Richard Stallman's Crusade for Free Software, by Sam Williams ** This Is A
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Gentlemen's Argument
Copyright © 2007, Chicago-Kent Journal of Intellectual Property A GENTLEMEN'S AGREEMENT ASSESSING THE GNU GENERAL PUBLIC LICENSE AND ITS ADAPTATION TO LINUx Douglas A. Hass" Introduction "Starting this Thanksgiving, I am going to write a complete Unix-compatible software system called GNU (for GNU's Not Unix), and give it away free to everyone who can use it." With his post to the Usenet 2 newsgroup net.unix-wizards, 3 Richard Stallman launched a sea change in software development. In 1983, he could not have known that his lasting contribution would not be the GNU operating system, but instead the controversial software license that he would develop as its underpinning: the GNU General Public License (GPL).4 Today, the operating system most closely associated with the GPL is Linux, developed originally by Linus Torvalds, a Finnish university student.5 Research group IDC's Quarterly Server Tracker marked Linux server revenue growth at three times Microsoft Windows server growth in the first quarter of 2006, its fifteenth consecutive quarter of double-digit revenue growth. 6 British research firm Netcraft's July 2006 Web Server Survey gives Linux-based 7 Apache Web servers the largest market share among Web servers queried in its monthly survey. With Linux gaining an increasingly larger position in these markets, the validity of the GPL takes on increasing importance as well. The open source community's commercial and non-commercial members are conducting a robust debate on the intellectual property issues surrounding the GPL and Linux, its most * Douglas A. Hass, Director of Business Development, ImageStream; J.D. -
A Brief History of GNOME
A Brief History of GNOME Jonathan Blandford <[email protected]> July 29, 2017 MANCHESTER, UK 2 A Brief History of GNOME 2 Setting the Stage 1984 - 1997 A Brief History of GNOME 3 Setting the stage ● 1984 — X Windows created at MIT ● ● 1985 — GNU Manifesto Early graphics system for ● 1991 — GNU General Public License v2.0 Unix systems ● 1991 — Initial Linux release ● Created by MIT ● 1991 — Era of big projects ● Focused on mechanism, ● 1993 — Distributions appear not policy ● 1995 — Windows 95 released ● Holy Moly! X11 is almost ● 1995 — The GIMP released 35 years old ● 1996 — KDE Announced A Brief History of GNOME 4 twm circa 1995 ● Network Transparency ● Window Managers ● Netscape Navigator ● Toolkits (aw, motif) ● Simple apps ● Virtual Desktops / Workspaces A Brief History of GNOME 5 Setting the stage ● 1984 — X Windows created at MIT ● 1985 — GNU Manifesto ● Founded by Richard Stallman ● ● 1991 — GNU General Public License v2.0 Our fundamental Freedoms: ○ Freedom to run ● 1991 — Initial Linux release ○ Freedom to study ● 1991 — Era of big projects ○ Freedom to redistribute ○ Freedom to modify and ● 1993 — Distributions appear improve ● 1995 — Windows 95 released ● Also, a set of compilers, ● 1995 — The GIMP released userspace tools, editors, etc. ● 1996 — KDE Announced This was an overtly political movement and act A Brief History of GNOME 6 Setting the stage ● 1984 — X Windows created at MIT “The licenses for most software are ● 1985 — GNU Manifesto designed to take away your freedom to ● 1991 — GNU General Public License share and change it. By contrast, the v2.0 GNU General Public License is intended to guarantee your freedom to share and ● 1991 — Initial Linux release change free software--to make sure the ● 1991 — Era of big projects software is free for all its users. -
Free Software As Commons
FREE SOFTWARE AS COMMONS BETWEEN INFORMATIONAL CAPITALISM AND A NEW MODE OF PRODUCTION By Emrah Irzık Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisor: Professor Jakob Rigi CEU eTD Collection Budapest, Hungary 2015 Statement I hereby state that the thesis contains no material accepted for any other degrees in any other institutions. The thesis contains no materials previously written and/or published by another person, except where appropriate acknowledgment is made in the form of bibliographical reference. Emrah Irzık Budapest, November 2015 CEU eTD Collection Abstract Free Software is a particular way of organizing the production and distribution of software that offers a solid alternative to the intellectual property regime by constituting an open commons: non-proprietary, created and held in common by all. Considering that in contemporary capitalism a significant amount of wealth is created through the application of intellectual effort to existing knowledge to produce new, higher compositions of knowledge that can be privately monetized as intellectual property, the challenge that Free Software might present to capitalism is bound to have important transformational potential. This potential needs to be studied both on an empirical level, in its partial and concrete manifestations in actual projects, and investigated more theoretically, to see if Free Software can be characterized as a nascent, new mode of production. This dissertation aims to contribute to the theorization of the relation between Free Software as a commons and the tenets of informational capitalism by means of an analytical study that is supported by an ethnography of a particular instance of Free Software as a project and a community. -
