Exterminating Angel
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Series 29:6) Luis Buñuel, VIRIDIANA (1961, 90 Min)
September 30, 2014 (Series 29:6) Luis Buñuel, VIRIDIANA (1961, 90 min) Directed by Luis Buñuel Written by Julio Alejandro, Luis Buñuel, and Benito Pérez Galdós (novel “Halma”) Cinematography by José F. Aguayo Produced by Gustavo Alatriste Music by Gustavo Pittaluga Film Editing by Pedro del Rey Set Decoration by Francisco Canet Silvia Pinal ... Viridiana Francisco Rabal ... Jorge Fernando Rey ... Don Jaime José Calvo ... Don Amalio Margarita Lozano ... Ramona José Manuel Martín ... El Cojo Victoria Zinny ... Lucia Luis Heredia ... Manuel 'El Poca' Joaquín Roa ... Señor Zequiel Lola Gaos ... Enedina María Isbert ... Beggar Teresa Rabal ... Rita Julio Alejandro (writer) (b. 1906 in Huesca, Arágon, Spain—d. 1995 (age 89) in Javea, Valencia, Spain) wrote 84 films and television shows, among them 1984 “Tú eres mi destino” (TV Luis Buñuel (director) Series), 1976 Man on the Bridge, 1974 Bárbara, 1971 Yesenia, (b. Luis Buñuel Portolés, February 22, 1900 in Calanda, Aragon, 1971 El ídolo, 1970 Tristana, 1969 Memories of the Future, Spain—d. July 29, 1983 (age 83) in Mexico City, Distrito 1965 Simon of the Desert, 1962 A Mother's Sin, 1961 Viridiana, Federal, Mexico) directed 34 films, which are 1977 That 1959 Nazarin, 1955 After the Storm, and 1951 Mujeres sin Obscure Object of Desire, 1974 The Phantom of Liberty, 1972 mañana. The Discreet Charm of the Bourgeoisie, 1970 Tristana, 1969 The Milky Way, 1967 Belle de Jour, 1965 Simon of the Desert, 1964 José F. Aguayo (cinematographer) (b. José Fernández Aguayo, Diary of a Chambermaid, 1962 The Exterminating -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Arturo Ripstein: TIME to DIE (1966, 90 Min.)
March 26, 2019 (XXXVIII:8) Arturo Ripstein: TIME TO DIE (1966, 90 min.) DIRECTOR Arturo Ripstein WRITING Gabriel García Márquez and Carlos Fuentes wrote dialogue for their adaptation of Márquez’s story PRODUCERS Alfredo Ripstein and César Santos Galindo MUSIC Carlos Jiménez Mabarak CINEMATOGRAPHY Alex Phillips EDITING Carlos Savage CAST Marga López...Mariana Sampedro Jorge Martínez de Hoyos...Juan Sayago Enrique Rocha...Pedro Trueba Alfredo Leal...Julián Trueba Blanca Sánchez...Sonia The Far Side of Paradise (1976), The Black Widow (1977), Hell Tito Junco...Comisario Without Limits (1978), Life Sentence (1979), La tía Alejandra Quintín Bulnes...Diego Martín Ibáñez (1979), Seduction (1981), Rastro de muerte (1981), Sweet Miguel Macía...Druggist Challenge (1988 TV Series), Woman of the Port (1991), Carlos Jordán...Casildo Triángulo (1992 TV Series), La sonrisa del diablo (1992 TV Arturo Martínez...Cantinero Series), Principio y fin (1993), La reina de la noche (1994), Deep Hortensia Santoveña...Rosita Crimson (1996), No One Writes to the Colonel (1999), Such Is Carolina Barret...Mamá de Sonia Life (2000), The Ruination of Men (2000), The Virgin of Lust Manuel Dondé...Barber (2002), The Reasons of the Heart (2011), Bleak Street (2015), Claudio Isaac...Claudio Sampedro and Maestros Olvidados, oficios que sobreviven (2016-2018 TV Leonardo Castro Series documentary). Cecilia Leger...Housekeeper Luz María Velázquez...Nana GABRIEL GARCÍA MÁRQUEZ (b. March 6, 1927 in Adolfo Lara Aracataca, Magdalena, Colombia—d. April 17, 2014 (age 87) in Alfredo Chavira Mexico City, Distrito Federal, Mexico) was a Colombian novelist, short-story writer, screenwriter and journalist. He is ARTURO RIPSTEIN Y ROSEN (b. December 13, 1943 in most famous for his novels One Hundred Years of Solitude Mexico City, Distrito Federal, Mexico) is a Mexican director (59 (1967) and Love in the Time of Cholera (1985). -
Acevedo-Muñoz 1 Los Olvidados
