Curriculum Vitae
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Reinventing, Downtown
Reinventing, Downtown By XICO GREENWALD | June 24, 2017 Abstract Expressionists Willem de Kooning, Jackson Pollock and Franz Kline urged a pair of friends to start an art gallery. Tibor de Nagy and John Bernard Myers followed their advice and, in 1950, on East 53rd Street, they opened the Tibor de Nagy Gallery. MEDRIE MACPHEE A Dream of Peace, 2017 oil and mixed media on canvas, 60 x 78 inches In the years to come, Mr. Myers and Mr. de Nagy would exhibit works by a number of second-generation Abstract Expressionists, including Alfred Leslie, Grace Hartigan, Robert Goodnough and Helen Frankenthaler. They also showed figurative paintings by the likes of Larry Rivers, Jane Freilicher, Fairfield Porter and Red Grooms. And Tibor de Nagy editions, the gallery’s book imprint, published poetry by Frank O’Hara, John Ashbery, Barbara Guest and others. Mr. Myers left the gallery in 1970. By that time, Tibor de Nagy had relocated to the 57th Street gallery district. When Mr. de Nagy died in 1993, he bequeathed his business to two young gallery assistants, Eric Brown and Andrew Arnot. Over the next 24 years, Mr. Arnot and Mr. Brown built on the gallery’s legacy together, exhibiting New York School pictures alongside works by select contemporary artists influenced by New York School poets and painters. But in the fast-paced New York art world, perhaps the only constant is change. Mr. Brown departed from the gallery this year. And now Mr. Arnot has relocated Tibor de Nagy to the Lower East Side, partnering with Betty Cuningham Gallery in a space-sharing agreement. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Extended Sensibilities Homosexual Presence in Contemporary Art
CHARLEY BROWN SCOTT BURTON CRAIG CARVER ARCH CONNELLY JANET COOLING BETSY DAMON NANCY FRIED EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART JEDD GARET GILBERT & GEORGE LEE GORDON HARMONY HAMMOND JOHN HENNINGER JERRY JANOSCO LILI LAKICH LES PETITES BONBONS ROSS PAXTON JODY PINTO CARLA TARDI THE NEW MUSEUM FRAN WINANT EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART CHARLEY BROWN HARMONY HAMMOND SCOTT BURTON JOHN HENNINGER CRAIG CARVER JERRY JANOSCO ARCH CONNELLY LILI LAKICH JANET COOLING LES PETITES BONBONS BETSY DAMON ROSS PAXTON NANCY FRIED JODY PINTO JEDD GARET CARLA TARDI GILBERT & GEORGE FRAN WINANT LE.E GORDON Daniel J. Cameron Guest Curator The New Museum EXTENDED SENSIBILITIES STAFF ACTIVITIES COUNCJT . Robin Dodds Isabel Berley HOMOSEXUAL PRESENCE IN CONTEMPORARY ART Nina Garfinkel Marilyn Butler N Lynn Gumpert Arlene Doft ::;·z17 John Jacobs Elliot Leonard October 16-December 30, 1982 Bonnie Johnson Lola Goldring .H6 Ed Jones Nanette Laitman C:35 Dieter Morris Kearse Dorothy Sahn Maria Reidelbach Laura Skoler Rosemary Ricchio Jock Truman Ned Rifkin Charles A. Schwefel INTERNS Maureen Stewart Konrad Kaletsch Marcia Thcker Thorn Middlebrook GALLERY ATTENDANTS VOLUNTEERS Joanne Brockley Connie Bangs Anne Glusker Bill Black Marcia Landsman Carl Blumberg Sam Robinson Jeanne Breitbart Jennifer Q. Smith Mary Campbell Melissa Wolf Marvin Coats Jody Cremin This exhibition is supported by a grant from the National Endowment for BOARD OF TRUSTEES Joanna Dawe the Arts in Washington, D.C., a Federal Agency, and is made possible in Jack Boulton Mensa Dente part by public funds from the New York State Council on the Arts. Elaine Dannheisser Gary Gale Library of Congress Catalog Number: 82-61279 John Fitting, Jr. -
Dana Hoey, Miss Tessa 1, 2015, Archival Inkjet Print, 17 X 22', Ed. 3
