Chronicle-Preview.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Chronicle-Preview.Pdf Chronicle V3.indd 1 05/10/2018 16:31 2 Chronicle V3.indd 2 05/10/2018 16:31 Celebrating 40 years in 2018 Dathlu 40 mlynedd yn Image / Llun © Maurice Broomfi eld Broomfi Image / Llun © Maurice 2018 Chronicle V3.indd 3 05/10/2018 16:31 CHRONICLE Published by Ffotogallery 4 Wales Limited Turner House, Plymouth Road, Penarth, CF64 3DH ISBN-13: 978-1-872771-49-6 Writer & Editor: David Drake The Valleys Project Text: Paul Cabuts Publication Design: Oliver Norcott Installation Images: Marc Arkless Cover Image: André Gelpke All images © The Artists All text © The Authors Translation: Siân Edwards, Owen Martell and Sian Jones Printed in Wales by Zenith Media All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Published October 2018 Edition of 300 Chronicle V3.indd 4 05/10/2018 16:31 Foreword / 6 Rhagair Our Story / 8 Ein Stori Supporting Welsh Artists / Cefnogi 80 Artistiaid Cymreig Diffusion - 88 Legacy / Gwaddol International 5 Engagement 98 / Ymgysylltiad Rhyngwladol Exhibitions / Arddangosfeydd 114 1978–2018 Publications / Cyhoeddiadau 120 1978–2018 Acknowledgements / 123 Cydnabyddiaeth Chronicle V3.indd 5 05/10/2018 16:31 In September 1978, the first gallery Ym mis Medi 1978, agorodd oriel in Wales dedicated to photography gyntaf Cymru ar gyfer ffotograffiaeth opened in Charles Street, Cardiff, yn benodol yn Heol Charles, under the name Yr Oriel Ffotograffeg. Caerdydd, o dan yr enw Yr Oriel Changing its name to Ffotogallery in Ffotograffeg. Gan newid ei henw 1981, the organisation continues to i Ffotogallery ym 1981, mae’n dal thrive forty years on and is currently i ffynnu ddeugain mlynedd yn establishing a new city centre base ddiweddarach ac mae wrthi bellach in Cardiff. yn sefydlu canolfan newydd yng Chronicle draws on archival and nghanol dinas Caerdydd. contemporary material to tell the Mae Chronicle yn defnyddio 6 story of how Ffotogallery developed deunydd archifol a chyfoes i adrodd over those forty years, against the sut y datblygodd Ffotogallery backdrop of seismic changes in the dros y deugain mlynedd hwnnw, nature and role of photography in yn erbyn cefnlen o newidiadau society and the rise of digital culture. seismig yn natur a swyddogaeth From the beginning, Ffotogallery ffotograffiaeth mewn cymdeithas, a has given early exposure for thwf y diwylliant digidol. O’r cychwyn photographers and artists such as cyntaf, rhoddodd Ffotogallery Martin Parr, Paul Graham, Catherine sylw yn gynnar yn eu gyrfaoedd i Yass, Helen Sear and Bedwyr Williams artistiaid fel Martin Parr, Paul Graham, who went on to enjoy international Catherine Yass, Helen Sear a Bedwyr Williams sydd wedi mynd ymlaen i success. The organisation remains fwynhau llwyddiant rhyngwladol. committed to nurturing emerging Mae’r sefydliad yn parhau ag talent and providing mid-career ymrwymiad i feithrin doniau sy’n opportunities for photographers and dod i’r amlwg a chynnig cyfleoedd lens-based artists. Chronicle highlights canol-gyrfa i ffotograffwyr ac artistiaid Ffotogallery’s longstanding focus yn seiliedig ar lens. Mae Chronicle on the South Wales Valleys and a yn pwysleisio ffocws Ffotogallery series of commissions and exhibitions dros gyfnod maith ar gymoedd that documented the Valleys in de Cymru, a chyfres o gomisiynau various aspects during a period ac arddangosfeydd yn dogfennu of rapid transition. Chronicle also gwahanol agweddau ar y cymoedd celebrates Ffotogallery’s international yn ystod cyfnod o drawsnewid engagement, realised through carlamus. Mae Chronicle hefyd yn publications and exhibitions of work dathlu ymgysylltiad rhyngwladol from five continents, and initiatives Ffotogallery, ar ffurf cyhoeddiadau such as European Prospects, Wales in ac arddangosfeydd o waith o bum Venice 2015, the Dreamtigers India- cyfandir, a mentrau fel Rhagolygon Wales project, and three editions Ewropeaidd, Cymru yn Fenis 2015, FOREWORD / / FOREWORD RHAGAIR Chronicle V3.indd 6 05/10/2018 16:31 of the biennial Diffusion: Cardiff project Dreamtigers India-Cymru, a International Festival of Photography. thri rhifyn o’r ŵyl ddwy-flynyddol, It shows how over four decades Diffusion: Gŵyl Ffotograffiaeth Ffotogallery has played a pivotal Ryngwladol Caerdydd. role in developing a vibrant and Dengys fel y mae Ffotogallery, contemporary