DOCSLIB.ORG

Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets ISSUE 16 | FEB 2011 FEBRUARY 2011 / 1 Yisulang-Confabu Mar 2011 1/15/11 9:37 AM Page 1 C M Y CM MY CY CMY K 2 / THE POCKET ARTS GUIDE Composite C M Y CM MY CY CMY K FEBRUARY 2011 / 3 CONTENTS 12 34 17 13 C M Y 24 26 44 CM MY 12 COMING UP 17 SPOTLIGHT 50 INTERVIEW CY LAND-TA-MORPHOSIS — Artist in Focus - Farhad Hussain An Interview — What the CMY Second of the Trilogy: Castle :Phunk? Beyond a Mountain 12 K Dorit Feldman: A Solo Exhibition by Art Facet Glimpses: A Solo Exhibition by 26 COVER STORY 61 SINGAPORE BenCab ART MAP The Window Project 13 Pop! Back into the Future with Burton Morris Will Siber: Sculpture, Wall Object & Painting Solo Exhibition By Seah Kang Chui 不变 50 年 Unchanged For 50 64 DIRECTORIES Years 14 34 FEATURES Singapore Art Galleries Other Listings ‘No si hijomiono’o jabesi soré Gurerro Habulan – jajivo’ The Warrior of pop! 34 Tourist Spots Malaysia Art Guide Limelight Blossoms by Keith Haring - The Journey of a Steve Chua Graffiti artist 38 InFORMATION The Legend of Lichtenstein 44 Out in the Streets 4 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 5 CONTENTS SPOTLIGHT INTERVIEW SINGAPORE ART MAP 6 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 7 Issue #16 (February 2011) ISSN 1793-9739 / MICA (P) 252/09/2010 www.thepocketartsguide.com On the Cover Burton Morris Poparazzi Acrylic on canvas 91.4 x 91.4cm Editor-in-Chief Remo Notarianni / [email protected] Guest Editor Saskia Joosse / [email protected] Art Director Amalina MN / [email protected] Contributors Bharti Lalwani Advertising Sales [email protected] General enquiries and feedback [email protected] Submission of press releases [email protected] THE POCKET ARTS GUIDE PTE LTD (TPAG) 215 Henderson Road, #03-03, Henderson Industrial Park Singapore 048545 For advertising enquiries, please email [email protected]. All editorial, design requests, advertising bookings and materials for February issue of TPAG should be received by 10th February 2011. Printed in Singapore by International Press Softcom Limited. Copyright of all editorial content in Singapore and abroad is held by the publishers, THE POCKET ARTS GUIDE MAGAZINE. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, record- ing or otherwise, without prior permission from the publishers. THE POCKET ARTS GUIDE (TPAG) cannot be held responsible for any loss or damage to unsolicited material. TPAG, ISSN 1793-9739, is published 12 times a year by THE POCKET ARTS GUIDE MAGAZINE. Every effort has been made to contact the copyrights holder. If we have been unsuccessful in some instances, please contact us and we will credit accordingly. Even greater effort has been taken to ensure that all information provided in TPAG is correct. However, we strongly advise to confirm or verify information with the relevant galleries/venues. TPAG cannot be held responsible or liable for any inaccuracies, omissions, alterations or errors that may occur as a result of any last minute changes or production technical glitches. The views expressed in TPAG are not necessarily those of the publisher. The advertisements in this publication should also not be interpreted as endorsed by or recommendations by TPAG The products and services offered in the advertisements are provided under the terms and conditions as determined by the Advertisers. TPAG also cannot be held accountable or liable for any of the claims made or information presented in the advertisements. 8 / THE POCKET ARTS GUIDE When The Pocket Arts Guide invited me to be their guest editor, I was obviously delighted by the prospect of writing about the artists that I love and about a genre that always brings a smile to my face, Pop Art! Little did I know what a difficult feat it would be, as I tried to compress the lives of these legends and that of today’s post-pop artists into articles of 1,000 to 1,500 words. As I believe that it is the compilation of our past experiences that make us who we are today, I deliberated long and hard, as to what to include and to omit in order to stay true to each artist, whilst trying to convey their sheer brilliance. After many years of brokering art and after some kind hearted badgering by some of my clients, I decided that the time was right to open up my own art gallery. Many people remark about the increased interest in art in Singapore and whilst the government has certainly begun to play a more active role we must not forget the hard work and dedication of the first pioneering galleries that have paved the way for people such as myself. The philosophy of my gallery is to treat people in the way that I would like to be treated