M120 - Moganshan Re-Used! 莫干山路120再创造!
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PB the Walls of Utopia
Gao Brothers, The Utopia of Construction n°5 (2014), c-print, 150x150cm Between the Walls of Utopia Gao Brothers ● solotentoonstelling Vernissage vrijdag 11 september 2015, 17u - 21u Expositie van 12 september tot en met 29 november 2015 open van donderdag tot zondag, 10u - 19u rue des renards/vossenstraat 28 • 1000 brussels • belgium 中国上海市万航渡路 733 号 / 733 wanhangdu road • shanghai 200040 • china +32 2 502 40 58 • [email protected] ifa-gallery.com Between the Walls of Utopia "Between the Walls of Utopia" is de eerste solotentoonstelling in Brussel van het gerenommeerde kunstenaarsduo de Gao Brothers (Gao Zhen & Gao Qiang). Ze worden internationaal geprezen. Vertrekkende vanuit het Chinese voobeeld plaatsen ze al meer dan twee decennia vraagtekens bij de positie van de mens in de hedendaagse samenleving om zo tot een universeel standpunt te komen. Hun eerste belangrijke installatie in een reeks van gewaagde werken was te zien op “China/Avant-Garde” (National Gallery of Beijing) in 1989. Deze tentoonstelling was van grote betekenis voor de Chinese hedendaagse kunst. Hun sociale en artistieke betrokkenheid tijdens de demonstraties op het Tiananmen-plein kostte hen hun paspoort gedurende meerdere jaren. De Gao Brothers hebben inderdaad een aandeel in de kritische getuigenissen op de Chinese samenleving. Dit uiten ze in hun kunst via verscheidene media zoals fotografie, video, schilder- en beeldhouwkunst, theater, performances, kritische essays en zelfs via hun rol als curatoren en het organiseren van tentoonstellingen met andere artiesten. De Culturele Revolutie (1966-1976) had tragische gevolgen voor hun familie. Ze streven dan ook naar een grotere vrijheid van meningsuiting. Dit is het zichtbaarst in hun reeks politieke schilderijen en sculpturen, zoals de groteske Miss Mao of de Executie van Christus door een Mao Zedong regiment. -
2020 Shanghai Foreign Investment Guide Shanghai Foreign Shanghai Foreign Investment Guide Investment Guide
2020 SHANGHAI FOREIGN INVESTMENT GUIDE SHANGHAI FOREIGN SHANGHAI FOREIGN INVESTMENT GUIDE INVESTMENT GUIDE Contents Investment Chapter II Promotion 61 Highlighted Investment Areas 10 Institutions Preface 01 Overview of Investment Areas A Glimpse at Shanghai's Advantageous Industries Appendix 66 Chapter I A City Abundant in 03 Chapter III Investment Opportunities Districts and Functional 40 Enhancing Urban Capacities Zones for Investment and Core Functions Districts and Investment Influx of Foreign Investments into Highlights the Pioneer of China’s Opening-up Key Functional Zones Further Opening-up Measures in Support of Local Development SHANGHAI FOREIGN SHANGHAI FOREIGN 01 INVESTMENT GUIDE INVESTMENT GUIDE 02 Preface Situated on the east coast of China highest international standards Secondly, the openness of Shanghai Shanghai is becoming one of the most At the beginning of 2020, Shang- SHFTZ with a new area included; near the mouth of the Yangtze River, and best practices. As China’s most translates into a most desired invest- desired investment destinations for hai released the 3.0 version of its operating the SSE STAR Market with Shanghai is internationally known as important gateway to the world, ment destination in the world char- foreign investors. business environment reform plan its pilot registration-based IPO sys- a pioneer of China’s opening to the Shanghai has persistently functioned acterized by increasing vitality and Thirdly, the openness of Shanghai is – the Implementation Plan on Deep- tem; and promoting the integrated world for its inclusiveness, pursuit as a leader in the national opening- optimized business environment. shown in its pursuit of world-lead- ening the All-round Development of a development of the YRD region as of excellence, cultural diversity, and up initiative. -
LIU BOLIN Born in 1973 Lives and Works in Beijing, China
