ASFS-AFHVS 2009 Program Penn State College
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Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Series 29:6) Luis Buñuel, VIRIDIANA (1961, 90 Min)
September 30, 2014 (Series 29:6) Luis Buñuel, VIRIDIANA (1961, 90 min) Directed by Luis Buñuel Written by Julio Alejandro, Luis Buñuel, and Benito Pérez Galdós (novel “Halma”) Cinematography by José F. Aguayo Produced by Gustavo Alatriste Music by Gustavo Pittaluga Film Editing by Pedro del Rey Set Decoration by Francisco Canet Silvia Pinal ... Viridiana Francisco Rabal ... Jorge Fernando Rey ... Don Jaime José Calvo ... Don Amalio Margarita Lozano ... Ramona José Manuel Martín ... El Cojo Victoria Zinny ... Lucia Luis Heredia ... Manuel 'El Poca' Joaquín Roa ... Señor Zequiel Lola Gaos ... Enedina María Isbert ... Beggar Teresa Rabal ... Rita Julio Alejandro (writer) (b. 1906 in Huesca, Arágon, Spain—d. 1995 (age 89) in Javea, Valencia, Spain) wrote 84 films and television shows, among them 1984 “Tú eres mi destino” (TV Luis Buñuel (director) Series), 1976 Man on the Bridge, 1974 Bárbara, 1971 Yesenia, (b. Luis Buñuel Portolés, February 22, 1900 in Calanda, Aragon, 1971 El ídolo, 1970 Tristana, 1969 Memories of the Future, Spain—d. July 29, 1983 (age 83) in Mexico City, Distrito 1965 Simon of the Desert, 1962 A Mother's Sin, 1961 Viridiana, Federal, Mexico) directed 34 films, which are 1977 That 1959 Nazarin, 1955 After the Storm, and 1951 Mujeres sin Obscure Object of Desire, 1974 The Phantom of Liberty, 1972 mañana. The Discreet Charm of the Bourgeoisie, 1970 Tristana, 1969 The Milky Way, 1967 Belle de Jour, 1965 Simon of the Desert, 1964 José F. Aguayo (cinematographer) (b. José Fernández Aguayo, Diary of a Chambermaid, 1962 The Exterminating -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Assignment 3 1/21/2015
Assignment 3 1/21/2015 The University of Wollongong School of Computer Science and Software Engineering CSCI124/MCS9124 Applied Programming Spring 2010 Assignment 3 (worth 6 marks) • Due at 11.59pm Thursday, September 9 (Week 7). Aim: Developing programs with dynamic memory and hashing. Requirements: This assignment involves the development of a database for a cinema. The program is designed to look up past movie releases, determining when the film was released, the rating it received from the Classification Board and its running time. To accelerate the lookup, a hash table will be used, with two possible hash functions. The program will report how efficiently the table is operating. Storage will be dynamic, enabling the space used by the program to be adjusted to suit the datafile size. The program must clean up after memory usage. During development, the program may ignore the dynamic nature until the program is working. As an addendum, the assignment also involves the use of compiler directives and makefiles. Those students who use a platform other than Linux/Unix will be required to ensure that their programs comply with the specifications below. The program is to be implemented in three files: ass3.cpp contains the simplest form of main function, hash.h contains the function prototypes of the publicly accessible functions, where the implementations of these functions will be placed in the file hash.cpp. The first two files should not be altered, although you may write your own driver programs to test your functions during development. The third file contains the stubs of the four public functions, plus a sample struct for holding the records, usable until they are changed for dynamic memory. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
Exterminating Angel
6 FEBRUARY 2001 (III:4) LUIS BUÑUEL (Luis Buñuel Portolés, 22 February 1900, Calanda, Spain—29 July 1983, Mexico City, Mexico,cirrhosis of the liver) became a controversial and internationally-known filmmaker with his first film, the 17-minute Un Chien andalou 1929 (An Andalousian Dog), which he made with Salvador Dali. He wrote and directed 33 other films, most of them interesting, man y of them considered master pieces by critics and by fellow filmmaker s. Some of them are : Cet obscur objet du désir 1977 (That Obscure Object of Desire), Le Charme discret de la bourgeoisie 1972 (The Discreet Charm of the Bourgeoisie), Tristana 1970, La Voie lactée 1969 (The Milky Way), Belle de jour 1967, Simón del desierto 1965 (Simon of the