myself and to only show the best quality artwork in the best condition. Everything that is showcased at Pop and Contemporary Fine Art is owned by the gallery, from artists that I myself collect in depth. I have chosen to dedicate this issue to Pop art as it is art that I find it easy to understand and appreciate and more importantly, because it has changed the way we look at art and continues to be relevant, still to this day, both in Singapore and around the world. Saskia Joosse, Pop and Contemporary Fine Art Guest Editor FEBRUARY 2011 / 9 Published monthly, complimentary copies of TPAG are available at several places around Singapore including the National Library, Singapore Tourism Board’s Singapore Visitors Centre at Orchard (junction of Cairnhill Road and Orchard Road), MICA Building on Hill Street, leading art galleries (Opera Gallery at ION Orchard, Galerie Joaquin at The Regent and Sunjin Galleries in Holland Village), art groups and venues (The Luxe Museum on Handy Road and Sculpture Square on Middle Road), museums and lifestyle shops (STYLE: NORDIC on Ann Siang Road and Lai Chan at Raffles Hotel). To accompany your daily dose of caffeine, browsing copies are also made available at all good coffee chains in town. For the environmentally-conscious, the PDF format of TPAG can be downloaded from www.thepocketartsguide.com every month or simply flip through the magazine on the website using the online reader. Subscription price is SGD48 within Singapore and USD40 internationally. For subscriptions, renewals and address changes, please email [email protected]. Recycle. Pass THE POCKET ARTS GUIDE forward. 10 / THE POCKET ARTS GUIDE FEBRUARY 2011 / 11 COMING UP The 21st century art world is bustling with hi-tech mediums that offer interesting new aesthetics. As traditional art forms seek preservation, Taiwanese artist Barney Lin has melded the past with the present in a marriage of technology and tradition. As part of a series in which he recreates classical Chinese masterpieces, the I/O gallery in Hong Kong is show- casing Lin’s digital reinterpretation of the Song Dynasty Shui Mo painting ‘Travelers among the Mountains and Streams’ by Fan K’uan. The work has often been alluded to by modern artists but Lin LAND-TA-MORPHOSIS — Second of the Trilogy: has revitalised it in the form of a digital installation. ‘Castle Castle Beyond a Mountain Beyond a Mountain’ is the second in a trilogy of Lin’s digital reinterpretations and it runs until February 8. 07.01.11-08.02.11/ I/O Input Output / www.inputoutput.tv Since Art Facet was founded in Singapore in January, 2010 by Rajul Mehta, a renowned professional artist who lived in Israel for 20 years, it has grown into a platform to expose art to a culturally engaged Singapore. Art Facet presents the works of neo-conceptual artist Dorit Feldman in a solo exhibition at the Volvo Art Loft that runs until February 11. Dorit’s works emphasise the construction of unity from multiplicity. Her approach is multi-disciplinary in terms of concept, matter and medium (photography, painting, Dorit Feldman: A Solo and sculpture) prompting the viewer to engage in ‘visual read- Exhibition by Art Facet ing ’. Feldman has presented 28 solo exhibitions and partici- pated in hundreds of group exhibitions in leading galleries and 11.01.11- 11.02.11 / museums in Israel, Europe and the United States. She has Volvo Art Loft / executed more than 95 public works of art, and a wide range www.artfacet.com of her works is kept in private collections globally. 12 / THE POCKET ARTS GUIDE COMING UP As National Artist of the Philippines Benedicto Cabrera, better known as BenCab, approaches the 50th year of his profes- sional life as an artist, an exhibition by the Singapore Tyler Print Institute entitled ‘Glimpses’ looks back at the pieces that best characterise his work, while presenting a new body of printmaking and work on paper. BenCab’s new work continues to embody his fascination with the cultural, social and historical diversity of the Philippines. This is epitomised by the profound presence of ancient tribes- men, tribal women caught in the throes of modernity and the ‘Sabel’, an iconic female vagrant who opts for homeless in- dependence against the materially comfortable oppression of a philandering husband. BenCab has redefined the appeal of works on paper and lim- ited edition prints in the Philippines, which has traditionally favoured oil on canvas works. For this second residency at Glimpses: A Solo Exhibition STPI, which runs until February 12, the institute enabled Ben- by BenCab Cab to return to using large-scale printmaking and painting using exclusively created pulp and paper.