Free As in Freedom (2.0): Richard Stallman and the Free Software Revolution
Free as in Freedom (2.0): Richard Stallman and the Free Software Revolution Sam Williams Second edition revisions by Richard M. Stallman i This is Free as in Freedom 2.0: Richard Stallman and the Free Soft- ware Revolution, a revision of Free as in Freedom: Richard Stallman's Crusade for Free Software. Copyright c 2002, 2010 Sam Williams Copyright c 2010 Richard M. Stallman Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled \GNU Free Documentation License." Published by the Free Software Foundation 51 Franklin St., Fifth Floor Boston, MA 02110-1335 USA ISBN: 9780983159216 The cover photograph of Richard Stallman is by Peter Hinely. The PDP-10 photograph in Chapter 7 is by Rodney Brooks. The photo- graph of St. IGNUcius in Chapter 8 is by Stian Eikeland. Contents Foreword by Richard M. Stallmanv Preface by Sam Williams vii 1 For Want of a Printer1 2 2001: A Hacker's Odyssey 13 3 A Portrait of the Hacker as a Young Man 25 4 Impeach God 37 5 Puddle of Freedom 59 6 The Emacs Commune 77 7 A Stark Moral Choice 89 8 St. Ignucius 109 9 The GNU General Public License 123 10 GNU/Linux 145 iii iv CONTENTS 11 Open Source 159 12 A Brief Journey through Hacker Hell 175 13 Continuing the Fight 181 Epilogue from Sam Williams: Crushing Loneliness 193 Appendix A { Hack, Hackers, and Hacking 209 Appendix B { GNU Free Documentation License 217 Foreword by Richard M. -
My Lawyer Is an Artist: Free Culture Licenses As Art Manifestos
MY LAWYER IS AN ARTIST: FREE CULTURE LICENSES AS ART MANIFESTOS Aymeric Mansoux Artists have the possibility today to publish their work under licenses that offer the same freedom as free software in terms of appropriation, study and modification. In this paper, I will argue that what is often introduced as a new form of artistic freedom and collaboration, is in fact a networked evolution of constrained art in which artists are turning legal documents into artists' manifestos. Introduction Most discussions around the influence of the free software philosophy on art tend to revolve around the role of the artist in a networked community and her or his relationship with so-called open source prac- tices. Investigating why some artists have been quickly attracted to the philosophy behind the free soft- ware model and started to apply its principles to their creations is key in understanding what a free, or open source, work of art can or cannot do as a critical tool within culture. At the same time, avoiding a top down analysis of this phenomenon, and instead taking a closer look at its root properties, allows us to break apart the popular illusion of a global community of artists using or writing free software. This is the reason why a very important element to consider is the role that plays the license as a conscious artistic choice. Choosing a license is the initial step that an artist interested in an alternative to standard copyright is confronted with and this is why before discussing the potentiality of a free work of art, we must first un- derstand the process that leads to this choice. -
Gnu-Manifesto.Pdf
This is a verbatim copy of www.gnu.org/gnu/manifesto.html, converted into pdf for inclusion in a course reader. The GNU Manifesto by Richard Stallman The GNU Manifesto (which appears below) was written by Richard Stallman at the beginning of the GNU Project, to ask for participation and support. For the first few years, it was updated in minor ways to account for developments, but now it seems best to leave it unchanged as most people have seen it. Since that time, we have learned about certain common misunderstandings that different wording could help avoid. Footnotes added in 1993 help clarify these points. For up-to-date information about the available GNU software, please see the information available on our web server, in particular our list of software. For how to contribute, see http://www.gnu.org/help. What’s GNU? Gnu’s Not Unix! GNU, which stands for Gnu's Not Unix, is the name for the complete Unix-compatible software system which I am writing so that I can give it away free to everyone who can use it.(1) Several other volunteers are helping me. Contributions of time, money, programs and equipment are greatly needed. So far we have an Emacs text editor with Lisp for writing editor commands, a source level debugger, a yacc-compatible parser generator, a linker, and around 35 utilities. A shell (command interpreter) is nearly completed. A new portable optimizing C compiler has compiled itself and may be released this year. An initial kernel exists but many more features are needed to emulate Unix. -