Acevedo-Muñoz 1 Los olvidados: Luis Buñuel and the Crisis of Nationalism in Mexican Cinema by Ernesto R. Acevedo-Muñoz The University of Iowa Prepared for delivery at the 1997 meeting of the Latin American Studies Association, Continental Plaza Hotel, Guadalajara, Mexico April 17-19, 1997 Acevedo-Muñoz 2 Los olvidados: Luis Buñuel and the Crisis of Nationalism in Mexican Cinema The release of Los olvidados in 1950 is one of the historical markers of what I call the “crisis of nationalism” in Mexican cinema. The film was widely received as the “return” of Buñuel by European critics after the period of unnoticeable activity between 1932, the year of Las Hurdes, and 1946, the year of Buñuel’s incorporation into Mexican cinema and of the production of Gran Casino, which led to Buñuel’s Mexican career of almost twenty years and almost twenty movies. Nevertheless, it is known that at the time of the premiere of Los olvidados in Mexico City (November 9, 1950) the movie was mainly taken as an insult to Mexican sensibilities and to the Mexican nation. The stories of the detractors of Los olvidados are, of course, many and well documented.1 As it was often to be the case with Buñuel’s Mexican period, it took for Los olvidados to gather some prestige abroad before it was welcome in Mexico City. After its triumph at Cannes, where Buñuel won the best director award, Los olvidados had a successful season in a first run theater. Acevedo-Muñoz 3 Buñuel’s relationship with Mexican cinema went through several different stages, but it is significant that Los olvidados is recognized both by international critics and Mexican film historians as the turning point in the director’s entire career. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
The Phantom's Liberty Showcase
PRESS RELEASE The phantom’s liberty showcase Tribute to Luis Buñuel (1959-1977) From Wednesday 6 to Thursday 21 December 2017 Cinema Massimo, Screen Three – Turin Forty years from the release of That obscure object of desire, Luis Buñuel’s last film, the National Cinema Museum is presenting a film showcase titled THE PHANTOM’S LIBERTY. Tribute to Luis Buñuel at the Cinema Massimo, from Wednesday 6 to Thursday 21 December, featuring ten films made by this master between 1959 and 1977. Forty years ago, in the summer of 1977, Luis Buñuel’s last masterpiece, That obscure object of desire came out in France. The great Spanish director was to die six years later, not before completing his autobiography Mon dernier soupir (My last sigh), written with his friend and collaborator Jean-Claude Carrière. In order to celebrate this anniversary, we are dedicating a tribute to him with ten film prints restored digitally, documenting the final part of his Mexican adventure and his subsequent return to Europe. The title of this showcase is borrowed from a 2006 essay by Paolo Bertetto, who wrote about Buñuel: «Buñuel’s films constitute cinema’s greatest adventure into the subconscious and imagery. With Buñuel, cinema becomes the most powerful horizon for objectifying, for showing psychic phantoms. From An Andalusian dog to That obscure object of desire, from The golden age to The discreet charm of the bourgeoisie, Buñuel builds a circuit within the complex horizon of desire and its subconscious forms, outlining an extraordinarily rich and singularly heterogeneous universe ». The showcase will be inaugurated on Wednesday 6 December at 4.00 p.m. -
Buñuel by Dali