Load more

Recommended publications
  • NUS Museum Wins Inaugural Award for Innovative Museological Practice
    NUS Centre For the Arts For immediate release NUS Museum wins inaugural award For innovative museological practice International Committee of University Museums and Collections recognizes efforts to facilitate conversation between audiences and exhibitions Associate Professor Peter Pang, Associate Provost (Student Life), NUS, accepting the award from UMAC Chair Professor Hugues Dreyssé at NUS Museum, 10 May 2016. SINGAPORE, 10 May 2016 – NUS Museum’s prep-room is the first recipient of the University Museums and Collections (UMAC) Award for the most significant innovation or practice that has proved successful in a university museum or collection. Initiated in 2011, the prep-room is conceived as a means of exploring curatorial methods, developing content and scope and seeking audience participation in the lead-up to projects such as exhibitions and programmes. Employing mostly archival materials, curators present content, curatorial experiments and design ideas in an open gallery, inviting visitors to observe the exhibition-making process, engage with content, and potentially begin a long-term interest in the project. Since 2011, a total of ten projects have been incubated as prep-rooms at the Museum. Professor Hugues Dreyssé, Chairman of UMAC, shares, “The Board (of UMAC) salutes the museum's understanding of the basic principle of creating a contact between the audience and the museum, the creative approach to discussion between researchers, interns, artists and the public and the ease of adapting the idea to other museums.” In 2011, NUS Museum developed the notion of the prep-room from the museum’s work with archival materials and methods. With an interest in the Raffles Lighthouse, located on Pulau Satumu (Singapore), curators and collaborators spent eight months sourcing, categorizing and visually mapping archival materials ranging from 15th century cartographic maps to 19th century governmental declarations.
    [Show full text]
  • Media Release Singapore Art Museum Reveals Singapore
    Media Release Singapore Art Museum Reveals Singapore Biennale 2016 Artists and Artwork Highlights ‘An Atlas of Mirrors’ Explained Through 9 Curatorial Sub-Themes Singapore, 22 September 2016 – The Singapore Art Museum (SAM) today revealed a list of 62 artists and art collectives and selected artwork highlights of the Singapore Biennale 2016 (SB2016), one of Asia’s most exciting contemporary visual art exhibitions. Titled An Atlas of Mirrors, SB2016 draws on diverse artistic viewpoints that trace the migratory and intertwining relationships within the region, and reflect on shared histories and current realities with East and South Asia. SB2016 will present 60 artworks that respond to An Atlas of Mirrors, including 49 newly commissioned and adapted artworks. The SB2016 artworks, spanning various mediums, will be clustered around nine sub-themes and presented across seven venues – Singapore Art Museum and SAM at 8Q, Asian Civilisations Museum, de Suantio Gallery at SMU, National Museum of Singapore, Stamford Green, and Peranakan Museum. The full artist list can be found in Annex A. SB2016 Artists In addition to the 30 artists already announced, SB2016 will include Chou Shih Hsiung, Debbie Ding, Faizal Hamdan, Abeer Gupta, Subodh Gupta, Gregory Halili, Agan Harahap, Kentaro Hiroki, Htein Lin, Jiao Xingtao, Sanjay Kak, Marine Ky, H.H. Lim, Lim Soo Ngee, Made Djirna, Made Wianta, Perception3, Niranjan Rajah, S. Chandrasekaran, Sharmiza Abu Hassan, Nilima Sheikh, Praneet Soi, Adeela Suleman, Melati Suryodarmo, Nobuaki Takekawa, Jack Tan, Tan Zi Hao, Ryan Villamael, Wen Pulin, Xiao Lu, Zang Honghua, and Zulkifle Mahmod. SB2016 artists are from 18 countries and territories in Southeast Asia, South Asia and East Asia.
    [Show full text]
  • Performance Art
    (hard cover) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Master of Arts Fine Arts 2006 LASALLE-SIA COLLEGE OF THE ARTS (blank page) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Submitted in Partial Fulfillment of the Degree Master of Arts (Fine Arts) LASALLE-SIA College of the Arts Faculty of Fine Arts Singapore May, 2006 ii Accepted by the Faculty of Fine Arts, LASALLE-SIA College of the Arts, In partial fulfillment of the requirements For the degree Master of Arts (Fine Arts). Vincent Leow Studio Supervisor Adeline Kueh Thesis Supervisor I certify that the thesis being submitted for examination is my own account of my own research, which has been conducted ethically. The data and the results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequently to my registration for the degree for which I am submitting this document. Lee Wen In submitting this thesis to LASALLE-SIA College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property.
