ART Show 2011 March 1.2011 FINAL
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Reinventing, Downtown
Reinventing, Downtown By XICO GREENWALD | June 24, 2017 Abstract Expressionists Willem de Kooning, Jackson Pollock and Franz Kline urged a pair of friends to start an art gallery. Tibor de Nagy and John Bernard Myers followed their advice and, in 1950, on East 53rd Street, they opened the Tibor de Nagy Gallery. MEDRIE MACPHEE A Dream of Peace, 2017 oil and mixed media on canvas, 60 x 78 inches In the years to come, Mr. Myers and Mr. de Nagy would exhibit works by a number of second-generation Abstract Expressionists, including Alfred Leslie, Grace Hartigan, Robert Goodnough and Helen Frankenthaler. They also showed figurative paintings by the likes of Larry Rivers, Jane Freilicher, Fairfield Porter and Red Grooms. And Tibor de Nagy editions, the gallery’s book imprint, published poetry by Frank O’Hara, John Ashbery, Barbara Guest and others. Mr. Myers left the gallery in 1970. By that time, Tibor de Nagy had relocated to the 57th Street gallery district. When Mr. de Nagy died in 1993, he bequeathed his business to two young gallery assistants, Eric Brown and Andrew Arnot. Over the next 24 years, Mr. Arnot and Mr. Brown built on the gallery’s legacy together, exhibiting New York School pictures alongside works by select contemporary artists influenced by New York School poets and painters. But in the fast-paced New York art world, perhaps the only constant is change. Mr. Brown departed from the gallery this year. And now Mr. Arnot has relocated Tibor de Nagy to the Lower East Side, partnering with Betty Cuningham Gallery in a space-sharing agreement. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Extended Sensibilities Homosexual Presence in Contemporary Art
CHARLEY BROWN SCOTT BURTON CRAIG CARVER ARCH CONNELLY JANET COOLING BETSY DAMON NANCY FRIED EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART JEDD GARET GILBERT & GEORGE LEE GORDON HARMONY HAMMOND JOHN HENNINGER JERRY JANOSCO LILI LAKICH LES PETITES BONBONS ROSS PAXTON JODY PINTO CARLA TARDI THE NEW MUSEUM FRAN WINANT EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART CHARLEY BROWN HARMONY HAMMOND SCOTT BURTON JOHN HENNINGER CRAIG CARVER JERRY JANOSCO ARCH CONNELLY LILI LAKICH JANET COOLING LES PETITES BONBONS BETSY DAMON ROSS PAXTON NANCY FRIED JODY PINTO JEDD GARET CARLA TARDI GILBERT & GEORGE FRAN WINANT LE.E GORDON Daniel J. Cameron Guest Curator The New Museum EXTENDED SENSIBILITIES STAFF ACTIVITIES COUNCJT . Robin Dodds Isabel Berley HOMOSEXUAL PRESENCE IN CONTEMPORARY ART Nina Garfinkel Marilyn Butler N Lynn Gumpert Arlene Doft ::;·z17 John Jacobs Elliot Leonard October 16-December 30, 1982 Bonnie Johnson Lola Goldring .H6 Ed Jones Nanette Laitman C:35 Dieter Morris Kearse Dorothy Sahn Maria Reidelbach Laura Skoler Rosemary Ricchio Jock Truman Ned Rifkin Charles A. Schwefel INTERNS Maureen Stewart Konrad Kaletsch Marcia Thcker Thorn Middlebrook GALLERY ATTENDANTS VOLUNTEERS Joanne Brockley Connie Bangs Anne Glusker Bill Black Marcia Landsman Carl Blumberg Sam Robinson Jeanne Breitbart Jennifer Q. Smith Mary Campbell Melissa Wolf Marvin Coats Jody Cremin This exhibition is supported by a grant from the National Endowment for BOARD OF TRUSTEES Joanna Dawe the Arts in Washington, D.C., a Federal Agency, and is made possible in Jack Boulton Mensa Dente part by public funds from the New York State Council on the Arts. Elaine Dannheisser Gary Gale Library of Congress Catalog Number: 82-61279 John Fitting, Jr. -
Dana Hoey, Miss Tessa 1, 2015, Archival Inkjet Print, 17 X 22', Ed. 3
