LLT 180 Lecture 21 1 Laudine Is Hoodwinked, Tricked Into Taking Him
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Eric Auerbach Thinks Yvain Is Romance, but He's Lion
Eric Auerbach Thinks Yvain is Romance, But He’s Lion David Perretta ‘14 Chrétien de Troyes was a 12th century poet best known for his five Arthurian knight tales: Erec and Enide, Cligés, The Knight of the Cart (Lancelot), The Story of the Grail (Perceval), and The Knight with the Lion (Yvain). Traditionally, these stories are classified as medieval romance literature as they are mostly considered with chivalry, knightly duty, and courtly love. Yvain is concerned with its titular character, Yvain, as he defeats Esclados, marries his wife, takes over his kingdom, is exiled, and must ultimately regain his stature. In 1946, Erich Auerbach’s literary criticism Mimesis: The Representation of Reality in Western Literature was published. Auerbach’s work attempts to bridge two representations of reality in western literature: One from the Hellenic world, as seen in Homer’s Odyssey, with the worldview presented in the Bible. In chapter six, he uses Chrétien’s Yvain in order to define the romance genre. This essay is concerned with the holes presented in Auerbach’s definition of romance as a genre separate from epic. It points out that, by his definition, Yvain should be classified as epic rather than romance. Furthermore, its goal is to point out an underlying commonality between many epics, which have traditionally been a genre slightly too slippery to properly define. The hope is that this new definition of epic could be applied to the works of Homer, Vergil, and other classical authors. When Chrétien de Troyes began the story of Erec and Enide with boasts not only of his storytelling abilities, but the immortality of his works, he could not have foreseen the development of modern printers and the Internet – two innovations that have allowed for the proliferation of his narratives as well as the expansion of the scholarly debates surrounding them. -
LLT 180 Lecture 21 Part 1 Laudine Is Hoodwinked, Tricked Into Taking Him
LLT 180 Lecture 21 Part 1 Laudine is hoodwinked, tricked into taking him back. A fairly unsatisfactory conclusion since women usually do the tricking and not men. But I guess it's Lunete who's really doing the tricking, so that's kind of in keeping. Again, we're gonna have a test on Monday. First things first, though. Let's get through the rest of this. And sequentially, as far as use of time in here, we've been doing pretty well in our class meetings. It seems when we come up to the tests, though, we always seem to run a little short. We'll see how we do today. Again, we pick up on page 343 to the end, and so we don't have a lot to do. And the important fact here is that he is now being known as the Knight with the Lion as opposed to Yvain, and this is gonna facilitate Laudine taking him back later because she doesn't know who he is. Nor does Gawain, nor does anybody. So it's important, as far as the plot goes on here, that he is not identified. The only person who knows who he is is Lunete, again the person carrying the action forward. Now, the lion has been his big helper and the lion has come to his rescue, but the lion is in bad, bad shape now. And so he's carrying the lion. Again, I guess, Yvain is a major stud. He's been pumping iron, using that bow machine they sell on TV, and is just all pumped up like Arnold. -
Direct Discourse and Female Archetypes in Chrétien De Troyes's Romances
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Direct Discourse and Female Archetypes in Chrétien de Troyes's Romances Raquelle A. Crotty University of Central Florida Part of the French and Francophone Literature Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Crotty, Raquelle A., "Direct Discourse and Female Archetypes in Chrétien de Troyes's Romances" (2019). Honors Undergraduate Theses. 569. https://stars.library.ucf.edu/honorstheses/569 DIRECT DISCOURSE AND FEMALE ARCHETYPES IN CHRÉTIEN DE TROYES’S ROMANCES by RAQUELLE ARACELI CROTTY A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in French in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Summer Term 2019 Thesis Chair: Dr. Geri Smith ABSTRACT The purpose of this thesis is to examine the role of the female messenger archetype in Chrétien de Troyes’s romances within the context of the rising courtly literature written in France throughout the early twelfth century. The romances by Chrétien that will serve as cases in point for this thesis are Érec et Énide, Lancelot, and Yvain. I analyze the various courtly ladies of the lower nobility to whom Chrétien attributes direct discourse and study how their verbal influence over the plot and the extent to which they are directly involved in the action of that plot correlate to one another. -