    [Show full text]
  • SALE RESULTS: PRINTS and MULTIPLES 26-27 April
    RESULTS | NEW YORK | 27 APRIL 2016 | FOR IMMEDIATE RELEASE SALE RESULTS: PRINTS AND MULTIPLES 26-27 April 2016 SALE TOTAL: $11,592,500 JASPER JOHNS (B. 1930), Flags I, screenprint in colors, on J.B. Green paper, 1973 Estimate: $800,0000-1,200,000 Price Realized: $1,685,000 NEW WORLD AUCTION RECORD FOR A PRINT BY THE ARTIST New York—Christie’s announces strong results for the two-day and three session sale of Prints and Multiples which took place from April 26-27 at Christie’s New York. The sale beat the initial estimate totaling $11,592,500 with 86% sold by lot and 91% sold by value. Record prices were set for artists Jasper Johns, Keith Haring, Frank Stella, Andy Warhol, and Ellsworth Kelly. There was active bidding through all three channels—live, online, and phone—with global representation across buyers. Richard Lloyd, International Head of Prints and Multiples, comments, “Strong prices were achieved for works across the 20th-century, led by Jasper Johns, Flags I, setting a new world auction record for a print by the artist. Significant results were also realized for Roy Lichtenstein, Keith Haring, and a notable 100% sell-through of works by Andy Warhol.” The top lot of the sale was Jasper Johns (B. 1930), Flags I, screenprint in colors, 1973, realizing $1,685,000, setting a new world auction record for his Flags I series and for any printed work by the artist. Previous artist record for a printed work: Jasper Johns (B. 1930), Untitled, which sold for $1,565,000 at Christie’s New York, November 2015.
    [Show full text]
  • Download SB2016 Exhibition Guide
    ORGANISED BY COMMISSIONED BY SUPPORTED BY SINGAPORE SINGAPORE BIENNALE 2016 BIENNALE 2016 ARTISTS AHMAD FUAD OSMAN 59 KENTARO HIROKI 21, 49 SHARMIZA ABU HASSAN 27 MALAYSIA THAILAND/JAPAN MALAYSIA MARTHA ATIENZA 31 HTEIN LIN 46 DO HO SUH 28 PHILIPPINES/NETHERLANDS MYANMAR SOUTH KOREA/UNITED STATES/ UNITED KINGDOM AZIZAN PAIMAN 41 JIAO XINGTAO 59 MALAYSIA CHINA ADEELA SULEMAN 49 PAKISTAN RATHIN BARMAN 51 SAKARIN KRUE-ON 61 INDIA THAILAND MELATI SURYODARMO 23 INDONESIA HEMALI BHUTA 26 MARINE KY 57 SEA OF INDIA CAMBODIA/FRANCE EDDY SUSANTO 25 JAPAN INDONESIA SOUTH KOREA JAPAN BUI CONG KHANH 50 PHASAO LAO 35 VIETNAM TCHEU SIONG NOBUAKI TAKEKAWA 48 LAOS JAPAN YELLOW SEA DAVID CHAN 54 CHINA SINGAPORE H.H. LIM 21 JACK TAN 47 MALAYSIA/ITALY SINGAPORE/UNITED KINGDOM CHIA CHUYIA 41 MALAYSIA/SWEDEN LIM SOO NGEE 20 MELISSA TAN 42 PAKISTAN SINGAPORE SINGAPORE CHOU SHIH HSIUNG 29 TAIWAN MADE DJIRNA 27 TAN ZI HAO 28 EAST INDONESIA MALAYSIA CHINA SEA ADE DARMAWAN 48 TAIWAN BANGLADESH INDONESIA MADE WIANTA 25 TITARUBI 34 HONG KONG INDONESIA INDONESIA DENG GUOYUAN 34 INDIA TROPIC OF CANCER MYANMAR CHINA MAP OFFICE 23 TUN WIN AUNG & WAH NU 32 LAOS HONG KONG/FRANCE MYANMAR DEBBIE DING 55 SINGAPORE/UNITED KINGDOM MUNEM WASIF 42 RYAN VILLAMAEL 36 BANGLADESH PHILIPPINES 3 PAGE THAILAND PHILIPPINES PATRICIA PEREZ EUSTAQUIO 22 PHILIPPINE SEA PHILIPPINES PHUONG LINH NGUYEN 33 WEN PULIN 43 VIETNAM BAY VIETNAM ZANG HONGHUA OF SOUTH BENGAL FAIZAL HAMDAN 47 CHINA CAMBODIA CHINA SEA BRUNEI NI YOUYU 30 CHINA WITNESS TO PARADISE 2016: 44 ANDAMAN DEX FERNANDEZ 26 NILIMA SHEIKH, PRANEET SOI, SRI LANKA SEA PHILIPPINES PERCEPTION3 55 ABEER GUPTA & SANJAY KAK SINGAPORE INDIA MALAYSIA BRUNEI FYEROOL DARMA 33 SINGAPORE PALA POTHUPITIYE 24 XIAO LU 20 SRI LANKA CHINA SINGAPORE SUBODH GUPTA 54 INDIA QIU ZHIJIE 29 PANNAPHAN YODMANEE 31 EQUATOR CHINA THAILAND GREGORY HALILI 30 PHILIPPINES NIRANJAN RAJAH 50 HARUMI YUKUTAKE 22 MALAYSIA/CANADA JAPAN HAN SAI POR 37 SINGAPORE ARAYA RASDJARMREARNSOOK 36 ZULKIFLE MAHMOD 24 INDONESIA JAVA FLORES SEA SEA THAILAND SINGAPORE AGAN HARAHAP 32 INDONESIA S.
