Catalog 12/1988 - 4/1989; 2 Paper Back: BOBBIN & NEEDLE LACES, IDENTIFICATION & CARE by P
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Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation. -
”Shoes”: a Componential Analysis of Meaning
Vol. 15 No.1 – April 2015 A Look at the World through a Word ”Shoes”: A Componential Analysis of Meaning Miftahush Shalihah [email protected]. English Language Studies, Sanata Dharma University Abstract Meanings are related to language functions. To comprehend how the meanings of a word are various, conducting componential analysis is necessary to do. A word can share similar features to their synonymous words. To reach the previous goal, componential analysis enables us to find out how words are used in their contexts and what features those words are made up. “Shoes” is a word which has many synonyms as this kind of outfit has developed in terms of its shape, which is obviously seen. From the observation done in this research, there are 26 kinds of shoes with 36 distinctive features. The types of shoes found are boots, brogues, cleats, clogs, espadrilles, flip-flops, galoshes, heels, kamiks, loafers, Mary Janes, moccasins, mules, oxfords, pumps, rollerblades, sandals, skates, slides, sling-backs, slippers, sneakers, swim fins, valenki, waders and wedge. The distinctive features of the word “shoes” are based on the heels, heels shape, gender, the types of the toes, the occasions to wear the footwear, the place to wear the footwear, the material, the accessories of the footwear, the model of the back of the shoes and the cut of the shoes. Keywords: shoes, meanings, features Introduction analyzed and described through its semantics components which help to define differential There are many different ways to deal lexical relations, grammatical and syntactic with the problem of meaning. It is because processes. -
The Sari Ebook
THE SARI PDF, EPUB, EBOOK Mukulika Banerjee | 288 pages | 16 Sep 2008 | Bloomsbury Publishing PLC | 9781847883148 | English | London, United Kingdom The Sari PDF Book Anushka Sharma. So shop for yourself or gift a sari to someone, we have something for everyone. The wavy bun completed her look. Face Deal. Long-time weaving families have found themselves out of work , their looms worthless. Sari , also spelled saree , principal outer garment of women of the Indian subcontinent, consisting of a piece of often brightly coloured, frequently embroidered, silk , cotton , or, in recent years, synthetic cloth five to seven yards long. But for some in Asian American communities, the prospect of the nation's first Black and South Asian Vice President wearing a traditional sari at any of the inauguration events -- even if the celebrations are largely virtual -- has offered a glimmer of positivity amid the tumult. Zari Work. As a politician, Dimple Kapadia's sarees were definitely in tune with the sensibilities but she made a point of draping elegant and minimal saree. Batik Sarees. Party Wear. Pandadi Saree. While she draped handloom sarees in the series, she redefined a politician's look with meticulous fashion sensibility. Test your visual vocabulary with our question challenge! Vintage Sarees. Hence there are the tie-dye Bandhani sarees, Chanderi cotton sarees and the numerous silk saree varieties including the Kanchipuram, Banarasi and Mysore sarees. You can even apply the filter as per the need and choose whatever fulfil your requirements in the best way. Yes No. Valam Prints. Green woven cotton silk saree. Though it's just speculation at this stage, and it's uncertain whether the traditional ball will even go ahead, Harris has already demonstrated a willingness to use her platform to make sartorial statements. -
ESSENTIALS:^ ^ ^ How to Look Fantastic in Your 40S, 50S and Beyond
