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Gentlemen's Argument
Copyright © 2007, Chicago-Kent Journal of Intellectual Property A GENTLEMEN'S AGREEMENT ASSESSING THE GNU GENERAL PUBLIC LICENSE AND ITS ADAPTATION TO LINUx Douglas A. Hass" Introduction "Starting this Thanksgiving, I am going to write a complete Unix-compatible software system called GNU (for GNU's Not Unix), and give it away free to everyone who can use it." With his post to the Usenet 2 newsgroup net.unix-wizards, 3 Richard Stallman launched a sea change in software development. In 1983, he could not have known that his lasting contribution would not be the GNU operating system, but instead the controversial software license that he would develop as its underpinning: the GNU General Public License (GPL).4 Today, the operating system most closely associated with the GPL is Linux, developed originally by Linus Torvalds, a Finnish university student.5 Research group IDC's Quarterly Server Tracker marked Linux server revenue growth at three times Microsoft Windows server growth in the first quarter of 2006, its fifteenth consecutive quarter of double-digit revenue growth. 6 British research firm Netcraft's July 2006 Web Server Survey gives Linux-based 7 Apache Web servers the largest market share among Web servers queried in its monthly survey. With Linux gaining an increasingly larger position in these markets, the validity of the GPL takes on increasing importance as well. The open source community's commercial and non-commercial members are conducting a robust debate on the intellectual property issues surrounding the GPL and Linux, its most * Douglas A. Hass, Director of Business Development, ImageStream; J.D. -
A Brief History of GNOME
A Brief History of GNOME Jonathan Blandford <[email protected]> July 29, 2017 MANCHESTER, UK 2 A Brief History of GNOME 2 Setting the Stage 1984 - 1997 A Brief History of GNOME 3 Setting the stage ● 1984 — X Windows created at MIT ● ● 1985 — GNU Manifesto Early graphics system for ● 1991 — GNU General Public License v2.0 Unix systems ● 1991 — Initial Linux release ● Created by MIT ● 1991 — Era of big projects ● Focused on mechanism, ● 1993 — Distributions appear not policy ● 1995 — Windows 95 released ● Holy Moly! X11 is almost ● 1995 — The GIMP released 35 years old ● 1996 — KDE Announced A Brief History of GNOME 4 twm circa 1995 ● Network Transparency ● Window Managers ● Netscape Navigator ● Toolkits (aw, motif) ● Simple apps ● Virtual Desktops / Workspaces A Brief History of GNOME 5 Setting the stage ● 1984 — X Windows created at MIT ● 1985 — GNU Manifesto ● Founded by Richard Stallman ● ● 1991 — GNU General Public License v2.0 Our fundamental Freedoms: ○ Freedom to run ● 1991 — Initial Linux release ○ Freedom to study ● 1991 — Era of big projects ○ Freedom to redistribute ○ Freedom to modify and ● 1993 — Distributions appear improve ● 1995 — Windows 95 released ● Also, a set of compilers, ● 1995 — The GIMP released userspace tools, editors, etc. ● 1996 — KDE Announced This was an overtly political movement and act A Brief History of GNOME 6 Setting the stage ● 1984 — X Windows created at MIT “The licenses for most software are ● 1985 — GNU Manifesto designed to take away your freedom to ● 1991 — GNU General Public License share and change it. By contrast, the v2.0 GNU General Public License is intended to guarantee your freedom to share and ● 1991 — Initial Linux release change free software--to make sure the ● 1991 — Era of big projects software is free for all its users. -
Free Software As Commons
FREE SOFTWARE AS COMMONS BETWEEN INFORMATIONAL CAPITALISM AND A NEW MODE OF PRODUCTION By Emrah Irzık Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisor: Professor Jakob Rigi CEU eTD Collection Budapest, Hungary 2015 Statement I hereby state that the thesis contains no material accepted for any other degrees in any other institutions. The thesis contains no materials previously written and/or published by another person, except where appropriate acknowledgment is made in the form of bibliographical reference. Emrah Irzık Budapest, November 2015 CEU eTD Collection Abstract Free Software is a particular way of organizing the production and distribution of software that offers a solid alternative to the intellectual property regime by constituting an open commons: non-proprietary, created and held in common by all. Considering that in contemporary capitalism a significant amount of wealth is created through the application of intellectual effort to existing knowledge to produce new, higher compositions of knowledge that can be privately monetized as intellectual property, the challenge that Free Software might present to capitalism is bound to have important transformational potential. This potential needs to be studied both on an empirical level, in its partial and concrete manifestations in actual projects, and investigated more theoretically, to see if Free Software can be characterized as a nascent, new mode of production. This dissertation aims to contribute to the theorization of the relation between Free Software as a commons and the tenets of informational capitalism by means of an analytical study that is supported by an ethnography of a particular instance of Free Software as a project and a community. -