Critical Point of View: a Wikipedia Reader
w ikipedia pedai p edia p Wiki CRITICAL POINT OF VIEW A Wikipedia Reader 2 CRITICAL POINT OF VIEW A Wikipedia Reader CRITICAL POINT OF VIEW 3 Critical Point of View: A Wikipedia Reader Editors: Geert Lovink and Nathaniel Tkacz Editorial Assistance: Ivy Roberts, Morgan Currie Copy-Editing: Cielo Lutino CRITICAL Design: Katja van Stiphout Cover Image: Ayumi Higuchi POINT OF VIEW Printer: Ten Klei Groep, Amsterdam Publisher: Institute of Network Cultures, Amsterdam 2011 A Wikipedia ISBN: 978-90-78146-13-1 Reader EDITED BY Contact GEERT LOVINK AND Institute of Network Cultures NATHANIEL TKACZ phone: +3120 5951866 INC READER #7 fax: +3120 5951840 email: [email protected] web: http://www.networkcultures.org Order a copy of this book by sending an email to: [email protected] A pdf of this publication can be downloaded freely at: http://www.networkcultures.org/publications Join the Critical Point of View mailing list at: http://www.listcultures.org Supported by: The School for Communication and Design at the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam DMCI), the Centre for Internet and Society (CIS) in Bangalore and the Kusuma Trust. Thanks to Johanna Niesyto (University of Siegen), Nishant Shah and Sunil Abraham (CIS Bangalore) Sabine Niederer and Margreet Riphagen (INC Amsterdam) for their valuable input and editorial support. Thanks to Foundation Democracy and Media, Mondriaan Foundation and the Public Library Amsterdam (Openbare Bibliotheek Amsterdam) for supporting the CPOV events in Bangalore, Amsterdam and Leipzig. (http://networkcultures.org/wpmu/cpov/) Special thanks to all the authors for their contributions and to Cielo Lutino, Morgan Currie and Ivy Roberts for their careful copy-editing. -
Viral Spiral Also by David Bollier
VIRAL SPIRAL ALSO BY DAVID BOLLIER Brand Name Bullies Silent Theft Aiming Higher Sophisticated Sabotage (with co-authors Thomas O. McGarity and Sidney Shapiro) The Great Hartford Circus Fire (with co-author Henry S. Cohn) Freedom from Harm (with co-author Joan Claybrook) VIRAL SPIRAL How the Commoners Built a Digital Republic of Their Own David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at http://www.viralspiral.cc and http://www.onthecommons.org. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York,NY 10013. Published in the United States by The New Press, New York,2008 Distributed by W.W.Norton & Company,Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org. Composition by dix! This book was set in Bembo Printed in the United States of America 10987654321 CONTENTS Acknowledgments vii Introduction 1 Part I: Harbingers of the Sharing Economy 21 1. -
The Story of Linux
The story of Linux From a hacker’s hobby to the king of supercomputing Kaido Kikkas 2019 Kaido Kikkas. This document is dual-licensed under the GNU Free Documentation License (v l.2 or newer) and the Creative Commons Attribution-ShareAlike (BY-SA) 3.0 Estonia or newer license Free and Open Source Software ● Two competing ideas: – The return of the 'Good Old Times' of software – A new phenomenon born with the Internet explosion in early 90s ● In a way, both are right – the truth lies most likely somewhere in between MIT AI Lab ● July 1, 1963 – Project MAC (originally Mathematics and Computation) is launched on a DARPA 2 MUSD grant ● J.C.R. Licklider, M. Minsky, J. McCarthy ● PDP-6 (later, 10), ITS, LISP ● A hacker paradise: culture of sharing and playful cleverness ● 1970 – Marvin Minsky with his disciples found AI Lab ● 1971 – a student named R.M. Stallman seeks internship – gets it along with a job and place to live following in the future ● Emacs: a text editor as the ‘killer app’ of the time Times change ● 1981 – strife in the lab, two groups forming two companies specializing on LISP and related computers (LMI led by Richard Greenblatt, and Symbolics by Russell Noftsker). In the end, most of the lab disbands ● Stallman stays for awhile (and helps LMI), but finally starts to search for a new place. Ideas of a free system ● 1982 – starts to develop a new, fully free operating system (a rewrite of Unix, as ITS is too old already) RMS, the crazy guy ● RMS (as he is still called today) decides to rewrite (a free) Unix from scratch – more or less alone - and on November 27, 1983 sends an announcement to Usenet and various lists ● GNU, stands for Gnu's Not Unix (recursively) ● First utility: Yacc => Bison ● Writes to Andrew S. -
