Island 6 Art Collective
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Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
Yongkang Lu – Cnn Travel
THE NEW SHANGHAI ART STREET: YONGKANG LU – CNN TRAVEL HTTP://TRAVEL.CNN.COM/SHANGHAI/PLAY/NEW-SHANGHAI-ART-STREET- YONGKANG-LU-977908 THE NEW SHANGHAI ART STREET: YONGKANG LU Moganshan Lu? Been there, seen that. The new vegetable market-turned-art street to check out is Yongkang Lu By Hunter Braithwaite ??? Image not found or type unknown Alexis Kouzmine-Karavaïeff, ifa gallery director Yongkang Lu is a stronghold of old Shanghai, a grimy love letter to how things once were, replete with underwear dangling like prayer flags. It is also the home of several galleries recently opened by Zane Mellupe, a Latvian artist and curator. The Yongkang Lu art project strives for interaction between the arts community and the locals, and, unlike so many other creative initiatives in Shanghai, this one actually seems to be working. Zane Mellupe, ??? Image not found or type unknown Zane Mellupe, Latvian artist and curator “I wanted something new. Art is accessible to so few people [in Shanghai]. I thought about creating a residency space for foreign and upcoming Shanghai artists and to give a chance to the minorities,” says Mellupe, the former creative director of island6, of how her Yongkang Lu project began. So she began talking to developers on Yongkang Lu, a former vegetable market that was slated to become a fashion street. “Instead of one space I decided that I should get more. The developers trusted me. I just had No. 83 in the beginning though; the landlord said I could use it for one month. Now it’s a coffee shop.” As the galleries opened one after another, the neighborhood began to feel different. -
Artist Biography
Artist Donna ONG ⺩美清 Born Singapore Works Singapore Artist Biography __________________ ___________________________________________________________________________________ Year Education 2011 - 2012 MA Fine Arts, LASALLE College of the Arts, Singapore 2003 BA (Hons) Fine Art, Goldsmiths College, University of London, UK 1999 B.Sc. Architecture Bartlett Centre, University College London (UCL), UK __________________ ___________________________________________________________________________________ Year Selected Exhibitions 2017 Singapore: Inside Out Sydney, The Old Clare Hotel, Sydney, Australia After Utopia: Revisiting the Ideal in Asian Contemporary Art, Anne and Gordon Samstag Museum of Art, Adelaide, Australia The Tree as An Art Object, Wälderhaus Museum, Hamburg, Germany Art Stage Jakarta, FOST Gallery, Indonesia Art Stage Singapore, FOST Gallery, Singapore 2016 The Sharing Game: Exchange in Culture and Society, Kulturesymposium Weimar 2016, Galerie Eigenheim, Weimar, Germany For An Image, Faster Than Light, Yinchuan Biennale 2016, MoCA Yinchuan, China Five Trees Make A Forest, NUS Museum, Singapore* My Forest Has No Name, FOST Gallery, Singapore* 2015 After Utopia, Singapore Art Museum, Singapore The Mechanical Corps, Hartware MedienKunstVerein, Dortmund, Germany Prudential Eye Awards, ArtScience Museum, Singapore Prudential Singapore Eye, ArtScience Museum, Singapore 2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Modern Love, Institute of Contemporary Arts Singapore, Singapore Bright S’pore(s), Primo Marella Gallery, -
Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets
ISSUE 16 | FEB 2011 FEBRUARY 2011 / 1 Yisulang-Confabu Mar 2011 1/15/11 9:37 AM Page 1 C M Y CM MY CY CMY K 2 / THE POCKET ARTS GUIDE Composite C M Y CM MY CY CMY K FEBRUARY 2011 / 3 CONTENTS 12 34 17 13 C M Y 24 26 44 CM MY 12 COMING UP 17 SPOTLIGHT 50 INTERVIEW CY LAND-TA-MORPHOSIS — Artist in Focus - Farhad Hussain An Interview — What the CMY Second of the Trilogy: Castle :Phunk? Beyond a Mountain 12 K Dorit Feldman: A Solo Exhibition by Art Facet Glimpses: A Solo Exhibition by 26 COVER STORY 61 SINGAPORE BenCab ART MAP The Window Project 13 Pop! Back into the Future with Burton Morris Will Siber: Sculpture, Wall Object & Painting Solo Exhibition By Seah Kang Chui 不变 50 年 Unchanged For 50 64 DIRECTORIES Years 14 34 FEATURES Singapore Art Galleries Other Listings ‘No si hijomiono’o jabesi soré Gurerro Habulan – jajivo’ The Warrior of pop! 34 Tourist Spots Malaysia Art Guide Limelight Blossoms by Keith Haring - The Journey of a Steve Chua Graffiti artist 38 InFORMATION The Legend of Lichtenstein 44 Out in the Streets 4 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 5 CONTENTS SPOTLIGHT INTERVIEW SINGAPORE ART MAP 6 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 7 Issue #16 (February 2011) ISSN 1793-9739 / MICA (P) 252/09/2010 www.thepocketartsguide.com On the Cover Burton Morris Poparazzi Acrylic on canvas 91.4 x 91.4cm Editor-in-Chief Remo Notarianni / [email protected] Guest Editor Saskia Joosse / [email protected] Art Director Amalina MN / [email protected] Contributors Bharti Lalwani Advertising Sales [email protected] General enquiries and feedback [email protected] Submission of press releases [email protected] THE POCKET ARTS GUIDE PTE LTD (TPAG) 215 Henderson Road, #03-03, Henderson Industrial Park Singapore 048545 For advertising enquiries, please email [email protected]. -
