 1I1II,1IIII 1I,1II1J11 III 111IJ1IInIII #BXNCCVR 3-DIGIT 908 #90807GEE374EM002# BLBD 779 A06 B0128 001 033002 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 14, 2001 COMMENTAR Y SENATE NEARING TACKLES MUSICNET PROPOSAL RAISES How To Revive INTERNET MUSIC ISSUES QUESTIONS OF FAIRNESS BY BILL HOLLAND The Senate hearing focused Singles Market BY FRANK SAXE goes into the label's pockets. WASHINGTON, D.C.-Of the many mainly on the issues of licensing NEW YORK-While the music in- Streaming media developer Real- issues presented by the 14- witness product from labels and music pub- BY MICHAEL ELLIS dustry was busy touting its new Networks is teaming with Warner panel at the Senate Judiciary Com- lishers, but no lawmakers hinted at The collapse of the U.S. sin- MusicNet digital download Music Group (WMG), mittee hearing April 3 to examine the legislation to help solve the many gles market-down more than initiative, critics were call- Inapster BMG Entertainment, growing pains marketplace 40% this year so far -is terri- ing into question the team- and the EMI Group to and problematic problems. In ble for the U.S. record indus- ing of three -fifths of the create the online sub- implications of fact, commit- try. The cause of the decline is music business into a sin- scription music service, online music, tee chairman not a lack of interest among gle entity that may one which is set to bow this lawmakers Sen.
    [Show full text]