Dana Hoey, Miss Tessa 1, 2015, archival inkjet print, 17 x 22’, ed. 3. Repeat Pressure Until Curated by Sheilah Wilson OpeninG Saturday, May 21 6-9pm May 21-June 19 Catherine Cartwright, Moyra Davey, Stacy Fisher, Hilary Harnischfeger, Pati Hill, Dana Hoey, Vera Iliatova, Hein Koh, Dani Leventhal, Carolyn Salas, Kim Waldron, Carmen Winant OrteGa y Gasset Projects is pleased to present Repeat Pressure Until, a material investigation into the spaces between the recognizable and the unknown. Artists in the show use inhaBitation and over-inhaBitation of both material and societal norms to transform perception and offer new proposals. We cannot avoid the material, social, and cultural worlds we live in. Utilizing understood reference points becomes radical because it implies that all knowns have the potential to be made strange. There is a space opened up when testing limits of ideas or materials. Insistence both strengthens through emphasis and falls apart through over-repetition. The gendered female Body is presented as Benignly understandable and simultaneously profane. The object is holding or is held. Dominant can Be overthrown. (Although unnerving, it is made palatable because it is beautiful and the chaos is momentary.) Artists in the show suggest ways for us to live inside the known world, while suBverting these knowns through the act of placing pressure. This exertion of energy can create new forms and functions out of recognizable tropes and materials. Artists use photography, painting, drawing, video, and sculpture as tactics towards newly imagined versions of that which we know. They shoot arrows of violence, oBsession, re-imagined sexuality, kinship, and motherhood into anything in the world around us to which the arrow can cling. -
ART Show 2011 March 1.2011 FINAL
THE ART SHOW ORGANIZED BY THE ART DEALERS ASSOCIATION OF AMERICA TO BENEFIT HENRY STREET SETTLEMENT March 2-6, 2011 New York City America’s Most Venerable Art Fair Returns with 70 Expert Art Dealers Held at the Park Avenue Armory, Park Avenue and 67th Street Gala Preview on March 1st to Benefit Henry Street Settlement New York, March 1, 2011 — The Art Show opens its doors as the country’s longest running national art fair March 2, 2011 at the Park Avenue Armory in New York City. Now in its 23rd year, The Art Show assembles the nation’s most influential and prominent art dealers to present museum quality exhibitions of art ranging from cutting- edge, 21st-century works, to museum-quality pieces from the 19th and 20th centuries. Organized by the Art Dealers Association of America (ADAA) to benefit Henry Street Settlement, the fair’s commitment to curatorial expertise and diversity is ever-present in the show’s conception, presentation, and execution. The 2011 Art Show will include outstanding solo and two-person exhibitions, including new work from Rachel Whiteread at Luhring Augustine and Jessica Stockholder at Mitchell-Innes & Nash. Ameringer|McEnery|Yohe will bring a collection of impressive works by Robert Motherwell, and Marian Goodman Gallery is mounting a remarkable solo show of Gabriel Orozco. Richard Gray Gallery and Galerie Lelong have collaborated and will unveil an unprecedented joint exhibition of work by Jaume Plensa at the fair. Dealers are also organizing exceptional group and thematic presentations such as Margo Leavin Gallery’s All Together Now! Curated by Allen Ruppersberg, Pavel Zoubok Gallery’s TEN: Redefining Collage, and Pace Prints & Pace Primitive’s Iconic Images - Matisse, Picasso, and African Art. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture. -
In the Art World Intheartworld .Com Summer 2011
M Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio. in the art world intheArtworld .com Summer 2011 THROCKMORTON FINE ART GEORGE PLATT LYNES June 9th - September 10th, 2011 Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00 Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage 145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. EDITORIAL As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to herald the importance of what was then an emerging art district called Chelsea. Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. -
