Stay with Me Bob Dylan 2014

Total Page:16

File Type:pdf, Size:1020Kb

Stay with Me Bob Dylan 2014 STAY WITH ME BOB DYLAN 2014 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, EXHIBITIONS & BOOKS. © 2015 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Stay With Me — Bob Dylan 2014 page 2 of 51 CONTENT 1 INTRODUCTION ................................................................................................................................................. 4 2 2014 AT A GLANCE ............................................................................................................................................ 4 3 THE 2014 CALENDAR......................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ................................................................................................................... 6 4.1 The Basement Tapes.................................................................................................................................. 6 4.2 The New Basement Tapes: Lost On The River ........................................................................................... 8 4.3 The Art Of McCartney ................................................................................................................................ 9 4.4 50th Anniversary Collection 1964 ............................................................................................................. 10 4.4.1 Background ...................................................................................................................................... 10 4.4.2 Content ............................................................................................................................................ 10 4.4.3 Detailed track listing ........................................................................................................................ 11 5 THE NEVER-ENDING TOUR CONTINUES .......................................................................................................... 14 5.1 Introduction ............................................................................................................................................. 14 5.2 The musicians .......................................................................................................................................... 14 5.3 The show.................................................................................................................................................. 14 5.4 Tour of Japan ........................................................................................................................................... 15 5.4.1 Dates and venues ............................................................................................................................ 15 5.4.2 The songs ......................................................................................................................................... 16 5.4.3 Statistics ........................................................................................................................................... 18 5.4.4 Comments........................................................................................................................................ 18 5.5 Europe Summer Tour .............................................................................................................................. 19 5.5.1 Dates and venues ............................................................................................................................ 19 5.5.2 The songs ......................................................................................................................................... 21 5.5.3 Statistics ........................................................................................................................................... 25 5.5.4 Comments........................................................................................................................................ 25 5.5.5 Shows in Europe 1965-2014 ............................................................................................................ 27 5.6 Tour Down Under .................................................................................................................................... 28 5.6.1 Dates and venues ............................................................................................................................ 28 5.6.2 The songs ......................................................................................................................................... 29 5.6.3 Statistics ........................................................................................................................................... 31 5.6.4 Comments........................................................................................................................................ 31 5.7 US Fall Tour .............................................................................................................................................. 32 5.7.1 Dates and venues ............................................................................................................................ 32 5.7.2 The songs ......................................................................................................................................... 34 5.7.3 Statistics ........................................................................................................................................... 35 5.7.4 Comments........................................................................................................................................ 35 5.8 Summary .................................................................................................................................................. 36 Stay With Me — Bob Dylan 2014 page 3 of 51 5.8.1 Song statistics .................................................................................................................................. 36 5.8.2 Show statistics ................................................................................................................................. 36 5.8.3 Album statistics ............................................................................................................................... 