Trixie Mattel and Katya Dating
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2020 Submissions
2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St. -
Michigan Model in Ad Campaign That Queers '70S Beauty Standards
Cold As Hell Winter Pride Brings Back Kink Pushing Forward: Roland Leggett Talks Long-Term Goals Black Queer Kids: Latrice Royale Has Something to Tell You Vintage With a Twist BTL Photo: AndrewMichigan Potter Model in Ad Campaign That Queers ’70s Beauty Standards PRIDESOURCE.COM FEBRUARY 18, 2021 | VOL. 2908 | FREE 18 14 2 BTL | January 14, 2021 www.PrideSource.com NEWS VOL. 2908 • February 18, 2021 4 A New Campaign Redefines ‘70s Beauty Standards With LGBTQ Themes ISSUE 1168 6 Michigan’s Poppin: A Closer Look at Prim-n-Poppin Model Jesi Taylor Cruz PRIDE SOURCE MEDIA GROUP 8 Cold As Hell Winter Pride Brings Back Kink in 2021 Phone 734-263-1476 PUBLISHERS 9 Pushing Forward: Roland Leggett Reelected MDP LGBT&A Caucus Chair, Talks Benjamin Jenkins Term Goals [email protected] Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Analysis: How Michigan’s Surrogacy Law Harms Prospective Parents, Gay and DIRECTOR OF OPERATIONS Straight Alike Tom Wesley 18 [email protected] OPINION EDITORIAL Entertainment Editor Chris Azzopardi 10 Parting Glances [email protected] 10 Viewpoint: By Rhiannon Chester-Bey News & Feature Editor Eve Kucharski 11 One Million Moms [email protected] News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, PETS Drew Howard, Jonathan Thurston 14 Gay-Owned Bingo Institue of CREATIVE Columnists Grooming Outgrows Old Location, Charles Alexander, Michelle E. Brown, 8 Moves Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith, Dana Rudolph 16 Lesbian-Owned Detroit Vet Clinic Oldest in US -
MASTERCLASS Meet
MASTERCLASS Meet uPaul Charles’s chameleonic qualities have made him a television icon, spiritual guide, and R the most commercially successful drag queen in United States history. Over a nearly three-decade career, he’s ushered in a new era of visibility for drag, upended gender norms, and highlighted queer talent from across the world—all while dressed as a fierce glamazon. “Be willing to become the shape-shifter that you absolutely are.” Born in San Diego, California, RuPaul first experienced mainstream success when a dance track he wrote called “Supermodel (You Better Work)” became an unexpected MTV hit (Ru stars in the music video). The song led to a modeling contract with MAC Cosmetics and a talk show on VH1, which saw RuPaul interviewing everyone from Nirvana to the Backstreet Boys and Diana Ross to Bea Arthur. He has since appeared in more than three dozen films and TV shows, including Broad City, The Simpsons, But I’m a Cheerleader!, and To Wong Foo, Thanks for Everything! Julie Newmar. RuPaul’s Drag Race, Ru’s decade-old, Emmy-winning reality drag competition, has gone international, with spin-offs set in the U.K. and Thailand. He’s also published three books: 2 RuPaul 1995’s Lettin’ It All Hang Out, 2010’s Workin’ It!, and 2018’s GuRu, which features a foreword from Jane Fonda. Recently, he became the first drag queen to land the cover of Vanity Fair. His Netflix debut, AJ and the Queen, premiered on the streaming service in January 2020. RuPaul saw drag as a tool that would guide his punk rock, anti-establishment ethos. -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
Un Reality Para Los Que Entienden Y Los Que No
Un reality para los que entienden y los que no El programa RuPaul’s Drag Race y su contexto lingüístico: la dificultad de traducir el vocabulario drag y los juegos de palabras Arnau Pérez i Sampietro Tutor: Patrick Zabalbeascoa Terran Seminario 204: Traducció audiovisual Curso 2017-2018 Abstract This project aims to show different aspects that should be taken into account when translating a TV show like RuPaul’s Drag Race, a show because of the specific vocabulary of a subculture inside the LGBT minority, and because of its use of puns and sense of humour. As an introduction, a small explanation of what the program is about, its context in the USA society and its current fame are given, as well as a consideration about key aspects to be taken into account before getting into the translation. These include the thought process of deciding whether to use subtitles or dubbing, gender treatment of drag queen contestants, the presence of humour, and humour aspects behind what is said and how to make it possible for a Spanish-speaking person to understand them. After that, a small analysis of existing translations of the show into Spanish is presented. The most important aspect of this study is the translation we propose of different elements of the show. These translations are divided in three categories, including: typical slang used by drag queens on or off the show; specific phraseology that originated or has been popularised by the show; and puns extracted from the show. The translation options are followed by an explanation of the translation process, taking into account the fact that it should be as comprehensible as it is to an English viewer of the show but it also has to make a Spanish viewer laugh as much. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Rupaul's Drag Race All Stars Season 2
