1000 Apertures & 1 Visage
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Fire Destroys Red Bank Drug Store
Weather THEBMLY Diftaibatuni y ajv t<nip«r«lut» 71. famiy, leu hnnM today and tontorroWf 24,400 high 88 to Bl. Cleir tonight, law \ Red Bank Area J N to ft. Sunday, Itlr. See Weath- Tr, CopyrlsJifr-Tne Red Bank Register, Inc., IKS. er, Page 2. MONMOUTH COUNTY'S HOME NEWSPAPER FOR 87 YEARS DIAL 741-0010 VOL. 88, NO. 39 FRIDAY, AUGUST 20, 1965 7c PER COPY PAGE ONE Six Other Units Damaged in Business Center Fire Destroys Red Bank Drug Store RED BANK - Fire struck at| a half to control the flames, and At 11:22 p.m. the alarm was front both- sides of trie drug According the Chief Carhart, causing leavy damage in the Air son brought Rumson Fire Com- in the roof and dropping rotating the heart of the business district another two hours to completely placed from a Broad St. fire box store. As the volunteers broke this is what happened: Force and Army recruiting of- pany's. aerial rig which, with distributor nozzles into the area last night, destroying the Scott extinguish thetm. by 16-year-old John Chimento of glass windows and doors, . the Flames from the drug store's fices, Hie former Red Bank Shrewsbury's truck and Red above 'he building's false ceiling, Drug Store at Broad and Mon- Fire Chief Calvin Carhart said Monmouth Beach, who spotted streets became dense with smoke prescription department ate Drapery Shop and the vacant Bank's two, allowed firemen to That tactic stopped the fflamel s mouth Sts. and inflicting heavy the cause of the blaze could not smoke as he and a companion and the firefighters were re- through a false ceiling which Silvers J*w$ler?^ SVSQVJS y/SE- feu&koftt^thA ScUulte.Umtei .$t<cm-.r. -
PB the Walls of Utopia
Gao Brothers, The Utopia of Construction n°5 (2014), c-print, 150x150cm Between the Walls of Utopia Gao Brothers ● solotentoonstelling Vernissage vrijdag 11 september 2015, 17u - 21u Expositie van 12 september tot en met 29 november 2015 open van donderdag tot zondag, 10u - 19u rue des renards/vossenstraat 28 • 1000 brussels • belgium 中国上海市万航渡路 733 号 / 733 wanhangdu road • shanghai 200040 • china +32 2 502 40 58 • [email protected] ifa-gallery.com Between the Walls of Utopia "Between the Walls of Utopia" is de eerste solotentoonstelling in Brussel van het gerenommeerde kunstenaarsduo de Gao Brothers (Gao Zhen & Gao Qiang). Ze worden internationaal geprezen. Vertrekkende vanuit het Chinese voobeeld plaatsen ze al meer dan twee decennia vraagtekens bij de positie van de mens in de hedendaagse samenleving om zo tot een universeel standpunt te komen. Hun eerste belangrijke installatie in een reeks van gewaagde werken was te zien op “China/Avant-Garde” (National Gallery of Beijing) in 1989. Deze tentoonstelling was van grote betekenis voor de Chinese hedendaagse kunst. Hun sociale en artistieke betrokkenheid tijdens de demonstraties op het Tiananmen-plein kostte hen hun paspoort gedurende meerdere jaren. De Gao Brothers hebben inderdaad een aandeel in de kritische getuigenissen op de Chinese samenleving. Dit uiten ze in hun kunst via verscheidene media zoals fotografie, video, schilder- en beeldhouwkunst, theater, performances, kritische essays en zelfs via hun rol als curatoren en het organiseren van tentoonstellingen met andere artiesten. De Culturele Revolutie (1966-1976) had tragische gevolgen voor hun familie. Ze streven dan ook naar een grotere vrijheid van meningsuiting. Dit is het zichtbaarst in hun reeks politieke schilderijen en sculpturen, zoals de groteske Miss Mao of de Executie van Christus door een Mao Zedong regiment. -
The Self-Organization of Contemporary Art in China, 2001–2012