37 5.8.4 Alphabetical song list ....................................................................................................................... 38 5.8.5 Top Ten songs .................................................................................................................................. 39 5.8.6 Songs played only once ................................................................................................................... 39 5.8.7 Live debut of a Dylan song ............................................................................................................... 39 5.8.8 Cover played .................................................................................................................................... 39 6 NEW BOOKS .................................................................................................................................................... 40 7 REFERENCES & SOURCES ................................................................................................................................ 41 8 APPENDIX: THE SET-LISTS ............................................................................................................................... 42 Stay With Me — Bob Dylan 2014 page 4 of 51 1 INTRODUCTION This year started with a recording session in Capitol Records Studio in Los Angeles, resulting in the Shadows in The Night album released a year later. This year The Never-Ending Tour visited Asia, Europe, Australia and of course the US. In November there were two major releases, The New Basement Tapes. Lost On The River and Bootleg Series Vol. 11: The Basement Tapes. Both are detailed in chapter 4. Finally in December Sony Music again rushed out an extremely limited release in Europe with recordings from 1964 to extend their copyright ownership, this time on 9 mini LPs. 2 2014 AT A GLANCE Stay With Me — Bob Dylan 2014 page 5 of 51 3 THE 2014 CALENDAR 27 January Pete Seeger dies at age 94 after a short illness. February-March Dylan and the touring band records what will be known as Bob Dylan’s Sinatra record, Shadows In The Night, in the same Capitol Studio in Los Angeles, used by Frank Sinatra, Dean Martin, Peggy Lee and other Capitol artists in the fifties. For further information please refer to the corresponding session page. 31 March This year’s first tour starts in Tokyo, Japan. It is followed by no less that eight more concerts in the same venue, making it one of Dylan’s longest recidencies ever. 4 April This night Huck’s Tune is played live for the first time. It will return to the set four four times but will later be dropped 26, 29 April The tour ends with two shows in Hawaii, in Maui and Honolulu. 6 June Carolyn Dennis and Bob Dylan’s daughter Desirée Dennis-Dylan marries Kayla Sampson in a same.sex marriage in Long Beach, California. 16 & 17 June This year’s Summer tour in Europe starts with two shown i Ireland, the first in Cork, and next
Recommended publications
  • Fire Destroys Red Bank Drug Store
    Weather THEBMLY Diftaibatuni y ajv t<nip«r«lut» 71. famiy, leu hnnM today and tontorroWf 24,400 high 88 to Bl. Cleir tonight, law \ Red Bank Area J N to ft. Sunday, Itlr. See Weath- Tr, CopyrlsJifr-Tne Red Bank Register, Inc., IKS. er, Page 2. MONMOUTH COUNTY'S HOME NEWSPAPER FOR 87 YEARS DIAL 741-0010 VOL. 88, NO. 39 FRIDAY, AUGUST 20, 1965 7c PER COPY PAGE ONE Six Other Units Damaged in Business Center Fire Destroys Red Bank Drug Store RED BANK - Fire struck at| a half to control the flames, and At 11:22 p.m. the alarm was front both- sides of trie drug According the Chief Carhart, causing leavy damage in the Air son brought Rumson Fire Com- in the roof and dropping rotating the heart of the business district another two hours to completely placed from a Broad St. fire box store. As the volunteers broke this is what happened: Force and Army recruiting of- pany's. aerial rig which, with distributor nozzles into the area last night, destroying the Scott extinguish thetm. by 16-year-old John Chimento of glass windows and doors, . the Flames from the drug store's fices, Hie former Red Bank Shrewsbury's truck and Red above 'he building's false ceiling, Drug Store at Broad and Mon- Fire Chief Calvin Carhart said Monmouth Beach, who spotted streets became dense with smoke prescription department ate Drapery Shop and the vacant Bank's two, allowed firemen to That tactic stopped the fflamel s mouth Sts. and inflicting heavy the cause of the blaze could not smoke as he and a companion and the firefighters were re- through a false ceiling which Silvers J*w$ler?^ SVSQVJS y/SE- feu&koftt^thA ScUulte.Umtei .$t<cm-.r.
    [Show full text]
  • GENERAL PHOTOGRAPHS File Subject Index
    GENERAL PHOTOGRAPHS File Subject Index A (General) Abeokuta: the Alake of Abram, Morris B.: see A (General) Abruzzi: Duke of Absher, Franklin Roosevelt: see A (General) Adams, C.E.: see A (General) Adams, Charles, Dr. D.F., C.E., Laura Franklin Delano, Gladys, Dorothy Adams, Fred: see A (General) Adams, Frederick B. and Mrs. (Eilen W. Delano) Adams, Frederick B., Jr. Adams, William Adult Education Program Advertisements, Sears: see A (General) Advertising: Exhibits re: bill (1944) against false advertising Advertising: Seagram Distilleries Corporation Agresta, Fred Jr.: see A (General) Agriculture Agriculture: Cotton Production: Mexican Cotton Pickers Agriculture: Department of (photos by) Agriculture: Department of: Weather Bureau Agriculture: Dutchess County Agriculture: Farm Training Program Agriculture: Guayule Cultivation Agriculture: Holmes Foundry Company- Farm Plan, 1933 Agriculture: Land Sale Agriculture: Pig Slaughter Agriculture: Soil Conservation Agriculture: Surplus Commodities (Consumers' Guide) Aircraft (2) Aircraft, 1907- 1914 (2) Aircraft: Presidential Aircraft: World War II: see World War II: Aircraft Airmail Akihito, Crown Prince of Japan: Visit to Hyde Park, NY Akin, David Akiyama, Kunia: see A (General) Alabama Alaska Alaska, Matanuska Valley Albemarle Island Albert, Medora: see A (General) Albright, Catherine Isabelle: see A (General) Albright, Edward (Minister to Finland) Albright, Ethel Marie: see A (General) Albright, Joe Emma: see A (General) Alcantara, Heitormelo: see A (General) Alderson, Wrae: see A (General) Aldine, Charles: see A (General) Aldrich, Richard and Mrs. Margaret Chanler Alexander (son of Charles and Belva Alexander): see A (General) Alexander, John H. Alexitch, Vladimir Joseph Alford, Bradford: see A (General) Allen, Mrs. Idella: see A (General) 2 Allen, Mrs. Mary E.: see A (General) Allen, R.C.
