In the Art World Intheartworld .Com Summer 2011

Home , Clifford Ross, Ifa gallery, Rehs Galleries, Tibor de Nagy Gallery

Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio.

in the art world intheArtworld .com Summer 2011

THROCKMORTON FINE ART

GEORGE PLATT LYNES June 9th - September 10th, 2011

Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00

Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage

145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. EDITORIAL As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to herald the importance of what was then an emerging art district called Chelsea. Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. For our member galleries, in addition to the map placement, we provide complete listings in print and on our easy to remember website: intheA rtworld.com There is no charge for galleries to list online with M, but to maintain quality listings, membership is by invitation only. But of course you don’t have to be a gallery owner to access of the most up-to-date gallery listings ever. Have a great summer season. LISTINGS 36 New York City 47 Shanghai 47 Beijing

M intheA rtworld.com

BASICS Vol. 14, No. 10, Summer, 2011 10 News ISSN 1534-5394 47 Auctions Publisher / M. Brendon MacInnis • Director/ Mi Jeong Kim 48 Index • Contributing Writers / Mary Hrbacek / Camille Hong Xin / Nicolette Ramirez / Chiara Di Lello / Andy St. Louis / Jennie Park / Lee Klein / Terry Ward / • Graphic Design Asia MAPS Edition / Shelly Wang • Web Master / Jason Goodrow • Copy editor Intern /Claudia Eve Beauchesne 34 Village • LES •Soho • Tribeca 38 Chelsea • MPD Asia Bureau • Editor / Vivi Ying He 42 Uptown • Midtown • 57th Street intheArtworld.com , Room 104, building 2, 91 Tai An Rd Shanghai 44 Brooklyn • Williamsburg 200052 China. Tel /CH 86.13761300987 /HK 852.95357978 45 Queens • LIC email/ vivi @intheArtworld .c om 46 Shanghai intheArtworld .c om

M is published monthl y by intheArtworld.com . All requests for permission and reprints must be made in writing to: intheArtworld.com 136-20 38th Avenue, 3rd floor, Suite 325 Flushing NY 11354 . Tel 212 956 0614 editor @intheArtworld .c om A Stylish Gateway to the Lower East Side

151 East Houston Street, Lower East Side, NY tel 212-777-0012 www.hoteleasthouston.com inthe Artworld.com 9 News

Chelsea Art Walk Sponsored by M M / in the Art world also called the M magazine has launched a series of bi-monthly art maps covering the important art districts of New York. The first map “M Lower East Side” was introduced last summer—now called simply“M Downtown” — a nd it is already the largest and most widely distributed art map for this rapidly growing art community that includes the Lower East Side, the East Village, Soho and Tribeca. This map was followed by a second, “M Chelsea”, which includes the Design District and the West Village. The third map, “M Uptown”, includes the Upper East Side , the Upper West Side, Midtown and 57th Street.

On the Move The Pace Wildenstein has moved to 534 W 25th St in Chelsea (the former location of Bortolami Gallery ).

The Bortolami Gallery has moved from 534 W 25th St to 520 W 20th St in Chelsea.

Public Art The Whaling Wall , a public artwork by 88 year old A charming artist Knox Martin, premiers as a public mural at European style 334 Grand St, at the corner of Grand and Ludlow boutique hotel. Streets in the New York’s Lower East Side . For more information please visit: www.wood - wardgallery.net/knoxmartin-whalingwall.html.

Just off Art Fair the Magniﬁcent Mile Art Taipei takes place August 26 - 29 at the Taipei & minutes from World Trade Center, Area A & D. For more infor - Navy Pier. mation please visit: www.art-taipei.com. Along with SH Contemporary , and KIAF , which take place later, Art Taipei continues the program “ ART PREMIUM” which encourages a cultural exchange and support for Asian Arts by providing exclusive service and inviting VIPs from abroad, among the three art fairs.

KIAF, the Korean International Art Fair, now in its 10th year, takes place September 22-26, with a VIP Preview Wednesday September 21 at COEX in Seoul . Kitchen & Bath Design For more information, please visit www.kiaf.org Flagship Showroom : 200 East Chestnut Chicago SH Contemporary , the Asia Pacific Contemporary 511 West 25th St Suite 809 1.800.800.6261 Art Fair, takes place September 8-10, with a VIP T. 212 352 3582 Preview Wednesday September 7 at the Shanghai F. 212 253 4154 senecahotel.com Exhibition Center in Shanghai. For more informa - tion please visit: www.shcontemporary.info www.minimalusa.com [email protected]