About Henry Street Settlement
TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement. -
L.E.S. Gallery Evening Thursday, November 19, 4-8 Pm
L.E.S. Gallery Evening Thursday, November 19, 4-8 pm This coming Thursday, over 40 galleries on the Lower East Side will be open later to celebrate current exhibitions throughout the neighborhood. An interactive map is available here. 1969 Gallery frosch&portmann Off Paradise 56 HENRY GRIMM Pablo’s Birthday Andrew Edlin Gallery Helena Anrather Perrotin Arsenal Contemporary Art New James Cohan Peter Freeman, Inc. York James Fuentes LLC Pierogi ASHES/ASHES Kai Matsumiya Rachel Uffner Gallery ATM gallery NYC Klaus von Nichtssagend Gallery RICHARD TAITTINGER GALLERY Bridget Donahue Krause Gallery Sargent’s Daughters Bureau LICHTUNDFIRE Shin Gallery carriage trade Lubov SHRINE Cristin Tierney Gallery M 2 3 signs and symbols David Lewis Magenta Plains Simone Subal Gallery DEREK ELLER GALLERY MARC STRAUS GALLERY Sperone Westwater Equity Gallery Martos Gallery The Hole FIERMAN McKenzie Fine Art Thomas Nickles Project Foxy Production Miguel Abreu Gallery Tibor de Nagy Gallery Freight+Volume Nathalie Karg Gallery Ulterior Gallery Front Room Gallery No Gallery Zürcher Gallery 1969 Gallery http://www.1969gallery.com 103 Allen Street INTERIORS: hello from the living room Amanda Barker, Johnny DeFeo, Lois Dodd, Gabrielle Garland, JJ Manford, John McAllister, Quentin James McCaffrey, Gretchen Scherer, Adrienne Elise Tarver, Ann Toebbe, Sophie Treppendahl, Brandi Twilley, Anna Valdez, Darryl Westly, Guy Yanai and Aaron Zulpo November 1 – November 29 56 HENRY https://56henry.nyc/ 56 Henry Street Richard Tinkler / Seven Paintings October 15 - November 25, 2020 56 HENRY shows seven paintings by Richard Tinkler. As if seen through a kaleidoscope or under the spell of deep meditation, the works often begin with a shared process before iterative reimagining delivers each to a novel conclusion. -
Brochure (Page 6)
MEL KENDRICK 1 RE: ASSEMBLE Mel Kendrick makes art that explores the to assume their newly defined roles act of making and remaking, and the ideas in an expansive, spirited vocabulary of that evolve in this simple yet sophisticated constructing. pursuit. For over thirty years, a continuing Kendrick’s career began in New York commitment to investigating process has during the early seventies, at a time when motivated him to cut, saw, drill, mark, color, the aesthetics of minimalist and conceptual fasten, stack, prop, cast, and otherwise art dominated the classrooms, studios, and re-imagine his primary material of wood, galleries. Looking back, he has called taking apart and reassembling its volumes minimalism a “ground zero,” wiping clean and surfaces so that the resulting works the slate for sculpture, and all art, to begin reveal—and revel in—the very activity of anew.1 Yet from his initial exposure to their reconfiguration. The self-reflexive minimalism’s cerebral and formal rigor, nature of Kendrick’s creative approach, Kendrick has retained a concern for systems Black Square, 1991 far from leading to its own limitations, and logic, an enthusiasm for setting up a poplar, lamp black has produced a seemingly endless capacity visual problem and defining the parameters 44 1/2 x 30 x 22 inches for variety and richness within the within which to engage it (though not development of his sculpture. Ideas and necessarily to resolve it) that reflects as well but no less importantly with an expectant, forms established in earlier works reappear the artist’s ongoing affinity for geometry and energetic sense of discovery and years later, transformed yet recognizable, mathematics.2 With a measured precision, improvisation, Kendrick makes an object. -
