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Visual Development Processes for a Multicultural Storytelling Tool
348 CONFIA . International Conference on Ilustration & Animation Viana do Castelo . Portugal . June 2019 . ISBN: 978-989-54489-1-3 Visual Development Processes for a Multicultural Storytelling Tool Gabriela Sá1, Douglas Menegazzi2, Ana Paula Caruso3, and Cristina Sylla4 {gabrielasa, douglasmenegazzi, anapaulacaruso, cristinasylla}@mobeybou.com [Drawing and Video Games / Desenho e Videojogos] Abstract Keywords Visual Development, This paper presents the evolution of the visual development process for Multiculturalism, Mobeybou, a digital manipulative that aims at promoting multicultural Representation. awareness through creative storytelling. It presents children with a variety of characters, objects and landscapes from various cultures around the world. Here, we refect on three diferent approaches of the visual devel- opment, and on how to efectively create visual elements that represent a given culture, which have the potential to foster the children’s imagination and creativity. The frst approach was carried out by a single illustrator and was mainly informed by research on the web. It was time efcient and resulted in the creation of visual elements that may have been too obvious. The second one took longer, had more input from other team members and often resorted to pop culture as reference; the resulting visual elements were easily identifed by the children, probably because they depicted somewhat stereotyped representations. The third approach was a collabo- rative process from the start, that relied heavily on the opinions and insight of people who were born and raised in the country being represented. It resulted in a more complex relationship between the visuals and the culture they portrayed, which was potentially enriching for the viewer but may hamper the immediate identifcation of the culture. -
No Words, No Problem, P.15 Genre Legends: 8Pm, Upfront Theatre
THE GRISTLE, P.06 + ORCHARD OUTING, P.14 + BEER WEEK, P.30 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 04-25-2018* • ISSUE:*17 • V.13 PIPELINE PROTESTS Protecting the Salish Sea, P.08 SKAGIT STOP Art at the schoolhouse, P.16 MARK LANEGAN A post- Celebrate AGI grunge SK T powerhouse, P.18 No words, no problem, P.15 Genre Legends: 8pm, Upfront Theatre Paula Poundstone: 8pm, Lincoln Theatre, Mount 30 A brief overview of this Vernon Backyard Brawl: 10pm, Upfront Theatre FOOD week’s happenings THISWEEK DANCE Contra Dance: 7-10:30pm, Fairhaven Library 24 MUSIC Dylan Foley, Eamon O’Leary: 7pm, Littlefield B-BOARD Celtic Center, Mount Vernon Skagit Symphony: 7:30pm, McIntyre Hall, Mount Vernon 23 WORDS FILM Book and Bake Sale: 10am-5pm, Deming Library Naomi Shihab Nye: 7pm, Performing Arts Center, Politically powered standup WWU 18 comedian Hari Kondabolu COMMUNITY MUSIC Vaisaikhi Day Celebration: 10am-5pm, Guru Nanak stops by Bellingham for an April Gursikh Gurdwaram, Lynden 16 GET OUT ART 29 gig at the Wild Buffalo Have a Heart Run: 9am, Edgewater Park, Mount Vernon 15 Everson Garden Club Sale: 9am-1pm, Everson- Goshen Rd. Native Flora Fair: 10am-3pm, Fairhaven Village STAGE Green 14 FOOD Pancake Breakfast: 8-10am, American Legion Hall, Ferndale GET OUT Pancake Breakfast: 8-10:30am, Lynden Community Center Bellingham Farmers Market: 10am-3pm, Depot 12 Market Square WORDS VISUAL Roger Small Reception: 5-7pm, Forum Arts, La WEDNESDAY [04.25.18] Conner 8 Spring has Sprung Party: 5-9pm, Matzke Fine Art MUSIC Gallery, Camano Island F.A.M.E. -
Weaving Technology: Advances and Challenges Ii
Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies. -
Information Published Under Section 4(1)(A) & (B) to Right to Information Act 2005
Information published under Section 4(1)(a) & (b) to Right to Information Act 2005 As per Section 4(1)(a) & (b) of the Right to Information Act 2005, every public authority has to make known the information to the Public as enumerated in the said act. Accordingly, the following details are furnished as per the Section 4(1)(a) & (b) in respect of our Corporation i.e. Karnataka Silk Industries Corporation Limited. As per Section 4(1) (a) the following records and registers duly indexed a) Personnel Department : Details of List of files LIST OF FILES RELATING TO PERSONNEL DEPARTMENT Sl. Name of the File File No. No. 1 Circular File Vol-I KSIC/E-2/EST/102/83-84 2 Circular File Vol-II KSIC/E1/KSIC/PER/22/02-03 3 Guidelines on Disciplinary Action E4-1/DCP/90-91 4 Shortage of 4 Nos. of sarees HO/MKTG/KGS-Exb-Shortage/11-12 occurred at Karnataka Govt. Secretariate Club Exhibition, Bangalore n 22.10.2011. 5 Exhibition cum Sales of KSIC KSIC/MKTG/EXBN-KALINGA/ 2010-11 sarees at Kalinga Cultural Trust, Hyderabad 6 Shortage of 4 Nos. of Sarees KSIC/MKTG/EXBN-UBSR/ 2011-12 occurred at Unity Building Showroom, Bangalore on 22.10.2011. 7 Appeal Preferred by Sri R.Byroji KSIC/PER/APP/11-12 Rao, Sales Attender, Reshmalaya, Bangalore 8 Rs. 27.68 lakhs Doubtful Debts for KSIC/PER/AA-DD/11-12 the financial year 10-11 9 Appointment of local Advocates for KSIC/PER/WUA/4/10-11 conducting enquiries – regarding workers unauthorized absence ©2016 Karnataka Silk Industries Corporation 10 Theft of 17 Nos. -