photographic dros bedwar degawd, wedi chwarae culture in Wales and internationally rhan ganolog mewn datblygu through exhibitions and festivals, diwylliant ffotograffig bywiog extensive print and online a chyfoes yng Nghymru ac yn publishing activities, and pioneering rhyngwladol trwy arddangosfeydd education and outreach work that a gwyliau, gweithgareddau 7 offers opportunities for creative cyhoeddi print ac ar-lein helaeth, engagement for a wide cross-section a gwaith addysgu a chymunedol of society. arloesol sy’n cynnig cyfleoedd i drawstoriad eang o gymdeithas i ymgysylltu’n greadigol. Chronicle V3.indd 7 05/10/2018 16:31 8 OUR STORY / OUR STORY STORI EIN Chronicle V3.indd 8 05/10/2018 16:31 The early 1970s saw a resurgence Yn yr 1970au cynnar, cafwyd ton of interest in photography across newydd o ddiddordeb mewn the United Kingdom, and the ffotograffiaeth ar draws y Deyrnas establishment of a small number of Unedig, a sefydlwyd nifer fechan o independent galleries dedicated orielau annibynnol yn arbennig ar to photography including The gyfer ffotograffau, yn cynnwys The Photographers Gallery and Photographers Gallery a Camerawork Camerawork in London, Stills in yn Llundain, Stills yng Nghaeredin, Edinburgh, Impressions in York, Open Impressions yn Efrog, Open Eye yn Eye in Liverpool and Side Gallery Lerpwl a Side Gallery yn Newcastle. in Newcastle. Pan sefydlwyd yr Ysgol With the School of Documentary Ffotograffiaeth Ddogfennol yng 9 Photography at Gwent College of Ngholeg Addysg Uwch Gwent yng Higher Education in Newport being Nghasnewydd gan y ffotograffydd set up by Magnum photographer Magnum, David Hurn, yn 1973, David Hurn in 1973, momentum was roedd y momentwm yn tyfu ar building for a specialist photography gyfer sefydlu oriel ffotograffiaeth gallery to be established in Wales arbenigol yng Nghymru i arddangos exhibiting work on a regular basis. gwaith yn rheolaidd. Yn gynnar In early 1978, the artist and academic yn 1978, cyhoeddodd yr artist a’r Alistair Crawford published an article academydd Alistair Crawford erthygl in Planet magazine calling for a yn y cylchgrawn Planet yn galw am oriel neu amgueddfa newydd a new gallery or museum that would fyddai’n “dangos arddangosfeydd “originate and travel exhibitions gwreiddiol a theithiol yng Nghymru a both within and outside Wales….at thu allan i Gymru….ar yr un pryd dylai the same time it should acquire, in gael gafael, mewn ffordd systematig, a systematic way, a collection of the ar gasgliad o’r ffotograffau cyfoes best contemporary photography gorau gan ffotograffwyr o Gymru from Welsh photographers sy’n gweithio tu allan i Gymru ac working outside Wales and from hefyd gan ffotograffwyr sy’n gweithio photographers working within Wales”. yng Nghymru”. During 1977 and 1978 David Yn ystod 1977 a 1978 bu David Hurn helped organise a series of Hurn yn helpu i drefnu cyfres o lectures on photography through the ddarlithoedd ar ffotograffiaeth Extra Mural Department of University drwy Adran Efrydiau Allanol College, Cardiff in collaboration Coleg Prifysgol Caerdydd mewn with the Welsh Arts Council. Sir Tom cydweithrediad â Chyngor Hopkinson, one time editor of Picture Celfyddydau Cymru. Roedd Syr Tom Post, was the Director of the Centre Hopkinson, cyn-olygydd Picture for Journalism Studies at University Post, yn Gyfarwyddwr ar y Ganolfan College, Cardiff and a key advocate Astudiaethau Newyddiaduriaeth Chronicle V3.indd 9 05/10/2018 16:31 for photography in Wales at the time. yng Ngholeg Prifysgol Caerdydd The lectures drew a large audience ac roedd yn eiriolwr allweddol with guest speakers including Bert dros ffotograffiaeth yng Nghymru Hardy and Don McCullin. As a direct ar y pryd. Denodd y darlithoedd result of the interest generated by gynulleidfa fawr gyda siaradwyr the lecture series, in May some fifty gwadd megis Bert Hardy a Don people connected with photography McCullin. O ganlyniad uniongyrchol came together in Cardiff to discuss i’r diddordeb a sbardunwyd gan y the establishment of a permanent gyfres hon o ddarlithoedd, ym mis centre for photography in Wales, and Mai daeth oddeutu hanner cant o bobl four months later that vision became oedd â chysylltiad â ffotograffiaeth 10 a reality. at ei gilydd yng Nghaerdydd i On 4 September 1978, the drafod sefydlu canolfan barhaol ar first gallery in Wales