    [Show full text]
  • Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
    Elvis Costello began writing songs at the age of thirteen. 2017 marked the 40th anniversary of the release of his first record album, My Aim Is True. He is perhaps best known for the songs, “Alison”, “Pump It Up”, “Everyday I Write The Book” and his rendition of the Nick Lowe song, “(What’s So Funny ‘Bout) Peace Love and Understanding”. His record catalogue of more than thirty albums includes the contrasting pop and rock & roll albums: This Year’s Model, Armed Forces, Imperial Bedroom, Blood and Chocolate and King Of America along with an album of country covers, Almost Blue and two collections of orchestrally accompanied piano ballads, Painted From Memory - with Burt Bacharach and North. He has performed worldwide with his bands, The Attractions, His Confederates - which featured two members of Elvis Presley’s “T.C.B” band - and his current group, The Imposters – Steve Nieve, Pete Thomas and Davey Faragher - as well as solo concerts, most recently his acclaimed solo show, “Detour”. Costello has entered into songwriting collaborations with Paul McCartney, Burt Bacharach, the Brodsky Quartet and with Allen Toussaint for the album The River In Reverse, the first major label recording project to visit New Orleans after Hurricane Katrina and completed there while the city was still under curfew. In 2003, Costello acted as lyrical editor of six songs written with his wife, the jazz pianist and singer Diana Krall for her album, The Girl In The Other Room. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson and musical settings for words by W.B.
    [Show full text]
  • A History of Modern Drama
    Krasner_bindex.indd 404 8/11/2011 5:01:22 PM A History of Modern Drama Volume I Krasner_ffirs.indd i 8/12/2011 12:32:19 PM Books by David Krasner An Actor’s Craft: The Art and Technique of Acting (2011) Theatre in Theory: An Anthology (editor, 2008) American Drama, 1945–2000: An Introduction (2006) Staging Philosophy: New Approaches to Theater, Performance, and Philosophy (coeditor with David Saltz, 2006) A Companion to Twentieth-Century American Drama (editor, 2005) A Beautiful Pageant: African American Theatre, Drama, and Performance, 1910–1927 (2002), 2002 Finalist for the Theatre Library Association’s George Freedley Memorial Award African American Performance and Theater History: A Critical Reader (coeditor with Harry Elam, 2001), Recipient of the 2002 Errol Hill Award from the American Society for Theatre Research (ASTR) Method Acting Reconsidered: Theory, Practice, Future (editor, 2000) Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910 (1997), Recipient of the 1998 Errol Hill Award from ASTR See more descriptions at www.davidkrasner.com Krasner_ffirs.indd ii 8/12/2011 12:32:19 PM A History of Modern Drama Volume I David Krasner A John Wiley & Sons, Ltd., Publication Krasner_ffirs.indd iii 8/12/2011 12:32:19 PM This edition first published 2012 © 2012 David Krasner Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.
    [Show full text]
  • In Your Hands
    In Your Hands CONTENTS Please read and share widely. Then seek and out and buy the multitudes of books within, so their spines may be held beyond the online. ~ Anon First published 2020 by Red Room Poetry Foreword 05 redroompoetry.org Michael Aiken The urge to stare deeply into any body of water… 08 ISBN 978-0-646-81801-6 Lucy Alexander Strokes of Light 09 This anthology is copyright. Except for private study, Alice Allan research, criticism or reviews, as permitted under the Geraniums 10 Copyright Act, no part of this book may be reproduced, Zoe Anderson stored in a retrieval system, or transmitted in any form Frost Hollow 12 or by any means without prior written permission Eunice Andrada of the publisher. Harbour 14 Cassandra Atherton and Paul Hetherington Copyright © in individual works remains with the authors. Legacy 15 The moral rights of the authors have been asserted. Bron Bateman Of Memory and Furniture 16 Poems collectively selected by Red Room Poetry Alise Blayney What I Have Learnt From My Husband 17 Sincerest thanks to Oranges & Sardines, our principal Kevin Brophy funding partner for this COVID-19 response project. Winter 18 Melinda Bufton Huge gratitude to Billy Blue Creative for cover design COUNTER THEIR SNEAK PLAYS 19 and typesetting with such a tight timeframe. Anne M Carson Of the 2,700: one voice 20 Red Room Poetry is also assisted by the Australian Anne Casey Government through the Australia Council for the All Souls 21 Arts, and the support of the NSW Government Robbie Coburn through Create NSW.