I D F Kaikrafts
+91-8048372333 I D F Kaikrafts https://www.indiamart.com/idf-kaikrafts/ Kai Krafts, a project of the Bangalore based NGO, Initiatives for Development Foundation (idf) supports artisans and crafts pertaining to North Karnataka. Through concentrated marketing efforts, Kai Krafts strives to revive North Karnataka crafts ... About Us Kai Krafts, a project of the Bangalore based NGO, Initiatives for Development Foundation (idf) supports artisans and crafts pertaining to North Karnataka. Through concentrated marketing efforts, Kai Krafts strives to revive North Karnataka crafts and to improve the earning potential of the skilled artisans versed in these crafts. Our name stems from the Kannada word for “hand” or “kai” and reflects our mission to promote handmade products from North Karnataka. As a project of the NGO, idf, we work closely with the artisans to fuse traditional crafts with products geared towards a contemporary market. Initially, our project was supported by Give2Asia. This fund was released by Give2Asia through the Deshpande Foundation, who monitored the programme throughout the funded period of April, 2010 to March 31, 2011. IDF Federation was the implementing agent and has been supervising the entire project to date. At Kai Krafts, we endeavor to provide customers with unique, handmade and ethical products. By linking artisan clusters with markets, Kai Krafts both ensures that the artisans are paid fair wages for their hard work and that these crafts endure. Kai Krafts is currently marketing the products of artisans skilled in the highly technical and difficult embroidery form of Kasuti. Kasuti is comprised of the Kannada words “Kai” meaning hand and “Suti” meaning cotton thread thus translating to “handwork of cotton thread.”.. -
Dorm Room Checklist
Dorm room checklist bed cleaning do not bring Comforter (set) Small garbage can Microwave Twin bed sheet set(s) Broom/Dustpan/Mop Hot Plates Pillows Clorox wipes Any open-coil appliances Pillowcases Incense Bathroom cleaning Supplies Mattress pad Large refrigerators Blanket(s) Dish soap Double-sided tape/white sticky *Bed risers foam squares *Flat storage boxes Large nails (under-bed) basics Furniture (the College provides) Flashlight Weapons Batteries Illegal drugs/alcohol/or tobacco Camera/memory card products closet Phone chargers Posters, pictures, etc not in Laundry Basket Headphones keeping with the mission of the Detergent USB flash drive College Dryer Sheets *Laptop/Computer Pets (except a fish in a bowl) Lint roller Hangers Cable Cords Casual clothes for class miscellaneous Formal and casual dresses Alarm clock Dress pants/suits Clear packing tape/command strips Judson *Shoe rack (for hanging posters, signs, etc.) *Iron and small ironing board Pictures/picture frames *Curtain for closet provides *A few decorative items Small message board for door Bed - frame, mattress, box UL (Underwriter’s Laboratory) spring bathroom approved power strip Desk and chair Towels (bath, hand, wash- Basic first-aid and medicine Dresser cloths) Healthy snacks/food Bookcase Toiletries Rain coat/umbrella In bathroom: Hand soap Small lamp and light bulbs cabinet space Bath mats *Microwavable dishes drawer space Air freshener/candles *Can opener counter space Shower liner and curtain *Small carpet/rug towel racks *Robe *Storage cubes/small standing shelf -
Use Style: Paper Title
Volume 6, Issue 7, July – 2021 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 Impact of Traditional Textile on the Gross Domestic Product- GDP of Bangladesh 1*Engr. Md. Eanamul Haque Nizam, 1Sheikh Mohammad Rahat, 1*Assistant Professor. Department of Textile Engineering, 1Albert Loraence Sarker, Bangladesh University of Business and Technology 2Abhijit Kumar Asem, [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh 2Rezwan Hossain, 3Rayek Ahmed, 3Mashrur Wasity 1,2,3Textile Graduate, Department of Textile Engineering, Bangladesh University of Business and Technology [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh Abstract:- Bangladesh is a country loaded with share of GDP. Consultancy firm McKinsey and Company has craftsmanship, culture, and legacy. For the most part, the said