Bao Dong Rethinking Practices within the Art System: The Self-Organization of Contemporary Art in China, 2001–2012 The Origin of the Term “Self-Organization” in China The term “self-organization” was first used in the context of contemporary Chinese art in 2005 at the Second Guangzhou Triennial curated by Hou Hanru, Hans Ulrich Obrist, and Guo Xiaoyan. Self-organization was one of the special projects of the triennial, and there were two panel discussions on the topic. The exhibition theme “Beyond” focused on the topic of alternative modernity in China and non-Western countries, and the term self-organization was defined by the following statements: “A number of independent art organizations, institutions, and communities have taken an active role in artistic creation and practice” and “their projects are often diverse, flexible” and “self-induced in nature.”1 Altogether, twenty-four self- organized groups2 were included in this project, and for the curators, the concept of “self-organization” was used to differentiate independent and autonomous organizations from those attached to government systems or political parties. This feature is also the fundamental difference between the various artist-run autonomous organizations and the organizations within the conventional art system as constituted by Chinese Artists Association, along with the various academies of painting, art institutes, museums, and so on. In other words, self-organization is considered a force operating outside of the conventional art system, just as the inception, growth, and flourishing of contemporary Chinese art is believed to have been achieved outside of official systems. In terms of any independence from the conventional art system, self- organization is not a new phenomenon in the contemporary Chinese art scene. -
LIU BOLIN Born in 1973 Lives and Works in Beijing, China
LIU BOLIN Born in 1973 Lives and works in Beijing, China SELECTED COLLECTIONS 21c Museum, Louisville, KY, 88-MOCCA, Vaduz, Liechtenstein Allen Memorial Art Museum, Oberlin College, Oberlin, OH ARTantide Museum, Verona, Italy AT&T Art Collection, Dallas, TX Baltimore Museum of Art, Baltimore, MD Banca Aletti, Milan, Italy Bates College Museum of Art, Lewiston, ME Biblioteca Capitolare, Verona, Italy Collection SOCIÉTÉ GÉNÉRALE, France Collection NEUFLIZE VIE, Paris, France The Fidelity Corporate Art Collection, Boston, MA Fist Art Foundation, Dorado, Puerto Rico Fondation Ariane de Rothschild, Madrid, Spain Fondation Frances, Senlis, France Fotografiska Museet, Stockholm, Sweden The Gold Museum, Bogotá, Colombia HBC Global Art Collection, New York, NY Johnson Museum of Art, Cornell University, Ithaca, NY M+ Sigg Collection, Hong Kong MART, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy Museo Enzo Ferrari, Modena, Italy Museum on the Seam, Jerusalem, Israel Princeton University Art Museum, Princeton, NJ The Red Mansion Foundation, London, UK Teutloff Photo & Video Collection, Bielefeld, Germany Unicredit Group, Milan, Italy DSL Collection, Paris, France Uli Sigg Collection,Swiss Symbolic Collection, San Diego, CA SELECTED SOLO SHOWS 2017 Ghost Stories, Maison Européenne de la Photographie, Paris, France. Galerie Party, Act 2, in collaboration with Studio GGSV, Galerie des Enfants, Centre Pompidou, Paris, France. Solo Show, Galerie Paris-Beijing, Paris, France. Retrospective, Festival Portrait(s), Vichy, France -
GENERAL PHOTOGRAPHS File Subject Index
GENERAL PHOTOGRAPHS File Subject Index A (General) Abeokuta: the Alake of Abram, Morris B.: see A (General) Abruzzi: Duke of Absher, Franklin Roosevelt: see A (General) Adams, C.E.: see A (General) Adams, Charles, Dr. D.F., C.E., Laura Franklin Delano, Gladys, Dorothy Adams, Fred: see A (General) Adams, Frederick B. and Mrs. (Eilen W. Delano) Adams, Frederick B., Jr. Adams, William Adult Education Program Advertisements, Sears: see A (General) Advertising: Exhibits re: bill (1944) against false advertising Advertising: Seagram Distilleries Corporation Agresta, Fred Jr.: see A (General) Agriculture Agriculture: Cotton Production: Mexican Cotton Pickers Agriculture: Department of (photos by) Agriculture: Department of: Weather Bureau Agriculture: Dutchess County Agriculture: Farm Training Program Agriculture: Guayule Cultivation Agriculture: Holmes Foundry Company- Farm Plan, 1933 Agriculture: Land Sale Agriculture: Pig Slaughter