    [Show full text]
  • Artist Biography ~ Dawes
    Artist Biography ~ Dawes "And may all your favorite bands stay together," sings Taylor Goldsmith on the title track to Dawes' fourth album, All Your Favorite Bands, on their own HUB Records, harking back to a time when that very special rock group helped define who you were, expressing the joy and passion the foursome put into the release. "Your favorite band can identify you, express how you see yourself," explains Goldsmith, who co- wrote the song with Jonny Fritz and is the sole author of the album's other eight tracks. "They enable you to articulate your feelings through the way they play their instruments and the lyrics." On All Your Favorite Bands, Dawes manage to transcend their well-documented Southern California influences to establish their own sound and themes, which range from the glass half full optimism of the first single, "Things Happen" and the minor-chord tension of "I Can't Think About It Now" (featuring background vocals from Gillian Welch and the McCrary Sisters) to the soulful gospel of "Waiting for Your Call," the rocking tongue-in-cheek lyrics of "Right On Time" and the epic, Dylan- esque set piece, "Now That It's Too Late, Maria." Produced by David Rawlings (Dave Rawlings Machine, Gillian Welch, Robyn Hitchcock, Old Crow Medicine Show, Willie Watson) at Woodland Sound Studios in Nashville, Dawes recorded these new songs after they had already been road-tested in front of live audiences in intimate venues from Sonoma to Santa Barbara, with Rawlings in tow. The producer even played guitar solos on two of the tracks (including that jangling noir Epiphone acoustic on "Somewhere Along the Way"), with Richard Bennett on acoustic guitar and Paul Franklin on pedal steel, also contributing.
    [Show full text]
  • Daily Iowan (Iowa City, Iowa), 1952-06-13
    ~ s.m .. the State The Weather University of ~ e ......, fair, IlK U. h.­ Campus and . nale Wa,. Parll1 f ...., with lIWe fUU. III km­ Iowa. City Pfntare SaturUy. IIIIIt at today, ..: 1_, n. IIlaIt _______________________________~....;.. Bla" TbIInIIIay. flo ,"" ~------~---------------------------------------" . Eat. 1868 - AP Leased Wire - Five Centa .. Iowa City, Iowa, friday. June 13. 19S2-VoL 86. No. 180 Allied Forces Parliament Member Soviets Order Stop l C~inese 1 ~ S . L t Shoot-to-Kill Price, Wage," Rent Controls In Fierce Fight ~:, Do.l~!!!..~... er ec urer Around Berlin Britl3h parliament, wlll be the 1909. He practiced law in Com­ BERLIN (A') -The lhoot-tD-klll SEOUL, FRIDAY (JP) -Chinese Urst of a series uf summer se Ion mercial court, King's Bench di­ Red, were hurled fro,n a western lecturers to. appear on the SUI vision and Probate and Admlralt,­ security measurel tbe Soviet zone Approved" House Committee ,overnment Instituted on the tron­ By front hill Thursday by an on­ campus. div.lsions. Fur six years he was a slaught of Allied troops and tanks Davies. leader er the Liberal junior counsel to. the treasury. In tier between East anti West ~r­ many May 26 were urdered> ex­ In a battle as fierce as any since ~arty since 1945, will speak on 11126 he was made a King'S Coun­ Ute twilight war began last No­ 'World Gevernment," Monday lit sel. tended Thuraday to Include the border around West B.rlln. vember. 8 p.m. un the south campus of Fur many years he was presi­ Senate Also OKs . Bill, In the sixth stral~t day of the Iowa Memerial Unlen.