Luis Buñuel (Luis Buñuel Portolés, 22 February 1900, Calanda, Spain—29 July 1983, Mexico City, Mexico,cirrhosis of the liver) became a controversial and internationally-known filmmaker with his first film, the 17-minute Un Chien andalou 1929 (An Andalousian Dog), which he made with Salvador Dali. He wrote and directed 33 other films, most of them interesting, many of them considered masterpieces by critics and by fellow filmmakers. Some of them are : Cet obscur objet du désir 1977 (That Obscure Object of Desire), Le Charme discret de la bourgeoisie 1972 (The Discreet Charm of the Bourgeoisie), Tristana 1970, La Voie lactée 1969 (The Milky Way), Belle de Jour 1967, Simón del desierto 1965 (Simon of the Desert), El Ángel Exterminador/Exterminating Angel 1962, 25 October 2005 XI:9 Viridiana 1961, Nazarín 1958, Subida al cielo DIARY OF A CHAMBERMAID/LE JOURNAL 1952 (Ascent to Heaven, Mexican Bus Ride), D'UNE FEMME DE CHAMBRE. (1964) 101 Los Olvidados 1950 (The Young and the minutes Damned), Las Hurdes 1932 (Land Without Bread ), and L’Âge d'or 1930 (Age of Gold). His Jeanne Moreau...Céléstine autobiography, My Last Sigh (Vintage, New Georges Géret...Joseph York) was published the year after his death. Daniel Ivernel...Captain Mauger Some critics say much of it is apocryphal, the Françoise Lugagne...Madame Monteil screenwriter Jean-Claude Carrière (who Muni...Marianne collaborated with Buñuel on six scripts), claims Jean Ozenne...Monsieur Rabour he wrote it based on things Buñel said. Michel Piccoli...Monsieur Monteil Whatever: it’s a terrific -
Buñuel and Mexico: the Crisis of National Cinema
UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page i Buñuel and Mexico This page intentionally left blank UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page iii Buñuel and Mexico The Crisis of National Cinema Ernesto R. Acevedo-Muñoz University of California Press Berkeley Los Angeles London UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page iv University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2003 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Acevedo-Muñoz, Ernesto R., 1968–. Buñuel and Mexico : the crisis of national cinema / by Ernesto R. Acevedo-Muñoz. p. cm. Includes bibliographical references and index. ISBN 0–520-23952-0 (alk. paper) 1. Buñuel, Luis, 1900– .—Criticism and interpretation. 2. Motion pictures—Mexico. I. Title. PN1998.3.B86A64 2003 791.43'0233'092—dc21 2003044766 Manufactured in the United States of America 1211 10 09 08 07 06 05 04 03 10987654321 The paper used in this publication is both acid-free and totally chlorine- free (TCF). It meets the minimum requirements of ANSI/NISO Z39.48– 1992 (R 1997) (Permanence of Paper). 8 UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page v A Mamá, Papá, y Carlos R. Por quererme y apoyarme sin pedir nada a cambio, y por siempre ir conmigo al cine And in loving memory of Stan Brakhage (1933–2003) This page intentionally left blank UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page vii Contents List of Figures ix Acknowledgments xi Introduction 1 1. -
GOYA+BUÑUEL. Los Sueños De La Razón
LOS SUEÑOS DE LA RAZÓN Colaboran Organizan GOYA+BUÑUEL. Los sueños de la razón CATÁLOGO EXPOSICIÓN Edita La Fundación Ibercaja y El Gobierno de Aragón desean expresar su Gobierno de Aragón Gobierno de Aragón agradecimiento a las siguientes entidades prestadoras Javier Lambán Montañés Presidente Fundación Bancaria Ibercaja Biblioteca Nacional de España, Madrid María Teresa Pérez Esteban Consejera de Educación, Cultura y Deporte Colección Félix Palacios Remondo, Zaragoza Coordinación Colección Padres Escolapios, Madrid Fundación Bancaria Ibercaja Aixa Álvarez Almazán Colección Real Sociedad Económica Aragonesa de Amigos del País, Zaragoza Honorio Romero Herrero Presidente Diputación de Zaragoza José Luis Rodrigo Escrig Director General Textos Filmoteca Española, Madrid Juan Carlos Sánchez Bielsa Director Obra Social Gonzalo M. Borrás Gualis, José Ignacio Calvo Ruata, Jean-Claude