Downtowngallerymap May/June 2021 Lower East Side • Soho • Tribeca
DOWNTOWNGALLERYMAP MAY/JUNE 2021 LOWER EAST SIDE • SOHO • TRIBECA downtowngallerymap.com / [email protected] 1 DOWNTOWNGALLERYMAP MAY/JUNE 2021 LOWER EAST SIDE • SOHO • TRIBECA Please check with individual carriage trade Elizabeth Houston Gallery International Center of Photography galleries for their visiting thru Jun 13: Hearts and Minds thru Jul 9: Robyn Day thru Aug 25: But Still, It Turns: Recent procedures. 277 Grand St. 2nd Fl. (Forsyth + Eldridge) 190 Orchard St. (Houston + Stanton) Photography from the World carriagetrade.org | (718) 483 - 0815 elizabethhoustongallery.com 79 Essex St. (Delancey + Broome) Thu - Sun 1 - 6 (646) 918 - 6462 | Tue - Sat 11 - 6 icp.org | (212) 857 - 0000 LOWER EAST SIDE Thu - Sun 11 - 7 Cindy Rucker Gallery Equity Gallery 601Artspace May 12 - Jun 19: Carlos Sandoval de thru May 22: Rapture: A Queer Taste for Jack Hanley see gallery website for exhibition info Leon Color, Texture and Decorative Pattern thru May 8: Emily Mullin 88 Eldridge St. (Hester and Grand) 143B Orchard St. (@ Rivington) May 26 – 30: Eye Contact May 13 – Jun 12: Best in Show 601Artspace.org | (212) 243 - 2735 cindyruckergallery.com | (212) 388 - 9311 Jun 3 –12: 6 x 9 - Spring Fundraiser 327 Broome St. (Bowery + Chrystie) Thu - Sun 1 - 6 Wed - Sat 12- 6 & by appt. Jun 16 – Jul 10: NYAE Curatorial jackhanley.com | (646) 918 - 6824 Residency Program Exhibition Tue - Sat 11 - 6 Andrew Edlin Gallery The Clemente Center 245 Broome St. (Orchard + Ludlow) thru May 8: Beverly Buchanan | thru May 22: Good & Bad Government nyartistsequity.org | (931) 410 - 0020 James Cohan Gallery Abigail DeVille 107 Suffolk St. -
Sol Lewitt Biography
SOL LEWITT BIOGRAPHY BORN 1928-2007, Hartford, CT SELECTED SOLO EXHIBITIONS 2018 By Hand: Sol LeWitt; The Mattatuck Museum; Waterbury, CT Sol LeWitt Wall Drawings: Expanding a Legacy; Yale University Art Gallery; New Haven, CT Sol LeWitt: Between the Lines; Fondazione Carriero; Milan, Italy Sol LeWitt: Progression Towers ; Miami Design District & Institute of Contemporary Art; Miami, FL Sol LeWitt; Honor Fraser; Los Angeles, CA Sol LeWitt: 1 + 1 = 1 Million; Vito Schnabel Gallery; St. Moritz, Switzerland Sol LeWitt: Large Gouaches; Paula Cooper Gallery; New York, NY 2016 Sol LeWitt; Paula Cooper Gallery; New York, NY Sol LeWitt; Cardi Gallery; Milan, Italy Sol LeWitt: Seven Weeks, Seven Wall Drawings; Barbara Krakow Gallery; Boston, MA 2015 Soll LeWitt in Connecticut; James Barron; Kent, CT Sol LeWitt: 17 Wall Drawings 1970-2015; Fundacion Botin; Santander, Spain Sol LeWitt; Noire Gallery; Cappella del Brichetto, San Sebastiano, Italy Sol LeWitt: Wall Drawings, Grids on Color; Konrad Fischer Galerie; Dusseldorf, Germany Sol LeWitt: Wall Drawings, Grids on Black and White; Konrad Fischer Galerie; Berlin, Germany Sol LeWitt: Structures & Related Works on Paper 1968-2005; Barbara Krakow Gallery; Boston, MA Sol LeWitt: 40 Years at Annemarie Verna Gallery Part I; Annemarie Verna; Zurich, Switzerland Sol LeWitt; GalerÃa Elvira González; Madrid, Spain 2014 Sol LeWitt: Creating Place; Asheville Art Museum; Asheville, NC Sol LeWitt: Wall Drawing #370; The Metropolitan Museum of Art; New York, NY Sol LeWitt: Your Mind is Exactly at that Line; Art Gallery of New South Wales; Sydney, Australia Sol LeWitt: Prints; Pace Prints; New York, NY Sol LeWitt: Horizontal Progressions; Pace Gallery; New York, NY 2013 Sol LeWitt: Cut Torn Folded Ripped; James Cohan Gallery; New York, NY Sol LeWitt: Shaping Ideas; Laurie M.