Volume Xviii . Number 2 • Summer 1977 • $1.50 Northwest
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Letters Mingle Soules
Syracuse Scholar (1979-1991) Volume 8 Issue 1 Syracuse Scholar Spring 1987 Article 2 5-15-1987 Letters Mingle Soules Ben Howard Follow this and additional works at: https://surface.syr.edu/suscholar Recommended Citation Howard, Ben (1987) "Letters Mingle Soules," Syracuse Scholar (1979-1991): Vol. 8 : Iss. 1 , Article 2. Available at: https://surface.syr.edu/suscholar/vol8/iss1/2 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Howard: Letters Mingle Soules Letters Mingle Soules Si1; mure than kisses) letters mingle Soules; Fm; thus friends absent speake. -Donne, "To Sir Henry Wotton" BEN HOWARD EW LITERARY FORMS are more inviting than the familiar IF letter. And few can claim a more enduring appeal than that imi tation of personal correspondence, the letter in verse. Over the centu ries, whether its author has been Horace or Ovid, Dryden or Pope, Auden or Richard Howard, the verse letter has offered a rare mixture of dignity and familiarity, uniting graceful talk with intimate revela tion. The arresting immediacy of the classic verse epistles-Pope's to Arbuthnot, Jonson's to Sackville, Donne's to Watton-derives in part from their authors' distinctive voices. But it is also a quality intrinsic to the genre. More than other modes, the verse letter can readily com bine the polished phrase and the improvised excursus, the studied speech and the wayward meditation. The richness of the epistolary tradition has not been lost on con temporary poets. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
The Poetry of Rita Dove
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 1999 Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove Carol Keyes University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Keyes, Carol, "Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove" (1999). Doctoral Dissertations. 2107. https://scholars.unh.edu/dissertation/2107 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
A Bedlam of Shenanigans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2015 A Bedlam of Shenanigans Andrew F. Kooy University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Kooy, Andrew F., "A Bedlam of Shenanigans" (2015). University of New Orleans Theses and Dissertations. 2091. https://scholarworks.uno.edu/td/2091 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. A Bedlam of Shenanigans A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Fiction by Andrew Franklin Kooy B.A. Simpson University, 2007 December, 2015 Acknowledgments To my Professors in the Creative Writing Workshop, thank you for challenging me to write more interestingly. Thank you for questioning my logic and giving me the tools to better question it myself. -
1 Creative Expression in Writing (EGL 32 W)
Creative Expression in Writing (EGL 32 W) - Preliminary Syllabus Instructor: Brittany Perham Term: Fall 2015 Required Materials 1. Great American Prose Poems: From Poe to the Present, edited by David Lehman ISBN-13: 978-0743243506 Available at Powell’s Books here: GAPP Available at Amazon.com here: GAPP 2. Short Takes: Brief Encounters with Contemporary Nonfiction, edited by Judith Kitchen ISBN-13: 978-0393326000 Available at Powell’s Books here: Short Takes Available at Amazon.com here: Short Takes 3. Sudden Fiction: American Short-Short Stories, edited by Robert Shepard & James Thomas ISBN-13: 978-0879052652 Available at Powell’s Books here: Sudden Fiction Available at Amazon.com here: Sudden Fiction 4. Online reading (posted online in the form of links) 5. Handouts (posted online in the form of .pdf files) The Online Community The fabulous thing about the Online Writers’ Studio is that it brings together like-minded people from all over the world. Together we will form a community of writers who will challenge and support each other. This is your class. Grading Most students enroll in this course under the non-graded (NGR) or the Credit/No Credit (i.e. pass/fail) options. If you would prefer to be graded, or if you must receive a letter grade to meet the requirements of your academic program, participation will serve as the basis of your grade. In order to receive an A, you must turn in all three pieces of writing for workshop, fulfill your responsibilities as workshop member, and participate thoughtfully in class discussion. If you complete less than 60% of the course work on time, you will receive an F. -
Dunn, Stephen (1939 - .) Collection, 1947 – Current 29.0 C.F
Dunn, Stephen (1939 - .) Collection, 1947 – Current 29.0 c.f. Special Collections Department/ University Archives Prepared by: Charles Zapata Contact Information: Special Collections Department 032 Axinn Library Hofstra University Hempstead, NY 11549 Phone: (516) 463-6411, or 463-6404 Fax: (516) 463-6442 http://www.hofstra.edu/Libraries/SpecialCollections Dunn, Stephen (1939- .) Collection, 1947-current. 29.0 c.f. Poet and distinguished professor Stephen Dunn was born on June 24, 1939 in Forrest Hills, New York. He attended Hofstra University, where he played basketball and received a B.A. in history. Upon graduation in 1962, he played professional basketball for the Williamsport Billies in Pennsylvania. He did so until 1963, and then worked for as an advertising copywriter in New York City. Dunn entered a creative-writing program at Syracuse University in 1968. After graduating from Syracuse in 1970, Stephen Dunn taught fiction at Southwest Minnesota State. He proceeded to teach creative writing at Stockton State College in Pomona, New Jersey from 1974 onward, and is now a Distinguished Professor. Stephen Dunn’s works include, The Insistence of Beauty; Local Visitations; Different Hours (winner of the Pulitzer Prize, 2001); and Loosestrife (National Book Critics Circle finalist, 1996). In 1995, Dunn received an Academy Award in Literature from the American Academy of Arts and Letters. Among his other awards is the Levinson Award from Poetry magazine as well as fellowships from the National Endowment for the Arts and the Guggenheim Foundation. On the back book jacket of Between Angels, Philip Booth states, “To read Stephen Dunn of an evening is to see the complexities of one’s own dailiness brought to light, lent focus, given voice.” This quote is helpful in describing the work of Mr. -