Brenda’s Fashion ESSENTIALS:^ ^ ^ How to Look Fantastic In Your 40s, 50s and Beyond THE BRENDA shorts BrendaBrenda KinselKinsel punch and save! Sophia Loren, Catherine Deneuve, Sarah Jessica Parker, Vivica A. Fox, Helen Mirren, Ellen Barkin. What do these women have in common? They are all women of style, beauty and confidence. What makes a woman look so radiant? She’s radiant when she displays her beauty, inside and out. All women in their 40s, 50s, 60s or beyond have what it takes to enjoy style and the confidence that comes with it. Yet so many women reach a new decade and start giving up. They give up on fashion and beauty and let their style expire. What if I told you it’s easier to enjoy these things than you think? In fact, your most fashionable, confident years may be in front of you. In this Brenda Short, discover many easy tools to look great and enjoy your age. The Brenda Shorts 2 Schedule Your Updates 1. Put your feet first. Time to make a serious edit of shoes that hurt your feet. Otherwise, it’s all you think about: pain, pinching, pressure. A client was so relieved when we did a serious edit of her shoes. We had a “no excuses” purging session. Anything that hurt left her closet no matter how cute they were. When a shoe fits your arch and gives you room in the toe box, you’ll be swooning with delight. As in all things that come in sizes, when you’re shopping for shoes, ignore the numbers and go for the best fit. -
Lookbook FW '19-'
FALL / WINTER ʻ19/ʼ20 ABOUT FOR AW ’19/’20 IRIDE DE PORTU EXPLORES THE BOUNDARIES BETWEEN CAPTIVATING SOPHISTICATION AND PROVOCATIVE FEMININITY. THE INTERPLAY OF BOLD DESIGN AND SEDUCTIVE DETAILING, SUCH AS ANKLE CUFFS ADORNED WITH CRYSTALS, LONG STRAPS WITH BUCKLES AND CUT OUTS WITH LEATHER LACES REMINISCENT OF CORSETRY, PUTS THE SEX APPEAL IN CONTEMPORARY AESTHETICS. FOR HER PRÊT À PORTER COLLECTION, IRIDE AIMED FOR NOTHING LESS THAN COMFORTABLE ALLURE. BLOCK HEELS EITHER DRESSED IN LUXURIOUS SUEDE AND SMOOTH LEATHER OR COMPLETELY NAKED, EXPOSING THEIR WOODEN NATURE, CONSTITUTE THE IDEAL BASE FOR BOOTS AND MULES WITH STRAPS IN CONTRACTING COLOURS AND TEXTURES. ALSO, A PAIR OF V-NECK BOOTIES WITH WOVEN LEATHER BLOCK HEELS AND A PAIR OF HIGH HEELED POINTED TOE MULES COMPLETE THE READY-TO-WEAR COLLECTION, WITH A MORE SUBTLE APPROACH. LAST BUT NOT LEAST, THE CHUNKY SNEAKERS COULD BE MISSING. FEATURING A MOUNTAINEER DETAILING AND A LOGO LACE ACCESSORY, THEY OFFER A STREET STYLE VIBE, MAKING EVERY FASHION ENTHUSIAST CRAVE FOR THEM. THE AW1920 SUR MESURE COLLECTION REFLECTS THE MAIN TRIPTYCH OF THE IDP IDENTITY: CREATIVITY, CRAFTS- MANSHIP AND BOLDNESS. KNEE HIGH MOCK CROC BOOTS WITH CHUNKY HEELS, CUT OUTS AND LEATHER LACES, PONY-SKIN ANKLE BOOTS AND POINTED TOE FLATS WITH ORIENTAL-ISH COLOURFUL PRINTS AND SHEARLING LINING AND STRAPPY SANDALS WITH SPIRAL ANKLE CUFFS COVERED IN CRYSTALS• EVERYTHING MADE BY HAND, WITH ATTENTION TO DETAIL AND RESPECT TO EACH AND EVERY CUSTOMER'S SPECIAL NEEDS. NEVER BEFORE HAS ART BEEN MADE TO ORDER IN SUCH A LUXURIOUS YET TANGIBLE WAY. LORETTA ANKLE BOOTS BLACK STEP UP YOUR SHOE GAME IN THE MVP BOOTS OF THE SEASON. -
“All Shoe Fashions from 7 Basic Styles” by William Rossi, DPM
“All Shoe Fashions From 7 Basic Styles” By William Rossi, DPM The shoe designers are a seemingly bottomless well of creative ingenuity. It's estimated that in the U.S. and Europe alone about 200,000 "new" footwear fashions are introduced each year--a million every five years. While perhaps fewer than 20,000 ever go into actual production each year, it's still a torrent of inventive artistry that seems to have no limits. But few realize that of this super-abundance, all footwear fashion stems from only seven basic shoe styles: the pump, boot, oxford, sandal, clog, mule and moccasin. You might be quick to claim that other basic styles should be added to those seven. But no, they'd prove to be simply adaptations of one of those original seven. For example, sneakers or athletic footwear are merely spinoffs from the oxford. A slingback or strap shoe is a version of the pump. The loafer is a clone of the moccasin. And so on. Now, two very interesting things about those seven basic styles. Not one was originally designed by or for a woman. All began as men's styles and later evolved into women's versions. Second, the "newest" of those seven basics is the oxford, introduced some 350 years ago. Not a single new basic shoe style has been introduced in nearly four centuries. Not one, despite all the creative energies of the designers. Now, right here it's important to distinguish between a style and a fashion. A style is something basic. The word is from the Latin "stylus," a pen-like instrument used to draw an outline or form. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