Media Release: Wednesday August 24, 2016 RUPAUL’S DRAG RACE ALL STARS SEASON 2 TO AIR EXPRESS FROM THE US ON FOXTEL’S ARENA Premieres Friday, August 26 at 8.30pm Hot off the heels of one of the most electrifying seasons of RuPaul’s Drag Race, Mama Ru will return to the runway for RuPaul’s Drag Race All Stars Season 2 and, in a win for viewers, Foxtel has announced it will be airing express from the US from Friday, August 26 at 8.30pm on a new channel - Arena. In this second All Stars instalment, YouTube sensation Todrick Hall joins Carson Kressley and Michelle Visage on the judging panel alongside RuPaul for a season packed with more eleganza, wigtastic challenges and twists than Drag Race has ever seen. The series will also feature some of RuPaul’s favourite celebrities as guest judges, including Raven- Symone, Ross Matthews, Jeremy Scott, Nicole Schedrzinger, Graham Norton and Aubrey Plaza. Foxtel’s Head of Channels, Stephen Baldwin commented: “We know how passionate RuPaul fans are. Foxtel has been working closely with the production company, World of Wonder, and Passion Distribution and we are thrilled they have made it possible for the series to air in Australia just hours after its US telecast.” RuPaul’s Drag Race All Stars Season 2 will see 10 of the most celebrated competitors vying for a second chance to enter Drag Race history, and will be filled with plenty of heated competition, lip- syncing for the legacy and, of course, the All-Stars Snatch Game. The All Stars queens hoping to earn their place among Drag Race Royalty are: Adore Delano (S6), Alaska (S5), Alyssa Edwards (S5), Coco Montrese (S5), Detox (S5), Ginger Minj (S7), Katya (S7), Phi Phi O’Hara (S4), Roxxxy Andrews (S5) and Tatianna (S2). -
THE TUFTS DAILY Tufts Dining Workers and Students Are Pictured Marching in the ‘Picket for a Fair Dining Contract’ on March 5
WOMEN’S LACROSSE Work-study students discuss pressures, commitments see FEATURES / PAGE 4 Jumbos put on offensive clinic in win over Continentals A call for trustee transparency SEE SPORTS/BACK PAGE see OPINION/ PAGE 10 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 HE UFTS AILY VOLUME LXXVII, ISSUE 30T T D MEDFORD/SOMERVILLE, MASS. WEDNESDAY, MARCH 6, 2019 tuftsdaily.com More than 800 people attend picket for dining workers, strike vote set for March 14 KYLE LUI / THE TUFTS DAILY Tufts Dining workers and students are pictured marching in the ‘Picket for a Fair Dining Contract’ on March 5. by Alexander Thompson “Tufts University can afford for one job He said the university hopes to resolve the situ- Trisha O’Brien, a dining services atten- Assistant News Editor to be enough for all workers. It was never ation as soon as possible. dant at Kindlevan Café who held the banner a question of affordability, it’s a question of The dining workers first began their negoti- at the head of the procession as it moved to In a dramatic development in their sev- respect for human dignity,” Lang told the ations with Tufts in August 2018. Dewick-MacPhie Dining Center, said that she en-month campaign for a contract with crowd through a megaphone. “This admin- In an email to the Daily after the latest would vote for the the strike because she the university, Tufts Dining workers will istration is getting increasingly isolated on round of negotiations on Feb. 27, Mike Kramer, thinks negotiations are not going well, and a vote on whether to go on strike on March this campus and in the communities around the lead negotiator for UNITE HERE Local 26, strike is necessary in order for the workers to 14, according to UNITE HERE Local 26 this campus.” wrote that the sticking points were key eco- secure a fair contract. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
Dragbecomeshim Credits.Pdf