10 inthe Artworld.com Review

Clifford Ross Sonnabend Gallery, New York

By Camille Hong Xin n Richard Holmes's biography The Age of Won - Ider , a group of men and women in the late 18th and early 19th centuries, some of whom were mu - sicians or poets, believed the world was full of mir - acles that could be detected if only they looked harder and experimented more. Eventually their dis - coveries and inventions gave birth to the Romantic Age of Science. Once again we are on the brink of an age like this, when art and science are closely interwoven. The process of art-making has become just as innovative and fascinating as the art itself. This is the case with artist and inventor Clifford “Once again we are on the brink of an age like Ross’s work . In this photography show, Landscape to Imagination , this, when art and science are closely interwoven. Ross obsessively deconstructs and reconstructs his mountain photographs, producing a remarkable The process of art-making has become just as series of work that merges technical innovation and fine art in the spirit of The Age of Wonder. He breaks the boundary between these two normally innovative and fascinating as the art itself.” separate vocations, bringing scientific inspiration into his art, and a poetic sensibility into his in - vention. In 2001, when he was not satisfied with photographs that he took of Mount Sopris in Col - orado with a 4x5 view camera, he began exper - imenting. For the next ten years, along with his team, Ross invented a high resolution R1 camera system that uses military aerial film and a unique digital post-production technology, an R2 high-res - olution 360 degree digital video array, and i3 Cyclorama. It is with his R1 camera system and re-programmed animation software that Ross created the work in this show. The exhibition traces Ross’s creative process, start - ing from an extremely high resolution large scale photograph, Mountain XIII , as the original image for his digitally manipulated collages, Mountain Redux . This abstract work serves as the technical base for and conceptual interpretation of the ex - hibition’s centerpiece, an animated short video in - stallation, Harmonium Mountain , with an original score by the composer Philip Glass. The short film was an official selection of the Tribeca Film Festi - val this year. In a manner of speaking, Ross’s work begins with a realistic meditation, emerges as an abstract musical, and progresses to a visual carnival. Clifford Ross Harmonium Mountain I , 2008 © Clifford Ross. Archival Pigment Print. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

12 inthe Artworld.com inthe Artworld.com 13 “You not only see the wood grains on barn shingles two miles away, or tiny footpaths in distant mountains, but you also see the gentleness and transparency of the illuminating mist at the far end of the water.”

Clifford Ross Mountain XIII , 2006 © Clifford Ross. Chromogenic Color Print. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

14 inthe Artworld.com inthe Artworld.com 15 “Following the artist’s experimental journey, the short film seems to be as much a narrative story of his creative progression as an abstract animation.” Andre Gide is quoted in an interview with David Auguries of Innocence, Ross takes one small sec - Salle, “do not understand me too quickly”. To be tion from the negative of Mountain XIII as his visual sure, this probably speaks for most artists. Hence language, “harmonium,” and infuses it with rich the viewers are encouraged here to look harder colors. With these vivid harmoniums he conducts and investigate the process behind Ross’s work. a dazzling concerto of an abstract Mount Sopris Unlike most photographs, the closer you look at against the negative of the landscape until it fades Mountain XIII (75 x 130 inches), the clearer the to pure gray. And finally on the last piece, Har - details appear. You not only see the wood grains monium Blizzard , he turns the concerto to a cli - on barn shingles two miles away, or tiny footpaths mactic symphony. Ross printed this series on in distant mountains, but you also see the gentle - hand-made Japanese paper, similar to the 19th ness and transparency of the illuminating mist at century handmade paper that Murray used. The the far end of the water. It took Ross and his team way the ink soaks into the paper reveals a gentle one year to build the RI camera, but in order to and enduring emotion while the ancient stillness recreate the atmosphere as faithful as what he ex - seizes upon a split moment from the computerized perienced in the actual mountain, he spent more fast-changing expression. In doing so, Ross com - than three years laboriously fine-tuning and bal - bines the elements from early photography and ancing color, hue and contrast on his fourteen Eastern ink painting with the most advanced tech - Mountain photos. As a result, the hyper-realistic nical innovations of today. image captured by the lens and the impression of the nature left in the artist’s memory appear as one At last, Ross’s video installation Harmonium Moun - in the same photograph. tain mobilizes the essentially immobile Mount Sopris . Following the artist’s experimental journey, the short With a background as an abstract painter — even film seems to be as much a narrative story of his though he was obsessed with extreme realism — creative progression as an abstract animation. The in 2006 Ross returned to rendering abstract inter - colorful harmonium panels dance, melt, shape and pretations of his emotional and spiritual response reshape across the startlingly dark or brightly lit to the landscape. Inspired by the paper negatives negative of the landscape on the screen. The con - of the Taj Mahal by Mid-19th century British pho - trast is both celebratory and dreamlike. While tographer John Murray, Ross went on to create a some artists pursue a theme or subject horizontally, series of more abstract collages, Mountain Redux , Ross works vertically. Instead of traveling around that began with the negative of the mountains. the world shooting more mountains, he experiments There is something soulful in a paper negative. In - with only one, utilizing different art forms, means of deed, back when the camera was first invented, expression, medium and material. people were afraid that this strange box actually stole their souls. However, most prints today lose Cezanne did more than sixty paintings of Mont St. this feeling in the development. When Ross Victoire. His relentless exploration in that process, drained the color from his photograph, it seems with its emotional balance between abstraction as if this elusive soul finally emerged, and with a and the real world, are many artists’ touchstones. poetic truth and newfound emotional force. Ross’s obsession here suggests Cezanne’s influ - ence on his pixilated, broken-apart attempts at The process behind Ross’s works is akin to that of painting Mount Sopris with his own invented mod - a master clockmaker taking apart one clock to cre - ern tools; but even as such, apparently it’s only the ate a series of new clocks. Inspired by “the world beginning of what this artist plans to do with his in a grai n of sand” in William Blake’s poem, mountain. M Clifford Ross Harmonium Mountain (Still image from video animation, 5 minutes 26 seconds), 2010 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