The Cheongsam—The Treasure of Chinese National Apparel
Asian Culture and History January, 2009 The Cheongsam—the Treasure of Chinese National Apparel Hongxia Liu Fashion & Art College Tianjin Polytechnical University No. 66 Chenglin Road, Tianjin 300160, China E-mail: [email protected] Abstract The cheongsam, the typical national apparel of the internal and external harmonious unity, is known as the representative of the Chinese clothing culture. It has expressed the virtuous, elegant, and gentle temperament of the Chinese women through flowing melody, rakish picturesque conception, and strong poetic emotion. The paper studies several aspects of the origin, evolution, techniques and communication to let China and the world know better about cheongsam, the national apparel of China. Keywords: Cheongsam, Nation, Garments Cheongsams, the traditional national apparel, are owned and cherished by all Chinese of all regions. A cheongsam is a special garment favored by people all over the world. Its elegance is known by the Chinese people, and appreciated by the world. The cheongsam, as the Chinese name suggests, refers to the gown that women of Eight Banners wore before Manchu rulers went across Shanhaiguan, the important pass in north part of China. It was actually the daily dress mainly for women of Manchu and Mongolia. Its basic style is loose with standing collar, bottoms on the right chest, long sleeves, and spacious downswing without side vents by linear tailoring. Usually there is decorative embroidery or other colors of lace in the front collar or at the downswing or the mouth of the sleeves. A Chinese Cheongsam, with the oriental artistic aesthetics as the cultural heritage, has displayed various beauties, youthful beauty of young ladies and the maturity of women grow-ups. -
Sự Tiếp Biến Trong Nghệ Thuật Thiết Kế Áo Dài Của Phụ Nữ Việt Từ Những Năm 1930 Đến Năm 2017
BỘ GIÁO DỤC VÀ ĐÀO TẠO BỘ VĂN HÓA, THỂ THAO VÀ DU LỊCH VIỆN VĂN HÓA NGHỆ THUẬT QUỐC GIA VIỆT NAM Nguyễn Thị Loan SỰ TIẾP BIẾN TRONG NGHỆ THUẬT THIẾT KẾ ÁO DÀI CỦA PHỤ NỮ VIỆT TỪ NHỮNG NĂM 1930 ĐẾN NĂM 2017 LUẬN ÁN TIẾN SĨ NGHỆ THUẬT Hà Nội – 2020 BỘ GIÁO DỤC VÀ ĐÀO TẠO BỘ VĂN HÓA, THỂ THAO VÀ DU LỊCH VIỆN VĂN HÓA NGHỆ THUẬT QUỐC GIA VIỆT NAM Nguyễn Thị Loan SỰ TIẾP BIẾN TRONG NGHỆ THUẬT THIẾT KẾ ÁO DÀI CỦA PHỤ NỮ VIỆT TỪ NHỮNG NĂM 1930 ĐẾN NĂM 2017 Chuyên ngành: Lý luận và Lịch sử Mỹ thuật Mã số: 9210101 LUẬN ÁN TIẾN SĨ NGHỆ THUẬT Người hướng dẫn khoa học: PGS. TS. Đoàn Thị Tình TS. Trần Thủy Bình Hà Nội – 2020 i LỜI CAM ĐOAN Tôi xin cam đoan bản luận án tiến sĩ với đề tài: Sự tiếp biến trong nghệ thuật thiết kế áo dài của phụ nữ Việt từ những năm 1930 đến năm 2017 là công trình do chính tôi viết. Tôi xin chịu trách nhiệm về lời cam đoan này. Hà Nội, ngày tháng năm 2020 Tác giả luận án Nguyễn Thị Loan ii DANH MỤC CHỮ VIẾT TẮT Chữ viết tắt Chữ viết đầy đủ BST Bộ sưu tập GS Giáo sư H Hình PGS Phó giáo sư PL Phụ lục NCS Nghiên cứu sinh NTK Nhà thiết kế Nxb Nhà xuất bản TK Thế kỷ TS Tiến sĩ tr Trang iii MỤC LỤC Trang LỜI CAM ĐOAN……………………………………………………… i DANH MỤC CHỮ VIẾT TẮT……………………………………….. -
TENT HANGING, Cotton Painted, Printed and Dyed, Mughal. Late 17Th Or Early 18Th Century
TENT HANGING, cotton painted, printed and dyed, Mughal. late 17th or early 18th century. V+A Part of a floorspread, resist- and mordant-dyed cotton, Mughal, late17th-early 18th century. V+A Mughal flowering plant motifs appear in other arts as well... here marble carvings on walls of Taj Mahal, Agra Cotton floorspread embroidered with silk thread. Mughal, early 18th century. V+A Handpainted, printed + dyed palampores, 18th ce, V+A HANDPAINTING + PRINTING ON TEXTILES TYPICALLY DONE IN TWO WAYS: WOODEN BLOCK (below) OR KALAM (above) Block carver in Sanganeer, Rajasthan Blockprinting workshops in Sanganer, Rajasthan RIGHT: The ties at the side have been made into a decorative feature in themselves, with carefully designed floral motifs made to fit the lappets. Man's robe (jama) made of printed, painted and dyed cotton, possibly made in Burhanpur, 18th century LEFT: This robe is said to have belonged to Tipu Sultan of Mysore (d.1799), although there is only anecdotal evidence for this. The late Mughal style of the robe and its decoration do tally with an 18th-century date. 1658 Mughal painting of nobleman wearing Muslin Jama This man's robe is of the type called a jama, which crosses over the chest and fastens at the side. This example is exceptional in the amount of cloth used for its gathered skirt: it has a circumference at the hem of 65 metres of cloth, and the skirt is made up of 277 triangular panels. It was given to the India Museum (which was amalgamated into the South Kensington Museum, later the V&A) by the Maharaja of Bharatpur in Rajasthan in 1855. -
A Critique of Female Gender Performance in Fashion
Girls Will Be Girls: A Critique of Female Gender Performance in Fashion By Drew Gulley What am I, Loby?” she suggested – rather than asked – rhetorically. “I’m the key image in an advertising campaign. I’m the good/bad wild thing whom everybody wants, wants to be like – who prefers ninety-nine instead of one. I’m the one whom men search out from seeding to seeding. I’m the one whom all the women style their hair after, raise and lower their hems and necklines as mine rise and lower. The world steals my witticisms, my gestures, even my mistakes, to try out on each new lover.” Le Dove, The Einstein Intersection by Samuel Delany Recent moves in sociological thought have theorized a concept of gender apart from sex. While sex remains within the confines of biology, our understanding of gender is multi-layered and complex. In short, gender is a constructed creation; built brick by brick through performance. As Judith Butler writes in her seminal book, Bodies That Matter, “When the constructed status of gender is theorized as radically independent of sex, gender itself becomes a free-floating artifice, with the consequences of man and masculine might just as easily signify a female body as a male one, and woman and feminine a male body as easily as a female one” (Butler 6). Butler’s work is a radical shift from a history traditionally molded around a set of biological differences as the basis for performance at home, in the workplace, and at play. So are we, as a culture and people, also left to float when we seek to negate the binaries of ‘man’ or ‘woman?’ Where do we redefine the limits and boundaries of gender, if such fences exist? To answer these questions, I will delve into the multidimensional realm of women’s high fashion. -
Journal 33.Pdf
1 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO. 33 APRIL 30, 2010 / VAISAKHA 2, SAKA 1932 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 5 3. Public Notice 11 4. Sandur Lambani Embroidery 12 5. Hand Made Carpet of Bhadohi 31 6. Paithani Saree & Fabrics 43 7. Mahabaleshwar Strawberry 65 8. Hyderabad Haleem 71 9. General Information 77 10. Registration Process 81 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 33 of the Geographical Indications Journal dated 30th April 2010 / Vaisakha 2, Saka 1932 has been made available to the public from 30th April 2010. 4 G.I. Geographical Indication Class Goods App.No. 1 Darjeeling Tea (word) 30 Agricultural 2 Darjeeling Tea (Logo) 30 Agricultural 3 Aranmula Kannadi 20 Handicraft 24, 25 & 4 Pochampalli Ikat Textile 27 5 Salem Fabric 24 Textile 6 Payyannur Pavithra Ring 14 Handicraft 7 Chanderi Fabric 24 Textile 8 Solapur Chaddar 24 Textile 9 Solapur Terry Towel 24 Textile 10 Kotpad Handloom fabric 24 Textile 24, 25 & 11 Mysore Silk Textile 26 12 Kota Doria 24 & 25 Textile 13 Mysore Agarbathi 3 Manufactured 14 Basmati Rice 30 Agricultural 15 Kancheepuram Silk 24 & 25 Textile 16 Bhavani Jamakkalam 24 Textile 17 Navara - The grain of Kerala 30 Agricultural 18 Mysore Agarbathi "Logo" 3 Manufactured 19 Kullu Shawl 24 Textile 20 Bidriware 6, 21 & 34 Handicraft 21 Madurai Sungudi Saree 24 & 25