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AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
Rethinking Athenian Democracy.Pdf
Rethinking Athenian Democracy A dissertation presented by Daniela Louise Cammack to The Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science Harvard University Cambridge, Massachusetts January 2013 © 2013 Daniela Cammack All rights reserved. Professor Richard Tuck Daniela Cammack Abstract Conventional accounts of classical Athenian democracy represent the assembly as the primary democratic institution in the Athenian political system. This looks reasonable in the light of modern democracy, which has typically developed through the democratization of legislative assemblies. Yet it conflicts with the evidence at our disposal. Our ancient sources suggest that the most significant and distinctively democratic institution in Athens was the courts, where decisions were made by large panels of randomly selected ordinary citizens with no possibility of appeal. This dissertation reinterprets Athenian democracy as “dikastic democracy” (from the Greek dikastēs, “judge”), defined as a mode of government in which ordinary citizens rule principally through their control of the administration of justice. It begins by casting doubt on two major planks in the modern interpretation of Athenian democracy: first, that it rested on a conception of the “wisdom of the multitude” akin to that advanced by epistemic democrats today, and second that it was “deliberative,” meaning that mass discussion of political matters played a defining role. The first plank rests largely on an argument made by Aristotle in support of mass political participation, which I show has been comprehensively misunderstood. The second rests on the interpretation of the verb “bouleuomai” as indicating speech, but I suggest that it meant internal reflection in both the courts and the assembly. -
Chapter 6 Studying and Comparing Second-Order Elections
Chapter 6 Studying and Comparing Second-Order Elections. Examples from Greece, Portugal and Spain. Stavros Skrinis and Eftichia Teperoglou University of Athens,Greece Abstract Since the formulation of the second-order election model there have been many studies comparing first and second order contests, in particular national and European elections. However, few analyses have been conducted on the relationship between different types of SOEs. This paper uses the Index of Dissimilarity, a measure used to compare elections of different types, in order to shed light on the relationship between municipal (local level) and European (supra-national level) elections in three Southern European countries, Greece, Portugal and Spain. We use aggregate electoral results from the capitals of Greek prefectures (51), the capitals of Portuguese districts (18 district capitals of mainland Portugal plus the capitals of Azores and Madeira) and the capitals of Spanish provinces (50). We focus on the last three municipal elections in each country, which are compared with the closest European (and parliamentary) contests. We observe high dissimilarity, which makes us believe that local and European contests are quite independent from one another and that voting choice is affected by different criteria. 164 Stavros Skrinis and Eftichia Teperoglou Introduction In the study of different types of elections in Europe, there are some topics that have been examined more than others. One of the less favoured ones deals with the relationship between local and European contests. Interest in examining the relationship between the two different sorts of second order elections may be placed in a narrow framework about the application and the prospects of the second order model or in a broader one. -
Gone Too Soon
Gone too Soon Navigating grief and loss as a result of substance use At First Nothing makes sense. You think you won’t survive. Somewhere deep down you know the reality, but on the surface it is unbelievable, unbelievable. You may sense a small relief as now the worst imaginable has happened. There will be no more unrelenting, debilitating worry, but then there’s guilt at the sense of relief. You sleep away the days or you can’t sleep, you question your god, your own intelligence, your memory, you may lose your appetite or the will to even drink water, you feel exhausted all the time you feel out of control, ungrounded, or you may wish for total control over your environment All these things, and sometimes all it at once. Then You want everything back to the way it was – house clean and orderly, work, bills, laundry but you find you have a new job now: obituary, funeral plans, condolence cards, visitors, the loved one’s possessions, official business with the hospital, the coroner, the police. Grief may hide behind the door for a moment or an hour, but it never walks away. —Leslie McBain About this Handbook This handbook was written by the British Columbia Centre on Substance Use in collaboration with the British Columbia Bereavement Helpline and the Affected Persons Liaison with the British Columbia Coroners Service. It has been adapted for a Canadian audience and translated into French by Health Canada. The handbook was created with the guidance of Leslie McBain and Jennifer Woodside, who generously shared their stories and experiences and what they wish they had known in the immediate days after they lost children to drug-related harms, as well as what they wished they had known in the months and years after. -