Bangladesh could double its garments exports in the next specialty of attire or material is the most seasoned legacy 10 years. In Asia, Bangladesh is the one of the biggest largest that introduced the land to the external world since such exporter of textile products providing employment to a great countless years prior. Customary material is perhaps the share percent of the work force in the country [1]. Currently, main piece of its material area. Customary legacy is the textile industry accounts for 45% of all industrial covered up in each edge of Bangladesh where Jamdani, employment in the country and contributes 5% of the total Muslin, Tangail, Banarasi, Lungi, and so forth assume an national income. However, although the industry is one of the indispensable part. It is assessed that there are 64,100 largest in Bangladesh and is still expanding, it faces massive handlooms in the region. -
Miss Farhat Jabeen
Some Aspects of the Sociai History of the Valley of Kashmir during the period 1846—1947'-Customs and Habits By: lUEblS Miss Farhat Jabeen Thesis Submitted for the award of i Doctor of Philosophy ( PH. D.) Post Graduate Department of History THE: UNIVERSITY OF KASHAIIR ^RXNJf.GA.R -190006 T5240 Thl4 is to certify that the Ph.D. thesis of Miss Far hat JabeiA entitled "Some Aspects of the Social History of tha Valley of Kashnir during the period 1846.-1947— Cus^ms and Habits*• carried out under my supervision embodies the work of the candidate. The research vork is of original nature and has not been submlt-ted for a Ph.D. degree so far« It is also certified that the scholar has put in required I attendance in the Department of History* University of Kashmir, The thesis is in satisfactory literary form and worthy of consideration for a Ph.D. degree* SUPERVISOR '»•*•« $#^$7M7«^;i«$;i^ !• G, R, *** General Records 2. JSdC ••• Jammu and Kashmir 3, C. M, S. ••» Christian Missionary Society 4. Valley ••* The Valley of Kashmir 5. Govt. **i* Government 6, M.S/M.S.S *** ManuscriptAlenuscripts, 7. NOs Number 8, P. Page 9, Ed. ••• Edition, y-itU 10. K.T. *•• Kashmir Today 11. f.n* •••f Foot Note 12» Vol, ••• Volume 13. Rev, •*• Revised 14. ff/f **• VniiosAolio 15, Deptt. *** Department 16. ACC *** Accession 17. Tr, *** Translated 18. Blk *** Bikrand. ^v^s^s ^£!^mmmSSSmSSimSSSmS^lSSmSm^^ ACKNOWL EDGEMENTt This Study was undertaken in the year 1985) December, as a research project for ny Ph.D. programme under the able guidance of Dr. -
Sustaining the Traditional Paithani Saree Weaving of Maharashtra, India Reena Bhatia1* and Deepti Desai2
Available online at www.globalilluminators.org GlobalIlluminators FULL PAPER PROCEEDING Multidisciplinary Studies Full Paper Proceeding ITMAR -2014, Vol. 1, 529-536 ISBN: 978-969-9948-24-4 ITMAR-14 Sustaining The Traditional Paithani Saree Weaving Of Maharashtra, India 1* 2 Reena Bhatia and Deepti Desai 1,2Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda, Vadodara, Gujarat, India. Abstract Among the hand woven sarees of India, Paithani is famous and has played a significant role in weaving together the socio-cultural fabric of Maharashtra since it is traditionally a part of the trousseau of every Maharashtra bride. The aim of the study was to document the existing weaving traditions of Paithani and explore the possibility of weaving Paithani as a yardage with different product layout. To achieve the formulated objectives a descriptive cum exploratory study was planned. Data collection was done through observation and interview schedule during field visits in Bhandge Lane, Yeola. The weavers were selected through purposive random sampling. Adaptation of Paithani saree layout on handloom was done for selected product range to unearth new opportunities for a local craft and help them expand their market. Data analysis indicated that the younger generation was involved in the traditional weaving of Paithani saree. The weavers were training their children in traditional weaving practices of Paithani; contributing positively to its sustainability. The craft details in terms of raw materials, loom set-up, dyeing, weaving process, types of Paithani, colours and motifs was documented through photographs and supplemented with text. It was reassuring to learn that 80 per cent of weavers would prefer to diversify into other products instead of just weaving saree if done using same technique of Paithani weaving. -
The Sari Ebook