Free As in Freedom (2.0): Richard Stallman and the Free Software Revolution
Free as in Freedom (2.0): Richard Stallman and the Free Software Revolution Sam Williams Second edition revisions by Richard M. Stallman i This is Free as in Freedom 2.0: Richard Stallman and the Free Soft- ware Revolution, a revision of Free as in Freedom: Richard Stallman's Crusade for Free Software. Copyright c 2002, 2010 Sam Williams Copyright c 2010 Richard M. Stallman Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled \GNU Free Documentation License." Published by the Free Software Foundation 51 Franklin St., Fifth Floor Boston, MA 02110-1335 USA ISBN: 9780983159216 The cover photograph of Richard Stallman is by Peter Hinely. The PDP-10 photograph in Chapter 7 is by Rodney Brooks. The photo- graph of St. IGNUcius in Chapter 8 is by Stian Eikeland. Contents Foreword by Richard M. Stallmanv Preface by Sam Williams vii 1 For Want of a Printer1 2 2001: A Hacker's Odyssey 13 3 A Portrait of the Hacker as a Young Man 25 4 Impeach God 37 5 Puddle of Freedom 59 6 The Emacs Commune 77 7 A Stark Moral Choice 89 8 St. Ignucius 109 9 The GNU General Public License 123 10 GNU/Linux 145 iii iv CONTENTS 11 Open Source 159 12 A Brief Journey through Hacker Hell 175 13 Continuing the Fight 181 Epilogue from Sam Williams: Crushing Loneliness 193 Appendix A { Hack, Hackers, and Hacking 209 Appendix B { GNU Free Documentation License 217 Foreword by Richard M. -
My Lawyer Is an Artist: Free Culture Licenses As Art Manifestos
MY LAWYER IS AN ARTIST: FREE CULTURE LICENSES AS ART MANIFESTOS Aymeric Mansoux Artists have the possibility today to publish their work under licenses that offer the same freedom as free software in terms of appropriation, study and modification. In this paper, I will argue that what is often introduced as a new form of artistic freedom and collaboration, is in fact a networked evolution of constrained art in which artists are turning legal documents into artists' manifestos. Introduction Most discussions around the influence of the free software philosophy on art tend to revolve around the role of the artist in a networked community and her or his relationship with so-called open source prac- tices. Investigating why some artists have been quickly attracted to the philosophy behind the free soft- ware model and started to apply its principles to their creations is key in understanding what a free, or open source, work of art can or cannot do as a critical tool within culture. At the same time, avoiding a top down analysis of this phenomenon, and instead taking a closer look at its root properties, allows us to break apart the popular illusion of a global community of artists using or writing free software. This is the reason why a very important element to consider is the role that plays the license as a conscious artistic choice. Choosing a license is the initial step that an artist interested in an alternative to standard copyright is confronted with and this is why before discussing the potentiality of a free work of art, we must first un- derstand the process that leads to this choice. -
Gnu-Manifesto.Pdf
This is a verbatim copy of www.gnu.org/gnu/manifesto.html, converted into pdf for inclusion in a course reader. The GNU Manifesto by Richard Stallman The GNU Manifesto (which appears below) was written by Richard Stallman at the beginning of the GNU Project, to ask for participation and support. For the first few years, it was updated in minor ways to account for developments, but now it seems best to leave it unchanged as most people have seen it. Since that time, we have learned about certain common misunderstandings that different wording could help avoid. Footnotes added in 1993 help clarify these points. For up-to-date information about the available GNU software, please see the information available on our web server, in particular our list of software. For how to contribute, see http://www.gnu.org/help. What’s GNU? Gnu’s Not Unix! GNU, which stands for Gnu's Not Unix, is the name for the complete Unix-compatible software system which I am writing so that I can give it away free to everyone who can use it.(1) Several other volunteers are helping me. Contributions of time, money, programs and equipment are greatly needed. So far we have an Emacs text editor with Lisp for writing editor commands, a source level debugger, a yacc-compatible parser generator, a linker, and around 35 utilities. A shell (command interpreter) is nearly completed. A new portable optimizing C compiler has compiled itself and may be released this year. An initial kernel exists but many more features are needed to emulate Unix. -
The Story of Linux