A Bedlam of Shenanigans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2015 A Bedlam of Shenanigans Andrew F. Kooy University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Kooy, Andrew F., "A Bedlam of Shenanigans" (2015). University of New Orleans Theses and Dissertations. 2091. https://scholarworks.uno.edu/td/2091 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. A Bedlam of Shenanigans A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Fiction by Andrew Franklin Kooy B.A. Simpson University, 2007 December, 2015 Acknowledgments To my Professors in the Creative Writing Workshop, thank you for challenging me to write more interestingly. Thank you for questioning my logic and giving me the tools to better question it myself. -
Michael Jackson Thriller Video Dance Version Mp3 Download Michael Jackson Thriller Video Dance Version Mp3 Download
michael jackson thriller video dance version mp3 download Michael jackson thriller video dance version mp3 download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e14fe92ddac442 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download Michael Jackson - Michael Jackson's Vision (2009) Album. 1. Don't Stop 'Til You Get Enough 2. Dirty Diana 3. Smooth Criminal 4. Another Part of Me (Live) 5. Speed Demon 6. Come Together 7. Leave Me Alone 8. Liberian Girl 9. Black or White 10. Remember the Time 11. In the Closet 12. Rock With You 13. Jam 14. Heal the World 15. Give In to Me 16. Who Is It 17. Will You Be There 18. Gone Too Soon 19. Scream 20. Childhood (Theme from "Free Willy 2") [Michael Jackson's Vision] 21. You Are Not Alone 22. Earth Song 23. She's Out of My Life 24. They Don't Care About Us 25. -
Comparative Study of Electoral Systems Module 3
COMPARATIVE STUDY OF ELECTORAL SYSTEMS - MODULE 3 (2006-2011) CODEBOOK: APPENDICES Original CSES file name: cses2_codebook_part3_appendices.txt (Version: Full Release - December 15, 2015) GESIS Data Archive for the Social Sciences Publication (pdf-version, December 2015) ============================================================================================= COMPARATIVE STUDY OF ELECTORAL SYSTEMS (CSES) - MODULE 3 (2006-2011) CODEBOOK: APPENDICES APPENDIX I: PARTIES AND LEADERS APPENDIX II: PRIMARY ELECTORAL DISTRICTS FULL RELEASE - DECEMBER 15, 2015 VERSION CSES Secretariat www.cses.org =========================================================================== HOW TO CITE THE STUDY: The Comparative Study of Electoral Systems (www.cses.org). CSES MODULE 3 FULL RELEASE [dataset]. December 15, 2015 version. doi:10.7804/cses.module3.2015-12-15 These materials are based on work supported by the American National Science Foundation (www.nsf.gov) under grant numbers SES-0451598 , SES-0817701, and SES-1154687, the GESIS - Leibniz Institute for the Social Sciences, the University of Michigan, in-kind support of participating election studies, the many organizations that sponsor planning meetings and conferences, and the many organizations that fund election studies by CSES collaborators. Any opinions, findings and conclusions, or recommendations expressed in these materials are those of the author(s) and do not necessarily reflect the views of the funding organizations. =========================================================================== IMPORTANT NOTE REGARDING FULL RELEASES: This dataset and all accompanying documentation is the "Full Release" of CSES Module 3 (2006-2011). Users of the Final Release may wish to monitor the errata for CSES Module 3 on the CSES website, to check for known errors which may impact their analyses. To view errata for CSES Module 3, go to the Data Center on the CSES website, navigate to the CSES Module 3 download page, and click on the Errata link in the gray box to the right of the page. -
Michael Jackson