16 inthe Artworld.com inthe Artworld.com 17

Review

Qin Feng Ethan Cohen Fine Arts , New York

By Chiara Di Lello his show, Desire Landscape , presents the work Tof Chinese abstract painter Qin Feng in a series replete with nuanced forms and powerful expres - sions. The exhibition includes works on canvas as well as paper, mixed media compositions, and one large piece consisting of over two dozen painted fans. The artist’s thorough engagement with both traditional Chinese and abstract expressionist art is evident throughout these works. Feng often focuses on rearranging the composi - tional elements of a traditional scroll painting. In the largest canvas here, a series of delicately painted plateaus at the top of the canvas drop away as if into a canyon or basin, while the bot - tom edge is covered in calligraphic writing that is so layered and gestural as to suggest Chinese characters and Arabic letters. These elements are pushed to the edge, while the center of the canvas is dominated by a thick, sinuous black line that was apparently painted with a mop. The choice of painting utensil, and the use of ink together with paint, calls attention to the relationship between writing and painting, a relationship explored in several pieces in the show. Qin Feng Desire Landscape (installation view of exhibition), 2011. Courtesy: Ethan Cohen Fine Arts , New York

20 inthe Artworld.com inthe Artworld.com 21 Qin Feng Desire Landscape , 2009. Acrylic, tea, coffee, mixed media on canvas. 88 x 240 inches Courtesy: Ethan Cohen Fine Arts , New York

“Painting circles in ink is a form of Zen meditative

Another trio of works on paper presents intriguing practice, which the artist puts to a different purpose interactions between “classical” and contempo - rary brushwork. Here a tranquil stretch of water is in this work. ” interrupted by a thick expressionist ink line; and cragged mountains are literally upended and hang down from the top of the paper, above a single circular brushstroke. The circular brushstroke their repeating forms also hints at the obsessive is significant as a sign of Feng’s engagement with nature of memorial. The small, frenetic strokes that Zen philosophy. Painting circles in ink is a form of adorn the fans seem somewhat confined as com - Zen meditative practice, which the artist puts to a pared to the larger wall-sized works, in which the different purpose in this work. His circle encloses artist’s brush strokes have freer rein to let loose his modern lineage. One has to wonder how the use what appears to be a stretch of water, rendered in energy. of a mop as a painting implement adds to our con - traditional brush strokes, suggesting an interrup - ception of “action painting.” We stop to consider tion of tradition; but it is unclear whether this is an The emotional possibilities in Feng’s brushwork what cultural context is at work when using deli - intentional effort. In seeking enlightenment, Zen remind the viewer of this artist’s relationship to cate washes made from tea. A personality begins practitioners seek to transcend attachment to, or postmodern painting, in addition to his clear con - to take shape behind the works, one that is both desire for, the material world. One wonders then nection to classical Chinese painting. The wide, playful and contemplative, questioning every as - expres sion. In two of his circular canvases Feng whether the title, Desire Landscapes , represents a dark brushstrokes call to mind Franz Kline, while pect of the work and the idea of the artist. covers the composition with small circles of lac - catalogue of what obstacles remain, or an effort the use of alternative media, including coffee, tea quer arranged in a strict coordinate grid, as if to to turn the tables and focus on those desires, and alcohol, recalls the transgressive use of these Amid these dialogues, Feng’s work seems overall suggest a mapping of the new territories and vis - thereby flying in the face of Zen philosophy. Ten - materials by Andy Warhol. Desire Landscape to be seeking a space to inhabit, as evidenced tas entered by his work, plotting the exact coor - sion and attachment are present in multiple forms does not stop at reference, however; these works by the vistas expanding across his canvases and dinates among all of its referents in order to come here; the series of painted fans serving as a me - actively enrich postmodern technique and create his stretching of calligraphy to the point of ab - down from the high vantage points of these de - morial to the artist’s father, suggest nostalgia, but intriguing links among the artists of Feng’s post - straction, in order to make room for new modes of sire(d) landscapes and truly inhabit them. M