Agriculture: Soil Conservation Agriculture: Surplus Commodities (Consumers' Guide) Aircraft (2) Aircraft, 1907- 1914 (2) Aircraft: Presidential Aircraft: World War II: see World War II: Aircraft Airmail Akihito, Crown Prince of Japan: Visit to Hyde Park, NY Akin, David Akiyama, Kunia: see A (General) Alabama Alaska Alaska, Matanuska Valley Albemarle Island Albert, Medora: see A (General) Albright, Catherine Isabelle: see A (General) Albright, Edward (Minister to Finland) Albright, Ethel Marie: see A (General) Albright, Joe Emma: see A (General) Alcantara, Heitormelo: see A (General) Alderson, Wrae: see A (General) Aldine, Charles: see A (General) Aldrich, Richard and Mrs. Margaret Chanler Alexander (son of Charles and Belva Alexander): see A (General) Alexander, John H. Alexitch, Vladimir Joseph Alford, Bradford: see A (General) Allen, Mrs. Idella: see A (General) 2 Allen, Mrs. Mary E.: see A (General) Allen, R.C. -
Locating Vietnamese Contemporary Art Scene
Locating Vietnamese contemporary art scene An ethnographic Hong-Ngoc TRIEU attempt from afar TRI14437741 Abstract. Initially, as a student majored in Design Cultures, I was intrigued in Vietnam precisely because I barely knew anything about the art history of my country. Having exposed to the studies of Design Cultures and Histories, I set out to fnd how Vietnamese art history is chronicled by putting it in a complex relationship with the sociocultural and political background. Identifying and locating art from a place like Vietnam that rarely fgures in art history cannot be done overnight as I am thousand miles away from the happenings. This essay, thus, is my humble attempt to look at Vietnam’s contemporary art scene through an afar-ethnographic approach mainly by fexible design methods such as interview, survey, case study, discourse analysis and participant observation. Given how little experience in the real-world research and history learning that I possess, my fndings are based on personal analysis, percep-on and hence, do not necessarily reflect other’s views on the same topic. Entrance to contemporary art scene: tracing the Vietnamese art history In order to investigate the Vietnamese reform in 1986, where restriction on contemporary art scene, I am essentially artistic creativity were steadily relaxed asking the question of how it is and hence allowed artist greater freedom constructed and perceived within the art of expression and facilitating exposure to community and the stream of Vietnamese contemporary trends in both Asian and history of art. While world contemporary Western art. However, unlike the world art had started and risen to prominence contemporary art with its rich outline of since the 1950s - 1960s, its Vietnamese artistic movements in term of quantity, counterpart only came into existence in the diversity and quality, Vietnamese latter decades of the twentieth century; contemporary art scene has barely seen therefore, it is relatively new to the public. -
Jeffu Warmouth: NO MORE FUNNY STUFF Is the First Solo Exhibition in the Fitchburg Art Museum’S New Series of Shows Devoted to Contemporary New England Artists
Fitchburg Art Museum in Partnership : with Fitchburg State University Presents: February 9 - June 1, 2014 Table of Contents 1 Foreword 3 Acknowledgments 5 A Word From The Artist 7 Introduction 9 JeFFu’s FFantastic FFunhouse Exploring Galleries 13 Experimental Performance 23 Playing With Your Food 51 Falling Into A Digital Paradise 19 Rethinking The Motion Picture 91 Exhibition Checklist 95 Biography 103 Bibliography Foreword: Jeffu Warmouth: NO MORE FUNNY STUFF is the first solo exhibition in the Fitchburg Art Museum’s new series of shows devoted to contemporary New England artists. It’s fitting – and important – to begin with Jeffu, because he is Fitchburg’s best-known contemporary artist. His work has been shown across the United States, and abroad, and he has been a vital participant in the regional visual arts community for two decades. This exhibition also reflects the deepening relationship