Desert), Viridiana 1961, Nazarín 1958, Subida al cielo 1952 (Ascent to Heaven, Mexican Bus Ride), Los Olvidados 1950 (The Young and the Damned), Las Hurdes 1932 (Land Without Bread ), and L’Âge d'or 1930 (Age of Gold). His autobiography, My Last Sigh (Vintage, New York) was published the year after his death. Some critics say much of it is apocryphal, the screenwriter Jean-Claude Carrière (who collaborated with Buñuel on six scripts), claims he wrote it based on things Buñel said. Whatever: it’s a terrific book. Leonard Maltin wrote this biographical note on Buñuel in his Movie Encyclopedia (1994): “One of the screen's greatest artists, a director whose unerring society-with remarkable energy and little mercy: The instincts and assured grasp of cinematic technique enabled Exterminating Angel (1962), a savage him to create some of film's most memorable images....After assault on the bourgeois mentality, with guests trapped at a the sardoni c docum entary Las Hurdes in 1932, Buñuel took a dinner party; Diary of a Chambermaid (1964), a costume 15-year layoff from directing. -
The Circulation and Reception of Non-National European Films in Italy2 ABSTRACT This Article
Huw D. Jones1 Crossing borders: the circulation and reception of non-national European films in Italy2 ABSTRACT This article seeks to explain why some non-national European (NNE) films – i.e. films produced in one European country but released in another (e.g. a French film released in Italy) – are more successful at the Italian box office than others. Drawing on theories about the transnational circulation and reception of films and other media products, along with a range of qualitative and quantitative methods and sources, I compare the cultural and industrial characteristics of ‘successful’ NNE films (i.e. films that achieved 200,000 cinema admissions or more in Italy) with ‘unsuccessful’ NNE films released in the period 2005-15. My analysis reveals that few of the NNE films which succeeded at the Italian box office have characteristics we would expect to find in films that travel well across national borders. Indeed, most are low-budget independent arthouse or middlebrow films with stories that are dialogue-heavy, complex and culturally specific. Nevertheless, these films perform well not only because they appeal to audiences (particularly university graduates) who watch films for their cultural or artistic value, rather than purely for entertainment, but also because these successful arthouse and middlebrow NNE films have other key characteristics which ensure they receive widespread distribution and thus higher audiences. These characteristics include major awards, positive reviews and the involvement of international stars, critically- acclaimed directors, or pre-sold material (e.g. based on a bestselling book). Since most of the NNE films which succeeded at the Italian box office also performed well in other European countries, these findings can be applied to other national contexts. -
Barcode Title Language Category Allafri001 Tweetalige Skool
Barcode Title Language Category ALLAfri001 Tweetalige Skool-Woordeboek Afrikaans Text ALLAfri002 Teach Yourself Afrikaans Afrikaans Text ALLAfri003 Teach Yourself Afrikaans Disc 1 Afrikaans Audio CD ALLAfri004 Teach Yourself Afrikaans Disc 2 Afrikaans Audio CD ALLAfri005 Colloquial Afrikaans Afrikaans Text ALLAfri006 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri007 Colloquial Afrikaans Disc 2 Afrikaans Audio CD ALLAfri008 Colloquial Afrikaans Afrikaans Text ALLAfri009 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri010 Colloquial Afrikaans Disc 2 Afrikaans Audio CD a0001 Le Destin (Destiny) Arabic VHS a0003 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0004 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0005 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0006 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0007 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 1 Arabic DVD a0009 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 2 Arabic DVD a0011 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 3 Arabic DVD a0013 The Yacoubian Building Arabic DVD a0014 Ali Zaoua, Prince of the Streets Arabic DVD a0018 Le Destin (Destiny) Arabic DVD ALLArab001 The Qur'an Arabic Text ALLArab002 Arabic-English Dictionary Arabic Text ALLArab003 Let's Read and Write Arabic, Vol. 1 Arabic Text ALLArab004 Alif Baa with DVDs Arabic Text ALLArab005 Alif Baa with DVDs Disc 1 Arabic DVD ALLArab006 Alif Baa with DVDs Disc 2 Arabic -