    [Show full text]
  • Introducing the Museum Roundtable
    P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore.
    [Show full text]
  • KLAS Art Auction 2014 Malaysian Modern & Contemporary Art Edition XI
    Lot 36, Abdul Latiff Mohidin Mindscape - 27, 1983 KLAS Art Auction 2014 Malaysian modern & contemporary art Edition XI Auction Day Sunday, September 28, 2014 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards Nexus 3 Ballroom, Level 3A Connexion@Nexus No 7, Jalan Kerinchi Bangsar South City 59200 Kuala Lumpur Malaysia Lot 65, Ong Kim Seng Himalayan Panorama, 1982 2 3 Lot 64, Lim Tze Peng Thian Hock Keng Temple, Circa 1970s KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur t: +603 20932668 f: +603 20936688 e: [email protected] Contact Information Auction enquiries and condition report Lydia Teoh +6019 2609668 [email protected] Datuk Gary Thanasan [email protected] Bidder registration and telephone / absentee bid Lydia Teoh +6019 2609668 [email protected] Shamila +6019 3337668 [email protected] Payment and collection Shamila +6019 3337668 [email protected] Lot 78, Ibrahim Hussein, Datuk Untitled, 1974 Kuala Lumpur Full Preview Date: September 11 - September 27, 2014 Venue: KL Lifestyle Art Space 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur Auction Day Date: Sunday, September 28, 2014 Venue: Nexus 3 Ballroom, Level 3A Connexion@Nexus No 7, Jalan Kerinchi Bangsar South City 59200 Kuala Lumpur Time: 1.00 pm Map to Connexion@Nexus 7 Lot 77, Abdullah Ariff Chinese Junk, 1956 Contents 7 Auction Information 10 Glossary 18 Lot 1 - 77 149 Auction Terms and Conditions 158 Index of Artists Lot 37, Yusof Ghani Siri Tari, 1989 Glossary 6 BASOEKI ABDULLAH 1 AWANG DAMIT AHMAD Indonesian WomAn in Red, 2006 Iraga Dayung Patah, 2006 Oil on canvas | 69 x 50 cm Mixed media on canvas | 100 x 101 cm RM 35,000 - RM 45,000 RM 8,000 - RM 18,000 2 TAJUDDIN ISMAIL 7 JEIHAN SUKMANTORO Magenta Landscape, 2001 Miryam, 1997 Acrylic and pastel on board | 61 x 60 cm Oil on canvas | 70 x 70 cm RM 3,000 - RM 8,000 RM 7,000 - RM 12,000 3 Ismail Latiff 8 HAN SNEL Angkasa Mandi Angin No.