THE SARI PDF, EPUB, EBOOK Mukulika Banerjee | 288 pages | 16 Sep 2008 | Bloomsbury Publishing PLC | 9781847883148 | English | London, United Kingdom The Sari PDF Book Anushka Sharma. So shop for yourself or gift a sari to someone, we have something for everyone. The wavy bun completed her look. Face Deal. Long-time weaving families have found themselves out of work , their looms worthless. Sari , also spelled saree , principal outer garment of women of the Indian subcontinent, consisting of a piece of often brightly coloured, frequently embroidered, silk , cotton , or, in recent years, synthetic cloth five to seven yards long. But for some in Asian American communities, the prospect of the nation's first Black and South Asian Vice President wearing a traditional sari at any of the inauguration events -- even if the celebrations are largely virtual -- has offered a glimmer of positivity amid the tumult. Zari Work. As a politician, Dimple Kapadia's sarees were definitely in tune with the sensibilities but she made a point of draping elegant and minimal saree. Batik Sarees. Party Wear. Pandadi Saree. While she draped handloom sarees in the series, she redefined a politician's look with meticulous fashion sensibility. Test your visual vocabulary with our question challenge! Vintage Sarees. Hence there are the tie-dye Bandhani sarees, Chanderi cotton sarees and the numerous silk saree varieties including the Kanchipuram, Banarasi and Mysore sarees. You can even apply the filter as per the need and choose whatever fulfil your requirements in the best way. Yes No. Valam Prints. Green woven cotton silk saree. Though it's just speculation at this stage, and it's uncertain whether the traditional ball will even go ahead, Harris has already demonstrated a willingness to use her platform to make sartorial statements. -
Khabbar Vol. XXXIX No. 3 (July, August, September
Khabbar North American Konkani Newsletter Volume XXXIX No. 3 July, August, September - 2016 From: The Honorary Editor, "Khabbar" P. O. Box 222 Lake Jackson, TX77566 - 0222 XXXIX-3 ADDRESS SERVICE REQUESTED FIRST CLASS TO: Khabbar XXXIX No. 3 Page: 1 Khabbar Follies In this section, Khabbar looks into the Konkani community and anything and everything that is Konkani from a Konkani point of view. The names will never be published but geographic location will be identified in general terms. There is no doubt in my mind that Khabbar is a part & parcel of life of Konkanis in North America. In fact, Khabbar has developed a special relation with most of the Konkani families and here are some examples of those close encounters of a different kind….…… The Konkani Sammelan 2016 in Atlanta was a fabulous event. everybody’s relief, at the end of the sammelan, there was a Kudos to the Team KAOG who did an outstanding job for a surplus! successful sammelan. But, the financial situation was bleak! Before the sammelan started, there was a forecast of heavy Thanks to everyone who came to the rescue to make KS-2016 deficit!! For various reasons, the anticipated fund raising did a complete success. not materialize. Team NAKA and Team KAOG did an extreme fund raising and the Konkani community at large Editor’s Reply: opened their heart and the wallet. All said and done, to Now, that is what I say is the Konkani spirit. ***** SUBSCRIPTION FORM: Dear Konkani family, It is time to renew your subscription for 2016.The numbers on the mailing label clearly indicate the year/s the dues for Khabbar has been received since 2014. -
Annual Report 2019-20
MINISTRY OF TEXTILES ANNUAL REPORT 2019-20 MINISTRY OF TEXTILES ANNUAL REPORT 2019-20 INDEX 1 OVERVIEW 1 2 FUNCTIONS & ORGANISATIONAL SET-UP 9 3 EXPORT PROMOTION 27 4 RAW MATERIAL SUPPORT 30 5 SUPPORT FOR TECHNOLOGY UP-GRADATION 54 6 SUPPORT FOR TRAINING AND CAPACITY BUILDING 59 7 SUPPORT FOR INFRASTRUCTURE 76 8 RESEARCH & DEVELOPMENT IN TEXTILE SECTOR 78 9 TECHNICAL TEXTILES 81 10 SECTORAL SCHEME 86 11 TEXTILE PROMOTION IN NORTH EASTERN REGION 124 12 ICT INITIATIVES IN TEXTILES 131 13 RAJBHASHA 133 14 WELFARE MEASURES FOR SC/ST/WOMEN AND PERSONS WITH DISABILITY: 135 15 VIGILANCE ACTIVITIES 138 MINISTRY OF TEXTILES OVERVIEW 1.1 The Indian textile industry is one of the largest in the world 1.3 Raw Material Support with a large unmatched raw material base and manufacturing strength across the value chain. It is the 2nd largest manufacturer a. Cotton: and exporter in the world, after China. The share of textile and clothing Cotton is one of the most important cash crops and accounts for in India’s total exports stands at a significant 12 % (2018-19). India around 25% of the total global fibre production. In the raw material has a share of 5 % of the global trade in textiles and apparel. The consumption basket of the Indian textile industry, the proportion of uniqueness of the industry lies in its strength both in the hand-woven cotton is around 60%. The consumption of cotton is more than sector as well as in the capital intensive mill sector. The mill sector 300 lakh bales (170 kg each) per year.