22 inthe Artworld.com inthe Artworld.com 23 t S l t t a S S g e e r e u v v

e t E 10th St n o S Village / LES l A A t c 4 The Pen ande Brush, Inc n D r

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i PS122 v Square s N e e r ac E 8th St Park e 6 Nick Zinner, photo May 4 thru Jun 4 Pl v R r i to Cooper Union n s E 7th St 166 Orchard St, 10002 A Michael Mut A B U Wavery Pl E 6th St 212 677 9725 [email protected] C D www.anastasia-photo.com Tue-Sat 11-7 A Washington B C

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Washington Sq Windows e e v v a s n i W 4th St Washington Sq S r E 4th St v Alex Guofeng Cao: “My All-Stars”, photography, ongoing 2 1 A y A

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E L Christopher Henry Gallery Bleecker St Zürcher Studio La Mama Proposition E 1st St Participant Inc. OLEK "Knitting is for Pus****", sculpture multimedia per - La Galleria Hotel East Houston formance Sep 9 thru May 29; Karin Schaefer "Mind's Eye", uston 6 E Ho painting Apr 28 thru May 28; Matt & Mark Enger , painting F Thompson Hotel Gavin Brown B sculpture Jun 2 thru Jul 1

(620 Greenwich St) D Half t 127 Elizabeth St, 10002, 212 2446004

W Houston F 66 Rooster Gallery S

DCKT t www.christopherhenrygallery.com Tue-Sat 10-6

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M n S i tanto (421 Hudson St) Sperone Westwater S P Lehmann Maupin

Axelle June Kelly frosch& 201 Chrystie St, 10002 t

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6 r C h ey St ChinaSquare

C nc Mimi Ferzt Dela The Pen and Brush, Inc. E Storefront for J James Z Fuentes 16 E. 10th St., 10003 Art and Architecture are St OK Harris Kenm Callicoon LMAK 212.475.3669 [email protected] www.penandbrush.org Thu-Fri 4-7; Sat & Sun 1-5 Artists NP Contemporary Woodward Munch Space e St Broom Feature Inc Abrons Art Center Naoto Nakagawa "Earth Wave paintings", painting Apr 13 thru Brooke Alexander Sohotel Simon Preston Broome St White May 15; group exhibition "i am not monogamous, i heart po - Christopher Box Toomer Labzda etry ", painting sculpture Jun 23 thru Aug 5; Isabella Kirkland

Spencer rand St Clic Henry k G "Nova Paintings", painting May 18 thru Jun 18

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C r St B i Heste n www.umbrellaarts.com Thu-Sat 1-6; by appt Blackston t E C Ronald Feldman o ana n C l S Allegra La Viola t N Q S h Invisible-Exports F t White Box Bowery

S u i Canada x r R 6 J nal St 329 Broome St, 10002

c a t C h Lispenard St Forever and Today, Inc. h St A Z n 212.714.2347 [email protected]

V S o Brennan & Griffin v 3A Gallery si a i e t Walker St iv ay www.whiteboxny.org Wed-Sun 11-7 r n D w i u d R c a t e ro S u k ApexArt M B t n t a E. S so g hite St nh ry i e W a n ad rs Woodward Gallery L t e yard S tt H M S t a Ba an t S Franklin St f B P Sybil Gibson "Family Collection", painting Mar 26 thru May 21; in Soho Photo a kl ri ik

y d ran g e UR New York "Eye of the Beholder", painting Mar 27 thru Jun F e e S n St Leonard St t t riso t 30; "20 in 11", painting multimedia May 28 thru Jul 2 Har e W S 133 Eldridge Street, 10002 orth St t t y S 212.966.3411 [email protected] Ja T www.woodwardgallery.net Tue-Sat 11-6; Sun 12-5 Ethan Cohen homas St