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 1 Germany / United Kindom / U S A Michael Jackson No. of Titles Positions Michael Joseph Jackson (August 29, 1958 – Peak Tot. T10 #1 Tot. T10 #1 June 25, 2009) was an American singer, 1 48 20 2 842 117 9 songwriter and dancer. Dubbed the "King of 1 65 44 7 838 158 16 Pop", he is regarded as one of the most 1 51 30 13 732 183 37 significant cultural icons of the 20th century and is also regarded as one of the greatest 1 72 47 17 2.412 458 62 entertainers of all time. Jackson's contributions to music, dance, and fashion, along with his publicized personal life, made him a global figure in popular culture for over four decades. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Got To Be There 02/1972 5 11 6910/1971 4 14 2 Rockin' Robin 05/1972 3 14 6803/1972 2 13 3 I Wanna Be Where You Are 05/1972 16 11 4 Ben 11/1972 7 17 4708/1972 1 1 16 5 Ain't No Sunshine 08/1972 8 13 3 6 With A Child's Heart 05/1973 50 7 7 We're Almost There 08/1981 46 4 03/1975 54 8 8 Just A Little Bit Of You 06/1975 23 12 9 Ease On Down The Road 11/1978 45 7 09/1978 41 9 ► Michael Jackson & Diana Ross 10 You Can't Win 02/1979 81 3 11 Don't Stop 'til You Get Enough 11/1979 13 28 09/1979 3 19 5607/1979 1 1 21 12 Rock With You 03/1980 58 10 02/1980 7 15 2911/1979 1 4 24 13 Off The Wall 11/1979 7 12 1202/1980 10 17 14 She's Out Of My Life 05/1980 3 11 4204/1980 10 16 15 Girlfriend 07/1980 41 5 16 One Day In Your Life 05/1981 1 2 16 6 04/1981 55 7 17 The Girl Is Mine 01/1983 53 4 11/1982 8 12 21011/1982 2 18 ► Michael Jackson & Paul McCartney 18 Billie Jean 02/1983 2 40 1101/1983 1 1733 701/1983 1 25 11 19 Beat It 05/1983 2 35 741004/1983 3 22 02/1983 1 3 25 20 Wanna Be Startin' Something 07/1983 16 11 06/1983 8 12 1605/1983 5 15 21 Happy (Love Theme From "Lady Sings The Blues" ) 07/1983 52 4 22 Human Nature 10/1983 64 3 07/2009 62 2 07/1983 7 14 4 23 P.Y.T. -
Iver Nestos. According to Greek Mythology, the Foundation of the City
(Avdira). A city in Thrace (northern Greece); situated on Cape ra (a corruption of the medieval Polystylon), eleven miles northeast of iver Nestos.According to Greek mythology, the foundation of the city went to Heracles,whose eighth labor was the capture of the man-eatinghorses iomedes,king of the neighboringBistonians. However, the first attempt to Abdera, accordingto Herodotus,was made in the seventhcentury nc by ists from Clazomenae(Klazumen) in Ionia led by Tynisias,but they were n backby the Thracians.In 545nc the peopleof anotherIonian city, Teos rk), frnding Persiandomination intolerable,placed settlers on the site (in- ing the poet Anacreon)and reconstructedthe town. It controlled an exten- 2pgs-6s6veredwith vineyards and fertile,' accordingto Pindar. An ear of in is shownon its fine coins.However, the Abderanswere constantly at pains protect their territory from Thracian incursions.Nevertheless, their city was a centerfor trading with the Thracian (Odrysian)rulers of the hinterland, d provided a harbor for the commerce of upper Thrace in general. \\'hen the Persians came to Thrace in 5131512they took control of Abdera, did so once againtn 492.In 480 it was one of the halting placesselected Xerxesas he marchedthe Persianarmy along the northern shoresof the Ae- n toward Greece. As a member of the first Athenian Alliance (Delian ue) establishedafter the end of the PersianWars, it contributed (from 454 a sum of betweenten and fifteen talents,indicating its position as the third- hestcity in the League.ln 431,at the beginningof the PeloponnesianWar inst Sparta, tltook the lead in an endeavor to enroll Thrace (under the Odry- ruler Sitalces)and Macedoniain the Athenian cause.Although'Abderite' becamea synonym for stupidity, Abdera producedtwo fifth-century think- of outstandingdistinction, Democritusand Protagoras. -
Interstate Alliances of the Fourth-Century BCE Greek World: a Socio-Cultural Perspective
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Interstate Alliances of the Fourth-Century BCE Greek World: A Socio-Cultural Perspective Nicholas D. Cross The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1479 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INTERSTATE ALLIANCES IN THE FOURTH-CENTURY BCE GREEK WORLD: A SOCIO-CULTURAL PERSPECTIVE by Nicholas D. Cross A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 Nicholas D. Cross All Rights Reserved ii Interstate Alliances in the Fourth-Century BCE Greek World: A Socio-Cultural Perspective by Nicholas D. Cross This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ __________________________________________ Date Jennifer Roberts Chair of Examining Committee ______________ __________________________________________ Date Helena Rosenblatt Executive Officer Supervisory Committee Joel Allen Liv Yarrow THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Interstate Alliances of the Fourth-Century BCE Greek World: A Socio-Cultural Perspective by Nicholas D. Cross Adviser: Professor Jennifer Roberts This dissertation offers a reassessment of interstate alliances (συµµαχία) in the fourth-century BCE Greek world from a socio-cultural perspective.