    [Show full text]
  • Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
    Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • JEREMY SHARMA Born 1977, Singapore
    JEREMY SHARMA Born 1977, Singapore EDUCATION 2006 Master of Art (Fine Art), LASALLE College of the Arts, Singapore 2003 Bachelor of Art (Fine Art) with High Distinction, LASALLE College of the Arts (RMIT), Singapore RESIDENCIES 2016 Stelva Artist in Residence, Italy 2015 NTU Centre for Contemporary Arts, Singapore 2014 Temenggong Artist in Residence with Fundación Sebastián, Mexico City 2008 Artist Residency & Exchange Program (REAP) by Artesan Gallery Singapore, Manila, The Philippines 2007 Royal Over-Seas League (ROSL), Travel Scholarship, Hospitalfield, Arbroath, Scotland, United Kingdom 2004 Studio 106, Former Residential-Studio of the late Cultural Medallion Dr. Ng Eng Teng, Joo Chiat Place, Managed by LASALLE-SIA College of the Arts, Singapore AWARDS AND PRIZES 2013 RPF Grant, LASALLE College of the Arts, Singapore 2013 Creation Grant, National Arts Council, Singapore 2007 Royal Over-Seas League (ROSL) Travel Scholarship 2005 LASALLE-SIA Scholarship 2005 JCCI Arts Award, Japanese Chamber of Commerce and Industry, Recipient (with KYTV) 2003 Phillip Morris Singapore Arts Award, Honorable Mention 2003 Studio 106, Residency Award 2002 The Lee Foundation Study Grant, Singapore 2000 Action for Aids Award, First Prize (Open Category), Singapore 1999 The Della Butcher Award, Presented by The Rotary Club of Singapore, winner COLLECTIONS Singapore Art Museum Ngee Ann Kongsi, Singapore SOCIÈTÉ GÉNÈRALE The Westin, Singapore One Farrer Private Limited NUS Business School, Singapore Prime Partners COMMISSIONS Slow Fury, Asian Film Archives,
    [Show full text]
  • Annex A: Bios of Creative Directors - Clara Yee and Randy Chan
    Annex A: Bios of Creative Directors - Clara Yee and Randy Chan Clara Yee Creative Director Singapore: Inside Out Tokyo Clara Yee is the creative director of nomadic creative house, in the wild. After graduating from Central Saint Martins College of Art and Design London, Yee has been actively developing her creative practice, creating and collaborating across disciplines from fashion to spatial interventions. To date, Yee has worked with many prolific private and public clients, including Alexander McQueen, Barbican London and Warner Music. Her work has brought her on cross-country cultural adventures to Beijing, London, Mexico City, New York, Taiwan and Japan, where she collaborated with international talents. She has exhibited her works as part of London Design Festival, Taiwan Design Expo, Singapore Design Week and Archifest, showing at galleries in London, Singapore and USA such as Blackall Studios, Sculpture Square, Berkeley Foundation and Singapore Art Museum’s 8Q @ SAM. Yee is part of The Straits Times’ 30 rising stars of Singapore under 30 and is also a Forbes Asia’s inaugural 30 under 30 honouree. Randy Chan Creative Director Singapore: Inside Out Sydney One of Singapore's leading young architects, Randy's architectural and design experience includes work on projects as diverse as stage design, private housing, cluster housing and master-planning – all of which are guided by the simple philosophy that architecture and the aesthetics originate from the same impulse. Randy takes a multidisciplinary architectural approach to his projects and specializes in the convergence between Art and Architecture. His works have been published in numerous local architecture magazines and international publications, including Robert Powell’s Singapore Houses.
    [Show full text]
  • Art of Tang Da Wu
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Body and communication : the ‘ordinary’ art of Tang Da Wu Wee, C. J. Wan‑Ling 2018 Wee, C. J. W.‑L. (2018). Body and communication : the ‘ordinary’ artof Tang Da Wu. Theatre Research International, 42(3), 286‑306. doi:10.1017/S0307883317000591 https://hdl.handle.net/10356/144518 https://doi.org/10.1017/S0307883317000591 © 2018 International Federation for Theatre Research. All rights reserved. This paper was published by Cambridge University Press in Theatre Research International and is made available with permission of International Federation for Theatre Research. Downloaded on 27 Sep 2021 10:02:22 SGT Accepted and finalized version of: Wee, C. J. W.-L. (2018). ‘Body and communication: The “Ordinary” Art of Tang Da Wu’. Theatre Research International, 42(3), 286-306. C. J. W.-L. Wee [email protected] Body and Communication: The ‘Ordinary’ Art of Tang Da Wu Abstract What might the contemporary performing body look like when it seeks to communicate and to cultivate the need to live well within the natural environment, whether the context of that living well is framed and set upon either by longstanding cultural traditions or by diverse modernizing forces over some time? The Singapore performance and visual artist Tang Da Wu has engaged with a present and a region fractured by the predations of unacceptable cultural norms – the consequences of colonial modernity or the modern nation-state taking on imperial pretensions – and the subsumption of Singapore society under capitalist modernization. Tang’s performing body both refuses the diminution of time to the present, as is the wont of the forces he engages with, and undertakes interventions by sometimes elusive and ironic means – unlike some overdetermined contemporary performance art – that reject the image of the modernist ‘artist as hero’.
    [Show full text]