LIU BOLIN Born in 1973 Lives and works in Beijing, China SELECTED COLLECTIONS 21c Museum, Louisville, KY, 88-MOCCA, Vaduz, Liechtenstein Allen Memorial Art Museum, Oberlin College, Oberlin, OH ARTantide Museum, Verona, Italy AT&T Art Collection, Dallas, TX Baltimore Museum of Art, Baltimore, MD Banca Aletti, Milan, Italy Bates College Museum of Art, Lewiston, ME Biblioteca Capitolare, Verona, Italy Collection SOCIÉTÉ GÉNÉRALE, France Collection NEUFLIZE VIE, Paris, France The Fidelity Corporate Art Collection, Boston, MA Fist Art Foundation, Dorado, Puerto Rico Fondation Ariane de Rothschild, Madrid, Spain Fondation Frances, Senlis, France Fotografiska Museet, Stockholm, Sweden The Gold Museum, Bogotá, Colombia HBC Global Art Collection, New York, NY Johnson Museum of Art, Cornell University, Ithaca, NY M+ Sigg Collection, Hong Kong MART, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy Museo Enzo Ferrari, Modena, Italy Museum on the Seam, Jerusalem, Israel Princeton University Art Museum, Princeton, NJ The Red Mansion Foundation, London, UK Teutloff Photo & Video Collection, Bielefeld, Germany Unicredit Group, Milan, Italy DSL Collection, Paris, France Uli Sigg Collection,Swiss Symbolic Collection, San Diego, CA SELECTED SOLO SHOWS 2017 Ghost Stories, Maison Européenne de la Photographie, Paris, France. Galerie Party, Act 2, in collaboration with Studio GGSV, Galerie des Enfants, Centre Pompidou, Paris, France. Solo Show, Galerie Paris-Beijing, Paris, France. Retrospective, Festival Portrait(s), Vichy, France -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
Co-Circulation of Aedes Flavivirus, Culex Flavivirus, and Quang Binh
Fang et al. Infectious Diseases of Poverty (2018) 7:75 https://doi.org/10.1186/s40249-018-0457-9 RESEARCH ARTICLE Open Access Co-circulation of Aedes flavivirus, Culex flavivirus, and Quang Binh virus in Shanghai, China Yuan Fang1, Yi Zhang1*, Zheng-Bin Zhou1, Wen-Qi Shi1, Shang Xia1, Yuan-Yuan Li1, Jia-Tong Wu1, Qin Liu1 and Guang-Yi Lin2 Abstract Background: With increases in global travel and trade, the spread of arboviruses is undoubtedly alarming. Pathogen detection in field-caught mosquitoes can provide the earliest possible warning of transmission. Insect-specific flavivirus (ISFV) has been first detected in 1991 and documented worldwide in the latest ten years. Although infection with ISFVs is apparently limited to insects, an increase in the infection rate of mosquito-borne flaviviruses may be able to induce cytopathic effects in vertebrate cells during co-infection with other human pathogens. However, little is known whether ISFVs persist in most regions of China. Methods: Duringthemosquitoactivityseasonin2016,asurveillance program was carried out to detect ISFVs in mosquitoes in metropolitan Shanghai, China. The presence of ISFVs was randomly tested in different species of mosquitoesusingRT-PCR-basedandhemi-nestedPCRassays,followingbythesequencingofPCRproducts.Sequences from positive pooled samples were compared with those deposited in GenBank. Thereafter, sequences of representative insect flaviviruses were used for further phylogenetic and molecular evolutionary analyses. Results: Our investigations showed: (1) the presence of Aedes flavivirus (AEFV) in 11/161 pooled samples (nine pools in Songjiang District, one pool in Huangpu District, and one pool in Qingpu District) of Aedes albopictus,(2)thepresenceof Quang Binh virus (QBV) in 10/195 pooled samples (all in Chongming District) of Culex tritaeniorhynchus;and(3)the presence of Culex flavivirus (CxFV) in 9/228 pooled samples (six pools in Pudong New Area, two pools in Huangpu District, and one pool in Chongming District) of Cx. -
Yongkang Lu – Cnn Travel
THE NEW SHANGHAI ART STREET: YONGKANG LU – CNN TRAVEL HTTP://TRAVEL.CNN.COM/SHANGHAI/PLAY/NEW-SHANGHAI-ART-STREET- YONGKANG-LU-977908 THE NEW SHANGHAI ART STREET: YONGKANG LU Moganshan Lu? Been there, seen that. The new vegetable market-turned-art street to check out is Yongkang Lu By Hunter Braithwaite ??? Image not found or type unknown Alexis Kouzmine-Karavaïeff, ifa gallery director Yongkang Lu is a stronghold of old Shanghai, a grimy love letter to how things once were, replete with underwear dangling like prayer flags. It is also the home of several galleries recently opened by Zane Mellupe, a Latvian artist and curator. The Yongkang Lu art project strives for interaction between the arts community and the locals, and, unlike so many other creative initiatives in Shanghai, this one actually seems to be working. Zane Mellupe, ??? Image not found or type unknown Zane Mellupe, Latvian artist and curator “I wanted something new. Art is accessible to so few people [in Shanghai]. I thought about creating a residency space for foreign and upcoming Shanghai artists and to give a chance to the minorities,” says Mellupe, the former creative director of island6, of how her Yongkang Lu project began. So she began talking to developers on Yongkang Lu, a former vegetable market that was slated to become a fashion street. “Instead of one space I decided that I should get more. The developers trusted me. I just had No. 83 in the beginning though; the landlord said I could use it for one month. Now it’s a coffee shop.” As the galleries opened one after another, the neighborhood began to feel different. -