Opening Title Credits Drag Becomes Him Directed by Alex Berry Produced by Basil Shadid Produced by Jacob Leander Michael Strangeways Starring Jerick Hoffer as Jinkx Monsoon Executive Producers Lara Sanderson Jeff Sanderson billie rain Alix Kolar Closing Credits DIRECTED BY Alex Berry PRODUCED BY Basil Shadid STARRING Jerick Hoffer as Jinkx Monsoon PRODUCED BY Michael Strangeways Jacob Leander EXECUTIVE PRODUCERS Lara Sanderson Jeff Sanderson EXECUTIVE PRODUCERS DUAL POWER PRODUCTIONS billie rain Alix Kolar DIRECTOR OF PHOTOGRAPHY Alex Berry EDITING Alex Berry Basil Shadid ON CAMERA INTERVIEWS Benjimen Blair, Sylvia O’Stayformore Deanne Hoffer, Jerick’s mom Jacob Hoffer, Jerick’s brother Melissa Hoffer, Jerick’s aunt Kevin Kauer, Editor in Chief of Nark Magazine Marc Kenison, Waxie Moon Zan Gibbs, Former SMYRC Coordinator Brian Daniel Peters, Mama Tits Amanda Russel, Jerick’s friend Nick Sahoyah, Collaborator Jessie Underhill, Jerick’s friend Michelle Visage, RuPaul’s Drag Race Judge Jason Wikander, Jerick’s dad Jeremy Wikander, Jerick’s brother Closing Credits PERFORMERS Roxxxy Andrews Richard Andriessen Pandora Boxx Jaxen Brown Peaches Christ Bianca Del Rio Adore Delano Ben DelaCreme Sydni Deveraux Alyssa Edwards Fuchsia Fox Lou Henry Hoover Detox Icunt Kitten Larue Aleksa Manila Coco Montrese Shanghai Pearl RuPaul Cherdonna Shinatra Jamie Von Stratton The Luminous Pariah Alaska Thunderfuck Mama Tits Ivy Winters POST PRODUCTION SUPPORT by JAYA PRODUCTIONS Nikki Jones - Editor Alex Perrault - Editing Supervisor COLORIST Joel Voelker AUDIO -
Deconstructing Abject Complacency of Ascribed Gender
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2018 Deconstructing Abject Complacency of Ascribed Gender Kyle M. Hooten Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Interdisciplinary Arts and Media Commons Recommended Citation Hooten, Kyle M. “Deconstructing Abject Complacency of Ascribed Gender.” Georgia Southern University, 2018. This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. DECONSTRUCTING ABJECT COMPLACENCY OF ASCRIBED GENDER by KYLE HOOTEN (Under the Direction of Jessica Burke) ABSTRACT My life has been dedicated to the relentless pursuit of masculinity throughout my transition from female to male. While originally focusing on the physical transition, my attention is now focused on the social aspects of transition. For me, this involved coming out, managing legal name/gender change paperwork, and understanding a newfound, cultural privilege. This is where I draw inspiration to create my work. My process and techniques are informed by Drag Kings and Queens as well as contemporary culture and art. After performing as a Drag King for a year I developed a sense of gender that differed from what I was taught as a female child. Because of this I started to reinterpret traditionally feminine crafts as a way to perform masculinity for the visual consumption of an audience. -
“Lip-Sync for Your Life” (Abroad)
volume 9 issue 17/2020 “LIP-SYNC FOR YOUR LIFE” (ABROAD) THE DISTRIBUTION, ADAPTATION AND CIRCULATION OF RUPAUL’S DRAG RACE IN ITALY Luca Barra Dipartimento delle Arti, Università di Bologna [email protected] Paola Brembilla Dipartimento delle Arti, Università di Bologna [email protected] Linda Rossato Dipartimento di Studi Linguistici e Culturali Comparati, Università Ca’ Foscari, Venezia [email protected] Lucio Spaziante Dipartimento di Filosofia e Comunicazione, Università di Bologna [email protected] Abstract: The article aims to critically explore and understand the ways both RuPaul’s star persona and its show, RuPaul’s Drag Race, are distributed in Italy, circulate across, and impact on the Italian television industry and media culture. It also aims to express how many forms of national mediation, professional negotiation and audience reception deeply modify, and re-shape the TV product. To tackle the manifold facets of this case, four aspects will be analyzed: (trans)national distribution; adaptation and dubbing; global/local stardom; reception and cultural impact. Over a decade, the Italian edition and distribution of the show have changed, together with the national media landscape and its audiences. Keywords: Italian television, media industries, reception studies, dubbing, stardom, celebrity 1 Introduction RuPaul’s Drag Race is a TV show, a reality competition with drag queen contestants performing and being evaluated by expert judges, which has reached the eleventh season and given birth to several extensions and spinoffs. In the US, the program has long been broadcast on linear channel Logo (2009-2016), and has then moved to VH1 (2017-), which is part of the same company, Viacom.