Film for Thought – Nazarin
Film for thought – Nazarin. In Luke 9:23 we read: Then he [Jesus] said to them all: “Whoever wants to be my disciple must deny themselves and take up their cross daily and follow me.” Alongside Akira Kurosawa Luis Bunuel is my favourite film director who died in 1983 at the age of 83. He was in the Surrealist Movement which started in the 1920’s, was centred in Paris and was led by Andre Breton. Bunuel spent time with these people and made two films with the artist Salvador Dali. Surrealism was a revolutionary movement that questioned reality through writing and the arts, especially challenging the Bourgeoisie. He left the Surrealist Movement in 1932 after joining the Communist Party in Spain; he felt the two were incompatible. During the Spanish Civil War, when people drove around Madrid with bed mattresses tied to their car roofs so as to avoid being shot by a sniper, Bunuel marched the streets dressed as a high ranking officer barking orders at bewildered soldiers. Or he would dress as a Nun (bear in mind that he had a heavy moustache) and ordered soldiers around as well – they did what they were told. He made films in Spain (1932-37), then America (1938-45) and in Mexico (1946-1965) before returning to Spain from where he had previously been banned entry. His films ran on a tight budget and needed to be turned around in as little as 30 days. Therefore, very few of them run over ninety minutes. One, “Simon of the desert”, only lasts forty-five minutes as the money ran out. -
Filmmaking and Film Studies
Libraries FILMMAKING AND FILM STUDIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 025 Sunset Red DVD-9505 African Violet #1 VHS-3655 1000 Eyes of Dr. Mabuse DVD-0048 After Gorbachev's USSR DVD-2615 11 x 14/One Way Boogie Woogie/27 Years Later DVD-9953 Agit-Film VHS-2622 13 Most Beautiful: Songs for Andy Warhol's Screen Tests DVD-2978 Ah, Liberty! VHS-5952 14 Video Paintings DVD-8355 Airport/Airport 1975 DVD-3307 2001: A Space Odyssey DVD-1239 Akira DVD-0315 DVD-0260 DVD-1214 25th Hour DVD-2291 Akran DVD-6838 39 Steps DVD-0337 Alaya VHS-1199 4 Films by Virgil Wildrich DVD-8361 Alexander Nevsky DVD-8367 400 Blows DVD-8362 DVD-4983 56 Up DVD-8322 Alexander Nevsky (Criterion) c.2 DVD-4983 c.2 8 1/2 c.2 DVD-3832 c.2 Alexeieff at the Pinboard VHS-3822 A to Z VHS-4494 Alfred Hitchcock: The Masterpiece Collection Bonus DVD-0958 Disc Abbas Kiarostami (Discs 1-4) DVD-6979 Discs 1 Ali: Fear Eats the Soul DVD-4725 Abbas Kiarostami (Discs 5-8) DVD-6979 Discs 5 Alice DVD-4863 Abbas Kiarostami (Discs 9-10) DVD-6979 Discs 9 Alice c,2 DVD-4863 c.2 Aberration of Light DVD-7584 All My Life VHS-2415 Abstronic VHS-1350 All Quiet on the Western Front DVD-1284 Ace of Light VHS-1123 All that Heaven Allows DVD-0329 Across the Rappahannock VHS-5541 All That Heaven Allows c.2 DVD-0329 c.2 Act of Killing DVD-4434 Alleessi: An African Actress DVD-3247 Adaptation DVD-4192 Alphaville -
An Approach to Cinema Novo Through 'La Ricotta'
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Central Archive at the University of Reading Pasolini and Third World hunger: an approach to Cinema Novo through ©La ricotta© Article Accepted Version Elduque, A. (2016) Pasolini and Third World hunger: an approach to Cinema Novo through ©La ricotta©. Journal of Italian Cinema and Media Studies, 4 (3). pp. 369-385. ISSN 20477368 doi: https://doi.org/10.1386/jicms.4.3.335_7 Available at http://centaur.reading.ac.uk/65671/ It is advisable to refer to the publisher's version if you intend to cite from the work. Published version at: http://www.intellectbooks.co.uk/journals/view-Journal,id=215/ To link to this article DOI: http://dx.doi.org/10.1386/jicms.4.3.335_7 Publisher: Intellect All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading's research outputs online Pasolini and Third World hunger: an approach to Cinema Novo through La ricotta Among the numerous connections that exist between Latin American and Italian cinema, the link between Pasolini’s works and Brazilian films is one of the most evident and frequently analysed. This relation is so fruitful that, although it has been the focus of a huge number of works, it remains an endless source for cultural and formal analysis.