Siam's Old Singapore Ties
Siam’s Old Singapore Ties Vitthya Vejjajiva Introduction This article is an abridged and edited version of a longer article that was prepared for a commemorative publication for the inauguration of the new premises of the Thai Embassy in Singapore.1 It is by no means meant as an academic article— indeed, although I use the word “old”, I am referring to the ties, not Singapore itself, which has had certain “connections” with Siam under King Ramkhamhaeng and down the ages—but has been prepared as a “reminder” of Singapore’s continuous and close association with the kings and people of Siam for well over a century. It was thus envisioned as a non-scholarly and basically descriptive article. That said, I hope to remind readers that the advent of “old” Singapore, dating from 1819, proved to be a momentous event for Siam, for it had the effect of changing the traditional pattern of Siam’s trade, henceforth to be characterized by the fast-growing junk trade between Chinese merchants in Siam and their counterparts in Singapore. I. First contact The first Siamese-Singapore direct contact occurred in April 1821, barely two years after the founding of Singapore by Sir Stamford Raffles. A mission led by John Morgan, an English merchant resident in Singapore, was entrusted with a letter addressed to the King of Siam, in which Colonel William Farquhar, Resident of Singapore, informed the King of the “new Establishment the British Government has formed here” and expressed the hope for future commercial ties.2 The emissary was generally well received in Bangkok. -
Arts House Limited Annual Report for the Year Ended 31 March 2019
ARTS HOUSE LIMITED ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2019 Arts House Limited (AHL) is a not-for-profit organisation committed to enriching lives through the arts. AHL manages two key landmarks located in the heart of Singapore’s Civic District – The Arts House, a multi-disciplinary arts centre with a focus on literary programming, and the Victoria Theatre & Victoria Concert Hall, a heritage building that is home to the Singapore Symphony Orchestra. It also runs the Goodman Arts Centre and Aliwal Arts Centre, two creative enclaves for artists, arts groups and creative businesses, and performing arts space Drama Centre. AHL presents the Singapore International Festival of Arts, the annual pinnacle celebration of performance and interdisciplinary arts in Singapore commissioned by the National Arts Council. AHL was set up in 11 Dec 2002 as a company limited by guarantee (CLG) under National Arts Council (NAC) and was formerly known as The Old Parliament House Limited. It was officially renamed Arts House Limited on 19 Mar 2014. Vision A leader in nurturing, inspiring and enriching communities through the arts in Singapore Mission Bridging the arts and audiences by transforming ideas into reality through our distinctive spaces and programmes Values Excellence We embrace change and champion innovation in our pursuit of creative explorations and meaningful arts experiences. We perform at the highest standards, striving to be the best that we can be. Respect We treat others how we would like to be treated. We value each person’s worth and contribution and celebrate authenticity and diversity. We remain grounded and humble in our interactions. -
Chen Qingqing's CV and Biography