Yvain-Corpus
‘Cuer me rendés…’ THE EMOTIONAL INVOLVEMENT OF THE CONTEMPORARY AUDIENCE IN THE YVAIN-CORPUS Master thesis RMA Medieval Studies by Chloé Vondenhoff Utrecht University, 08-02-2013 Student number: 3168662 Supervisor, first reader: Dr. F.P.C. Brandsma Second reader: Dr. A. Auer Word count: 35263 2 Table of Contents 1 INTRODUCTION .............................................................................................................. 3 1.1 EMOTION RESEARCH ....................................................................................................... 5 1.2 RESEARCH QUESTION .................................................................................................... 12 2 METHODOLOGY ........................................................................................................... 14 2.1 APPROACH .................................................................................................................... 14 2.2 METHODOLOGICAL COMMENTS .................................................................................... 16 2.3 YVAIN–CORPUS ............................................................................................................ 23 3 EPISODE I: THE PRELUDE ......................................................................................... 40 3.1 PROLOGUE .................................................................................................................... 40 3.2 CALOGRENANT’S TALE ................................................................................................ -
Chretien De Troyes: a Feminist of Twelfth Century France
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 1933 Chretien De Troyes: A Feminist of Twelfth Century France Ruth H. Shull Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the English Language and Literature Commons Recommended Citation Shull, Ruth H., "Chretien De Troyes: A Feminist of Twelfth Century France" (1933). Graduate Thesis Collection. 221. https://digitalcommons.butler.edu/grtheses/221 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. • CHRETIEN DE TR OnS : A FElHNIST OF Ti:EL7 Tli CENTURY l"HJ..i'i"CE by RU'rH HENDHICKSON SHULL A thesis submitted in partial fulfi llment of the requirements for the degree of i,laster of Arts Department of Engll~r, Butler Un1verei '~Y India napolis 1933 L f) ·1 '01 ~,. , +~ 0 ,23" ;....,. IYJ ,:"' If' CONTENTS CFJJlJ'TER PAGE 1. THE ',;Rr r.sR 1 Clerical Education--Liberal Eduoa tion: Back ground of 'nvelfth Century Fr ance--liis Patroness, klarie de Champagne. II. HIS AUDIENCE • ••• 5 Mostly Women: During Period of Crusades--Lil'e in Chateaux--Outward Piety: Grea t Churches- Gr owing Independence--Rise of Courtly Love- Andre Ie Chapelain. III. FRENCH VER3I O?~ CF AENEAS • ••• • 13 Forerunner of Chretien's sty1e--Deve1opment of Monologue, Discussing Symptoms of Love. IV. EREC AriD ENIDE .. • 16 ----Pattern of :Married Love 1:nd the Patient Wife. -
Concealment and Construction of Knightly Identity in Chretien's Romances and Malory's Le Morte Darthur
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur. Taylor Lee Gathof University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the English Language and Literature Commons, and the European Languages and Societies Commons Recommended Citation Gathof, Taylor Lee, "Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur." (2014). College of Arts & Sciences Senior Honors Theses. Paper 88. http://doi.org/10.18297/honors/88 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. Concealment and Construction of Knightly Identity in Chretien’s Romances and Malory’s Le Morte Darthur By Taylor Lee Gathof Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville May, 2014 Gathof 2 1. Introduction This paper will discuss the phenomenon of -
CHRÉTIEN DE TROYES, YVAIN, OR the KNIGHT with the LION (1170S)1
