Asian Antiquities & Decorative Objects!
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Catazacke 20200425 Bd.Pdf
Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University -
736 | Asian Art China I – V Lot 1 – 948A 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 Am – 5.00 Pm
736 | Asian Art China I – V Lot 1 – 948a 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 am – 5.00 pm Please note that the times given below only give an approximation of the schedule of the auction, during which considerable delays may arise. Please note also that the succession of the following lot numbers may include numbers without belonging to an object. Friday, 6 May 2016 doors open: 09.00 am 9.30 am 1 – 39a China I - Hidden - treasures ca. 9.45 am 41 – 88 China II - Chinese paintings and calligraphy ca. 10.30 am 89 – 140 China III - Tibet, Nepal and South East Asia ca. 10.45 am 141 – 540 China IV ca. 2.00 pm 541 – 714 China V Saturday, 7 May 2016 doors open: 09.00 am 9.30 am 717 – 948a China V Please address enquiries about individual objects to the appropriate expert. Catalogue: Michael Trautmann, Tel.+49 (0) 711 / 649 69 - 310, [email protected] All participants in the auction are bound by our conditions of sale published at the end of this catalogue. Statements by us in the catalogue or in condition reports or made orally or in writing elsewhere regarding the autorship, origin, size, date, medium, attribution genuiness, provenience, condition or estimated selling prize of any lot are merely statements of opinion and are not to be relied on as statements of definitive fact. Prospective buyers are advised to examine the goods in which they are interested before auction takes place. Condition reports available on request Katalogbearbeitung / Catalogue / 圖錄 Michael Trautmann Tel.: ++49 (0)711 / 649 69 - 310 trautmann @ auction.de 1 1 China I 11 China I A FINE CIRCULAR, CARVED CINNABAR A CIRCULAR CINNABAR LACQUER BOX LACQUER (tihong) DISH WITH LANDSCAPE WITH DEPICTION OF SCHOLARS IN A DESIGN AND SCHOLARS IN A GARDEN GARDEN, China, c. -
East Indian Bronze Figures of Ganesh, 19Th/20Th
Lot Description Price (lot of 6) East Indian bronze figures of Ganesh, 19th/20th century, featuring four in dancing poses, one 1 multi-armed and one silvered seated, 9''h; Provenance: The Hemphill Collection of San Francisco $ 150 (lot of 7) East Indian bronze oil lamps, 19th/20th century, consisting of two standing beauties, hand lamp with figure of elephant, Ganesh base lamp, spoon shaped lamp, peacock lamp, Himalayan lamp, 8.5''h; 2 Provenance: The Hemphill Collection of San Francisco $ 175 Asian bronze seated Hotei on dragon throne, 20th century, holding a strand of praying beads and a bag 5 with traces of gilt, 8.5''h; Provenance: The Hemphill Collection of San Francisco $ 200 (lot of 2) Thai gilt bronze Buddhist figures, 19th century, figures each seated on tiered pedestals, some 7 damages, 17''h; Provenance: The Hemphill Collection of San Francisco $ 125 (lot of 6) group of Himalayan silver gilt metal votive pieces, 20th century, consisting of a table top prayer 8 wheel, a bowl, three rings, and a finial, 7.5''h; Provenance: The Hemphill Collection of San Francisco $ 175 (lot of 5) Assortment of Himalayan/Tibetan religious objects, consisting of a bronze bell with a vajra finial, a small bronze floral form stem cup, a copper phurba and a copper gao, 6.75''h; Provenance: The Hemphill 9 Collection of San Francisco $ 150 (lot of 6) Nepalese seated copper alloy Buddhas, 20th century, five are holding medicine jars, one with 11 hands in mudra, 5.5''h; Provenance: The Hemphill Collection of San Francisco $ 125 (Lot of 3) Chinese green -
Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India -
Rank Badges for Civil Officials