Dana Hoey, Miss Tessa 1, 2015, archival inkjet print, 17 x 22’, ed. 3. Repeat Pressure Until Curated by Sheilah Wilson OpeninG Saturday, May 21 6-9pm May 21-June 19 Catherine Cartwright, Moyra Davey, Stacy Fisher, Hilary Harnischfeger, Pati Hill, Dana Hoey, Vera Iliatova, Hein Koh, Dani Leventhal, Carolyn Salas, Kim Waldron, Carmen Winant OrteGa y Gasset Projects is pleased to present Repeat Pressure Until, a material investigation into the spaces between the recognizable and the unknown. Artists in the show use inhaBitation and over-inhaBitation of both material and societal norms to transform perception and offer new proposals. We cannot avoid the material, social, and cultural worlds we live in. Utilizing understood reference points becomes radical because it implies that all knowns have the potential to be made strange. There is a space opened up when testing limits of ideas or materials. Insistence both strengthens through emphasis and falls apart through over-repetition. The gendered female Body is presented as Benignly understandable and simultaneously profane. The object is holding or is held. Dominant can Be overthrown. (Although unnerving, it is made palatable because it is beautiful and the chaos is momentary.) Artists in the show suggest ways for us to live inside the known world, while suBverting these knowns through the act of placing pressure. This exertion of energy can create new forms and functions out of recognizable tropes and materials. Artists use photography, painting, drawing, video, and sculpture as tactics towards newly imagined versions of that which we know. They shoot arrows of violence, oBsession, re-imagined sexuality, kinship, and motherhood into anything in the world around us to which the arrow can cling. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture. -
In the Art World Intheartworld .Com Summer 2011
M Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio. in the art world intheArtworld .com Summer 2011 THROCKMORTON FINE ART GEORGE PLATT LYNES June 9th - September 10th, 2011 Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00 Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage 145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. EDITORIAL As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to herald the importance of what was then an emerging art district called Chelsea. Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. -
Curriculum Vitae
JOHN NEWMAN 1952 Born in Flushing, New York Currently lives and works in New York City Education: 1975 M.F.A., Yale School of Art 1973 B.A., Oberlin College 1972 Independent Study Program, Whitney Museum of American Art, NY Solo Exhibitions: 2016 “John Newman: Making A Case For Sculpture”, 200 Fifth Avenue, NY “Spoonfuls”, Tibor de Nagy Gallery, NY “Possible in Principle”, The Beeler Gallery, CCAD, Columbus, OH 2014 “Fit”, Tibor de Nagy Gallery, NY 2013 “Everything is on the Table”, Jaffe-Friede Gallery, Dartmouth College, Hanover, New Hampshire 2012 Tibor de Nagy Gallery, NY 2010 Texas Gallery, Houston, Texas 2009 “Instruments of Argument”, New York Studio School Gallery 2007 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa (catalogue) 2006 Byron Cohen Gallery, Kansas City 2005 “Monkey Wrenches and Household Saints”, Clifford Gallery, Colgate University (catalogue) 2003 Von Lintel Gallery, New York “Disguise the Limits”, The Handworkshop, Richmond, Virginia 2001 “HOMESPUN”, Von Lintel & Nusser, New York (catalogue) GrandArts, Kansas City (catalogue) 1999 Contemporary Art Gallery, Ahmedabad, India Amherst College, Amherst, Massachusetts 1998 Grounds for Sculpture, Johnson Atelier, Mercerville, New Jersey 1997 Galerie Fred Jahn, Munich 1996 Jason McCoy Inc., New York (catalogue) Bobbie Greenfield Gallery, Los Angeles Fay Gold Gallery, Atlanta 1995 Jason McCoy Inc., New York Tyler Graphics, Mt. Kisco, NY (catalogue) 1994 Nolan/Eckman Gallery, New York Jan Abrams Gallery, Los Angeles “Selected Editions,” Betsy Senior Gallery, New York 1993 “John Newman: Sculpture and Works on Paper,” Ft. Wayne Museum of Art, Ft. Wayne, IN; Arkansas Art Center, Little Rock (catalogue) Gerald Peters Gallery, Dallas 1992 Barbara Mathes Gallery, New York Ronald Greenberg Gallery, St. -
L.E.S. Gallery Evening Thursday, November 19, 4-8 Pm