The story of Linux From a hacker’s hobby to the king of supercomputing Kaido Kikkas 2019 Kaido Kikkas. This document is dual-licensed under the GNU Free Documentation License (v l.2 or newer) and the Creative Commons Attribution-ShareAlike (BY-SA) 3.0 Estonia or newer license Free and Open Source Software ● Two competing ideas: – The return of the 'Good Old Times' of software – A new phenomenon born with the Internet explosion in early 90s ● In a way, both are right – the truth lies most likely somewhere in between MIT AI Lab ● July 1, 1963 – Project MAC (originally Mathematics and Computation) is launched on a DARPA 2 MUSD grant ● J.C.R. Licklider, M. Minsky, J. McCarthy ● PDP-6 (later, 10), ITS, LISP ● A hacker paradise: culture of sharing and playful cleverness ● 1970 – Marvin Minsky with his disciples found AI Lab ● 1971 – a student named R.M. Stallman seeks internship – gets it along with a job and place to live following in the future ● Emacs: a text editor as the ‘killer app’ of the time Times change ● 1981 – strife in the lab, two groups forming two companies specializing on LISP and related computers (LMI led by Richard Greenblatt, and Symbolics by Russell Noftsker). In the end, most of the lab disbands ● Stallman stays for awhile (and helps LMI), but finally starts to search for a new place. Ideas of a free system ● 1982 – starts to develop a new, fully free operating system (a rewrite of Unix, as ITS is too old already) RMS, the crazy guy ● RMS (as he is still called today) decides to rewrite (a free) Unix from scratch – more or less alone - and on November 27, 1983 sends an announcement to Usenet and various lists ● GNU, stands for Gnu's Not Unix (recursively) ● First utility: Yacc => Bison ● Writes to Andrew S. -
Opening up to Open Source Shawn W
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Richmond Richmond Journal of Law and Technology Volume 6 | Issue 5 Article 5 2000 Opening Up to Open Source Shawn W. Parker Follow this and additional works at: http://scholarship.richmond.edu/jolt Part of the Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation Shawn W. Parker, Opening Up to Open Source, 6 Rich. J.L. & Tech 24 (2000). Available at: http://scholarship.richmond.edu/jolt/vol6/iss5/5 This Article is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Richmond Journal of Law and Technology by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Volume VI, Issue 5, Spring 2000 Opening Up to Open Source Shawn W. Potter[*] Cite As: Shawn W. Potter, Opening Up to Open Source, 6 RICH. J.L. & TECH. 24 (Spring 2000) <http://www.richmond.edu/jolt/v6i5/article3.html>. [**] TABLE OF CONTENTS I. INTRODUCTION II. WHAT IS SOFTWARE? A. What is Open Source? B. The Open Source Movement III. SOCIETY SHOULD EMBRACE OPEN SOURCE A. Who's in charge? B. Transition Issues C. Practical Benefits D. Software Economics E. Copyright 1. Copyright and Open Source 2. Length of Copyright Terms IV. CONTEMPORARY OPEN SOURCE LICENSING AND TRANSACTIONS A. Infringement 1. Copyright Remedies 2. Determining Infringement B. Licensee and Licensor 1. Derivative Works 2. Terms, Conditions, and Warranties V. OPENING UP A. The Problem B. -
Selected Essays of Richard M. Stallman
Free Software, Free Society: Selected Essays of Richard M. Stallman Introduction by Lawrence Lessig Edited by Joshua Gay GNU Press www.gnupress.org Free Software Foundation Boston, MA USA First printing, first edition. Copyright © 2002 Free Software Foundation, Inc. ISBN 1-882114-98-1 Published by the Free Software Foundation 59 Temple Place Boston, MA Tel: 1-617-542-5942 Fax: 1-617-542-2652 Email: [email protected] Web: www.gnu.org GNU Press is an imprint of the FSF. Email: [email protected] Web: www.gnupress.org Please contact the GNU Press for information regarding bulk purchases for class- room or user group use, reselling, or any other questions or comments. Original artwork by Etienne Suvasa. Cover design by Jonathan Richard. Permission is granted to make and distribute verbatim copies of this book provided the copyright notice and this permission notice are preserved on all copies. Permission is granted to copy and distribute translations of this book into another language, from the original English, with respect to the conditions on distribution of modified versions above, provided that it has been approved by the Free Software Foundation. i Short Contents Editor’s Note................................................ 1 A Note on Software .......................................... 3 Topic Guide ................................................ 7 Introduction ............................................... 11 Section One ............................................... 15 1 The GNU Project ....................................... 17 2 The GNU Manifesto ..................................... 33 3 Free Software Definition ................................. 43 4 Why Software Should Not Have Owners ..................... 47 5 What’s in a Name? ...................................... 53 6 Why “Free Software” is Better than “Open Source” ............ 57 7 Releasing Free Software if You Work at a University ........... 63 8 Selling Free Software ................................... -