24 inthe Artworld.com inthe Artworld.com 25 Soho Chelsea Chelsea 8 Artists Space Gallery 532 Gallery / Thomas Jaeckel High Line Gallery 0

0 38 Greene, 3rd fl, 10013 Robert Kunec "In The Name Of", Apr 28 thru May 26; Marcy 511 W 20, at the High Line, 10011 & 212.226.3970 [email protected] Brafman "Pearlescent", painting May 31 thru Jun 27 212.645.2355 / 203.858.0059 Hours vary; by appt 1

5 www.artistsspace.org Tue, Thu, Fri 12-6; Wed 12-8; Sat 12-5 532 W 25, 10011 0 Kips Gallery 0 917.701.3338 [email protected]

S 511 W 25, 10001 Axelle Fine Arts www.532gallery.com Tue-Fri 11-6; Sat 1-5 F 212.242.4215 [email protected]

Fabienne Delacroix , paintings. Apr 30 thru May www.kipsgallery.com Tue–Sat 11–6 G 472 West Broadway, 10012 ACA Galleries r o 212 226 2262 www.axelle.com 27529 W 20, 10011 u Kathryn Markel Fine Arts n 212.206.8080 [email protected] d 1 529 W 20, 6th fl,10011

1 Peter Blum SoHo

F www.acagalleries.com Tue-Sat 10-6; 10:30-6

0 212.366.5368 [email protected] l o 0 Richard Gardner, Bob Axel, David Monderer, R. Wayne Parsons , o 1 www.markelfinearts.com Tue-Fri 10-6; Sat 11-6

r May 3 thru Jun 4; Butch Cordora, Aviva Baharav, Peter Agron, Andrea Rosen k r John Custodio , Jun 7 thru Jul 2 525 W 24, 10011 o Lehmann Maupin Gallery Y 99 Wooster St, 10012 212.627.6000 [email protected] 540 West 26th Street, 10001

w www.andrearosengallery.com Tue–Sat 10–6

e 212 343 0441 [email protected] 212 255 2923 [email protected]

N www.peterblumgallery.com Tue-Fri 10-6; Sat 11-6 www.lehmannmaupin.com Tue-Sat 10-6 511 W 20 St at the High Line Bertrand Delacroix Gallery Brooke Alexander Ron Agam , Apr 26 thru May 28 Matthew Marks Gallery Chelsea Wooster, 2nd fl, 10012 535 West 25th Street, 10001 522 W 22, 10011 1 212.925.4338 [email protected] 212-226-2262 [email protected] 212.243.0200 [email protected] 8

0 www.baeditions.com Tue–Sat 10–6 www.axelle.com Tue-Sat 10:30-6:30 www.matthewmarks.com Tue–Sat 11–6 0

S Betty Cuningham Gallery F Ethan Cohen Fine Arts Mike Weiss Gallery 14 Jay St, 10013 541 W 25, 10001 Yigal Ozeri: “Garden of the Gods”, Painting, May 6 thru Jun 1 G 212.242.2772 [email protected] r

o 212.625.1250 [email protected] 520 W 24, 10011

u www.bettycuninghamgallery.com Tue–Sat 10-6

n www.ecfa.com Tue-Sat 11-6 212.691.6899 [email protected]

d www.mikeweissgallery.com Tue-Sat 10-6

F Ceres

l The Drawing Center o 547 West 27th Street, Suite #201, 1000 o 35 Wooster, 10013 Messineo & Wyman r 1 212.947.6100 [email protected] 1 212.219.2166 [email protected] Robert Stivers "Craving the Seamstress" , Apr 14 thru May 21; 0 www.ceresgallery.org Tue-Sat 12-6; Thu until 8 0 www.drawingcenter.org Tue–Fri 10– 6; Sat 11–6 511 West 25th Street Suite 504, 10001 1 212-414-0827 [email protected]

k Cheim & Read r Eli Klein Fine Art www.messineowyman.com Wed-Sat 12-5; by appt o 547 W 25, 10001 Y 462 West Broadway, 10012 212.242.7727 [email protected] w Metro Pictures Gallery e 212 255 4388 www.cheimread.com Tue-Sat 10-6

N www.elikleinfineart.com 519 W 24, 10011 138 W 19 St CW Gallery 212.206.7100 [email protected] Soho OK Harris Works of Art 547 W 27, 10001 212.242.4215 www.metropicturesgallery.com Tue-Sat 10-6 4 383 West Broadway, 10012 Tue–Sat 10-6 0 Robert Miller Gallery 0 212.431.3600