L.E.S. Gallery Evening Thursday, November 19, 4-8 pm This coming Thursday, over 40 galleries on the Lower East Side will be open later to celebrate current exhibitions throughout the neighborhood. An interactive map is available here. 1969 Gallery frosch&portmann Off Paradise 56 HENRY GRIMM Pablo’s Birthday Andrew Edlin Gallery Helena Anrather Perrotin Arsenal Contemporary Art New James Cohan Peter Freeman, Inc. York James Fuentes LLC Pierogi ASHES/ASHES Kai Matsumiya Rachel Uffner Gallery ATM gallery NYC Klaus von Nichtssagend Gallery RICHARD TAITTINGER GALLERY Bridget Donahue Krause Gallery Sargent’s Daughters Bureau LICHTUNDFIRE Shin Gallery carriage trade Lubov SHRINE Cristin Tierney Gallery M 2 3 signs and symbols David Lewis Magenta Plains Simone Subal Gallery DEREK ELLER GALLERY MARC STRAUS GALLERY Sperone Westwater Equity Gallery Martos Gallery The Hole FIERMAN McKenzie Fine Art Thomas Nickles Project Foxy Production Miguel Abreu Gallery Tibor de Nagy Gallery Freight+Volume Nathalie Karg Gallery Ulterior Gallery Front Room Gallery No Gallery Zürcher Gallery 1969 Gallery http://www.1969gallery.com 103 Allen Street INTERIORS: hello from the living room Amanda Barker, Johnny DeFeo, Lois Dodd, Gabrielle Garland, JJ Manford, John McAllister, Quentin James McCaffrey, Gretchen Scherer, Adrienne Elise Tarver, Ann Toebbe, Sophie Treppendahl, Brandi Twilley, Anna Valdez, Darryl Westly, Guy Yanai and Aaron Zulpo November 1 – November 29 56 HENRY https://56henry.nyc/ 56 Henry Street Richard Tinkler / Seven Paintings October 15 - November 25, 2020 56 HENRY shows seven paintings by Richard Tinkler. As if seen through a kaleidoscope or under the spell of deep meditation, the works often begin with a shared process before iterative reimagining delivers each to a novel conclusion. -
Downtowngallerymap May/June 2021 Lower East Side • Soho • Tribeca
DOWNTOWNGALLERYMAP MAY/JUNE 2021 LOWER EAST SIDE • SOHO • TRIBECA downtowngallerymap.com / [email protected] 1 DOWNTOWNGALLERYMAP MAY/JUNE 2021 LOWER EAST SIDE • SOHO • TRIBECA Please check with individual carriage trade Elizabeth Houston Gallery International Center of Photography galleries for their visiting thru Jun 13: Hearts and Minds thru Jul 9: Robyn Day thru Aug 25: But Still, It Turns: Recent procedures. 277 Grand St. 2nd Fl. (Forsyth + Eldridge) 190 Orchard St. (Houston + Stanton) Photography from the World carriagetrade.org | (718) 483 - 0815 elizabethhoustongallery.com 79 Essex St. (Delancey + Broome) Thu - Sun 1 - 6 (646) 918 - 6462 | Tue - Sat 11 - 6 icp.org | (212) 857 - 0000 LOWER EAST SIDE Thu - Sun 11 - 7 Cindy Rucker Gallery Equity Gallery 601Artspace May 12 - Jun 19: Carlos Sandoval de thru May 22: Rapture: A Queer Taste for Jack Hanley see gallery website for exhibition info Leon Color, Texture and Decorative Pattern thru May 8: Emily Mullin 88 Eldridge St. (Hester and Grand) 143B Orchard St. (@ Rivington) May 26 – 30: Eye Contact May 13 – Jun 12: Best in Show 601Artspace.org | (212) 243 - 2735 cindyruckergallery.com | (212) 388 - 9311 Jun 3 –12: 6 x 9 - Spring Fundraiser 327 Broome St. (Bowery + Chrystie) Thu - Sun 1 - 6 Wed - Sat 12- 6 & by appt. Jun 16 – Jul 10: NYAE Curatorial jackhanley.com | (646) 918 - 6824 Residency Program Exhibition Tue - Sat 11 - 6 Andrew Edlin Gallery The Clemente Center 245 Broome St. (Orchard + Ludlow) thru May 8: Beverly Buchanan | thru May 22: Good & Bad Government nyartistsequity.org | (931) 410 - 0020 James Cohan Gallery Abigail DeVille 107 Suffolk St. -
Parrish Art Museum Annual Report 2015
PARRISH ART MUSEUM REPORT 2015 2 REPORTREPORT 2015 PARRISH ART MUSEUM 3 METRICS 22 LETTER TO OUR FRIENDS EXHIBITIONS 4 EXHIBITION CATALOGUES 5 INSTITUTIONS WORLDWIDE HOSTING PARRISH EXHIBITIONS 74 NEW ACQUISITIONS Director Terrie Sultan in the The Parrish has firmly defined and embraced a unique Permanent Collection galleries. position within the worldwide art and culture community. Photo: Daniel Gonzalez Combining strong local ties and a global outlook, the Museum Raymond Parker (American, 1922–1990) is recognized for original exhibitions, scholarly publications, Untitled, 1962 compelling presentations and performances, and innovative 79 Oil on canvas educational initiatives. The unique architectural statement PERMANENT COLLECTION WORKS ON VIEW 72 x 68 inches Parrish Art Museum of the building dovetails with its programmatic content, giving Gift of Edward F. Dragon in memory the Museum a holistic identity. It