Chen Qingqing’s CV and Biography B. 1953, Beijing, China Education 1980-86 English / German Literature Studies, Beijing, Vienna 1972-80 Studied traditional Chinese medicine, Beijing Solo and Two-Persons Exhibitions 2015 Fantasy Museum, Qing Qing’s Installation 22year, Yuan Art Museum, Beijing, China 2012 Retrospective Exhibition of Qing Qing’s Installation Art, Today Art Museum, Beijing, China 2009 Dream of Fifteen Years Installation Art by Chen Qingqing, LDX Art Center of Beijing, Songzhuang The Living Garden, Europalia International Art, Belgium 2008 Enchanted Paradise, Schoeni Gallery, Hong Kong 2006 Mirage of 798 – Secret Light, Dayaolu Zhanchon 2005 The Mirage of 798 – Secret Light, Beijing Qing Qing Installation, Tokyo Gallery, Tokyo 2004 Nature – Substance – Substance-Nature, Things In Boxes Qing Qing’s Installations 2000 - 2004, Red Gate Gallery, Beijing, China 2003 Qing Qing Installation, Today Art Museum, Beijing, China 2002 Qing Qing is Back! – 2nd Solo Exhibition, Red Gate Gallery, Beijing, China 2000 Qing Qing’s Mixed Media Works, China Contemporary Gallery, Beijing, China Qing Qing, Chinese Contemporary, London 1999 Nomad of the Soul, AAL – Gallery Karl Strobe, Vienna Qing Qing Mixed Media, Red Gate Gallery 1998 City Light, Gallery Wort und Bild, Vienna 1997 City Light Installation, Beijing Scitech Shopping Center, Beijing, China Light Installation, Afro – Asiatische Institute, (AAI), Vienna 1996 Head Sculpture Installation, Studio Fortschnitt, -
“Animal Farm” Group Exhibition
Alexandre Ouairy, Deer hunter (2014), oil painting on canvas, 123x123cm “Animal Farm” Group exhibition XU ZHE ZANE MELLUPE WU JUNYONG CHRISTOPHE DEMAITRE ALEXANDRE OUAIRY Vernissage Sunday 11 December 2016 3pm-6pm From 11 December 2016 to 29 January 2017 Thursday to Sunday, 10am–6pm ifagallery • 藝法畫廊 rue des renards/vossenstraat 28, 1000 brussels, belgium • +32 2 502 40 58 ● [email protected] 中国上海市万航渡路733号/733 wanhangdu road • shanghai 200040 • china ifa-gallery.com ANIMAL FARM GROUP EXHIBITION «Animal» in Latin anima : wind, breath, breath, being alive, being anime, creature It has been for a long time a recurrent subject in the study of history of art. The theme « animal » in the artistic disciplines testifies of the long relationship between human and animal. From the biblical symbolism of God and Evil in medieval era, animal representation quickly became a tool of society’s criticism, as it is in the painting « The Garden of Earthly Delights » where Jerome Bosch paints imaginary and hybrid creatures with irony to destabilise religious myths; or in George Orwell’s novel where the author makes an allegorical satire of the Soviet Union. For the occasion of the exhibition “Animal Farm”, ifa gallery has selected a series of works whose animal figure is present from artists represented by the gallery. Xu Zhe works with different mediums including sculpture, photography, video and installations. Strongly inspired by George Orwell’s Animal Farm, the artist depicts a reality that can be perceived as quite sinister and threatening and that suggests a violent society that has lost control. Zane Mellupe uses different types of mediums : from photography to drawing, from installation to video, from sculpture to performance. -
The Arts House Is Managed by Arts House Limited About the Arts House
The Arts House is managed by Arts House Limited about The Arts House Occupying the almost 200-year-old building that was Singapore’s first Parliament House, The Arts House has played an active role in the Singapore arts and creative scene. The House promotes and presents multidisciplinary programmes and festivals such as literary arts, film, performing and visual arts. The Arts House is run and managed by Arts House Limited (AHL). AHL also presents the Singapore International Festival of Arts, and manages Goodman Arts Centre and Aliwal Arts Centre. Chamber The Chamber is the most historically significant space in The Arts House, in fact, the heart of the House. Formerly the Parliamentary Chamber where Members of the Singapore Parliament gathered, the Chamber also had special furniture shipped in from London, and the upholstery used is the original that was in place since 1954. To facilitate understanding by all Members, who may speak in English, Mandarin, Malay or Tamil, simultaneous interpretation is provided, and the device attached by the side, allows them to listen to the proceedings in any one of the above languages. The round plates on the back of the seats used to be the speakers. The castle-like design on them is part of the Colonial crest used when Singapore was a British Colony. The Chamber is now popularly used for recitals, concerts, conferences, fashion shows. Gallery The Gallery, in true Tuscan architecture, features high ceilings held up by tall columns and enriched by simple trimmings in its cornices. This open visual arts space is the perfect venue for exhibitions, talks, corporate receptions and product launches. -
Taewon Jang Has a Talent for Accentuating Rich