EMACS, Grep, and UNIX: Authorship, Invention And
EMACS, grep, and UNIX: authorship, invention and translation in software Christopher Kelty, Rice University March 20, 2006 Abstract The UNIX operating system environment has achieved a ubiquity with no parallel in the software world. It began as a computer science experiment in the early 1970s, spread to universities around the world in the late 70s, became the darling of the computer industry in the 1980s, and (in its incarnation as GNU/Linux) helped launch the explosive growth of the Internet in the 1990s. More than simply being a story of the spread of a technology, UNIX has enabled the creation, growth and refinement of a mode of coding|designing, composing, writing and documenting of software|that has become a kind of lingua franca for geeks, hackers, scientists, engineers, and hobbyists alike. This paper explores two historical cases of software authorship related to UNIX which have implications for the meaning and practice of modern software coding: the case of the EMACS editor and the GNU General Public License and the case of the programming tool known as grep, which searches text using \regular expressions." Both cases offer insight into the nature of contemporary invention and authorship on the realm of software programming. 1 1 Introduction The UNIX operating system environment has achieved a ubiquity with no parallel in the software world. It began as a computer science experiment in the early 1970s, spread to universities around the world in the late 70s, became the darling of the computer industry in the 1980s, and (in its incarnation as GNU/Linux) helped launch the explosive growth of the Internet in the 1990s. -
Special Topics in Graphic Design: Open Source Design Spring 2018
Special Topics in Graphic Design: Open Source Design Spring 2018 Syllabus 2 Reading 1 7 The GNU Manifesto Open Source Design Manifesto Open Source Design is now Open Design On Being a Unicorn: The Case for User-Involvement in F/LOSS Designing Open Source This is the First Day of my Life The Problem With Open Source Design Reading 2 17 The Cathedral and the Bazaar Reading 3 36 Autoprogettazione? Designer as Author Utopia is No Place Reading 4 47 Counterculture & Anti-Design: Postmodern Appropriations of Utopia The Global Style: Modernist Typography after Postmodernism Beyond the New: A Search For Ideals In Design The Whole Earth Catalog Reading 5 58 Vernacular: How Buildings Learn from Each Other Hacking Clothing: An Interview with Susan Spencer Friendlier Forks Specimen Reading 6 82 Awkward Gestures In Defense of the Cultural Commons Open Source as Culture/Culture as Open Source In Practice: RestructWeb Reading 7 91 Giving Things Away is Hard Work: Three Creative Commons Case Studies An Authentic Commons is not a Temporary Affair Oxygen’s Project Coordinator Nuno Pinheiro Interview Making the Switch Reading 8 103 Indigenous Domain: Pilgrims, Permaculture, and Perl 1 Special Topics in Graphic Design: Open Source Design GD 399.01 abandon whatever methods we have covered. I do Fridays not aim to proselytize. My main desire for you is 9:00am–3:00pm not to replicate my ideas and practices and beliefs, 3 Credits but come up with your own methodologies and BR206 systems and aesthetics that make sense based on your thoughts or understanding. Everything I will Kristian Bjørnard present is in the service of you coming up with [email protected] your own philosophy of Free/Libre/Open Source 507-301-8402 design and your own methodologies for your design practice. -
Richard Stallman's Crusade for Free Software, by Sam Williams ** This Is A
The Project Gutenberg EBook of Free as in Freedom: Richard Stallman's Crusade for Free Software, by Sam Williams ** This is a COPYRIGHTED Project Gutenberg eBook, Details Below ** ** Please follow the copyright guidelines in this file. ** Copyright (C) 2002 Sam Williams. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Free as in Freedom: Richard Stallman's Crusade for Free Software Author: Sam Williams Release Date: May, 2004 [EBook #5768] [Yes, we are more than one year ahead of schedule] [This file was first posted on August 31, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, FREE AS IN FREEDOM: RICHARD STALLMAN'S CRUSADE FOR FREE SOFTWARE *** This eBook was transcribed by Craig Morehouse. Copyright (C) 2002 by Sam Williams. Free As in Freedom: Richard Stallman's Crusade for Free Software. By Sam Williams Available on the web at: http://www.faifzilla.org/ Produced under the Free Documentation License Table of Contents Chapter 1 For Want of a Printer Chapter 2 2001: A Hacker's Odyssey Chapter 3 A Portrait of the Hacker as a Young Man Chapter 4 Impeach God Chapter 5 Small Puddle of Freedom Chapter 6 The Emacs Commune Chapter 7 A Stark Moral Choice Chapter 8 St.