is clear from the community of Alfonso Ossorio, 1992.8.8 engagement, from the far-reaching critical acclaim we receive, and the high level of attendance, membership, and support 4 for the Museum that the Parrish is an impactful institution. NEW TRUSTEES We create and promote the highest quality exhibitions developed by our curators to underscore our excellence and inventive approaches, often featuring artists in their first-ever 3,169 Museum exhibitions, or exploring specific bodies of work that have not been widely seen and appreciated. Each year MUSEUM MEMBERS our anniversary inaugurates an entirely new hanging of the permanent collection galleries, always highlighting works that have not previously been on view, and organized around a series of themes intended to offer visitors a new way of seeing, 922 experiencing, and thinking about the world class masterworks RESIDENT BENEFIT MEMBERS we hold in public trust. -
CARL ANDRE Born: Quincy, Massachusetts, 1935 Education
CARL ANDRE Born: Quincy, Massachusetts, 1935 Education: Quincy public schools, 1941-50; Phillips Academy, Andover, Massachusetts, 1951-53 AWARDS 2011 Roswitha Haftmann Foundation Prize 1984 Guggenheim Fellowship SOLO EXHIBITIONS 2014 "Carl Andre: A Friendship: Carl Andre's Works on Paper from the Sol LeWitt Collection," Dan Flavin Art Institute, Bridgehampton, NY (6/7/2014- ) "Carl Andre: Sculpture as Place, 1958-2010," Dia: Beacon, Beacon, NY (5/4/2014-3/2/2015); traveling to: Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (5/7-10/15/15), Nationalgalerie im Hamburger Bahnhof, Berlin, Germany (5/8-9/25/16), Musée d'Art Moderne de la Ville de Paris, France (10/13/16-2/12/17) 2013 "Walnut Works," Sadie Coles HQ, London, UK (7/4-8/24/13) "Carl Andre: Mass & Matter," Turner Conteporary, Margate, UK (2/10-3/6/13) 2012 "Redoubt," Paul Cooper Gallery, New York, NY (10/27-12/22/12) "Carl Andre," Galerie Tschudi, Zuoz, Switzerland (7/24-9/15/12) "Wunderkammer," Meessen De Clercq, Brussels, Belgium, (3/9-4/12/12) "Rise," Ace Gallery, Los Angeles, CA (2/25-9/10/12) 2011 “Carl Andre,” Galería Cayón, Madrid, Spain (9/15-11/19/11) “Carl Andre,” Museum Kurhaus Kleve, Kleve, Germany (4/14-8/28/11); traveling to Museion – Museum of Modern and Contemporary Art, Bolzano, Italy (9/17/11 – 1/8/12) “Travertine/ Basalt,” Sadie Coles, London, UK (1/19 – 3/5/11) 2010 "Carl Andre," Konrad Fischer Galerie, Berlin, Germany (11/18/10-1/21/11) "Carl Andre: 9 x 54 Napoli Rectangle," Alfonso Artiaco, Naples, Italy (9/16- 11/6/10) 2009 "Carl Andre, Tin Works, -
Jane Freilicher
JANE FREILICHER BORN IN BROOKLYN, NEW YORK 1924 DIED IN NEW YORK, NEW YORK 2014 EDUCATION 1948 M.A., Columbia University, New York, NY 1947 B.A., Brooklyn College, Brooklyn, NY 1947 Hans Hofmann School of Fine Arts, New York, NY SELECTED SOLO EXHIBITIONS 2021 “Jane Freilicher: Parts of a World,” Kasmin Gallery, New York, NY 2018 “Jane Freilicher: ‘50s New York,” Paul Kasmin Gallery, New York, NY 2015 “Jane Freilicher: Theme and Variation,” Tibor de Nagy Gallery, New York, NY 2014 “Jane Freilicher: Paintings,” Valerie Carberry Gallery, Chicago, IL “Jane Freilicher: Painter Among Poets,” The Poetry Foundation, Chicago, IL 2013 “Jane Freilicher: Painter Among Poets,” Tibor de Nagy Gallery, New York, NY 2011 “Recent Paintings and Prints,” Tibor de Nagy Gallery, New York, NY 2009 “Changing Scenes,” Tibor de Nagy Gallery, New York, NY 2008 “Recent Paintings,” Tibor de Nagy Gallery, New York, NY 2006 “Near the Sea: Paintings 1958-1964,” Tibor de Nagy Gallery, New York, NY 2005 “Paintings 1954-2004,” Tibor de Nagy Gallery, New York, NY 2004 Tibor de Nagy Gallery, New York, NY 2002 Tibor de Nagy Gallery, New York, NY Solo exhibition in conjunction with “The Artist’s Eye: Jane Freilicher as Curator,” National Academy of Design, New York, NY 2000 Tibor de Nagy Gallery, New York, NY 1998 Tibor de Nagy Gallery, New York, NY 1995 Fischbach Gallery, New York, NY 1993 Reynolds Gallery, Richmond, VA 1992 Fischbach Gallery, New York, NY 1990 Heath Gallery, Atlanta, GA Fischbach Gallery, New York, NY 1989 Kornbluth Gallery, Fairlawn, NJ 1988 Fischbach Gallery,