Development of High-Speed Rail in the People's Republic of China
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Haixiao, Pan; Ya, Gao Working Paper Development of high-speed rail in the People's Republic of China ADBI Working Paper Series, No. 959 Provided in Cooperation with: Asian Development Bank Institute (ADBI), Tokyo Suggested Citation: Haixiao, Pan; Ya, Gao (2019) : Development of high-speed rail in the People's Republic of China, ADBI Working Paper Series, No. 959, Asian Development Bank Institute (ADBI), Tokyo This Version is available at: http://hdl.handle.net/10419/222726 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by-nc-nd/3.0/igo/ www.econstor.eu ADBI Working Paper Series DEVELOPMENT OF HIGH-SPEED RAIL IN THE PEOPLE’S REPUBLIC OF CHINA Pan Haixiao and Gao Ya No. -
In the Art World Intheartworld .Com Summer 2011
M Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio. in the art world intheArtworld .com Summer 2011 THROCKMORTON FINE ART GEORGE PLATT LYNES June 9th - September 10th, 2011 Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00 Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage 145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. EDITORIAL As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to herald the importance of what was then an emerging art district called Chelsea. Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. -
Island 6 Art Collective
BOB SICK YUDHITA AGUNG Education 1991 - 1998 ISI, Yogyakarta, Indonesia “Speak Off”, organized by JogjaNews.Com, Jogja National Museum, Yogyakarta Solo Exhibition : 2010 “Power Wagon”, Jogja National Museum, Yogyakarta 2012 “I’m a Living Legend”, Srisasanti Gallery, Yogyakarta “Reach for the HeART – A Beginning”, Sin Sin Annex, Hong Kong “I’m a Living Legend”, Galeri Nasional Indonesia (Indonesian “Romansa 9satu”, Sankring Gallery, Yogyakarta National Gallery), Jakarta “Gusdurisme”, Langgeng Gallery, Magelang 2010 “Bobvarium”, Srisasanti Arthouse, Jakarta “Transfiguration”, Semarang Contemporary Art Gallery, Jakarta 2008 “Life is Beautiful”, Sin Sin Fine Art, Hong Kong Art District, Grand Indonesia, Jakarta “Sick Project”, Galeri Semarang, Semarang “Space & Images”, Ciputra World, Jakarta 2007 “Happy Birthday NIN”, Jogja National Museum, Yogyakarta 2009 “Borderless World”, organized by Srisasanti Gallery, Taman 2005 “New Kid on the Block”, Museum dan Tanah Liat, Yogyakarta Budaya Yogyakarta 2004 “Di Bawah Pohon Ketepang Di Atas Springbed”, Kedai Kebun “Hi June”, duo exhibition, Taman Budaya Yogyakarta, Forum, Yogyakarta Yogyakarta 2002 “Aku Cinta Bapakku”, LIP Yogyakarta, Yogyakarta “Reach For The Heart”, Sin-Sin Fine Art, Hong Kong 2001 “Sick Is Bliss”, Kedai Kebun Forum, Yogyakarta “In Rainbow”, Esa Sampoerna Art House, Surabaya 2000 “Meraih Kemenangan”, Millenium Gallery, Jakarta “Pesta Gagasan”, Arslonga Rumah Seni, Yogyakarta “Friendship Code”, Syang Gallery, Magelang, Central Java Group exhibition (selected): “Reform”, organized -
Shanghai Industrial Market Report Q2 2020
The logistics sector is on a path of recovery Shanghai Industrial Market Report knightfrank.com.cn Q2 2020 SHANGHAI INDUSTRIAL MARKET REPORT Q2 2020 THE LOGISTICS SECTOR IS ON A PATH OF RECOVERY In Q2,Shanghai industrial market recovered due to the continuous release of market demand. The China’s manufacturing Purchasing Managers Index (PMI) in June reached 50.9%, up 0.3 percentage point compared with the previous month, which has remained above 50% for four consecutive months. OVERVIEW AND OUTLOOK According to the Shanghai Municipal Driven by a batch of key investment In the second half of 2020, it is expected Statistics Bureau, GDP in Shanghai projects, Shanghai’s manufacturing that the market will see steady growth with decreased by 2.6% YoY to RMB1,735.68 investment increased by 20.1% YoY. In the an estimated logistics warehouse space of billion in the first half of 2020, with the first half of 2020, the industrial production more than 255,000 sqm to be completed, decline rate decreasing 4.1 percentage recovered rapidly with the gross industrial while the vacancy rate will climb up in a points compared to Q1 2020. In Q2, output value of strategic emerging short term. In terms of leasing, landlords Shanghai’s industrial production achieved industries in Shanghai increased by 5.5% are expected to remain cautious due to the monthly growth for three consecutive YoY to RMB597.618 billion, showing a clear COVID-19. The logistics warehouse rent is months and the cumulative decline growth momentum. expected to increase steadily in the next six narrowed month by month. -