    [Show full text]
  • Becoming Lynch, Transforming Cinema
    Becoming Lynch, Transforming Cinema Julia Yudelman Research Master Thesis Department of Media Studies Universiteit Van Amsterdam Supervisor: Abe Geil Second Reader: Marie­Aude Baronian Yudelman 2 Table of Contents 1. Inventions and Interventions: Introducing the Cinematic Environments of David Lynch…………………………………………………………………………...3 1.1 From Auteurism to Invention to Becoming Lynch………………………………….3 1.2 Mapping out a Processual Methodology…………………………………………….6 2. Environments that Lynch: Individuating an Ontogenic Cinema…………….10 2.1 The World(s) of David Lynch Studies……………………………………………...10 2.2 A Film Is What a Film Does: Ecological Worlding in Lynch……………………...13 2.3 In Response to Eco­cinema: An Archaeology of Worlds…………………………..16 2.4 Across Films, Across Worlds: Cinematic Environments…………………………...20 3. The Continuing Story of Lynch’s Narrative Environments: Secret Individuations and Dangerous Milieux…………………………………………..25 3.1 Entering Lynch’s Narrative Environments…………………………………………25 3.2 “The dweller on the threshold”: Crystallization in the Red Room………………....26 3.3 “Secrets are dangerous things:” Secret Individuations and Dangerous Milieux…...31 3.4 Becoming Secret, Becoming Lynch: Club Silencio as Theatre of Individuation…..36 3.5 The Genesis of Secrecy……………………………………………………………..40 4. Environments of the Surface: Textures and Texturologies…………………..42 4.1 Constructing an Architexture of Lynch’s Cinema………………………………….42 4.2 From Coral to Cinema: Texture in/as Individuation………………………………..44 4.3 “Feel me”: Becoming Velvet in Blue Velvet………………………………………...48 ​ ​ 4.4. The Skin of the Film: Towards a Dermal Texturology of Lynch…………………..50 4.5 The Textural Relations of Lynch……………………………………………………54 5. Coda: Environments of Thought………………………………………………….57 Works Cited………………………………………………………………………………59 Yudelman 3 1. Inventions and Interventions: Introducing the Cinematic Environments of David Lynch 1.1 From Auteurism to Invention to Becoming Lynch In his book Catching the Big Fish, David Lynch tells us, “I like the feeling of discovery.
    [Show full text]
  • Still on the Road Venue Index 1956 – 2020
    STILL ON THE ROAD VENUE INDEX 1956 – 2020 STILL ON THE ROAD VENUE INDEX 1956-2020 2 Top Concert Venues Venue # 1. The Beacon Theatre, New York City, New York 46 2. Fox Warfield Theatre, San Francisco, California 28 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Heineken Music Hall, Amsterdam, The Netherlands 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 Spektrum, Oslo, Norway 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 7. Entertainment Centre, Sydney, New South Wales, Australia 11 Greek Theatre, University Of California, Berkeley, California 11 Pine Knob Music Theatre, Clarkston, Michigan 11 The Tower Theater, Upper Darby, Pennsylvania 11 8. Globe Arena, Stockholm, Sweden 10 Hammersmith Apollo, London, England 10 Le Grand Rex, Paris, France 10 Palais Theatre, Melbourne, Victoria, Australia 10 Pavillon de Paris, Paris, France 10 Scandinavium, Gothenburg, Sweden 10 State Theatre, Sydney, New South Wales, Australia 10 The Forum, Inglewood, Los Angeles, California 10 The Orpheum Theatre, Boston, Massachusetts 10 Top Ten Studios rank Studio # 1. Studio B, The Abernathy Building, Washington, District Of Columbia 85 2. Rundown Studios, Santa Monica, California 63 3. Studio A, Columbia Recording Studios, New York City, New York 27 4. Studio A, Power Station, New York City, New York 26 5. Columbia Music Row Studios, Nashville, Tennessee 16 6. Studio E, Columbia Recording Studios, New York City, New York 14 7.
    [Show full text]
  • Japanese in America
    • • aCllC ewsstand. 25e citize11 (75c PoslpaJd) Established 1929 • National Publication of the Japanese American Citizens League #2,568 / Vol. 110, No. 12 ' ISSN: 0030-8579 941 East 3rd St. Suite 200, Los Angeles, CA 90013 (213) 626-6936 .Friday. March 30.1990 Telephone Companies Drop Controversial Japan-Bashing Ad \ HINGTO - recem adverti - w th autom bile industry. I our rei - ment that appeared in the Washington communication industr) ne t"?'" Post has drawn national criticism for maller photograph of a group finn, marking a new 10\ in Japan-bashing. p urnably Japan men in uitl. lu­ Commented ewsweek magazme, tered around a globe with one pia ing 'The onJy thing they left out w Pearl hi hand on it. furth r emph ized the Harbor." impenali ti imngery of impendmg In- The ad featured a menacing arnurai pane domination . Th ad" pan warrior, over v hom was written: "Erst a campaign by all even f the Bab) it was con umer electroni . Then it Bell teleph n mpani t pre ure Cont:: to relax current anti-tru t In\\ , hi h ex lude th m from em ring tele- Volunteer Award ommunication bu in u h electroni yellow pag . Th impJi it Nominations Open m ge ' that if the American Baby Bell companie are nOt allowed to e:-.- SAN FRANCISCO - Applications for pand, the Japan might mo in and the Kay Okamoto olunteer A, '"ard are dominate et another .. market. now available, the an Franci oJACL ln alenertothePost,J CL nri nal Photo courtesy Goil Nomura Photo courtesy Toshizo ond A my Iwoto has announced .
