1000 Apertures & 1 Visage

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1000 Apertures & 1 Visage DU 1000 APERTURES & 1 VISAGE TENTOONSTELLING ZANE MELLUPE GAO BROTHERS DAI GUANGYU WU JUNYONG FAN JIUPENG VERNISSAGE 11.MAA.2016 • 17—21U 12.MAA.2016 — 8.MEI.2016 DONDERDAG TOT ZONDAG, VAN 10U TOT 19U rue des renards / vossenstraat 28 • 1000 bruxelles / brussel • belgium tel. +32 2 502 40 58 • [email protected] ifa-gallery.com 1000 APERTURES & 1 VISAGE Naar aanleiding van haar nieuwste groepstentoonstelling « 1000 apertures & 1 visage» stelt ifa gallery een panorama van kunstwerken voor die de symboliek van de « passage » oproepen, een onderwerp dat door de eeuwen heen heel wat kunstenaars geïnspireerd heeft. Van de geometrische structuren binnen de fotografie van de Gao Brothers tot de surrealistische installatie van Wu Junyong; van de metaforische inktschilderijen van Dai Guangyu tot het enigmatische werk van Zane Mellupe: het thema « passage » kent een rijke symbolische taal. Denk daarbij aan de openbaring van een nieuwe wereld en van kennis allerlei. In deze tentoonstelling zien we, in contrast met 1000 openingen, slechts 1 gezicht: het zelfportret van een jongeman met een frêle lichaam, een indringende blik en een nonchalante baard. Heeft hij met de sleutelbos rond zijn nek toegang tot een andere wereld? In de schilderkunst is de symboliek van de passage al vaak geassocieerd met het beeld van een brug. In de 19e eeuw wordt de brug een veelgebruikt motief voor impressionistische schilders, als het onderwerp zelf van het schilderij, enerzijds een symbool van industriële ontwikkeling, anderzijds een voorwerp van lichtcompositie en reflectie. Gedurende deze periode drukte de brug, als we verder kijken dan het gestructureerde canvasmedium, de idee van transitie uit. Het is de plaats van passage tussen twee staten, tussen twee werelden – concreet of abstract – tussen het bekende en het onbekende, het donker en het licht. Het is ook de toegang tot een fundamentele ruimte, de weg naar transformatie. Wu Junyong (1978), afgestudeerd aan het departement Nieuwe Media van de gerenommeerde Chinese Kunstacademie in Hangzhou, heeft zijn eigen surrealistische universum gecreëerd, deels geïnspireerd door de schilders van de Vlaamse renaissance. De kunstenaar, die altijd al gefascineerd was door videoanimatie, construeert zijn wereld ook via andere media zoals schilder-, teken- en installatiekunst. Zijn kunstwerken vertellen verhalen met behulp van symbolen uit zowel oosterse als westerse mythes en legenden. Voor deze tentoonstelling presenteert de kunstenaar een installatie waarbij de rugzijde van een stoel in brand staat. Wu Junyong opent het venster naar een wereld die de werkelijkheid weerspiegelt, waarin de dominerende macht, gesymboliseerd door de hoge stoel, uiteindelijk zal worden overwonnen. Zane Mellupe (1981), die een diploma sinologie aan de Universiteit van Riga (Letland) behaalde en sinds 2001 in Shanghai woont, wijdt zich van kindsbeen aan fotografie. De kunstenares experimenteert met heel wat verschillende media. In haar werk stelt Zane Mellupe het beeld, het object en het lichaam in vraag, drie van haar favoriete onderwerpen. Haar installaties en fotografie met verschillende technieken onthullen de verborgen boodschap van onze emotionele taal. In het werk « This is how a sentence could look like. Or illustration of thoughts » wordt het naakte lichaam van de kunstenares in weelderige vegetatie begraven. Op het eerst gedrukte, daarna getekende oppervlak zijn gaten zichtbaar, ontbrekende stukjes existentie. De Gao Brothers (geboren in 1956 en 1962), die internationale bekendheid genieten, zetten hun exploratie van de mens binnen de maatschappij voort. De twee broers, op wie de Culturele Revolutie (1966-1976) grote invloed heeft uitgeoefend, stellen in 1989 hun installatie « Midnight Mass » voor op de tentoonstelling « China/Avant-garde » (in de Nationale Galerij van Peking), meteen het begin van een lange en dynamische carrière. Het duo toonde in september vorig jaar « The Utopia of Construction » op hun door ifa gallery georganiseerde solotentoonstelling. De voorgestelde werken lieten verschillende geometrische structuren zien die gescheiden, van elkaar geïsoleerde levens symboliseren. Uitwisseling is er onmogelijk; de opening naar de ander is ontoegankelijk. Dai Guangyu (1955) werd door zijn vader onderricht en kreeg al op jonge leeftijd de waarden van de traditionele Chinese cultuur ingelepeld. Zijn schilderijen, installaties en performances met moderne technieken zijn een reflectie van de traditionele Chinese kunst die aan het verdwijnen is. « Ugyen Paper » is een werk dat voortspruit uit een evoluerende installatie die in 2014 op Art Paris werd voorgesteld. Tijdens die tentoonstelling vloeide Chinese inkt op een wit oppervlak tot het kunstwerk helemaal zwart zag en een oude tekst