& www.okharris.com Tue–Sat 10–6 DC Moore 524 W 26, 10001 8

6 George Tooker (1920-2011) "Memorial Exhibition" , Jun 9 thru 212.366.4774 [email protected] 0 Ronald Feldman Fine Arts Aug 5; Mary Frank "Transformations: Wood Sculpture, 1957- www.robertmillergallery.com Tue–Sat 10–6 S 31 Mercer Street, 10013 F 1967, and Recent Photographs", May 5 thru Jun 4; Jacob

212-226-3232 [email protected] Lawrence "Builders", May 5 thru Jun 4 Mixed Greens G www.feldmangallery.com Tue-Sat 10-6; Mon. by appt. 531 W 26, 1st fl, 10001 r

o 535 W 22 St, 2nd floor, NY 10011 212 331 8888 [email protected] u 212 247 2111 [email protected] n Soho Photo Gallery www.mixedgreens.com d www.dcmooregallery.com Tue-Sat 10-6 3

F Richard Gardner, Bob Axel, David Monderer, R. Wayne Parsons , 1 l 0 o May 3 thru Jun 4; Butch Cordora, Aviva Baharav, Peter Agron, Nancy Hoffman Gallery 0 o Andrew Edlin Gallery 1 r 520 West 27th Street, 10001 John Custodio , Jun 7 thru Jul 2 134 10th Ave, 10011 k

r 15 White Street, 10013 212 966 6676 info@nancyhoffmangallery

o 212.206.9723 [email protected] Y 212-226-8571 [email protected] www.edlingallery.com Tue-Sat 11-6 nancyhoffmangallery.com Tue-Sat 10-6

w www.sohophoto.com Wed-Sun 1-6 e

N Gagosian Gallery Staley-Wise Gallery Ricco / Maresca 517 & 519 Broome St Pablo Picasso and Marie-Thérèse, “L’AMOUR FOU”, Apr 14 thru Please call gallery for schedule 560 Broadway, 3rd fl, 10012 Jun 25 529 W 20, 3rd fl, 10011 212.966.6223 [email protected] 522 W 21 St, 10011 212.627.4819 [email protected] Ground Floors & Upper Floors for Rent www.staleywise.com Tue–Sat 11–5 Commercial & Residential 212 741 1717 www.gagosian.com www.riccomaresca.com Tue–Sat 11–6 Ward-Nasse Gallery [email protected] Mon-Sat 10-6 Is-Ila Realty Corp. Ongoing salon exhibition with 200 works on the walls 1000 Gladstone Gallery works in the racks. The Gallery that give artists a chance and 515 W 24, / 530 W 21, 10011 [email protected] the public a choice www.gladstonegallery.com 212.206.9300 [email protected] 178 Prince, 10012 212.925.6951 www.wardnasse.org