between AMF and Fitchburg State University as we work together to create enhanced artistic and educational experiences for Fitchburg State students and FAM’s audience. A show as complex as Jeffu Warmouth: NO MORE FUNNY STUFF would have been impossible for FAM to achieve alone. Fitchburg State contributed the hard work and creativity of its faculty and students in myriad ways, provided technology and IT support, and invested funds in the exhibition. In return, their students enjoyed a real professional challenge while developing career-boosting portfolio materials. This pilot collaboration worked so well, that it will be continued for future shows at FAM. I would like to thank Fitchburg State President Robert Antonucci for his generosity of spirit and resources, and Professor Rob Carr for his vision and passion. -
Yongkang Lu – Cnn Travel
THE NEW SHANGHAI ART STREET: YONGKANG LU – CNN TRAVEL HTTP://TRAVEL.CNN.COM/SHANGHAI/PLAY/NEW-SHANGHAI-ART-STREET- YONGKANG-LU-977908 THE NEW SHANGHAI ART STREET: YONGKANG LU Moganshan Lu? Been there, seen that. The new vegetable market-turned-art street to check out is Yongkang Lu By Hunter Braithwaite ??? Image not found or type unknown Alexis Kouzmine-Karavaïeff, ifa gallery director Yongkang Lu is a stronghold of old Shanghai, a grimy love letter to how things once were, replete with underwear dangling like prayer flags. It is also the home of several galleries recently opened by Zane Mellupe, a Latvian artist and curator. The Yongkang Lu art project strives for interaction between the arts community and the locals, and, unlike so many other creative initiatives in Shanghai, this one actually seems to be working. Zane Mellupe, ??? Image not found or type unknown Zane Mellupe, Latvian artist and curator “I wanted something new. Art is accessible to so few people [in Shanghai]. I thought about creating a residency space for foreign and upcoming Shanghai artists and to give a chance to the minorities,” says Mellupe, the former creative director of island6, of how her Yongkang Lu project began. So she began talking to developers on Yongkang Lu, a former vegetable market that was slated to become a fashion street. “Instead of one space I decided that I should get more. The developers trusted me. I just had No. 83 in the beginning though; the landlord said I could use it for one month. Now it’s a coffee shop.” As the galleries opened one after another, the neighborhood began to feel different. -
RU Newsletter June 2019
Like Tweet Pin +1 in JUNE INCOMING RU RESIDENTS RU is pleased to announce this month’s residency cohort of US-based artists: Arghavan Khosravi (MA ) and Serge Serum (LA), both selected for residencies focused on discrimination and marginalization issues. This program made possible with funding from NEA/Artworks and NYC Cultural Affairs. We also welcome incoming artists Takayuki Matsuo (NYC/Japan) and Sebastien Berger (Germany). RU JUNE PUBLIC PROGRAMS -June 1, 4-7pm at Chashama Midtown, COCOONS, open studio with Eduardo Navarro, discover the prolific production of this Panamean artist and a unique site-specific installation; -June 8, 12-5pm at Equity Gallery, RU Exhibition Closing: Dynamis, with Rashwan Abdelbaki, Chantal Feitosa, Kyung-jin Kim, Cansu Korkmaz, and Angélica Maria Millán Lozano; curated by RU alum Luciana Solano and hosted by Equity Gallery. -June 13, 1pm at RU, Meet Over Lunch: Queer Forever! and the contemporary art scene in Vietnam, by visiting Hanoi-based artist and curator Nguyễn Quốc Thành, co-founding member of the Nha San Collective (NSC). In conversation with Bartek Remisko; -June 19, 1pm at RU, Meet Over Lunch: RU artist Gabriella Ciancimino presents her mural project Smell in Dialect and the key role of community engagement for Smell in Dialect, commissioned by NYC Health + Hospitals/Kings County for the pediatric unit; -June 29, 1pm-5pm, RU Exhibition: RU Argentinian artist and muralist Joaquin Zavaleta unveils a site-specific mural commissioned by the City Reliquary Community Museum in Williamsburg, Brooklyn. DONATE TO RU OTHER NEWS Artists nominations for upcoming residencies: Selected through the Open Call: International Residencies for Saudi-based Artists, Ahaad Alamoudi will spend two months at RU this Fall with support from ATHR, a contemporary art project space and gallery in central Jeddah whose new cultural exchange scheme with international artists and curators is part of its commitment to promoting cultural dialogue between Saudi Arabia and the rest of the world. -