Section 2. Cranes and Peacocks: Rank Badges for Civil Officials Introduction Scholar-officials (called mandarins by Westerners) held the most prestigious positions in the Chinese imperial bureaucracy. As early as the Zhou dynasty (1027–256 BCE), court officials were selected based on ability. In the Tang dynasty (618–907) candidates for office were tested on their literary knowledge. It was the Qing dynasty (1644–1911), however, that refined the multi-tiered examination system; until their abolition in 1905, passing these examinations was the most certain path to social and material advancement for the successful candidate and his family. Candidates aspired to posts on the emperor’s advisory council (for first-rank officials) or to a provincial post. With further study a mandarin might gain promotion to the higher ranks—some ranks could also be purchased. There were nine civil ranks, each represented by a bird, with minor variations between the Ming and Qing dynasties. Birds were selected because they featured frequently in literary works and literati paintings. It could take years to obtain an appointment and once achieved, there were rules of appropriate behavior for civil officials. For example, they were not permitted to walk, but were required to travel in a sedan chair with the number of attendants and outriders appropriate to their rank—these could number more than fifty men. For mandarins above the fourth rank, all street traffic had to stop when they passed, gongs were beaten, and cannon fired when they entered or left a building. From a very early age boys were prepared for success in the examinations. -
Download Lot Listing
ASIAN WORKS OF ART Monday, March 15, 2021 DOYLE.COM ASIAN WORKS OF ART AUCTION Monday, March 15, 2021 at 10am Eastern EXHIBITION Friday, March 12, Noon – 5pm Saturday, March 13, Noon – 5pm Sunday, March 14, Noon – 5pm And by Appointment at other times Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on (date) Please see addendum for any changes The most up to date information is available On DOYLE.COM Sale Info View Lots and Place Bids Doyle New York 1 6 A Chinese White Jade Snuff Bottle A Large Chinese Blue, White and Copper Red 18th/19th Century Porcelain Table Snuff Bottle Carved with a basketweave texture. Height 2 1/4 Qing Dynasty inches Of cylindrical form, decorated to show a lone C Estate of Loucel G. Lipman immortal among animals. Height 4 1/2 inches $600-800 C $600-800 2 A Chinese Amber Snuff Bottle Carved in the round depicting a female on one side and crane and pine on the reverse, 7 conforming lid. Height overall 3 inches. A Chinese Cloisonné Enamel Snuff Bottle C Late Qing Dynasty $400-600 Of flattened ovoid form, decorated with blossoming lotus and scrolling foliage, on a turquoise ground. Height 2 1/4 inches. C $400-600 8 A Chinese Cinnabar Lacquer Snuff Bottle The compressed ovoid form, carved in the round 3 depicting figures in various pursuits. Height 2 1/2 Three Chinese Blue and White Porcelain inches. -
Textiles, Technology, and Gender in China
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by East Asian Science, Technology, and Medicine (EASTM - Universität Tübingen) EASTM 36 (2012): 167-176 Epilogue: Textiles, Technology, and Gender in China Dorothy Ko [Dorothy Ko is Professor of History at Barnard College, Columbia University. She is a cultural historian whose research focuses on gender and the body in early modern China. Her recent monograph, Cinderella’s Sisters: A Revisionist History of Footbinding (California, 2005), seeks to locate the practice of binding feet in the history of fashion and textile production. She is writing a book on the female inkstone carver Gu Erniang (fl. 1700-1724), a case study in the making and circulation of things and knowledge in the high-Qing empire. Contact: [email protected]] * * * The seminal research of Francesca Bray (1997) and Susan Mann (1992, 1997) on women and domestic work, especially textiles, have inspired a generation of new research in cultural history and art history, and the articles presented in this special issue attest to the productivity of this emergent field of inquiry. But curiously, historians of science and techno- logy—Bray’s intended audience—have been slow in embracing gender in their research agendas (with the notable exception of historians of medi- cine.) The reasons for this lacuna are complex, but the three articles gathered here suggest at least one answer: that one cannot take gender and women seriously without questioning existing paradigms about innovation, knowledge-making, and skills, and thus the very meanings of “science” and “technology.”1 Women and Innovations in Textile Technologies The three authors bring a range of disciplinary concerns and interdiscipli- nary methods to bear on their inquiries, revealing in the process the com- plexities that belied the simple rubric of “textile technology.” One salient 1 For enabling definitions of “science,” technique” and “technology,” see Bray 2008. -
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Advances in Engineering, volume 100 International Conference on Manufacturing Engineering and Intelligent Materials (ICMEIM 2017) Research on Production and Use of Silk Material for Mounting Traditional Chinese Calligraphy and Painting 1 2 Chun-hua Gu ,and Qin-ru Huang 1College of Textiles & Clothing, Anhui Polytechnic University,Wuhu,China 2College of Textiles & Clothing, Anhui Polytechnic University,Wuhu,China Keywords: Silk, Material, Production, Use. Abstract. There is a long history of mounting traditional Chinese Calligraphy and Painting. The mounting technology became more and more skilled and impeccable after the developed in Song, Yuan, Ming and Qing dynasty. The production of silk material--brocade, kesi, damask silk and silk tabby mounting for Chinese ancient calligraphy and painting became more ripen, there are different production places, production way and usages in different historical periods. Introduction From Jin dynasty on, the mounting art became popular. The silk manufacturing technology arrived at a higher level in Sui dynasty, and it had taken sharp that the production of brocade, damask silk and silk tabby. At the same time, the mounting technology got a new development. It had peaked in Song dynasty. Although the Art academies system had been canceled in Yuan dynasty, the people still pay more attention to mounting painting and calligraphy. They had sent the court calligraphy and painting to Hangzhou to mounting. There were mounting shops in Ming dynasty, while there were the best pavilions like Art academies in Qing dynasty. The calligraphy and painting wrote by emperor and the images of emperor and empress mounting in the court house all time [1]. During the Song, Yuan, Ming, Qing and other dynasties period, there were different production way and usages in silk material -- brocade, damask silk and kesi which mounting for traditional Chinese calligraphy and painting. -
Fine Chinese Art New Bond Street, London I 8 November 2018
Fine Chinese Art New Bond Street, London I 8 November 2018 224 (detail) 181 (detail) Fine Chinese Art New Bond Street, London I 8 November 2018 at 10.30am Lots 101 - 295 VIEWING GLOBAL HEAD, CUSTOMER SERVICES As a courtesy to intending Sunday 4 November CHINESE CERAMICS Monday to Friday 8.30am - 6pm bidders, Bonhams will provide a 11am - 5pm AND WORKS OF ART +44 (0) 20 7447 7447 written Indication of the physical Monday 5 November Asaph Hyman condition of lots in this sale if a 9am - 7.30pm Please see page 4 for bidder request is received up to 24 hours before the auction starts. (partially opened from ENQUIRIES information including after-sale 4.30pm - 7.30pm) collection and shipment This written Indication is issued Colin Sheaf subject to Clause 3 of the Notice Tuesday 6 November +44 (0) 20 7468 8237 拍賣品之狀況 to Bidders. 9am - 4.30pm [email protected] Wednesday 7 November 請注意: 本目錄並無說明任何拍賣 品之狀況。按照本目錄後部份所載 9am - 4.30pm Asaph Hyman REGISTRATION 之「競投人通告第 條 」, 準 買 家 +44 (0) 20 7468 5888 15 IMPORTANT NOTICE 必須拍賣前親自確定拍賣品之狀 SALE NUMBER [email protected] Please note that all customers, 況。 irrespective of any previous 24596 純為方便準買家,本公司如果拍買 Benedetta Mottino activity with Bonhams, are 開始前24小時收到準買家的要求, +44 (0) 20 7468 8236 required to complete the Bidder CATALOGUE 本公司可提 供 書面上的 狀 況 報 告。 [email protected] Registration Form in advance of £20.00 該報告是依據「競投人通告第1.6 條 」提 供。 the sale. The form can be found BIDS Sing Yan Choy at the back of every catalogue +44 (0) 20 7468 8369 +44 (0) 20 7447 7447 ILLUSTRATIONS and on our website at www. -
Embroidering Guanyin: Constructions of the Divine Through Hair*
EASTM 36 (2012): 131-166 Embroidering Guanyin: Constructions of the Divine through Hair Yuhang Li [Yuhang Li is a Mellon Postdoctoral Fellow at Grinnell College, and will start to teach as an assistant professor of Chinese Art History at the University of Wisconsin at Madison in the fall of 2013. She received her Ph.D. from the University of Chicago in 2011, and was a postdoctoral fellow at Yale University from 2011 to 2012. She is the author of “Oneself as a Female Deity: Representa- tions of Empress Dowager Cixi as Guanyin,” Nan Nü 14 (2012). She is currently completing her book manuscript entitled Gendered Materialization: An Inves- tigation of Women’s Artistic and Literary Reproduction of Guanyin in Late Imperial China. Contact: [email protected]] * * * Abstract: Hair embroidery was a particular technique practiced by lay Buddhist women to create devotional images. The embroiderers used their own hair as threads and applied them on silk to stitch figures. This paper will analyze the religious connotation of hair embroidery, the ritual process and the techniques for making hair embroidery in the Ming (1368-1644) and Qing (1644-1911) dynasties. By tracing its appearance in both literary texts and actual surviving objects, this essay will ask how and in what circumstances human hair was applied to embroidery? What was the significance of transferring one’s own hair onto an icon? How did hair embroidery combine women’s bodies (their hair) with a womanly skill (embroidery) to make a unique gendered practice in late imperial China? During various stages of writing this paper, Paul Copp, Jacob Eyferth, Anup Grewal, Marsha Haufler, Dorothy Ko, Viren Murthy, Angela Sheng, Susan Strauber, Wu Hung, Chun-fang Yu, and Judith Zeitlin have offered their insightful comments and suggestions. -
Antique Chinese Porcelains
ANTIQUE CHINESE PORCELAINS LEIBER MUSEUM THE ANTIQUE CHINESE PORCELAIN COLLECTION OF JUDITH & GERSON LEIBER By J. B. Sussman Judith and Gerson Leiber have finely developed artistic sensibilities. She is a world-renowned designer of handbags and other fashion accessories, many of which are in the permanent collections of such important museums as The Metropolitan Museum of Art, The Smithsonian, and the Victoria and Albert Museum in London, among various others. Pair of Famille Verte Gerson Leiber is a highly regarded fine artist who has produced acclaimed Beaker-Shaped Vases Decorated in paintings, etchings, and drawings. His work has been displayed in numerous Precious Antiques, Flowers galleries and is represented in important museums throughout the country, and K’ang Hsi Period, 1662 – 1722 AD several years ago his paintings were the subject of a one-man show at Guild Hall. Sixty-two years ago, the Leibers began collecting antique Chinese porcelains. They have long been interested in the high degree of civilization attained in China, dating back thousands of years when many parts of the world were in a state of barbarism. Now, the Leibers have assembled approximately 140 of their best porcelain pieces for their first public exhibition. This eclectic collection of Chinese porcelains contains pieces that date back thousands of years, as well as pieces that were created in the first years of the 20th Century. The exhibition offers vital cultural and artistic insights into China’s glorious past, demonstrating its magnificent contribution to the art and craft of porcelain pottery. It is interesting to reflect that for centuries, a single kind of manufactured material has been closely identified with China. -
Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019
Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019 Fine Asian Works of Art San Francisco | Tuesday June 25, 2019 at 10am Asian Decorative Works of Art San Francisco | Tuesday June 25, 2019 at 3pm, Lots 301 - 397 San Francisco | Wednesday June 26, 2019 at 10am, Lots 398 - 923 BONHAMS BIDS INQUIRIES New York 220 San Bruno Avenue +1 (800) 223 2854 San Francisco Bruce Maclaren, Senior Specialist San Francisco +1 (415) 861 8951 fax Dessa Goddard, US Head, Chinese Art bonhams.com Asian Works of Art, Director +1 (917) 206 1677 To bid via the internet please visit +1 (415) 503 3333 [email protected] PREVIEW www.bonhams.com/25518 [email protected] Friday June 21, 10am to 5pm Ming Hua, Junior Specialist Saturday June 22, 10am to 5pm www.bonhams.com/25519 Henry Kleinhenz, Consultant +1 (646) 837 8132 Sunday June 23, 10am to 5pm Please note that telephone bids +1 (415) 503 3336 [email protected] Monday June 24, 10am to 5pm must be submitted no later than 4pm on the day prior to [email protected] Harold Yeo, Consultant the auction. New bidders must Dan Herskee, Senior Specialist +1 (917) 206 1628 SALE NUMBER: 25518 also provide proof of identity +1 (415) 503 3271 [email protected] Lots 1 - 221 and address when submitting [email protected] bids. Telephone bidding is only SALE NUMBER: 25519 Los Angeles Lots 301 - 923 available for lots with a low Dick Lin, Junior Specialist Rachel Du, Specialist estimate in excess of $1,000.