YORK VONLINTEL.COM VONLINTEL.COM YORK NEW 10011 STREET NEW YORK, NY 10011 TEL 1 212 242 0599 FAX 1 347 464 0011 [email protected] NY 10011 TEL 1 212 242 0599 FAX NEW YORK, RD NY FLOOR STREET RD LINTEL GALLERY LINTEL GALLERY LOCATION YORK, WEST 23 VON 520 NEW 520 WEST 23 Izima Kaoru, Sakai Maki wears Jil Sander (502), 2008, C-print, 70.9 x 59 inches GROUND NEW he past is a foreign country; they do things differently Tthere — Leslie Poles Hartley. Actually I never read the th eMmag.com novel this prescient quote is attributed to, The Go-Between (1953). But with the recent death of Harold Pinter, who wrote the screenplay for the 1971 film adaptation, I’ve EDITORIAL been sifting through fragments of language that resonate across time. Seems like a lot of people want to go back in time. Who would have thought we would be debat - 10 Butterfly Dream ing the merits of The New Deal nearly a hundred years at MOCA Shanghai By Guido Mologni after the The Great Depression. (Whose idea was it to call the Depression “Great” by the way?) 26 Taewon Jang at Gana Art New York As inconvenient truths go, unfortunately when all of By Mary Hrbacek the economic stimulus plans and protectionist plans of 30 La Biennale di Venezia the 1930s failed to turn around the most significant 53rd Venice Biennale 2009 worldwide economic depression to date, the worldwide By Viv Ying He war economy — yeah, that one, World War Two, rather conveniently “happened” in 1939 and all of a sudden everyone was back at work. -
Zhang Zhaohui
Zhang Zhaohui Born 1965, Hebei, China Now works and lives in Beijing, China EDUCATION 2003-2006 Central Academy of Fine Arts, Contemporary Art and Culture, PhD program, Beijing, China 1998 Graduated from Bard College, Curatorial Studies in Contemporary Art, MA degree, New York, United States 1995 Graduated from Graduate School of China Art Academy, MA degree, Beijing, China 1988 Graduated from Nankai Univesity, Museum Studies in Art History, Tianjin, China SOLO EXHIBITIONS 2019 Lubrication, Eastover, Massachusetts, United States 2019 New Works by Zhang Zhaohui, Red Gate Gallery, Beijing, China 2018 Sky Light, ANYI Gallery, Shanghai, China 2018 Light and Fantasy, ICI LABAS Gallery, Beijing, China 2018 Light of the Century, Bennet Media Studio, New York, United States 2018 The Longitude and Latitude of Ink, GalwayArt, Hangzhou, China 2015 The Light of Heaven, Being 3 Gallery, Beijing, China 2015 The One In Between, Beijing 3 Gallery, Beijing, China 2014 Linear Brightness, Tianbao Art Center, Taiwan, China 2014 The Threads That Connect Us: Zhang Zhaohui Ink Painting, Red Gate Gallery, Beijing, China 2014 Abstract Ink Painting Exhibition, Tianbao Art Center, Taipei, China 2014 Mountains and waters, Fukuoka Asian Art Museum, Japan 2014 Ink Light, Peninsula Hotel Beijing, Beijing, China 2013 Light Infinity, Design Art Space, Beijing, China 2013 Dao of Nature, Hakkokai Gallery, Beijing, China 2013 Parallel Experiment -- Zhang Zhaohui New Ink Solo Exhibition, Jianxin Ar Gallery, Beijing, China 2012 One and Mass, Light and Time Art Center, Beijing, -
The Aesthetics of Chaos
UK THE AESTHETICS OF CHAOS ALEXANDRE OUAIRY + TAO HONGJING DUO – SOLO EXHIBITION VERNISSAGE 13.MAY.2016 • 5—9 PM 14.MAY.2016 — 26.JUN.2016 THURSDAY TO SUNDAY FROM 10 AM TO 18 rue des renards / vossenstraat 28 • 1000 bruxelles / brussel • belgium tel. +32 2 502 40 58 • [email protected] ifa-gallery.com THE AESTHETICS OF CHAOS The impostor is dead, long live the artist! In November 2015, when Tao Hongjing was opening his new exhibition in Beijing, international press including the Beijing Morning, The New York Times and L’Express, were reporting on an extraordinary intrigue. The talented artist Tao Hongjing, an upcoming figure in the Chinese contemporary market over the past ten years, was none other than French artist Alexandre Ouairy. The conceptual artist had developed a split personality, an artistic performance allowing him to work beyond his own limits. In the words of the Goncourt prize-winner Romain Gary, alias Émile Ajar, “The habit of only being oneself ends up completely depriving us of the rest of the world, of all other beings; “I” is the end of possibilities.” 1 ifa gallery takes up the challenge of organising the debut double exhibition: both posthumously of artist Tao Hongjing, a borrowed identity definitively put to rest, and of contemporary works from artist Alexandre Ouairy. Born in Nantes, graduate of the National Superior Art School of Grenoble, Alexandre Ouairy has been living in Shanghai since the 2000s. At this period, contemporary Chinese artists were much sought-after both in China and internationally. Even if his work aroused the interest of local galleries and exhibition curators, such was not the case for collectors, at this time wishing to invest mainly in Chinese artworks, the “hot investment” of the moment.