TPG Exhibition List

Total Page:16

File Type:pdf, Size:1020Kb

TPG Exhibition List Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] 1 1970s Group Exhibition Date: 13/01/1971 – 14/02/1971 Exhibition Title: Concerned Photographer 1 Artist(s) Name: Bischof, Werner; Capa, Robert; Freed, Leonard; Hine, Lewis; Seymour, David; Weiner, Dan Group Exhibition Date: 23/02/1971 – 28/03/1971 Exhibition Title: Ruan O'Lochlainn; Adam Woolfitt; Edward Weston Artist(s) Name: O'Lochlainn, Ruan; Weston, Edward; Woolfitt, Adam Group Exhibition Date: 23/02/1971 – 28/03/1971 Exhibition Title: The Financial Times Industrial Photographic Awards Artist(s) Name: N/A Print Room Date: 23/02/1971 – 28/03/1971 Exhibition Title: Polaroids: Andy Warhol Artist(s) Name: Warhol, Andy Group Exhibition Date: 06/04/1971 – 02/05/1971 Exhibition Title: Eight Young Photographers Artist(s) Name: Birt, Hand; Mazzer, Stevens; ParKinson, Edwards; Trompeteler, Jacobs; Stevens, Tim; Hand; Jacobs; Edwards Solo Exhibition Date: 06/04/1971 – 02/05/1971 Exhibition Title: Gilles Caron Artist(s) Name: Caron, Gilles Exhibition Date: 11/05/1971 – 13/06/1971 Exhibition Title: France: 1850-1950, A Vanished World Artist(s) Name: N/A Group Exhibition; Solo Exhibition Date: 11/05/1971 – 11/05/1971 Exhibition Title: Billie Thune Larsen; Illustrations from Dinner at Magny's Artist(s) Name: Thune, Larsen, Billie Solo Exhibition Date: 11/05/1971 – 13/06/1971 Exhibition Title: J. H. Lartigue: Photos from 1909 till Today Artist(s) Name: Lartigue, Jacques-Henri 2 Exhibition Date: 15/06/1971 – 18/07/1971 Exhibition Title: 37 Sepia Prints of John Thompson's Street Life in London, 1870 Artist(s) Name: Thompson, John Solo Exhibition Date: 15/06/1971 – 18/07/1971 Exhibition Title: Elliott Erwitt: Photographs and Anti-Photographs Artist(s) Name: Erwitt, Elliott Group Exhibition Date: 22/07/1971 – 27/08/1971 Exhibition Title: Four Masters of Erotic Photography Artist(s) Name: Giacobetti, Francis; Hamilton, David; Haskins, Sam; Shinoyama, Kishin Group Exhibition Date: 03/09/1971 – 30/09/1971 Exhibition Title: Witness Artist(s) Name: Cagnoni, Romano; Greenhill, Richard & Sally; HomolKa, Florence; Peto, Michael Solo Exhibition Date: 03/09/1971 – 30/09/1971 Exhibition Title: Zoe Dominic: Ballet Pictures Artist(s) Name: Dominic, Zoe Group Exhibition Date: 05/10/1971 – 31/10/1971 Exhibition Title: An Olivetti Exhibition: On the Many Uses of Photography in their Industry Artist(s) Name: N/A Exhibition Date: 04/11/1971 – 03/12/1971 Exhibition Title: Scoop, Scandal and Strife: A History of Newspaper Photography Artist(s) Name: N/A Curator: Evans, Harold; Baynes, Ken Solo Exhibition Date: 04/11/1971 – 03/12/1971 Exhibition Title: Vanishing Africa: Charcoaled Prints by Mirella Riciardi Artist(s) Name: Riciardi, Mirella Exhibition Date: 08/12/1971 – 31/12/1971 Exhibition Title: Grand Pre-Xmas Print and Poster Sale! 3 Artist(s) Name: Bischof, Werner; Brandt, Bill; Erwitt, Elliott; Flowers; Hurn, David; Lartigue, Jacques-Henri; Mazzer, Bob; Ragazzini, Enzo Solo Exhibition Date: 08/12/1971 – 31/12/1971 Exhibition Title: David Hamilton: Dreams of Young Girls Artist(s) Name: Hamilton, David Group Exhibition Date: 04/01/1972 – 04/02/1972 Exhibition Title: Cibachrome for Fashion and Advertising Photography Artist(s) Name: Arrowsmith, Clive; Cottrell, Julian; Moon, Sarah; Peccinotti, Harri Solo Exhibition Date: 05/01/1972 – 04/02/1972 Exhibition Title: Paul Hill: Reportage from Wolverhampton Artist(s) Name: Hill, Paul Party Date: 04/02/1972 – 04/02/1972 Exhibition Title: Sue's Rent Party! Raise the Roof to Raise the Rent! Artist(s) Name: N/A Group Exhibition Date: 08/02/1972 – 01/03/1972 Exhibition Title: Four Young Photographers Artist(s) Name: Dinah; Killip, Chris; Shore, Stephen; SyKes, Homer Group Exhibition Date: 08/02/1972 – 01/03/1972 Exhibition Title: ILFORD College Award Winners Artist(s) Name: N/A Group Exhibition Date: 03/03/1972 – 26/03/1972 Exhibition Title: The Casual Eye: North Arts Snapshot Exhibition Artist(s) Name: N/A Solo Exhibition Date: 03/03/1972 – 26/03/1972 Exhibition Title: Retrospective: Ian Berry Artist(s) Name: Berry, Ian Group Exhibition Date: 30/03/1972 – 30/04/1972 Exhibition Title: New Photography USA 4 Artist(s) Name: Arbus, Diane; Caponigro, Paul; Davidson, Bruce; Friedlander, Lee; Krause, George; Metzger, Ray K.; Meyerowitz, Joel; Savage, Naomi; Sinsabaugh, Art; Uelsmann, Jerry N.; Winogrand, Garry Solo Exhibition Date: 30/03/1972 – 24/04/1972 Exhibition Title: James Wedge: Photo-Sculpture Artist(s) Name: Wedge, James Group Exhibition Date: 25/04/1972 – 25/05/1972 Exhibition Title: Young Americans: FredericK Cantor, Paul Diamond, Robert d'Alessandro Artist(s) Name: Cantor, FredericK; d'Alessandro, Robert; Diamond, Paul Group Exhibition Date: 03/05/1972 – 31/05/1972 Exhibition Title: Image 6: Current Canadian Photography Artist(s) Name: Gibson, Tom; LaBelle, Ronald; Elington, Judith; Karsh; Westman, Tony; Max, John Solo Exhibition Date: 03/05/1972 – 31/05/1972 Exhibition Title: Francois Dolmetsch: Nudes Artist(s) Name: Dolmetsch, Francois Group Exhibition Date: 03/06/1972 – 25/06/1972 Exhibition Title: Please Don’t Squeeze Me Till I'm Yours Artist(s) Name: N/A Solo Exhibition Date: 27/06/1972 – 14/07/1972 Exhibition Title: Dianne Tammes: Theatrical Photography Artist(s) Name: Tammes, Dianne Solo Exhibition Date: 29/06/1972 – 15/07/1972 Exhibition Title: James Coot: The History of the Olympics in Pictures Artist(s) Name: Coot, James Solo Exhibition Date: 15/07/1972 – 31/07/1972 Exhibition Title: Colour Photography: Carolyn Cavalier Artist(s) Name: Cavalier, Carolyn Solo Exhibition Date: 18/07/1972 – 12/08/1972 5 Exhibition Title: Jean-Philippe Charbonnier: Un Photographe Francais Artist(s) Name: Charbonnier, Jean-Philippe Solo Exhibition Date: 01/08/1972 – 20/08/1972 Exhibition Title: Else Madelon HooyKaas: Polaroid Photosequences from Holland Artist(s) Name: HooyKaas, Else Madelon Group Exhibition Date: 16/08/1972 – 10/09/1972 Exhibition Title: Animal's World Artist(s) Name: SuschitsKy, Wolfgang; Yeomans, Ian; Howarth, Tony; Gavin, Kent; HosKing, Eric; Burton, Jane; Patterson, Donald; Thompson, Sally Ann; McDonald, Alisdair; Davies, David; Reinhard, Hans; Coleman, Bruce; Vanderson, Willie; Tanaka, Tokutaro; Root, Alan; Mayers, Norman Solo Exhibition Date: 22/08/1972 – 12/09/1972 Exhibition Title: Bob Aylott Artist(s) Name: Aylott, Bob Group Exhibition Date: 01/09/1972 – 01/09/1972 Exhibition Title: Waitress Artist(s) Name: Jones, Allen; Street-Porter, Tim Solo Exhibition Date: 09/09/1972 – 09/09/1972 Exhibition Title: Vietnam Inc. Artist(s) Name: Griffith, Phillip Jones Solo Exhibition Date: 14/09/1972 – 30/09/1972 Exhibition Title: Nina Howell Starr: Pictures of American FolK Art Artist(s) Name: Howell Starr, Nina Solo Exhibition Date: 15/09/1972 – 13/10/1972 Exhibition Title: Andre Kertész: Sixty Years of Photography 1912-1972 Artist(s) Name: Kertész, Andre Solo Exhibition Date: 15/09/1972 – 13/10/1972 Exhibition Title: W. Eugene Smith Artist(s) Name: Smith, W. Eugene Solo Exhibition 6 Date: 18/09/1972 – 29/09/1972 Exhibition Title: Alfred WatKins Artist(s) Name: WatKins, Alfred Art Fair Date: 23/09/1972 – 01/10/1972 Exhibition Title: PhotoKina Artist(s) Name: Brandt, Bill; Erwitt, Elliott; Freed, Leonard; Lartigue, Jacques-Henri Solo Exhibition Date: 01/10/1972 – 22/10/1972 Exhibition Title: A GreeK Portfolio: Constantine Manos Artist(s) Name: Manos, Constantine Solo Exhibition Date: 05/10/1972 – 05/10/1972 Exhibition Title: Richard Hamilton: Original Polaroids Artist(s) Name: Hamilton, Richard Exhibition Date: 17/10/1972 – 05/11/1972 Exhibition Title: MASTERPIECE Artist(s) Name: N/A Print Room Date: 17/10/1972 – 05/11/1972 Exhibition Title: Sam HasKins Artist(s) Name: HasKins, Sam Solo Exhibition Date: 24/10/1972 – 12/11/1972 Exhibition Title: Larry Herman: Photographs of a Norwegian Family Artist(s) Name: Herman, Larry Solo Exhibition Date: 26/10/1972 – 26/10/1972 Exhibition Title: Clive LimpKin Artist(s) Name: LimpKin, Clive Exhibition Date: 08/11/1972 – 26/11/1972 Exhibition Title: BBC: The 50th Anniversary Show (From the Archives) Artist(s) Name: N/A Solo
Recommended publications
  • Expanding the Cultural Imagination Through Photography ICS [3] 1
    Impact case study (REF3b) Institution: University of Brighton Unit of Assessment: D34 Art and Design: History, Practice and Theory Title of case study: Expanding the Cultural Imagination through Photography ICS [3] 1. Summary of the impact Our research has harnessed the power of photography to expand the cultural imagination, creating new works and interpretive practices that enrich, illuminate and challenge perceptions of society and the world in which we live. Through exhibition, publication, and public and community engagement, our research has: 1) created cultural legacies for major public (Millennium Dome, Treasury) and commercial (Airbus) projects; 2) provided enhanced cultural experiences to multiple audiences and specific communities in the UK and Europe, provoking reflection on ideas of place and identity, and contributing to processes of cultural memory and reconciliation (Association of Jewish Refugees, Healing Through Remembering) and; 3) expanded photography within the cultural economy, working in partnership (Photoworks, Multistory) to build and sustain audiences for photography within and beyond the region. 2. Underpinning research University of Brighton (UoB) research in photography comprises three interlocking strands: the positioning of photography as a medium of critical artistic significance within the wider cultural economy and public sphere; the development of forms of visual storytelling that shape contemporary narratives of place, and; photography as a mode of enquiry into cultural history and memory. In 2003, in partnership with Photoworks and the University of Sussex, UoB was instrumental in founding the Brighton Photo Biennial to raise the public and professional profile of photography. In parallel, Photoforum (2003), launched by GREEN and LOWRY, provided the intellectual underpinning for developments in practice that fostered a critical debate around the medium’s changing uses and increasing cultural prominence.
    [Show full text]
  • The Mississippi River Find
    The Journal of Diving History, Volume 23, Issue 1 (Number 82), 2015 Item Type monograph Publisher Historical Diving Society U.S.A. Download date 04/10/2021 06:15:15 Link to Item http://hdl.handle.net/1834/32902 First Quarter 2015 • Volume 23 • Number 82 • 23 Quarter 2015 • Volume First Diving History The Journal of The Mississippi River Find Find River Mississippi The The Journal of Diving History First Quarter 2015, Volume 23, Number 82 THE MISSISSIPPI RIVER FIND This issue is dedicated to the memory of HDS Advisory Board member Lotte Hass 1928 - 2015 HISTORICAL DIVING SOCIETY USA A PUBLIC BENEFIT NONPROFIT CORPORATION PO BOX 2837, SANTA MARIA, CA 93457 USA TEL. 805-934-1660 FAX 805-934-3855 e-mail: [email protected] or on the web at www.hds.org PATRONS OF THE SOCIETY HDS USA BOARD OF DIRECTORS Ernie Brooks II Carl Roessler Dan Orr, Chairman James Forte, Director Leslie Leaney Lee Selisky Sid Macken, President Janice Raber, Director Bev Morgan Greg Platt, Treasurer Ryan Spence, Director Steve Struble, Secretary Ed Uditis, Director ADVISORY BOARD Dan Vasey, Director Bob Barth Jack Lavanchy Dr. George Bass Clement Lee Tim Beaver Dick Long WE ACKNOWLEDGE THE CONTINUED Dr. Peter B. Bennett Krov Menuhin SUPPORT OF THE FOLLOWING: Dick Bonin Daniel Mercier FOUNDING CORPORATIONS Ernest H. Brooks II Joseph MacInnis, M.D. Texas, Inc. Jim Caldwell J. Thomas Millington, M.D. Best Publishing Mid Atlantic Dive & Swim Svcs James Cameron Bev Morgan DESCO Midwest Scuba Jean-Michel Cousteau Phil Newsum Kirby Morgan Diving Systems NJScuba.net David Doubilet Phil Nuytten Dr.
    [Show full text]
  • The Weed That Feeds the North Atlantic
    DRIFTING PLANTS KNOWN AS SARGASSUM SUPPORT A COMPLEX AND AMAZING VARIETY OF MARINE LIFE. The Weed That Feeds the North Atlantic BY JAMES PROSEK PHOTOGRAPHS BY DAVID DOUBILET AND DAVID LIITTSCHWAGER 129 Hatchling sea turtles, like this juvenile log- gerhead, make their way from the sandy beaches where they were born toward mats of sargassum weed, finding food and refuge from predators during their first years of life. PREVIOUS PHOTO A clump of sargassum weed the size of a soccer ball drifts near Bermuda in the slow swirl of the Sargasso Sea, part of the North Atlantic gyre. A weed mass this small may shelter thousands of organisms, from larval fish to seahorses. DAVID DOUBILET (BOTH) 130 NATIONAL GEOGRAPHIC THE WEED THAT FEEDS THE NORTH ATLANTIC 131 ‘There’s nothing like it in any other ocean,’ says marine biologist Brian Lapointe. ‘There’s nowhere else on our blue planet that supports such diversity in the middle of the ocean—and it’s because of the weed.’ LAPOINTE IS TALKING about a floating seaweed known as sargassum in a region of the Atlantic called the Sargasso Sea. The boundaries of this sea are vague, defined not by landmasses but by five major currents that swirl in a clockwise embrace around Bermuda. Far from any main- land, its waters are nutrient poor and therefore exceptionally clear and stunningly blue. The Sargasso Sea, part of the vast whirlpool known as the North Atlantic gyre, often has been described as an oceanic desert—and it would appear to be, if it weren’t for the floating mats of sargassum.
    [Show full text]
  • Annual Report 2017
    STEDELIJK MUSEUM ANNUAL REPORT ANNUAL 2017 AMSTERDAM CONTENTS Foreword 3 Message from the Supervisory Board 7 Chapter 1: Bold programming 10 Chapter 2: Caring for the collection 25 Chapter 3: More people visit the Stedelijk 32 Chapter 4: Education, symposia, publications 40 Chapter 5: A vital cultural institution in the city 53 Chapter 6: Sponsors, funds, and private patrons 57 Chapter 7: Organizational affairs 64 Chapter 8: Personnel 69 Chapter 9: Governance 73 Colophon Chapter 10: Financial details 78 Texts: Team Stedelijk Museum Amsterdam Editors: Vanessa van Baasbank, Marc Cincone, Frederike van Dorst, Financial Statements 2017 85 Udo Feitsma, Bart van der Heide, Daniëlle Lokin, Audrey Moestadja, Florentine Pahud de Mortanges, Marie-José Raven, Margriet Schavemaker, Irene Start, Ronald van Weegen, Geert Wissing Final editing: Irene Start, Sophie Tates Translation: Lisa Holden, Huan Hsu Design: Janna and Hilde Meeus Het jaarverslag en bijlagen zijn met de grootst mogelijke zorgvuldigheid vertaald naar het Engels. De Nederlandse versie is de versie waarover de accountant een goedkeu- rende verklaring heeft afgegeven. Mochten er (door de vertaling) toch verschillen zijn opgetreden tussen de Nederlandse en Engelse versie, dan is de Nederlandse versie leidend. The annual report and supplements have been translated into English with the greatest possible care. The auditor issued an unqualified opinion of the Dutch version. In the case of any discrepancies or variances (resulting from the translation) between the English translation and the Dutch annual report and the supplements, the Dutch Cover image: Gert Jan van Rooij Gert image: van Jan Cover version shall prevail. 2 FOREWORD On November 1, 2017, when I was appointed interim director, the museum was in the midst of a media storm, which began with newspaper reports and ended with the much-publicized depar- ture of Beatrix Ruf as director.
    [Show full text]
  • Photographs New York | March 30, 2020
    Photographs New York | March 30, 2020 Photographs New York I Monday March 30, 2020, at 2pm EST BONHAMS BIDS INQUIRIES 580 Madison Avenue +1 (212) 644 9001 Laura Paterson New York, New York 10022 +1 (212) 644 9009 fax Head of Photographs bonhams.com [email protected] +1 (917) 206 1653 [email protected] PREVIEW To bid via the internet please visit New York www.bonhams.com/25760 Amelia Wilson Photographs Cataloguer Thursday March 26, 10am to 5pm Please note that bids should be +1 (917) 206 1635 Friday March 27, 10am to 5pm summitted no later than 24 hours [email protected] Saturday March 28, 12pm to 5pm prior to the sale. New Bidders must Sunday March 29, 12pm to 5pm also provide proof of identity when Monday March 30, 10am to 12pm SALE INCLUDING submitting bids. Failure to do this COLLECTIONS OF may result in your bid not being 25760 • The Pritzker Organization, SALE NUMBER: processed. Lots 1 - 176 Chicago • The Collection of James (Jimmy) LIVE ONLINE BIDDING IS Fox CATALOG: $35 AVAILABLE FOR THIS SALE Please email bids.us@bonhams. REGISTRATION ILLUSTRATIONS com with “Live bidding” in the IMPORTANT NOTICE Front cover: lot 37 subject line 48 hours before the Please note that all customers, Inside front cover: lot 23 auction to register for this service. irrespective of any previous activity Session page: lot 24 with Bonhams, are required to Inside back cover: lot 45 Bidding by telephone will only be complete the Bidder Registration Back cover: lot 124 accepted on a lot with a lower Form in advance of the sale.
    [Show full text]
  • Ed Van Der Elsken Archives 1
    ED VAN DER ELSKEN ARCHIVES 1 NOBUYOSHI ARAKI LOVE ON THE LEFT EYE In collaboration with Taka Ishii Gallery 06.09. - 18.10.2014 For the opening exhibition of Ed van der Elsken Archives, we are pleased to present Love on the Left Eye featuring work from Nobuyoshi Araki’s (1940, Tokyo, JP) publication of the same title alongside works from Ed van der Elsken’s Love on the Left Bank. Almost identically titled to the photography book that brought Van der Elsken to prominence, Love on the Left Eye can be seen as an homage to the Dutch pho- tographer as well as a return to Araki’s early inspirations. Araki made the photographs that form Love on the Left Nobuyoshi Araki, Love on the Left Eye, 2014 Eye, with the vision from his right eye obscured due to a retinal artery obstruction. Shot on slide film, Araki used black magic marker to block out the right side of each image, before printing the photographs. The images thus show Araki’s vision, both as an artist and as an individual confronted by his mortality (having recently also recovered from pros- tate cancer). Araki came into contact with Love on the Left Bank in his twenties and took photo- graphs of women in poses inspired by the ones found in Van der Elsken’s book. At this late stage in his career and facing the prospect of loosing all sight from his right eye, we thus find Araki go- ing back to his early influences. “Death comes towards us all, you know,” he says.
    [Show full text]
  • Galerie Lelong & Co. Frank Horvat
    13 rue de Téhéran 75008 Paris Galerie Lelong & Co. +33 (0)1 45 63 13 19 [email protected] www.galerie-lelong.com Frank Horvat Vraies Semblances, 1981-1986 18 June – 10 October 2020 38 avenue Matignon 75008 Paris Cinzia, Claude, 1983-1984, print on archival pigment paper, 132 x 109 cm « The idea of referring to famous master-pieces probably came to me from a thought that had often crossed my mind – on the subway, for instance – when glancing at some woman who struck me as particularly beautiful, but who didn’t seem conscious of her beauty, and whom a fashion editor would never have allowed me to photograph for a magazine, although I could easily imagine her in a painting by Leonardo da Vinci, Rubens or Ingres. I visualised them in the costume and with the hairstyle of one of those periods, or even naked in some mythological scene: partly because I like fantasising about bygone ages, but more because, as a photographer, I prefer discovering unexpected beauties, rather than celebrating those that, in my eyes, are somewhat devalued by general admiration. I have to admit that in the beginning I wasn’t a great connoisseur of classical painting. But little by little, as this game of associations went on and as the project took shape, I began to revisit museums and to assemble a small library of art books, which in turn helped to feed my phantasies. » Frank Horvat Frank Horvat was born in 1928 in Abbazia, Italy. He has lived in Switzerland, India, England, France and the United States.
    [Show full text]
  • 2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
    2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published.
    [Show full text]
  • CV 2010! Between Times
    Clare Strand CV Born 1973! Living and working in Brighton Uk.! www.clarestrand.co.uk! http://clarestrand.tumblr.com! !www.macdonaldstrand.co.uk.! ! ! Solo Exhibitions! 2015 ! Grimaldi Gavin. london . (Title TBC)! 2014! Further Reading. National Museum Of Krakow. Photomonth, Krakow.! 2013! Arles Discovery Award. Rencontre Arles. France.! 2012! Tacschenspielertrick, Forum Fur Fotografie, Cologne. Germany.! 2011! Sleight, Brancolini Grimaldi Gallery, London.! 2009! Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,! Germany.! Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.! 2008! Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.! 2005! The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.! 2003! Gone Astray, London College of Communication, London.! 2000! Wasted, Galleri Image, Aarhus, Denmark.! 1998! Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago! Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and! Royal Photographic Society, Bath England.! 1997! !The Mortuary, F-Stop Gallery, Bath.! ! Group Exhibitions.! 2015! A History of Art, Archetecture, Design from the 1980’s until Today. curated by Christiane Macel. Center Pompidou. Paris France.! European Portraits ( working title) The Centre of Fine Arts, Brussels, Bozor, Nedermands Fotomuseum , Rotterdam and The National Museum of Photography in Thessaloniki .! 2014! (Mis) Understanding Photography, Folkwang Museum, Essen, Germany. Curated by Florian Ebner!
    [Show full text]
  • Exhibition History, 1971 - Present
    EXHIBITION HISTORY, 1971 - PRESENT The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and events organised by the Print Sales, the Education Department and the Digital Programme (Wall) are included. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited works and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exists they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of works by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development works – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive Room at the Photographers' Gallery. For more information, please contact the archive at tpg.archive@tpg. org.uk 1970s Group Exhibition Date: 13/01/1971
    [Show full text]
  • New and Best-Selling Titles 2015 ‘Reel Art Press Is a Publishing Cult’ ESQUIRE MAGAZINE CONTENTS
    New and Best-Selling Titles 2015 ‘Reel Art Press is a publishing cult’ ESQUIRE MAGAZINE CONTENTS Introduction 7 Autumn / Winter 2015 8 Backlist 25 Limited Editions 35 Contact Information 58 One of the greatest pleasures for me when working with artists or their estates is that tantalizing moment, the spark, when a single image, or contact sheet, or long forgotten box of negatives or battered prints promises something special. Diving into the depths of an archive to explore an artist’s brilliance and talent. Our 2015 titles have all given me that unquantifiable moment of excitement when I was certain that something very special could be brought to press and I could not be happier with the resulting editions. My first window into the work of British Magnum photographer David Hurn was in my days as a vintage movie poster dealer, through his work as the special photographer for From Russia With Love and Barbarella. His shots of the stars were the very best of their kind, capturing the icons of the era in all their sixties glamour and cool. Hurn’s photograph of Sean Connery, for example, with his tux and gun in From Russia With Love is one of the most celebrated Bond images of all time, more synonymous with 007 than any other shot. When I began to look more closely at Hurn’s work from the period, one of the things that actually intrigued me most was his non-celebrity work. Hurn is so much more than just another sixties A-list photographer. As Peter Doggett comments in his introduction, “Unlike most of his peers, Hurn delved beyond the fatal attractions of Swinging London and its global counterparts, to pursue his greatest subject: ordinary people pursuing ordinary passions.
    [Show full text]
  • Photography and Britishness
    international conference Photography and Britishness November 4–5, 2016 Yale Center for British Art, New Haven, CT This conference is co-organized by the Yale Center for British Art, New Haven; the Paul Mellon Centre for Studies in British Art, London; and The Huntington Library, Art Collections, and Botanical Gardens, San Marino friday, november 4, 2016 The leveling aesthetic of photography—its capacity to draw heterogeneous peoples into what Christopher Pinney has termed a “common epistemological space”—meant that it could serve as a visual register for the elusive conn- session 1 | 11 am–12:30 pm ective tissue of imperial subjecthood, effectively reifying a useful political abstraction. Yet, as much as British sovereign authority could be embodied Imperial Britishness by this visual logic, British identity could simultaneously be dissolved by the homogenizing grammar of the medium. This paper therefore examines how colonials grappled with photography’s technical and formal possibilities in chair Martina Droth, Yale Center for British Art ways that attempted to forge a viable imperial polity while preserving a sense martina droth is Deputy Director of Research and Curator of Sculpture of privileged Britishness. Looking in particular at the palliative, diplomatic role at the Yale Center for British Art, and co-editor of British Art Studies, an played by the photographic portraiture of Dr. John Nicholas Tresidder in the open-access online journal jointly published by Center and the Paul Mellon immediate aftermath of the Indian Rebellion (1857–58), this paper assesses Centre for Studies in British Art. Her work as an art historian and curator how the new visual technology inflected imperial Britishness in complex and focuses on sculpture and questions about interdisciplinary approaches to unpredictable ways.
    [Show full text]