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[email protected] Contact: Elyse Topalian Rebecca Herman Joyce and Robert Menschel Hall for Modern Photography Inaugural Installation Depth of Field: Modern Photography at the Metropolitan September 25, 2007 - March 23, 2008 Wall Text Sc Labels Introductory Wall Text This inaugural installation surveys some of the diverse ways contemporary artists have used the camera since the 1960s, when photography played an instrumental role in breaking down the previously well-maintained boundaries between media. The photographic image—mechanically produced, endlessly reproducible, and found in every corner of the culture—was of central importance in dismantling age- old hierarchies, challenging notions of authorship and originality, and radically redefining what constituted a work of art in postwar society. A painting by Gerhard Richter or Andy Warhol could be a coolly distanced grisaille of a humble snapshot or a silkscreen grid of grisly tabloid outtakes, while the traditional work of sculpture was displaced in two diametrically opposed directions: toward the artist's body as subject, object, and implicit point of reference; and outward to ephemeral, site- specific interventions into the landscape, both of which were dependent on the photograph to extend the life of the artist's fleeting gestures. Photography by artists who were not trained photographers in turn freed the medium from some its own timeworn clichés of expressivity. The photograph in series—deliberately pokerfaced studies of snow melting off a bush by Douglas Huebler or of water towers by Bernd and Hilla Becher—undercut the autonomy and singularity of the single image in favor of typological accumulations, serial progressions, or narrative sequences that required the active participation of the viewer in the making of meaning.