    [Show full text]
  • Political Disclosure , * Set by Rockefeller Blockade French
    I' 'V' Polls Open During Referendum Tomorrow from 6 aJm. to 6 p. m. - * \ t. Average Daily Net Press Run For Tho Week Ended The Weather AprU t7, IMg Fair tonight. Low. in upper 15,020 30a. Increasing cloudiness to­ morrow. High in low flOs. Manchester— A City of Village Charm VOL. L X X X V n , NO. 178 (TWENTY-EIGHT PAGES—TWO SECTIONS) MANCHESTER, CONN., MONDAY, APRIL 29, 1968 (Olaealfled Advertieins on Psgo 28) PRICE TEN CENTS Political Disclosure At Columbia, * d 1 n 1 F 11 Students Set by Rockefeller Blockade v T > » ALBANY, N.Y. (AP) — Rockefeller was reported had been interpreted too literal­ Gov. Nelson A. Rockefeller ready also to cancel his appear­ ly- Protesters will make “an announce­ ance on a tour with Republican Since that time. President ment concerning his politi­ governors in several western Johnson apparently took himself NEW YORK (AP)—An impa­ states early next month to ob­ out of the re-election picture by tient faction of the OolumUa cal plans” at 11 a.m. Tues­ tain InformaUon needed to put University student body tight­ day, Leslie Slote, the gov­ saying he would neither seek together a GOP platform for the nor accept renomination. ened today a blockade aimed at ernor’s press secretary, upcoming presidential nominat­ choking off a protest by fellow said today. In the meantime. Rockefeller ing convention. has been under pressure from students that has disru^ed the Slote’a announcement came In making known Rockefel­ Ivy League school for a week. as reports circulated in the Cap- many political leaders to de­ ler's intention of holding a news clare his candidacy.
    [Show full text]
  • SUMMIT .F 'It, N Serving Summit Since 1889
    >pie st SUMMIT .f 'It, N_ Serving Summit Since 1889 VOL. 89, NO. 44 27S40B9 THURSDAY, MARCH ft, 1978 $? A Y EAR i id to-Elecf rtf feoff on Program Council Meeting lively Summit's Roifrood Station Railroad Fixup Living With an Eyesore Members Disagree Tm fniwiiiK' «i*-!'^- %h;:\*. !• l'Hov< p«tnt IHJI ill \t\H\ detail Uir * Uti**s>Vi ii t ,>ndUiiii; thr !-. is Causing Seme I in Law .mim <a;itum !?> mtw EM t oshovcU-tt ptaWortus t<-m1it»K to the trulns. tMiNketi |)a ot ^IURS ust (tw*if \ .trttl missing jtiete?. wt tailing on the hUcet 0<H»t Malu'iiM-. an )u!*t •» of (he SBIH\ hiuard* lhal liiiR in thrpattinl UK uWtfiiimuisrs Tbt- '!.s!l(n> v.tilrh bai > On Future of The an t'>t-M>rc for tiiiin\ >eaih, is deteriuiJHIIH; ra|iidl>, and there *<"itm So IH no answ Local Concerns thi* ttfm- oti lum to \i\ up Us (Tumbling ifitrnitt or tff ab (Uctlur b> !.ue> Meyer Summit area will go out in Th? nropfiHoa It- vaiiy iST» ufii '.he ?."": system will be in use by the City Minibus System I'leclriflealion o! the railroad lias caused Summit summer of l'-iisO, he s-.atu (ieriild A Hale "We are we have risudentb to raise questions "The Gladstone branch may j about noise, safety, be ready six months earlier A tftnlli-manlv argument duvm to the bottom nf ihe * ourseiiruiui Swir^*'.U r drainage, interiererice with in the off-peak hours Fur Ux>k j>iacr iumm Common barrel V\v can't r\m the disagreed, saying he »;« television and the uiiwieidlv regular customer service, Count: il rnern btT minibus when there are no considering Sunday in his height for the Morris count on July, i»6u tiig^il over she mimhub s.
    [Show full text]