Stephen E. Dunn ’62
Stephen E. Dunn ’62 Stephen Dunn is the author of 16 collections of poetry, including Here and Now: Poems (W.W. Norton & Company, 2011) and What Goes On: Selected & New Poems 1995-2009 (W.W. Norton & Company, 2010). Different Hours: Poems won the Pulitzer Prize for poetry in 2001, and Loosestrife: Poems was a National Book Critics Circle Award finalist for poetry in 1996. Other works published by W.W. Norton & Company are Riffs & Reciprocities: Prose Pairs (1999), New & Selected Poems: 1974-1994 (1995), Landscape at the End of the Century (1992), Between Angels (1990), and Local Time (William Morrow & Co.), which was a winner of The National Poetry Series in 1985. A new and expanded edition of Walking Light: Memoirs and Essays on Poetry was issued by BOA Editions, Ltd. in 2001. In addition to the Pulitzer Prize for Poetry, Stephen Dunn has received an Academy Award in Literature from the American Academy of Arts and Letters, The Poetry Center at Passaic County Community College’s Paterson Award for Sustained Literary Achievement, the Levinson and Oscar Blumenthal Prizes from Poetry, the Theodore Roethke Prize from Poetry Northwest, the James Wright Prize from Mid- American Review, and many others. His poem “The Imagined” is a seven-time selection for the annual The Best American Poetry, and will be included in The Best of the Best American Poetry: 1988-2012 (Scribner, 2013) Mr. Dunn has also been the recipient of fellowships from the Guggenheim and Rockefeller Foundations, three NEA Creative Writing Fellowships, and a Distinguished Artist Fellowship from the New Jersey State Council on the Arts In recent years, Mr. -
Pansy Division
Pansy Division Pansy Division in 2003. by Linda Rapp Promotional photograph by Richard Turtletaub. Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com San Francisco-based Pansy Division, now consisting of Christopher Freeman (b. 1961), Jon Ginoli (b. 1959), Patrick Goodwin (b. 1973), and Luis Illades (b. 1974), was the first rock band entirely composed of gay musicians who sang frankly gay-themed tunes. After a productive period of recording and touring they had a fallow spell but have recently re-emerged with a new album and a more mature sound. Guitarist Jon Ginoli and bassist Chris Freeman started the band in 1991. They were accompanied by a drummer, but for the first five years the percussionists came and went with regularity. Ginoli and Freeman felt doubly marginalized: the rock world was not particularly welcoming to gays, and many in the gay community were less than enthusiastic about punk rock music. They rose to the challenge by writing music that was unabashedly gay and punk and that also showed a sense of humor. Pansy Division's first album, Undressed, which featured titles such as "Fem in a Black Leather Jacket" and "Boyfriend Wanted," appeared in 1993. Thereafter, they put out an album a year until 1998. The debut album caught the attention of another Bay Area band, Green Day, who signed them as the opening act for their concerts. The Green Day band members were not gay, but they strongly supported Pansy Division and brought them along on tour for five years. Concert audiences were sometimes hostile to the gay band, however. -
Click Here For
GRAYWOLF PRESS Nonprofit 250 Third Avenue North, Suite 600 Organization Minnneapolis, Minnesota 55401 U.S. Postage Paid Twin Cities, MN ADDRESS SERVICE REQUESTED Permit No 32740 Graywolf Press is a leading independent publisher committed to the discovery and energetic publication of twenty-first century American and international literature. We champion outstanding writers at all stages of their careers to ensure that adventurous readers can find underrepresented and diverse voices in a crowded marketplace. FALL 2018 G RAYWOLF P RESS We believe works of literature nourish the reader’s spirit and enrich the broader culture, and that they must be supported by attentive editing, compelling design, and creative promotion. www.graywolfpress.org Graywolf Press Visit our website: www.graywolfpress.org Our work is made possible by the book buyer, and by the generous support of individuals, corporations, founda- tions, and governmental agencies, to whom we offer heartfelt thanks. We encourage you to support Graywolf’s publishing efforts. For information, check our website (listed above) or call us at (651) 641-0077. GRAYWOLF STAFF Fiona McCrae, Director and Publisher Yana Makuwa, Editorial Assistant Marisa Atkinson, Director of Marketing and Engagement Pat Marjoram, Accountant Jasmine Carlson, Development and Administrative Assistant Caroline Nitz, Senior Publicity Manager Mattan Comay, Marketing and Publicity Assistant Ethan Nosowsky, Editorial Director Chantz Erolin, Citizen Literary Fellow Casey O’Neil, Sales Director Katie Dublinski, Associate Publisher Josh Ostergaard, Development Officer Rachel Fulkerson, Development Consultant Susannah Sharpless, Editorial Assistant Karen Gu, Publicity Associate Jeff Shotts, Executive Editor Leslie Johnson, Managing Director Steve Woodward, Editor BOARD OF DIRECTORS Carol Bemis (Chair), Trish F. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA