Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019

Total Page:16

File Type:pdf, Size:1020Kb

Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019 Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019 Fine Asian Works of Art San Francisco | Tuesday June 25, 2019 at 10am Asian Decorative Works of Art San Francisco | Tuesday June 25, 2019 at 3pm, Lots 301 - 397 San Francisco | Wednesday June 26, 2019 at 10am, Lots 398 - 923 BONHAMS BIDS INQUIRIES New York 220 San Bruno Avenue +1 (800) 223 2854 San Francisco Bruce Maclaren, Senior Specialist San Francisco +1 (415) 861 8951 fax Dessa Goddard, US Head, Chinese Art bonhams.com Asian Works of Art, Director +1 (917) 206 1677 To bid via the internet please visit +1 (415) 503 3333 [email protected] PREVIEW www.bonhams.com/25518 [email protected] Friday June 21, 10am to 5pm Ming Hua, Junior Specialist Saturday June 22, 10am to 5pm www.bonhams.com/25519 Henry Kleinhenz, Consultant +1 (646) 837 8132 Sunday June 23, 10am to 5pm Please note that telephone bids +1 (415) 503 3336 [email protected] Monday June 24, 10am to 5pm must be submitted no later than 4pm on the day prior to [email protected] Harold Yeo, Consultant the auction. New bidders must Dan Herskee, Senior Specialist +1 (917) 206 1628 SALE NUMBER: 25518 also provide proof of identity +1 (415) 503 3271 [email protected] Lots 1 - 221 and address when submitting [email protected] bids. Telephone bidding is only SALE NUMBER: 25519 Los Angeles Lots 301 - 923 available for lots with a low Dick Lin, Junior Specialist Rachel Du, Specialist estimate in excess of $1,000. Chinese Paintings +1 (323) 436 5587 CATALOG Please contact client services +1 (415) 503 3264 [email protected] $35 with any bidding inquiries. [email protected] Please see pages 262 to 267 ILLUSTRATIONS Amelia Chau, Consultant SNUFF BOTTLE Front cover: Lot 89 for bidder information including Chinese Paintings DISCLAIMER Back cover: Lot 58 Conditions of Sale, after-sale +1 (415) 503 3397 While Bonhams makes collection and shipment. [email protected] reasonable efforts to ensure REGISTRATION that a stopper illustrated or IMPORTANT NOTICE Ling Shang, Consultant exhibited with a snuff bottle Please note that all customers, Asian Works of Art lot accompanies the lot irrespective of any previous activity +1 (415) 503 3208 upon collection or release, with Bonhams, are required to [email protected] complete the Bidder Registration it accepts no liability for not Form in advance of the sale. The doing so or for damage or form can be found at the back of Isabelle Zhang, Administrator for loss to stoppers during every catalogue and on our website +1 (415) 503 3414 storage or shipment. In [email protected] at www.bonhams.com and should addition, if a snuff bottle lot be returned by email or post to the is exhibited or purchased by specialist department or to the bids a buyer outside the United department at [email protected] States, Bonhams may remove To bid live online and / or leave any stopper accompanying internet bids please go to a lot that contais restricted www.bonhams.com/auctions/25518 materials. www.bonhams.com/auctions/25519 and click on the Register to bid link at the top left of the page. Bonhams Bonhams US Officers Vice Presidents, Specialists 220 San Bruno Avenue Laura King Pfaff Chairman, Susan F. Abeles, Rupert Banner, Gary Espinosa San Francisco, California 94103 Patrick Meade Group Vice Chairman, Judith Eurich, Alan Fausel, Mark Fisher © 2019, Bonhams & Butterfields Matthew Girling CEO, Martin Gammon, Dessa Goddard, Jim Haas Bond No. 57BSBGL0808 Auctioneers James Hendy Chief Operating Officer, Scot Levitt, Mark Osborne, Hadji Rahimipour Corp.; All rights reserved. Leslie Wright Vice President - Trusts and Estates Brooke Sivo, Catherine Williamson Jon King Vice President - Business Development International Chinese Ceramics and Works of Art team Global Asaph Hyman Global Head, Chinese Art Colin Sheaf Deputy Chairman Dessa Goddard US Head, Asian Art Asia Europe Xibo Wang Hong Kong Gigi Yu Hong Kong Keason Tang Hong Kong Benedetta Mottino London, New Bond Street Sing Yan Choy London, New Bond Street Edward Luper London, New Bond Street Rachel Hyman London, Knightsbridge Rosangela Assennato London, Knightsbridge Ben Law Smith London, Knightsbridge Ian Glennie Edinburgh Asha Edwards Edinburgh Aude Louis Carves Paris USA Bruce MacLaren New York Ming Hua New York Harold Yeo New York Henry Kleinhenz San Francisco Daniel Herskee San Francisco Ling Shang San Francisco Amelia Chau San Francisco Dick Lin San Francisco Australia Asia Representatives Rachel Du Los Angeles Yvett Klein Sydney Jessica Zhang Beijing Jenny Tsai Taipei Bernadette Rankine Singapore Order of Sale Chinese Works of Art .................................. 1 – 164 Scholar’s Objects...................................... 1 – 52 Jade and Hardstone Carvings ........................... 53 – 65 Ceramics ........................................... 66 – 97 Snuff bottles ....................................... 98 – 137 Works of Art....................................... 138 – 164 Indian and Himalyan Works of Art....................... 165 – 175 Paintings and Caligraphy ............................. 176 – 221 Asian Decorative Works of Art Lots 301 - 397: Tuesday June 25 at 3pm Lots 398 - 923: Wednesday June 26 at 10am Japanese and Korean Works of Art 301 302 301 UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864), Konomi ni makase nanajuhassai Toyokuni hitsu; Ono no Komachi, TOYOHARA KUNICHIKA (1835-1900), GOSOTEI HIROSADA Ariwara no Narihira Ason, circa 1858, published by Enshuya Hikobei, (1826-1863), AND NAKAI YOSHITAKI (1841-1899) signed Ichiyosai Toyokuni hitsu; Kesa Gozen, from the series Zenaku Edo period (1615-1868) and Meiji era (1868-1912), circa 1854-1893 sanjuroku bijin (36 Good and Evil Beauties), circa 1876, and actor Comprising an oban tate-e triptych, eight oban tate-e, and three Onoe Kikugoro as Misorogi Kokichi, circa 1893, both published by chuban tate-e prints; Actors Iwai Kumesaburo III as Aburaya Okon Fukuda Kumajiro, signed Toyohara Kunichika hitsu; actor Sawamura (inset), Nakayama Ichizo I as Nakai Manno, Nakamura Aizo I (r), Tosho as Sasaki Gennosuke and Nakamura Ganpachi as Hinin no Kataoka Gado II as Fukuoka Mitsugi (c), Ichikawa Kodanji IV as Oba Gan, circa 1870, signed Kunichika hitsu; three chuban tate-e prints Omine (inset), and Otani Tokuji II as Aburaya Oshika (l), circa 1855, each signed Hirosada; Actor Otani Tomoemon IV as Miuranosuke, published by Ebisuya Shoshichi; two actors, 1859, published by Ise signed Ichiyotei Yoshitaki hitsu. (14) Yoshi, and an actor sitting with a tabakobon, circa 1854, published 14 1/8 x 9 3/4in (35.7 x 24.7cm) average dimensions by Otaya Takichi, each signed Toyokuni ga; left sheet of a triptych 9 3/4 x 6 11/16in (24.8 x 17cm) average dimenions titled Shimazoroi asahide no sekitori (Wrestlers in Checked Fabrics on New Year Morning), circa 1863, published by Otaya Takichi, signed $800 - 1,200 112 | BONHAMS 303 304 305 306 PROPERTY FROM THE COLLECTION PROPERTY FROM ANOTHER OWNER PROPERTY FROM A PRIVATE OF HERBERT EVANS AND MIRIAM COLLECTION, NORTHERN CALIFORNIA SIMPSON 303 CHARLES W. BARTLETT (1860-1940) 305 302 Negishi KAIHO YUSETSU (1598-1677) UTAGAWA KUNISADA I (TOYOKUNI 1916 Fukurokuju III) (1786-1864), UTAGAWA SADAFUSA Color woodblock print; the lower left with the Edo Period (18th century (1825-1850), UTAGAWA YOSHIMORI artist’s CWB monogram and title cartouche Small hanging scroll, ink on paper; the (1830-1884) NEGISHI.1916, signed in the bottom Chinese immortal walking with his hands Comprising two oban tate-e triptychs margin Charles W. Bartlett in red pencil, the clasped to the front, signed Kaiho Yusetsu, (one set joined), seven oban tate-e prints: publisher’s seal Watanabe Shozaburo on the sealed Kaiho; with a wooden storage box. Kudosaemon Suketsune Bando Mitsugoro lower left margin above a red circular seal 13 1/4 x 6 1/8in (33.6 x 15.5cm) (actor Bando Mitsugoro as Kudosaemon reading SERIES NO. TWO (toned, laid down, Suketsune), circa 1810, censor’s seal framed and glazed). $1,000 - 1,500 kiwame; Sangatsu (Third Month), from the 14 7/8 x 9 7/8in (38 x 25cm) series Go sekku no uchi (Five Festivals), Exhibited circa 1820s, published by Matsumura $600 - 800 Brooklyn Museum, Robert Moes, A Flower Tatsuemon, censor’s seal kiwame, signed for Every Season: Japanese Paintings from Gokitei Sadafusa ga; Saya, from the series PROPERTY FROM THE COLLECTION the C.D. Carter Collection (The Brooklyn Tokaido meisho fukei (Famous Places along OF HERBERT EVANS AND MIRIAM Museum, 1975), page 34. the Tokaido Road), also known as Gyoretsu SIMPSON Tokaido (Processional Tokaido), circa 1863, Provenance published by Uoya Eikichi, censor’s seal i yon Former C. D. Carter Collection 304 aratame, signed Yoshimori ga. (11) VARIOUS ARTISTS (EDO PERIOD) 15 x 10 3/8in (38.2 x 26.5cm) average 306 dimensions Group of woodblock prints Consisting of twenty-nine single and double UNIDENTIFIED ARTST (EDO PERIOD) color bookplates as well as individual Sparrows and Bamboo $600 - 800 woodblock prints (some trimmed), including Pair of small hanging scrolls, ink on silk; each some early hand-colored book illustrations, depicting sparrows, the right with three birds works by the Katsukawa school (includes a perched on leafy bamboo, the left with a pair few later reproductions), varying condition, of sparrows in mid-flight, each with two seals some laid down. (29) (discoloration of silk, patched, remounted); 13 x 10 1/2in (33 x 26.7cm) dimensions of with a wooden storage box inscribed with largest the name Gengen-o (1628-1673). 6 1/2 x 12 1/8in (16.5 x 31cm) [each] $600 - 800 $1,500 - 2,500 ASIAN DECORATIVE WORKS OF ART | 113 308 307 307 WATANABE SHOTEI (SEITEI) (1851-1918) Mouse and Grapes Hanging scroll, ink and color on silk; depicting a small rodent feeding on a cluster of grapes spilling over the sides of a woven basket containing more fruiting grape vines, signed and sealed Shotei; with a wooden storage box.
Recommended publications
  • Catazacke 20200425 Bd.Pdf
    Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University
    [Show full text]
  • Eight Transitional Treasures Eight Transitional Treasures 30Th Anniversary Exhibition
    Eight Transitional Treasures Eight Transitional Treasures 30th Anniversary Exhibition BERWALD ORIENTAL ART LONDON 2 Introduction [Chinese] Chronology of This exhibition encompasses a ffty-year period that saw the 本展涵蓋明末清初半世紀,見證明代衰亡,滿清立國。自 emperors decline and eventual fall of the Ming dynasty and ended with the 約1620年起至1670年代中期間,中華製瓷工藝之風格及題 Ming dynasty establishment of the new Manchurian Qing dynasty. Lasting roughly Jiajing from 1620 to the mid 1670s, this period marks a remarkable change 材經歷嬗變,非比尋常。雖時局動盪,然官窰並無衰落之 1521 – 1567 in the style and subject matter of Chinese porcelain manufacture. Far Wanli 象,反而推陳翻新,臻藝菁華。明朝宮廷燒製大批瓷器, from suffering a decline during this turbulent time, the imperial kilns 1572 – 1620 壟斷生產,至明末衰落,無力繼承奢風,瓷器工藝改為富 Tianqi experienced a period of astounding creativity and artistic brilliance. 1621 – 1627 The Ming court, whose massive orders had until now totally domi- 商巨賈而製。後者鍾情山水景物,熱衷瓷器鑑賞,成就製 Chongzhen nated porcelain production, could no longer sustain their customary 1628 – 1644 瓷技術創新突破,於中華史上獨一無二。 extravagance and a new clientele of wealthy merchants took their Qing dynasty place. It was the tastes and aspirations of this new clientele, particu- 自宋(西元960 - 1279年)前起,製瓷均乃中國之重要工 Shunzhi larly their love of landscapes, which prompted this period of breath- 1644 – 1661 業,至晚明為極盛。宮廷需求熱切,御窰廠供不應求,故 Kangxi taking innovation in porcelain making, which remains unique in 1662 – 1722 Chinese history. 寄燒於規模較小之民窰,有謂「官搭民燒」。江西景德鎮 Porcelain had been a major industry in China since before the 御窰製作規模龐大,架構精密,除瓷匠與畫師外,司爐、 Song dynasty (960 - 1279) and in the late Ming production was at its 木匠、木材商人、礦工、陶土加工師等從業者眾,或直接 height. Court orders were so numerous that the imperial kilns had to farm out orders to smaller private kilns, a practice that became 受聘,或從中得利,經營、運輸等人數極多,更不在話下。 known as ‘ordered by the government, fred by the people’.
    [Show full text]
  • 340336 1 En Bookbackmatter 251..302
    A List of Historical Texts 《安禄山事迹》 《楚辭 Á 招魂》 《楚辭注》 《打馬》 《打馬格》 《打馬錄》 《打馬圖經》 《打馬圖示》 《打馬圖序》 《大錢圖錄》 《道教援神契》 《冬月洛城北謁玄元皇帝廟》 《風俗通義 Á 正失》 《佛说七千佛神符經》 《宮詞》 《古博經》 《古今圖書集成》 《古泉匯》 《古事記》 《韓非子 Á 外儲說左上》 《韓非子》 《漢書 Á 武帝記》 《漢書 Á 遊俠傳》 《和漢古今泉貨鑒》 《後漢書 Á 許升婁傳》 《黃帝金匱》 《黃神越章》 《江南曲》 《金鑾密记》 《經國集》 《舊唐書 Á 玄宗本紀》 《舊唐書 Á 職官志 Á 三平准令條》 《開元別記》 © Springer Science+Business Media Singapore 2016 251 A.C. Fang and F. Thierry (eds.), The Language and Iconography of Chinese Charms, DOI 10.1007/978-981-10-1793-3 252 A List of Historical Texts 《開元天寶遺事 Á 卷二 Á 戲擲金錢》 《開元天寶遺事 Á 卷三》 《雷霆咒》 《類編長安志》 《歷代錢譜》 《歷代泉譜》 《歷代神仙通鑑》 《聊斋志異》 《遼史 Á 兵衛志》 《六甲祕祝》 《六甲通靈符》 《六甲陰陽符》 《論語 Á 陽貨》 《曲江對雨》 《全唐詩 Á 卷八七五 Á 司馬承禎含象鑒文》 《泉志 Á 卷十五 Á 厭勝品》 《勸學詩》 《群書類叢》 《日本書紀》 《三教論衡》 《尚書》 《尚書考靈曜》 《神清咒》 《詩經》 《十二真君傳》 《史記 Á 宋微子世家 Á 第八》 《史記 Á 吳王濞列傳》 《事物绀珠》 《漱玉集》 《說苑 Á 正諫篇》 《司馬承禎含象鑒文》 《私教類聚》 《宋史 Á 卷一百五十一 Á 志第一百四 Á 輿服三 Á 天子之服 皇太子附 后妃之 服 命婦附》 《宋史 Á 卷一百五十二 Á 志第一百五 Á 輿服四 Á 諸臣服上》 《搜神記》 《太平洞極經》 《太平廣記》 《太平御覽》 《太上感應篇》 《太上咒》 《唐會要 Á 卷八十三 Á 嫁娶 Á 建中元年十一月十六日條》 《唐兩京城坊考 Á 卷三》 《唐六典 Á 卷二十 Á 左藏令務》 《天曹地府祭》 A List of Historical Texts 253 《天罡咒》 《通志》 《圖畫見聞志》 《退宮人》 《萬葉集》 《倭名类聚抄》 《五代會要 Á 卷二十九》 《五行大義》 《西京雜記 Á 卷下 Á 陸博術》 《仙人篇》 《新唐書 Á 食貨志》 《新撰陰陽書》 《續錢譜》 《續日本記》 《續資治通鑑》 《延喜式》 《顏氏家訓 Á 雜藝》 《鹽鐵論 Á 授時》 《易經 Á 泰》 《弈旨》 《玉芝堂談薈》 《元史 Á 卷七十八 Á 志第二十八 Á 輿服一 儀衛附》 《雲笈七籖 Á 卷七 Á 符圖部》 《雲笈七籖 Á 卷七 Á 三洞經教部》 《韻府帬玉》 《戰國策 Á 齊策》 《直齋書錄解題》 《周易》 《莊子 Á 天地》 《資治通鑒 Á 卷二百一十六 Á 唐紀三十二 Á 玄宗八載》 《資治通鑒 Á 卷二一六 Á 唐天寶十載》 A Chronology of Chinese Dynasties and Periods ca.
    [Show full text]
  • 736 | Asian Art China I – V Lot 1 – 948A 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 Am – 5.00 Pm
    736 | Asian Art China I – V Lot 1 – 948a 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 am – 5.00 pm Please note that the times given below only give an approximation of the schedule of the auction, during which considerable delays may arise. Please note also that the succession of the following lot numbers may include numbers without belonging to an object. Friday, 6 May 2016 doors open: 09.00 am 9.30 am 1 – 39a China I - Hidden - treasures ca. 9.45 am 41 – 88 China II - Chinese paintings and calligraphy ca. 10.30 am 89 – 140 China III - Tibet, Nepal and South East Asia ca. 10.45 am 141 – 540 China IV ca. 2.00 pm 541 – 714 China V Saturday, 7 May 2016 doors open: 09.00 am 9.30 am 717 – 948a China V Please address enquiries about individual objects to the appropriate expert. Catalogue: Michael Trautmann, Tel.+49 (0) 711 / 649 69 - 310, [email protected] All participants in the auction are bound by our conditions of sale published at the end of this catalogue. Statements by us in the catalogue or in condition reports or made orally or in writing elsewhere regarding the autorship, origin, size, date, medium, attribution genuiness, provenience, condition or estimated selling prize of any lot are merely statements of opinion and are not to be relied on as statements of definitive fact. Prospective buyers are advised to examine the goods in which they are interested before auction takes place. Condition reports available on request Katalogbearbeitung / Catalogue / 圖錄 Michael Trautmann Tel.: ++49 (0)711 / 649 69 - 310 trautmann @ auction.de 1 1 China I 11 China I A FINE CIRCULAR, CARVED CINNABAR A CIRCULAR CINNABAR LACQUER BOX LACQUER (tihong) DISH WITH LANDSCAPE WITH DEPICTION OF SCHOLARS IN A DESIGN AND SCHOLARS IN A GARDEN GARDEN, China, c.
    [Show full text]
  • East Indian Bronze Figures of Ganesh, 19Th/20Th
    Lot Description Price (lot of 6) East Indian bronze figures of Ganesh, 19th/20th century, featuring four in dancing poses, one 1 multi-armed and one silvered seated, 9''h; Provenance: The Hemphill Collection of San Francisco $ 150 (lot of 7) East Indian bronze oil lamps, 19th/20th century, consisting of two standing beauties, hand lamp with figure of elephant, Ganesh base lamp, spoon shaped lamp, peacock lamp, Himalayan lamp, 8.5''h; 2 Provenance: The Hemphill Collection of San Francisco $ 175 Asian bronze seated Hotei on dragon throne, 20th century, holding a strand of praying beads and a bag 5 with traces of gilt, 8.5''h; Provenance: The Hemphill Collection of San Francisco $ 200 (lot of 2) Thai gilt bronze Buddhist figures, 19th century, figures each seated on tiered pedestals, some 7 damages, 17''h; Provenance: The Hemphill Collection of San Francisco $ 125 (lot of 6) group of Himalayan silver gilt metal votive pieces, 20th century, consisting of a table top prayer 8 wheel, a bowl, three rings, and a finial, 7.5''h; Provenance: The Hemphill Collection of San Francisco $ 175 (lot of 5) Assortment of Himalayan/Tibetan religious objects, consisting of a bronze bell with a vajra finial, a small bronze floral form stem cup, a copper phurba and a copper gao, 6.75''h; Provenance: The Hemphill 9 Collection of San Francisco $ 150 (lot of 6) Nepalese seated copper alloy Buddhas, 20th century, five are holding medicine jars, one with 11 hands in mudra, 5.5''h; Provenance: The Hemphill Collection of San Francisco $ 125 (Lot of 3) Chinese green
    [Show full text]
  • Daily Life for the Common People of China, 1850 to 1950
    Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski.
    [Show full text]
  • Origin Narratives: Reading and Reverence in Late-Ming China
    Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”).
    [Show full text]
  • English Version
    Bat Cave: Treasures of the Day and Chamber 1 14 Hard wood case carved with bats and clouds 27 Vase with bats, gourd vines, and character 40 Hair ornament with bats in gilt silver and gems 53 Gourd-shaped wall vase with bats and Qing dynasty, 19th century “shou” in underglaze blue Qing dynasty, 19th - early 20th century characters “daji (luck)” in famille-rose enamels Creatures of the Night 1 Dish with bat-and-peach design Mark and period of Qianlong (1736 - 1795), Qianlong period (1736 - 1795), Qing dynasty Cheng Xun Tang Collection Mengdiexuan Collection in famille-rose enamels Qing dynasty Exhibit Checklist and Gallery Floor Plan Mark and period of Yongzheng (1723 - 1735), Huaihaitang Collection Huaihaitang Collection Qing dynasty 41 Copper snuff bottle with Daoist immortals in enamels falangcai 54 Gourd-shaped jade scent holder with bats Hong Kong Museum of Art Collection, 15 Pair of bowls with five bats in underglaze blue 28 Dragon-handled vase with a hundred “ ” Mark and period of Qianlong (1736 - 1795), shou and characters “ (luck)” in openwork Gallery Floor Plan Donated by B.Y. Lam Foundation Mark and period of Yongzheng (1723 - 1735), characters in gilt on lime green ground Qing dynasty daji Qing dynasty Mark and period of Qianlong (1736 - 1795), Qing dynasty (1644 - 1911) Qing dynasty Huaihaitang Collection 2 Dish with bat-and-peach design C. P. Lin Collection Hong Kong Museum of Art Collection in famille-rose enamels Mark and period of Yongzheng (1723 - 1735), Yi Tak Tang Collection 42 Pair dishes with bats, peaches, and seascape 16 Gourd-shaped bottle with bat-and-cloud Qing dynasty in doucai enamels design in doucai enamels 55 Jade pendants in blessings-and-longevity- th 29 Bat-handled vase with floral patterns and Mark and period of Yongzheng (1723 - 1735), Collection of the Art Museum, CUHK, Qing dynasty, 18 century before-your-eyes design characters “ ” in enamels Qing dynasty th Gift of B.
    [Show full text]
  • Proquest Dissertations
    TO ENTERTAIN AND RENEW: OPERAS, PUPPET PLAYS AND RITUAL IN SOUTH CHINA by Tuen Wai Mary Yeung Hons Dip, Lingnan University, H.K., 1990 M.A., The University of Lancaster, U.K.,1993 M.A., The University of British Columbia, Canada, 1999 A THESIS SUBIMTTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 @ Tuen Wai Mary Yeung, 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-31964-2 Our file Notre reference ISBN: 978-0-494-31964-2 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these.
    [Show full text]
  • Proquest Dissertations
    Deviance and Disorder: The Naked Body in Chinese Art Gabrielle Steiger Levine The Department of Art History and Communication Studies McGill University, Montreal August 2008 A thesis submitted to McGill University in partial requirement of the degree of Master of Arts © Gabrielle Steiger Levine 2008 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-53459-5 Our file Notre reference ISBN: 978-0-494-53459-5 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Fine Chinese Art New Bond Street, London I 8 November 2018
    Fine Chinese Art New Bond Street, London I 8 November 2018 224 (detail) 181 (detail) Fine Chinese Art New Bond Street, London I 8 November 2018 at 10.30am Lots 101 - 295 VIEWING GLOBAL HEAD, CUSTOMER SERVICES As a courtesy to intending Sunday 4 November CHINESE CERAMICS Monday to Friday 8.30am - 6pm bidders, Bonhams will provide a 11am - 5pm AND WORKS OF ART +44 (0) 20 7447 7447 written Indication of the physical Monday 5 November Asaph Hyman condition of lots in this sale if a 9am - 7.30pm Please see page 4 for bidder request is received up to 24 hours before the auction starts. (partially opened from ENQUIRIES information including after-sale 4.30pm - 7.30pm) collection and shipment This written Indication is issued Colin Sheaf subject to Clause 3 of the Notice Tuesday 6 November +44 (0) 20 7468 8237 拍賣品之狀況 to Bidders. 9am - 4.30pm [email protected] Wednesday 7 November 請注意: 本目錄並無說明任何拍賣 品之狀況。按照本目錄後部份所載 9am - 4.30pm Asaph Hyman REGISTRATION 之「競投人通告第 條 」, 準 買 家 +44 (0) 20 7468 5888 15 IMPORTANT NOTICE 必須拍賣前親自確定拍賣品之狀 SALE NUMBER [email protected] Please note that all customers, 況。 irrespective of any previous 24596 純為方便準買家,本公司如果拍買 Benedetta Mottino activity with Bonhams, are 開始前24小時收到準買家的要求, +44 (0) 20 7468 8236 required to complete the Bidder CATALOGUE 本公司可提 供 書面上的 狀 況 報 告。 [email protected] Registration Form in advance of £20.00 該報告是依據「競投人通告第1.6 條 」提 供。 the sale. The form can be found BIDS Sing Yan Choy at the back of every catalogue +44 (0) 20 7468 8369 +44 (0) 20 7447 7447 ILLUSTRATIONS and on our website at www.
    [Show full text]
  • Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019
    Fine Asian Works of Art Asian Decorative Art San Francisco | June 25 and 26, 2019 Fine Asian Works of Art San Francisco | Tuesday June 25, 2019 at 10am Asian Decorative Works of Art San Francisco | Tuesday June 25, 2019 at 3pm, Lots 301 - 397 San Francisco | Wednesday June 26, 2019 at 10am, Lots 398 - 923 BONHAMS BIDS INQUIRIES New York 220 San Bruno Avenue +1 (800) 223 2854 San Francisco Bruce Maclaren, Senior Specialist San Francisco +1 (415) 861 8951 fax Dessa Goddard, US Head, Chinese Art bonhams.com Asian Works of Art, Director +1 (917) 206 1677 To bid via the internet please visit +1 (415) 503 3333 [email protected] PREVIEW www.bonhams.com/25518 [email protected] Friday June 21, 10am to 5pm Ming Hua, Junior Specialist Saturday June 22, 10am to 5pm www.bonhams.com/25519 Henry Kleinhenz, Consultant +1 (646) 837 8132 Sunday June 23, 10am to 5pm Please note that telephone bids +1 (415) 503 3336 [email protected] Monday June 24, 10am to 5pm must be submitted no later than 4pm on the day prior to [email protected] Harold Yeo, Consultant the auction. New bidders must Dan Herskee, Senior Specialist +1 (917) 206 1628 SALE NUMBER: 25518 also provide proof of identity +1 (415) 503 3271 [email protected] Lots 1 - 221 and address when submitting [email protected] bids. Telephone bidding is only SALE NUMBER: 25519 Los Angeles Lots 301 - 923 available for lots with a low Dick Lin, Junior Specialist Rachel Du, Specialist estimate in excess of $1,000.
    [Show full text]