Carrière, Museo de Zaragoza Francisco Javier Lázaro Sebastián, Juan Carlos Lozano, Amparo Martínez Museo Goya. Colección Ibercaja-Museo Camón Aznar, Zaragoza Comisariado Herranz, Jesús Rubio Jiménez, Agustín Sánchez Vidal, Fernando Sanz Museo Lázaro Galdiano, Madrid Ferreruela, Carlos Saura. José Ignacio Calvo Ruata Museo Nacional Centro de Arte Reina Sofía, Madrid © de los textos, sus autores Amparo Martínez Herranz Museo Nacional del Prado, Madrid © de las fotografías, sus autores Museo Thyssen-Bornemisza, Madrid Comité organizador Residencia de Estudiantes, Madrid Traducción Gobierno de Aragón Universidad de Zaragoza, Archivo Histórico Universitario Cillero & -
Barcode Title Language Category Allafri001 Tweetalige Skool
Barcode Title Language Category ALLAfri001 Tweetalige Skool-Woordeboek Afrikaans Text ALLAfri002 Teach Yourself Afrikaans Afrikaans Text ALLAfri003 Teach Yourself Afrikaans Disc 1 Afrikaans Audio CD ALLAfri004 Teach Yourself Afrikaans Disc 2 Afrikaans Audio CD ALLAfri005 Colloquial Afrikaans Afrikaans Text ALLAfri006 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri007 Colloquial Afrikaans Disc 2 Afrikaans Audio CD ALLAfri008 Colloquial Afrikaans Afrikaans Text ALLAfri009 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri010 Colloquial Afrikaans Disc 2 Afrikaans Audio CD a0001 Le Destin (Destiny) Arabic VHS a0003 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0004 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0005 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0006 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0007 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 1 Arabic DVD a0009 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 2 Arabic DVD a0011 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 3 Arabic DVD a0013 The Yacoubian Building Arabic DVD a0014 Ali Zaoua, Prince of the Streets Arabic DVD a0018 Le Destin (Destiny) Arabic DVD ALLArab001 The Qur'an Arabic Text ALLArab002 Arabic-English Dictionary Arabic Text ALLArab003 Let's Read and Write Arabic, Vol. 1 Arabic Text ALLArab004 Alif Baa with DVDs Arabic Text ALLArab005 Alif Baa with DVDs Disc 1 Arabic DVD ALLArab006 Alif Baa with DVDs Disc 2 Arabic -
Film for Thought – Nazarin
Film for thought – Nazarin. In Luke 9:23 we read: Then he [Jesus] said to them all: “Whoever wants to be my disciple must deny themselves and take up their cross daily and follow me.” Alongside Akira Kurosawa Luis Bunuel is my favourite film director who died in 1983 at the age of 83. He was in the Surrealist Movement which started in the 1920’s, was centred in Paris and was led by Andre Breton. Bunuel spent time with these people and made two films with the artist Salvador Dali. Surrealism was a revolutionary movement that questioned reality through writing and the arts, especially challenging the Bourgeoisie. He left the Surrealist Movement in 1932 after joining the Communist Party in Spain; he felt the two were incompatible. During the Spanish Civil War, when people drove around Madrid with bed mattresses tied to their car roofs so as to avoid being shot by a sniper, Bunuel marched the streets dressed as a high ranking officer barking orders at bewildered soldiers. Or he would dress as a Nun (bear in mind that he had a heavy moustache) and ordered soldiers around as well – they did what they were told. He made films in Spain (1932-37), then America (1938-45) and in Mexico (1946-1965) before returning to Spain from where he had previously been banned entry. His films ran on a tight budget and needed to be turned around in as little as 30 days. Therefore, very few of them run over ninety minutes. One, “Simon of the desert”, only lasts forty-five minutes as the money ran out.