dedicated to gyfer ffotograffiaeth yng Nghymru, photography opened in Charles a phedwar mis yn ddiweddarach Street, Cardiff, under the name Yr gwireddwyd y freuddwyd. Oriel Ffotograffeg, Caerdydd (The Ar 4 Medi 1978, agorodd yr oriel Photographic Gallery, Cardiff). gyntaf yng Nghymru oedd wedi’i Fittingly, the gallery’s inaugural hymroddi i ffotograffiaeth yn Stryd exhibition was Collected Photographs Charles, Caerdydd, o dan yr enw Yr – Photographs from the collection of Oriel Ffotograffeg, Caerdydd. Yn David Hurn. briodol iawn, arddangosfa agoriadol yr oriel oedd Collected Photographs Largely run by volunteers, – Photographs from the collection of from that September onwards a David Hurn. diverse and ambitious exhibition O’r mis Medi hwnnw ymlaen, programme was initiated with a cychwynnwyd rhaglen arddangos combination
Recommended publications
  • Newcastle Camera Club Online Meeting 11/01/2021
    Newcastle Camera Club Online Meeting 11/01/2021 ‘Bring photographs which you like or are memorable and perhaps raised your interest in photography’ (Ctrl Click the hyperlinks in blue to see pages on your browser) 1. David Seaton – showed us his own work photographing air force jets which were components of his LRPS and ARPS panels and explained how he got hooked to this genre of photography 2. Andrew Wood – with memories of the moon landing and role of Kodak film 3. Jeff Poole showed a couple of images from a book ’Remembering Cheetahs’ by Wildlife Photographers Union part of a series of fundraising books for conservation https://rememberingwildlife.com/remembering-cheetahs/ 4. Will Ikins presented a postcard from Mallorca (Caves of Drach I think) with memories of happy times and holidays 5. Tony Capper presented some famous Hollywood portraits and explored the history of glamour photography with famous photographers and how and why the Hollywood styles and techniques developed. 6. Lesley Moran brought an image of her treasured print ‘El Capitan’ by Ansel Adams which explains her love of landscape photography. To see more of his photos https://shop.anseladams.com/collections/original-photographs-by-ansel-adams 7. Juliet Collins presented a photograph by Saul Leiter – perhaps a less well known American street photographer (and painter), now in his 80’s, famous for compressing images by using long focal length lenses. Juliet felt that his photographs displayed the painter’s eye with use of colour and composition. I found some of his interesting quotes – Juliet ‘Perfection is not something I admire.
    [Show full text]
  • New and Best-Selling Titles 2015 ‘Reel Art Press Is a Publishing Cult’ ESQUIRE MAGAZINE CONTENTS
    New and Best-Selling Titles 2015 ‘Reel Art Press is a publishing cult’ ESQUIRE MAGAZINE CONTENTS Introduction 7 Autumn / Winter 2015 8 Backlist 25 Limited Editions 35 Contact Information 58 One of the greatest pleasures for me when working with artists or their estates is that tantalizing moment, the spark, when a single image, or contact sheet, or long forgotten box of negatives or battered prints promises something special. Diving into the depths of an archive to explore an artist’s brilliance and talent. Our 2015 titles have all given me that unquantifiable moment of excitement when I was certain that something very special could be brought to press and I could not be happier with the resulting editions. My first window into the work of British Magnum photographer David Hurn was in my days as a vintage movie poster dealer, through his work as the special photographer for From Russia With Love and Barbarella. His shots of the stars were the very best of their kind, capturing the icons of the era in all their sixties glamour and cool. Hurn’s photograph of Sean Connery, for example, with his tux and gun in From Russia With Love is one of the most celebrated Bond images of all time, more synonymous with 007 than any other shot. When I began to look more closely at Hurn’s work from the period, one of the things that actually intrigued me most was his non-celebrity work. Hurn is so much more than just another sixties A-list photographer. As Peter Doggett comments in his introduction, “Unlike most of his peers, Hurn delved beyond the fatal attractions of Swinging London and its global counterparts, to pursue his greatest subject: ordinary people pursuing ordinary passions.