A History of Modern Drama
Krasner_bindex.indd 404 8/11/2011 5:01:22 PM A History of Modern Drama Volume I Krasner_ffirs.indd i 8/12/2011 12:32:19 PM Books by David Krasner An Actor’s Craft: The Art and Technique of Acting (2011) Theatre in Theory: An Anthology (editor, 2008) American Drama, 1945–2000: An Introduction (2006) Staging Philosophy: New Approaches to Theater, Performance, and Philosophy (coeditor with David Saltz, 2006) A Companion to Twentieth-Century American Drama (editor, 2005) A Beautiful Pageant: African American Theatre, Drama, and Performance, 1910–1927 (2002), 2002 Finalist for the Theatre Library Association’s George Freedley Memorial Award African American Performance and Theater History: A Critical Reader (coeditor with Harry Elam, 2001), Recipient of the 2002 Errol Hill Award from the American Society for Theatre Research (ASTR) Method Acting Reconsidered: Theory, Practice, Future (editor, 2000) Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910 (1997), Recipient of the 1998 Errol Hill Award from ASTR See more descriptions at www.davidkrasner.com Krasner_ffirs.indd ii 8/12/2011 12:32:19 PM A History of Modern Drama Volume I David Krasner A John Wiley & Sons, Ltd., Publication Krasner_ffirs.indd iii 8/12/2011 12:32:19 PM This edition first published 2012 © 2012 David Krasner Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. -
In the Art World Intheartworld .Com Summer 2011
M Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio. in the art world intheArtworld .com Summer 2011 THROCKMORTON FINE ART GEORGE PLATT LYNES June 9th - September 10th, 2011 Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00 Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage 145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. EDITORIAL As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to herald the importance of what was then an emerging art district called Chelsea. Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. -
Island 6 Art Collective
BOB SICK YUDHITA AGUNG Education 1991 - 1998 ISI, Yogyakarta, Indonesia “Speak Off”, organized by JogjaNews.Com, Jogja National Museum, Yogyakarta Solo Exhibition : 2010 “Power Wagon”, Jogja National Museum, Yogyakarta 2012 “I’m a Living Legend”, Srisasanti Gallery, Yogyakarta “Reach for the HeART – A Beginning”, Sin Sin Annex, Hong Kong “I’m a Living Legend”, Galeri Nasional Indonesia (Indonesian “Romansa 9satu”, Sankring Gallery, Yogyakarta National Gallery), Jakarta “Gusdurisme”, Langgeng Gallery, Magelang 2010 “Bobvarium”, Srisasanti Arthouse, Jakarta “Transfiguration”, Semarang Contemporary Art Gallery, Jakarta 2008 “Life is Beautiful”, Sin Sin Fine Art, Hong Kong Art District, Grand Indonesia, Jakarta “Sick Project”, Galeri Semarang, Semarang “Space & Images”, Ciputra World, Jakarta 2007 “Happy Birthday NIN”, Jogja National Museum, Yogyakarta 2009 “Borderless World”, organized by Srisasanti Gallery, Taman 2005 “New Kid on the Block”, Museum dan Tanah Liat, Yogyakarta Budaya Yogyakarta 2004 “Di Bawah Pohon Ketepang Di Atas Springbed”, Kedai Kebun “Hi June”, duo exhibition, Taman Budaya Yogyakarta, Forum, Yogyakarta Yogyakarta 2002 “Aku Cinta Bapakku”, LIP Yogyakarta, Yogyakarta “Reach For The Heart”, Sin-Sin Fine Art, Hong Kong 2001 “Sick Is Bliss”, Kedai Kebun Forum, Yogyakarta “In Rainbow”, Esa Sampoerna Art House, Surabaya 2000 “Meraih Kemenangan”, Millenium Gallery, Jakarta “Pesta Gagasan”, Arslonga Rumah Seni, Yogyakarta “Friendship Code”, Syang Gallery, Magelang, Central Java Group exhibition (selected): “Reform”, organized