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28 inthe Artworld.com inthe Artworld.com 29 Midtown Uptown Asia Society Americas Society 725 Park Ave at 70th, 10021 680 Park Ave at 68, 10065 212.288.6400 [email protected] 212.249.8950 [email protected] www.asiasociety.org Tue-Sun 11-6; Fri 11-9 www.as.americas-society.org Wed–Sat 12–6 Forum Gallery Nathan A. Bernstein & Co., Ltd. 730 Fifth Ave, suite 201, 10019 21 East 65th Street, 2nd Floor, 10065 212.355.4545 [email protected] 212.288.8970 [email protected] www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5 www.nathanbernsteinart.com Fountain Gallery Mon-Fri 10-6; Sat. by appt. 702 Ninth Ave, 10019 Chin a Institute 212.262.2756 125 E 65th St, 10065 www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5 212.744.8181 [email protected] Galerie St. Etienne www.chinainstitute.org Sun-Sat 10-5; Tue & Thu 5-8 3024 W 57, 8th fl, 10019 The Frick Collection 212.245.6734 [email protected] 1 E 70, 10021 www.gseart.com Tue-Fri 11-5 212.288.0700 [email protected] www.frick.org Tue-Sat 10-6; Sun 11-5 The Gabarron Foundation, Carriage House Center for the Arts Gagosian Madison Avenue 149 E 38, 10016 980 Madison at 76, 10021 212.573.6968 x10 [email protected] 212.744.2313 [email protected] www.gabarronfoundation.org By appointment only www.gagosian.com Tue-Sat 10-6 Howard Greenberg Gallery Guggenheim Museum 41 E 57, 14th fl, 10022 1071 Fifth Ave at 89th, 10128 212.334.0010 [email protected] 212.423.3500 [email protected] www.howardgreenberg.com www.guggenheim.org Sat–Wed 10–5:45; Fri 10–8 Nohra Haime Gallery Irena Hochman Fine Art Ltd Antonio Seguí "A Retrospective Exhibition 1966-2010", paint - Emin, Grotjahn, Hirst, Judd, Katz, Maloney, Myslowski, ing Apr 27 thru Jun 10 Picasso, Ryman, Warhol 730 Fifth Avenue, 10019 1100 Madison Avenue, 10028 212.888.3550 [email protected] 212.772.2227 [email protected] www.nohrahaimegallery.com Tue-Sat 10-6 Hrs by appoinment only Bill Hodges Gallery The Jewish Museum Erica Schreiner, "Dessert & Disorders", video photo Jun 2 Cuture and Continuity: The Jewish Journey”, ongoing thru end of July 1109 Fifth Ave at 92nd, 10028 224 W 57, 10019 212.423.3200 [email protected] 212.333.2640 [email protected] www.thejewishmuseum.org www.billhodgesgallery.com Tue-Fri 10:30-6; Sat 12:30-5:30 Sun, Mon, Wed, Thu 11–5:45, Tue 11–8 Jadite Galleries Metropolitan Museum of Art Peter A. Gish: “Spiritual Places”; Julio Borges: “Cuban Paint - Fifth Ave at 82nd, 10028 ings”; Martha Zamora: “Paintings”, May 5 thru May 28 212.879.5500 www.metmuseum.org 413 W 50, 10019 212.315.2740 [email protected] Tue–Thu & Sun 9:30–5:30; Fri–Sat 9:30–9:00 [email protected] www.jadite.com Tue-Sat 12-6 Van de Weghe Fine Art 1018 Madison Avenue, 3rd fl, 10075 The Museum of Modern Art ( MoMA ) 212 744 1900 [email protected] 11 W 53, 10019 www.vdwny.com Mon–Fri 10–6 212.708.9400 [email protected] www.moma.org Sat-Mon, Wed-Thu 10:30-5:30; Fri 10:30-8 The National Academy Museum www.newartcenter.net Tue-Sat 1-6 1083 Fifth Avenue, @ 89th Street, 10128 212.369.4880 [email protected] Michael Rosenfeld Gallery www.nationalacademy.org Wed-Thu 12-5; Fri- Sun 11-6 24 W 57, 7th fl, 10019 212.247.0082 [email protected] Whitney Museum of American Art www.michaelrosenfeldart.com Tue-Sat 10-6 945 Madison Ave at 75th, 10021 212.570.3676 [email protected] Throckmorton Fine Art, Inc . www.whitney.org Wed, Thu, S at, Sun 11–6, Fri 1–9 Valdir Cruz, “RAIZES BONITAS”, Apr 21 thru Jn 4 145 E 57, 3rd, 10022 212.223.1059 [email protected] www.throckmorton-nyc.com Tue-Sat 10-6

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32 inthe Artworld.com inthe Artworld.com 33 Williamsburg / Brooklyn LIC / Queens Art 101 , Inc. The Boiler Reis Studios 101 Grand Street, 11211 191 N 14th St, 11211 Group "LaGCC Alumni at The Experimental Space", paint - 718.302.2242 [email protected] 718.599.2144 [email protected] ing sculpture multimedia installation May 14 thru May 22; www.art101brooklyn.com Fri-Sun 1-6; by appt www.pierogi2000.com Thu-Mon 12–6 Jaclyn Santos "Art Talk - Reality after Reality TV", painting Brooklyn Museum of Art Williamsburg Art & Historical Center ( WAH ) May 18 thru May 18; Group "Open Studios", painting sculp - 35 Broadway, 11211 ture multimedia installation video photo May 21 thru 200 Eastern Parkway, 11238 May 22 718638.5000 [email protected] 718.486.6012 [email protected] www.wahcenter.net Sat-Sun 12-6 43-01 22nd St., 11101 www.brooklynmuseum.org Wed-Sun 10-5; Sat-Sun 11-6 718-784-5577 [email protected] Causey Contemporary www.reisstudios.com Mon-Sun 12:30-6 92 Wythe Ave., 11211 M55 Art 718.218.8939 [email protected] 44-02 23rd Street, ground floor, 11101 www.causeycontemporary.com Wed-Sat 11-7; 12-6 pm 718.729.2988 [email protected] Sunday, 9-5 pm Monday www.m55art.org Wed-Sat 12-6; by appt Parker's Box P.S.1 Contemporary Art Center 193 Grand St, 11211 22-25 Jackson Ave, LIC 11101 718.388.2882 [email protected] 718.784.2084 [email protected] www.parkersbox.com Fri-Mon 1-7 www.ps1.org Thu-Mon 12-6 Pierogi QCC Art Gallery 177 N 9th St 222-05, 56th Ave, 11364 718.599.2144 [email protected] 718.631.6396 [email protected] www.pierogi2000.com Thu-Mon 12–6 www.qccartgallery.org Tue-Fri 10-5; Sat-Sun 12-5 Socrates Sculpture Park Broadway @ Vernon Blvd, LIC 11106 718.956.1819 [email protected] www.socratessculpturepark.org