Swiss Cultural Events in July 2018
Cultural Newsletter of the Consulate General of Switzerland in Shanghai Swiss Cultural Events in July 2018 Machines are Not Alone An artistic project that explores the intersection of art, science and technology When & Where July 21 – October 17 Chronus Art Center │ 新时线媒体艺术中心(CAC) 18 Building, 50 Moganshan Road, Putuo District, Shanghai 上海市普陀区莫干山路 50 号 18 号楼 Info supported by Pro Helvetia Shanghai, Swiss Arts Council www.prohelvetia.cn www.chronusartcenter.org CAC presents the group exhibition Machines Are Not Alone. Exposing machines as systems, networks, milieus, and natures of different orders and cultures, this exhibition will investigate and discuss the symbiosis and reciprocity between natural and cultural machines. The exhibition ought to be a prologue to the Device Art Triennale 2018. After the launch at Chronus Art Center in Shanghai, the exhibition will be shown at the Zagreb Contemporary Art Museum in winter and finally be displayed at the Queens Art Museum in New York the following year. Each traveling iteration will situate itself in the local milieu and create interconnections with its immediate surroundings. The artist project An Invitation to Source: Pro Helvetia Sympoietic Experiments, which is part of the exhibition, received the support from Pro Helvetia Shanghai, Swiss Arts Council. In partnership65th Anniversarywith: in partnership with: Wechat: pro_helvetia www.prohelvetia.cn Page | 1 Cultural Newsletter of the Consulate General of Switzerland in Shanghai Charlie Chaplin. A Vision Major retrospective exhibition of the King of Comedy is displayed in Shanghai When & Where June 8 – October 7, 2018 Yuz Museum Shanghai │余德耀美术馆 35 Fenggu Road, Xuhui District, Shanghai 上海徐汇区丰谷路 35 号 Info www.elysee.ch www.yuzmshanghai.org Charlie Chaplin is the founder of modern comedy, one of the most influential performing artists and film directors of the 20th century. -
In the Art World
M_Jan10_coverV5.qxp:Layout 1 1/13/10 11:33 AM Page 1 M THROCKMORTON FINE ART www.thenewyorkartworld.com M MBM Publications Vol. 13 No.5 January 2010 TINA , Under the Mexican Sky December 17th - March 6th, 2010 Book Available: TINA, UNDER THE MEXICAN SKY, $45.00 Christina Vergano Voices Carry, 2009. Oil on wood, 30 x 30 inches. Courtesy: Woodward Gallery, New York. Tina Modotti, Julio Antonio Mella, Gelatin silver print, 1928 145 East 57th Street, 3rd Floor New York, NY 10022 tel 212. 223. 1059 fax 212. 223. 1937 in the art world www.throckmorton-nyc.com [email protected] thenewyorkartworld .com January2010 M_Jan10_coverV5.qxp:Layout 1 1/13/10 11:34 AM Page 2 Iris Schieferstein, German Autumn , Digital Print 2009 BREAKTHROUGH BERTOLD BARASCH MICHEL HAESE Reections on the Berlin Wall HEIDE HATRY LAURA HATRY PAUL KAESTNER RICHARD RABENSAAT HENRY RASMUSSEN 3 November - 23 December 2009 Through 23 January 2010 IRIS SCHIEFERSTEIN HP GARCIA GALLERY 580 Eighth Avenue @ 38th Street NYC 212 354 7333 hpgarciagallery .com VON LINTEL GALLERY NEW YORK VONLINTEL.COM Izima Kaoru, Sakai Maki wears Jil Sander (502) , 2008, C-print, 70.9 x 59 inches bronze series black & white series petrified wood series NEW LOCATION 520 WEST 23RD STREET GROUND FLOOR NEW YORK, NY 10011 520 WEST 23RD STREET NEW YORK, NY 10011 TEL 1 212 242 0599 FAX 1 347 464 0011 [email protected] WWW.MIA-ARTFAIR.COM Rated +++++ by The Art Newspaper -$18$5< 3 5 ( 9 , ( : - $ 1 0,$0, %($&+ &219(17,21 &(17(5 FRANK HORVAT - COURTESY HOLDEN LUNTZ GALLERY Prestigious international exhibitors and the Palm Beach cultural community 02'(51 &217(0325 $5< $57 ,17(51$7,21$/ *$//(5,(6 welcome you to a festive, enhanced 2010 edition -26É %(',$ $ 5(75263(&7,9( ,167$// $7,21 %< )('(5,&2 85,%( of the American International Fine Art Fair in America’s most glamorous winter destination.