    [Show full text]
  • Central Books Magazine Catalogue 2018
    This is draft 4 of the 2019 Central Books Magazine catalogue for Publishers to check their entries. Please report any errors you find. email them to [email protected]. Important things to check are price and frequency for 2019. We are getting close to the final draft. Image quality will be better when printed. Once the cover is storted we hope to go to print in Febrauary so get those comments in before February. Sorry at this late stage we can only take small amendments. There is an index at the end of the cataologue. Sorry it is too late to have an image entry this year if you have not yet booked it. Magazine Catalogue 2019 Introduction Welcome to our 2019 (and 80th birthday) magazine catalogue. We hope you find this special 80th anniversary catalogue a little different. We’ve decided to look backwards and forwards. We’ve included an article about our past and some of the magazine we have handled over the years. To the right is a picture of where it all started. Central Books continues to be Europe’s largest distributor of magazines to the book trade, galleries and other specialist outlets. Central Books have been handling magazines since we were established in 1939 and we’re delighted to note that Indie magazines and print are thriving, We – and our colleagues at Antenne Books - hope to continue bringing something different to your shelves for many years to come. We continue to add titles to our own list since the last catalogue. We think you’ll find them as compelling as we did when we took them on.
    [Show full text]
  • Central Books Magazine Catalogue 2018
    Antenne Books and Central Books Magazine Catalogue 2018 Two Magazine Lists from One Place Introduction Central Books and Antenne Books have now been working together for one Welcome to our 2018 magazine catalogue. Central Books continues to be Europe’s year. This means retailers get supplied magazines from either list through largest distributor of magazines to the book trade, galleries and other specialist Central Books. outlets. Indie magazines and print are thriving, Central Books have been handling magazines since Central Books began in 1939. Along with our colleagues at Antenne Books established in London in 2010, handles publications on art, Antenne Books we hope to continue bringing something different to your shelves. photography, design, illustration, theory, writing, fashion and culture. It has We’ve added another seven titles to our own list since the last catalogue. We an extensive list of books and magazines from independent publishers of think you’ll find them as compelling as we did when we took them. Antenne art and photography. Books have carried on stocking up their impressive list, see previous page. We know that trading conditions remain difficult. Retailers need to attract customers Please note that Antenne discounts apply to the entire Antenne list. These with something different to what’s available on the internet and know that their discounts may be different to what you get from Central Books. prices won’t be undercut by the web either. Our specialist magazines score on both counts. You can still order any book or magazine handled by Antenne Books from Antenne Books if you wish but supplies will come from Central Books: It is no longer said that "Print is Dead", books and magazines are racing ahead after digital's failed attempt to out race them.
    [Show full text]
  • TPG Exhibition List
    Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected]
    [Show full text]
  • 211 Artwork.Indd
    The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 211 Pick up your own FREE copy and find out what’s really happening in the arts Winter 2019/20 After a costly and lengthy re-furb, a re-invigorated Aberdeen Art Gallery has opened its elegant doors once more. Job well done, seems to be the verdict. INSIDE: The lost art of drawing revived ‘Willie’ comes to Berwick :: Jencks, RIP artWORK 211 Winter 2019/20 Page 2 artWORK 211 Winter 2019/20 Page 3 Bargain book deals – tick your bundle (offer ends December 31, 2019) 2019 WINTER ISSUE Enter from 2 April to 30 June 2020 On the Train… www.scottishportraitawards.com Scotland’s Stations (£14.99) Highland Steam (£9.99) Rails Across Rannoch (£4.95) Bundle price: £16.00 WINTER EXHIBITION Barclay Muriel Featuring paintings by Daphne Hurn Meal and Ale… 30 November 2019 to 25 January 2020 over 30 artists including: Henderson’s Salads & Henderson’s Wholefood (£4.95 Jean Martin Claire Harkess each) Scotch in Miniature (£3.00) Bundle price: £7.00 June Carey Kim Bramley Michael Hunter Eric Moss Paul Croft Sue Hanna 01382 220600 Clan and Country… www.galleryq.co.uk Clans, Septs & Regiments of the Highlands (£20) Scottish Tartans (£3.99) Gazetteer of Scotland (£.9.99) Bundle £21.00 Jane B. Gibson RMS Scotland’s Premier Miniture Portrait Painter www.cornerwaysart.co.uk Showing at: RMS EX. LONDON Mall Arts and Crafts… Galleries 28th- 9th Dec.2018 Incorporating her work with Milton Magic in the Gorbals (£9.99) My Words -George Wyllie (£4.95) the Granville Miniatures.