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36 inthe Artworld.com inthe Artworld.com 37 Editorial Policy

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M M

Studio visit with Chuck Close. From left: Guy Reziciner (camera), Dinorah Delfin, M. Brendon Macinnis and Chuck Close. Marietta Hoferer K, 2006, strapping tape and pencil on paper. Courtesy: Galerie Mourlot, Photo by Björn Ressle, 2010. Courtesy: Björn Ressle Art Projects, New York New York, Los Angeles

The New York Art World ®.com in the art world

with national & international correspondence November 2008 $5. U.S. thenewyorkartworld.com April 2010 1918 ArtSPACE Shanghai 47 Mike Weiss Gallery 37 532 Gallery / Thomas Jaeckel 37 Mixed Greens 37 A MOCA Shanghai 47 ACA Galleries 37 MoMA 40 Brooke Alexander 36 N Americas Society 40 NY Studio Gallery 35 Anastasia Photo 35 Nancy Hoffman Gallery 37 Andrea Rosen 37 The National Academy Museum Andrew Edlin Gallery 37 40 Art 101 44 The New Museum 35 Artists Space Gallery 36 O Asia Society 40 OK Harris Works of Art 36 Axelle Fine Arts 36 P B P.S.1 Contemporary Art Center 45 Nathan A. Bernstein & Co., Ltd. Parker's Box 44 40 Pekin Fine Arts 47 Bertrand Delacroix Gallery 37 The Pen and Brush, Inc. 35 Betty Cuningham Gallery 37 Peter Blum SoHo 36 The Boiler 44 Phillips de Pury & Co 47 Bonhams & Butterfields San Fran - Pierogi 44 cisco 47 Q Brooklyn Museum of Art 44 QCC Art Gallery 45 C R Causey Contemporary 44 Red Gate Gallery 47 Ceres 37 Reis Studios 45 Chambers Fine Art- Beijing 47 Ricco / Maresca 37 Cheim & Read 37 Robert Miller Gallery 37 China Institute 40 Michael Rosenfeld Gallery 40 China Square 35 Christie’s 47 S Christopher Henry Gallery 35 Socrates Sculpture Park 45 Ethan Cohen Fine Arts 36 Soho Photo Gallery 36 Contrasts Gallery 47 Sotheby’s 47 CW Gallery 37 Staley-Wise Gallery 36 D T DC Moore 37 The Drawing Center 36 Doyle New York 47 Throckmorton Fine Art, Inc. 40 E U Eli Klein Fine Art 36 Umbrella Arts - Fahey Bodell 35 Elisabeth de Brabant 47 V F Van de Weghe Fine Art 40 Feature Inc 35 W Ronald Feldman Fine Arts 36 WAH 44 Fountain Gallery 40 Ward Nasse Gallery 36 The Frick Collection 40 White Box Bowery 35 G Whitney Museum of American Art The Gabarron Foundation, Car - 40 riage House Center for the Arts 40 Woodward Gallery 35 Gagosian Gallery 37 , 40 Galerie St. Etienne 40 Gladstone Gallery 37 Howard Greenberg Gallery 40 Guggenheim Museum 40 H Nohra Haime Gallery 40 High Line Gallery 37 Irena Hochman Fine Art Ltd 40 Bill Hodges Gallery 40 I ifa 47 J Jadite Galleries 40 The Jewish Museum 40 K Kathryn Markel Fine Arts 37 Kips Gallery 37 L Lehmann Maupin 35 Lehmann Maupin Gallery 37 Leslie Hindman Auctioneers 47 M M55 Art 45 M97 Gallery 47 Matthew Marks Gallery 37 Messineo & Wyman 37 Metro Pictures Gallery 37 Metropolitan Museum of Art 40

Index 39