werd onthuld. Die ethische educatieve tekst van 1000 tekens werd bij het begin van de Chinese Volksrevolutie in 1949 van het leerplan geschrapt. Fan Jiupeng (1981), die zijn diploma behaalde aan de Centrale Academie van Peking, studeerde expressionisme onder auspiciën van een bekende meester in de discipline, Liu Xiaodong. De kunstenaar maakt heel wat portretten en zelfportretten waarbij de trekken, met een humoristische touch, de emoties van de onderwerpen weergeven. Zijn schilderijen en tekeningen evoceren de hedendaagse maatschappij, het alledaagse leven, de Chinese jeugd, een generatie die worstelt om zich te bevrijden van het familiale juk. Op het zelfportret « Youth with keys » toont Fan Juipeng een blik vol bitterheid en onverschilligheid. Door zichzelf als blasé voor te stellen, roept de kunstenaar de toekomstvisie van de jeugd op. Een onzekere toekomst. ZANE MELLUPE 1982 RIGA, LATVIA THIS IS HOW A SENTENCE COULD LOOK LIKE. OR ILLUSTRATION OF THOUGHTS 2015 pencil on photo printed on ceiling of a greenery shop, 130x214cm, unique edition Zane Mellupe leeft en werkt in Shanghai, ze is sinologe en afkomstig uit Letland. Sinds haar veertiende is ze bezig met fotografie. Ondertussen studeerde ze Sinology aan de universiteit in Letland en ze verhuisde in 2000 naar China. Na haar theaterstudies aan de Shanghai Theatre Academy en de vervolmaking van haar bachelor aan de Shanghai Teachers University (Bachelor of Arts in Chinese Language & Literature, 2004), studeerde ze verder in Groot-Brittannië (Master of Arts in Photojournalism & Documentary Photography, University of the Arts, London 2007). Als artiest-curator (2007-2010) van Island6 arts centre in Shanghai opende ze begin 2010 een vijftal spontane kunstruimtes, met o.a. YK art space, en creëerde ze Yongkang Lu Art, een nieuw platform voor hedendaagse kunst, waar exposities en performances georganiseerd worden. Zane Mellupe haar werk werd tentoongesteld in gallerieën en musea in China en Europa. SOLO TENTOONSTELLING 2015 - “Another Trilogy”, ifa gallery, Brussels, Belgium 2011 - “Enquête n°1”, Art Paris+guests, ifa gallery booth, 2014 - ”Shanghai Lights”. Professional Photography school, Paris, France Riga , Latvia 2011 - “The Birth of a myth - part II - Art in a state of 2013 - ”Shanghai Lights”. Kultūras pils (The Castle of Alertness”, YK Art Space, Shanghai, China Culture), Viesīte, Latvia 2010 - “The birth of a myth - part I”, YK Art Space, Shanghai, 2012 - ”Šanhajas gaismas”. M.Buclera Photographt China Chamber, Lone City, Latvia 2010 - “Come, take a walk with me”, Yongkang Lu Art, 2010 - ”Shanghai Lights”. Centre of culture Majori , Latvia Shanghai, China 2009 - ”Šanhajas gaismas”. Bibliotēka., Saldus, Latvia 2010 - “Police and Her”, ifa gallery, Shanghai, China 2009 - ” Shanghai Lights”. Museum of Olaine, Latvia 2010 - “Absolute 0:00”, Island 6 arts center, Shanghai, China 2008 - ”Shanghai Lights”. Latvijas Fotogrāfijas muzejs. Rīga 2010 - “Fakirs”, Island 6 arts center, Shanghai, China / Latvija 2009 - “Placebo”, Island 6 arts center, Shanghai, China 2011 - “In memory of the perfect wife”, ifa gallery, Shanghai, 2009 - “30 Degrees”, Island 6 arts center & Studio Rouge, China Shanghai, China 2008 - “Shanghai lights”, Photography Museum of Latvia, 2009 - “Synesthesia”, Island 6 arts center, Shanghai, China Riga, Latvia 2009 - “Individual: New Art from Beyond Beijing”, Red Gate Gallery, Beijing, China 2005 - “Also in China”, House of United Nations, Riga, Latvia 2009 - “LEDs animés”, Gallery Twenty-One, Paris, France 2009 - “Art Paris 09”(Art Fair), Gallery Loft & Gallery Twenty- GROEP TENTOONSTELLING One Paris, France 2009 - “The Artist Died Yesterday”, Island 6 arts center, 2015 - Beirut Art Fair, Beirut, Liban Shanghai, China 2014 - Photo Shanghai, ifa gallery booth, Shanghai, China 2008 - “Shanghai Lights” Solo Exhibition, Photography 2014 - Art Paris Art Fair, ifa gallery booth, Paris, France Museum of Latvia, Riga, Latvia 2014 - “ uncovered China”, ifa gallery, Brussels, Belgium 2008 - “Automata”, Island 6 &ifa gallery, Shanghai, China 2013 - “Investigation no.3: Mr & Mrs Zhang”, Art Paris, ifa 2008 - “Urban Lust”, Island 6 &ifa gallery, Shanghai, China gallery booth, Paris, France 2008 - “Fernelmont Contemporary Art, second edition” 2013 - “Drawing and what”, ifa gallery, Shanghai, China Festival Fernelmont, Castle of Fenelmont, Belgium 2012 - “secret 7”, Chris Gill studio, Shanghai, China 2008 - “Quadrareil Cerchio” (Squaring the Circle), Allegra 2012 - “my country”, ifa gallery, Shanghai, China Ravizza Art Project, Milano, Italy 2012- “St-Art Fair”, Galerie Libre Cours booth, Strasbourg, 2008 - “Clouds of Crowds”, Island 6 arts center, Shanghai, France China 2012 - “secret 7”, YY bar, Shanghai, China 2008 - “Roma Contemporary Art Fair”, Manaart Roma, Italy 2012- “Red
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