Primary Source 2.7 CHRÉTIEN DE TROYES, YVAIN, OR THE KNIGHT WITH THE LION (1170s)1 Chrétien de Troyes (fl. 1160–1185), a learned cleric, was one of the most popular and important authors of medieval Europe. His five Arthurian romances, originally written in Old French, including the one excerpted below, started a vogue for tales of King Arthur lasting for centuries. In the story, Yvain defeats and kills a knight to avenge his cousin. As he is pursuing the knight into his castle, he is caught in a trap vestibule. There, he falls hopelessly in love with the knight’s lovely widow, Laudine. Her lady-in- waiting, Lunette, gives him a ring of invisibility and convinces her lady to marry Yvain (the only knight at Camelot who had treated Lunette kindly). After all, she needs a valiant man to defend her and her magic spring of water from marauding knights in an age of public disorder. This is where the excerpted passage begins. Following their wedding, however, Yvain departs with Sir Gawain on adventures so long that his lady repudiates him, rendering him completely insane. After wandering naked for some time like a beast, he regains his sanity and travels widely, defeating evil adversaries and liberating many people (and even a lion) from certain harm and bondage, including 400 maidens forced to embroider beautiful cloth while themselves dressed in rags. These deeds of chivalry, for which he accepts no recompense, enable him to win back Laudine. The significance of the passages below is that they exemplify the ideal of “courtly love.” This tradition, which was codified by Andreas Capellanus in the 1180s,2 required men to idealize the women of their desire, and to burn and suffer for love’s sake. -
Introduction: to Be a Shapeshifter 1
NOTES Introduction: To Be a Shapeshifter 1 . Sir Thomas Malory, Malory: Works , ed. Eugene Vinaver (Oxford: Oxford University Press, 1978 ), 716. 2 . Carolyne Larrington, for example, points out that “Enchantresses . sometimes . support the aims of Arthurian chivalry, at other times they can be hostile and petty-minded.” See King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition (New York: I. B. Taurus, 2007), 2. While Larrington’s book provides a review of many of Morgan’s literary appearances, my study focuses on close reading, attention to translation issues, and discussion of social concerns. In her review of Larrington’s King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition , Elizabeth Archibald laments that “it would have been interesting to hear more about the ways in which Arthurian enchantresses do or do not resemble their Classical precursors, or indeed Celtic ones, in their use of magic and in their challenges to male heroic norms.” See Elizabeth Archibald, “Magic School,” Times Literary Supplement (February 2, 2007), 9. My study answers this cri- tique by reexamining pivotal scenes in critical texts and by dismantling the archetypal approach that Larrington follows. 3 . Norris J. Lacy, ed., The Fortunes of King Arthur (New York: D. S. Brewer, 2005 ), 94–95. 4 . Helaine Newstead, Bran the Blessed in Arthurian Romance (New York: AMS Press, 1966 ), 149. 5 . Elisa Marie Narin, “‘Þat on . Þat oÞer’: Rhetorical Descriptio and Morgan La Fay in Sir Gawain and the Green Knight ,” Pacific Coast Philology 23 (1988): 60–66. Morgan only partly fits the description of a supernatural ‘enemy’ provided by Hilda Ellis Davidson and Anna Chaudri; see n. -
Chretien De Troyes and Arthurian Romance in the Development of the Tournament
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 1993-2002 College Scholars 1995 Chretien de Troyes and Arthurian Romance in the Development of the Tournament Bradford Samuel Follow this and additional works at: https://trace.tennessee.edu/utk_interstp2 Recommended Citation Samuel, Bradford, "Chretien de Troyes and Arthurian Romance in the Development of the Tournament" (1995). Senior Thesis Projects, 1993-2002. https://trace.tennessee.edu/utk_interstp2/3 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 1993-2002 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. - / CHRETIEN DE TROYES AND THE ROLE OF ARTHURIAN ROMANCE IN THE DEVELOPMENT OF THE TOURNAMENT BY SAMUEL E. BRADFORD University of Tennessee: Knoxville College Scholars Program Senior Thesis 24 Aprill 1995 A glossary of terms which may seem unfamiliar to some readers and which are intended to serve as a reference can be found following the endnotes of this paper. INTRODUCTION From life-long medievalists and scholars to those who remember from their childhood the magic of the legends of King Arthur, the first image that instinctively appears in our mind upon mention of the middle ages is the knight in shining armor astride a great warhorse. Images of kings, castles, damsels, and dragons are ingrained into western thought, as is the tournament. Or is it? It is actually the joust, an individual contest between two mounted knights, that joins these other images in our natural reflection upon the middle ages. -
Adaptation and Translation Between French and English Arthurian Romance" (Under the Direction of Edward Donald Kennedy)
Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance Euan Drew Griffiths A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Edward Donald Kennedy Madeline Levine E. Jane Burns Joseph Wittig Patrick O'Neill © 2013 Euan Drew Griffiths ALL RIGHTS RESERVED ii Abstract EUAN DREW GRIFFITHS: "Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance" (Under the direction of Edward Donald Kennedy) The dissertation is a study of the fascinating and variable approaches to translation and adaptation during the Middle Ages. I analyze four anonymous Middle English texts and two tales from Sir Thomas Malory’s Le Morte Darthur that are translations and adaptations of Old French Arthurian romances. Through the comparison of the French and English romances, I demonstrate how English translators employed a variety of techniques including what we might define as close translation and loose adaptation. Malory, in particular, epitomizes the medieval translator. The two tales that receive attention in this project illustrate his use of translation and adaptation. Furthermore, the study is breaking new ground in the field of medieval studies since the work draws on translation theory in conjunction with textual analysis. Translation theory has forged a re-evaluation of translation as a literary medium. Using this growing field of research and scholarship, we can enhance our understanding of translation as it existed during the Middle Ages. -
Sir Gawein's Interpretation of Iwein's Transgression and the 'Mabinogion' Controversy
Sir Gawein's interpretation of Iwein's transgression and the 'Mabinogion' controversy Neil Thomas, University of Durham Various sources for Chretien's Yvain were championed by combatants in the so-called Mabinogion controversy. I Before it became known that the date of the Llytr each Hergqt (Red Book of Hergest, which contains the eleven medieval welsh tales known as Mabinogion) was later than that of Chretien's romances, it was supposed by scholars such as Viliemarque and O. Stephens that the Welsh Owain was the origin of the French work.' This view had then to be abandoned, since a fourtheenth-century Welsh text manifestly could not be the source of a twelfth-century French one. Yet the hypothesis of an ultimate Celtic inspiration for the Continental romance was by no means abandoned. By postulating the existence of earlier, ruder tales of Owain, Peredur and Gereint it was possible to argue that both the Mabinogion as we have them now and Chretien's romances derive from French reworkings of Celtic originals. 'Le Chevalier au lion et Ie conte galiois dependent I'un et I'autre d'une source commune, ecrite en francais, et du reste inspiree elle meme par des traditions ce/tiques (italics supplied).) A.C.L. Brown, in an influential study, wrote that the romance of Yvain was basically a 'fairy mistress' story, and illustrated from a number of Irish and Welsh sources the nature of such fairy-mistresses as beings distinctly superior to their mortal lovers. 4 R.S. Loomis pointed to what he took to be many further similarities between Continental romances and earlier Celtic myth. -
253 INDEX © in This Web Service Cambridge
Cambridge University Press 978-0-521-67788-2 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Index More information INDEX Accolon 210 nineteenth 6, 15, 28, 108–17, 120, 166, Agravain 189 177 Alain of Lille, commentary on the Prophecies twentieth 28, 94, 120 of Merlin 4 twenty-first 128 Alcock, Leslie 31 claim to Rome 178 Alfred, King 222 conception and legitimacy 42, 85, 177 alliteration 88 coronation 191 ‘Alliterative Revival’ 78 court of 9, 14, 42, 49, 53, 73, 74, 97, 139, Alnwick 219, 224 142, 143, 154, 156, 160, 163, 172, amplification 70 175, 207 Amr/Anir 23 crown of 15, 231–2 Anderson, Dennis Lee, Arthur, King 126 daughter – see Gyneth Anderson, Graham 30 death of 15, 41, 59, 104, 180, 203, 204 Andreas Capellanus, De Amore 10, dog (Cabal / Cafal) 23, 24, 37 141–2 dux bellorum 22, 23, 222 Anjou 174 emperor 11–12, 40, 87–8, 112, 164, Annales Cambriae 25, 33, 223 171–86, 178–9, 221 Apollinaire, Guillaume, L’Enchanteur geography associated with 15, 163–5, pourrissant 132–3 218–33 archaeology 30, 225, 232 English traditions 220 Archer, James 115 French traditions 219–20 Ariosto, Ludovico, Orlando Furioso 104 linguistic demarcation within 219–20 Armes Prydein 26 rivers 222–4 Armstead, H. H. 115 grave of 15, 31, 84, 96, 104, 228–30, 233 Arnold, Matthew, Tristan and Isolde heir 198 117 historicity 23, 25, 32, 53, 92, 230, 232 art 16n7, 115, 176 homosexual 130 Arthour and Merlin 62, 70, 85, 103 incest 191–2 Arthur, King marginalised in legend 140, 197 adultery of 13, 190–200 military icon 104