2 the GNU Manife$To
Chapter 2: The GNU Manifestoi I 31 2 The GNU Manife$to The GNU Manifesto was writte at the beginning of the GNU Project, to ask for participation and support. R r the first few years, it was updated in minor ways to accountfor developments,but now it seemsbest to leave it unchangedas mostpeople haveseen it. Since t t time, we have learned about certain common misunderstandingsthat different w rding could helpavoid, andfootnotes have been r- addedover the years to explain the e misunderstandings. It t, )e GNU, which stands for Gnu'~ ot Unix, is the name for the complete Unix- ot compatible software systemwhi~h I am writing so that I can give it away free to ~n everyonewho can use it.! StverW ther volunteers are helping me. Contributions of time, money,programs and equi ment are greatly needed. re So far we have an Emacs text ditor with Lisp for writing editor commands, U a source-leveldebugger, a yacc-co patible parser generator,a linker, and around 11, 35 utilities. A shell (command int rpreter) is nearly completed. A new portable optimizing C compiler has compile itself and may be releasedthis year. An initial kernel exists but many more feature are neededto emulateUnix. When the kernel and compiler are finished, it will be ossibleto distribute a GNU systemsuitable for program development.We will use TEX as our text formatter, but an nroff is being worked on. We will use the free, p able X window systemas well. After this we nd will add a portable CommonLisp, Empire game,a spreadsheet,and hundredsof Je- otherthings, plus on-line doc1limenttion. -
Opening up to Open Source Shawn W
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Richmond Richmond Journal of Law and Technology Volume 6 | Issue 5 Article 5 2000 Opening Up to Open Source Shawn W. Parker Follow this and additional works at: http://scholarship.richmond.edu/jolt Part of the Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation Shawn W. Parker, Opening Up to Open Source, 6 Rich. J.L. & Tech 24 (2000). Available at: http://scholarship.richmond.edu/jolt/vol6/iss5/5 This Article is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Richmond Journal of Law and Technology by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Volume VI, Issue 5, Spring 2000 Opening Up to Open Source Shawn W. Potter[*] Cite As: Shawn W. Potter, Opening Up to Open Source, 6 RICH. J.L. & TECH. 24 (Spring 2000) <http://www.richmond.edu/jolt/v6i5/article3.html>. [**] TABLE OF CONTENTS I. INTRODUCTION II. WHAT IS SOFTWARE? A. What is Open Source? B. The Open Source Movement III. SOCIETY SHOULD EMBRACE OPEN SOURCE A. Who's in charge? B. Transition Issues C. Practical Benefits D. Software Economics E. Copyright 1. Copyright and Open Source 2. Length of Copyright Terms IV. CONTEMPORARY OPEN SOURCE LICENSING AND TRANSACTIONS A. Infringement 1. Copyright Remedies 2. Determining Infringement B. Licensee and Licensor 1. Derivative Works 2. Terms, Conditions, and Warranties V. OPENING UP A. The Problem B. -
Assessing the Impact of Open Access on Museum Image Use Policy
ASSESSING THE IMPACT OF OPEN ACCESS ON MUSEUM IMAGE USE POLICY A thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree 3< o J io f t Master of Arts m r In Museum Studies by Ian Matthew Gill San Francisco, California May 2017 Copyright by Ian Matthew Gill 2017 198 Appendix 1: Survey Contact Script Ian Gill, Graduate Candidate Museum Studies Program San Francisco State University 1600 Holloway Ave. San Francisco, CA 94132 (415) 338-2176 [email protected] November 17, 2016 «FirstName» «LastName», «Title» «Company» «Address1» «City», «State» «PostalCode» Dear «FirstName», My name is Ian Gill and I am conducting a project on the online presentation of collections information in U.S. museums, specifically as it relates to institutional image use and reproduction policies. The information gathered will be used to analyze museum practice in these areas, and situate them within the context of the burgeoning “Open Access” movement. I am hoping that I might have approximately ten minutes of your time to complete the enclosed survey. The data collected from this survey will be used for the completion of a Master of Arts degree in Museum Studies at San Francisco State University. You have been contacted because you are a registrar or information manager working with collections at an AAM-accredited Art Museum. If you agree to complete the survey, please understand that any information provided by you may appear in the final written thesis. However, note that you need not supply any information on the response that links your museum to the survey.