    [Show full text]
  • On Being a Photographer, 3Rd Edition
    Photography/Photojournalism $12.95 USD Revised – Third Edition! “A photographer might forget his camera and live to tell the ON BEING A PHOTOGRAPHER tale. But no photographer who survives has ever forgotten the lessons in this book. It is not just essential reading, it’s compulsory.” DAVID HURN/Magnum Daniel Meadows Head of Photojournalism, Center for Journalism Studies, in conversation with University of Wales “A very useful book. It discusses issues which will benefit all BILL JAY photographers irrespective of type, age or experience – and it does so in a clear and interesting manner. I recommend it.” Van Deren Coke past Director of the International Museum of Photography and author of The Painter and the Photograph “I read On Being a Photographer in one sitting. This is an invaluable book for its historical and aesthetic references as well as David’s words, which go to the heart of every committed David Hurn/ on being photographer – from the heart of a great photographer. It is inspiring.” Frank Hoy Associate Professor, Visual Journalism, The Walter Cronkite School Magnum a of Journalism and Telecommunication, Arizona State University “We all take photographs but few of us are photographers. On Being a Photographer talks clearly and cogently about the difference … and Bill Jay photog- the book is rich in practical detail about how to practice as a photographer and to create worthwhile pictures.” Barry Lane past-Director of Photography at the Arts Council of Great Britain and presently Secretary-General rapher of The Royal Photographic
    [Show full text]
  • Pete Mckee Announces Artists Invited to Join Him in New Exhibition Celebrating Working Class
    PRESS RELEASE FOR IMMEDIATE USE 22 May 2018 These Artists Work – Pete McKee announces artists invited to join him in new exhibition celebrating working class DOWNLOAD IMAGES HERE Sheffield artist Pete McKee today announces the nine artists he has invited to share their work alongside his own in the upcoming exhibition This Class Works. Fellow artists, musicians, actors, designers, photographers and poets each contribute their own unique interpretation of the exhibition’s themes, which aim to explore and celebrate the lives of the working class. The featured artists include: Anthony Bennett, JB Barrington, Jo Peel, Jon McClure, Martyn Ware, Maxine Peake, Natasha Bright, Sarah Jane Palmer and Tish Murtha, whose work will be shown alongside Pete’s. In addition to these artists Pete has invited several designers and illustrators to complete a special brief for the exhibition. Those included in this special project are: Cafeteria, Dust, Field, Nick Bax, Jon Cannon, Kid Acne, Patrick Murphy, Nick Deakin and Peter & Paul. Although most of the work will be kept secret until the exhibition opens, we can reveal that the following will be included: live sculpting by Anthony Bennett poetry inspired by Pete’s paintings (& vice versa) by JB Barrington a visual history of Sheffield’s industry pubs by Jo Peel soundscapes that reflect the atmosphere of industrial sites and other places of work by Martyn Ware written accounts of what it means to be working class from Maxine Peak photography exploring both social clubs which still exist to this day by Natasha Bright unemployed youth - an insight into a day in the life on a typical council estate by Tish Murtha Sarah Jane Palmer’s secret hidden messages in everyday items and a special selection of long-lost government propaganda.
    [Show full text]
  • Coversheet for Thesis in Sussex Research Online
    A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 UNIVERSITY OF SUSSEX Alice Compton Ph.D Waste of a Nation: Photography, Abjection and Crisis in Thatcher’s Britain May 2016 2 ABSTRACT This examination of photography in Thatcher’s Britain explores the abject photographic responses to the discursive construction of ‘sick Britain’ promoted by the Conservative Party during the years of crisis from the late 1970s onwards. Through close visual analyses of photojournalist, press, and social documentary photographs, this Ph.D examines the visual responses to the Government’s advocation of a ‘healthy’ society and its programme of social and economic ‘waste-saving’. Drawing Imogen Tyler’s interpretation of ‘social abjection’ (the discursive mediation of subjects through exclusionary modes of ‘revolting aesthetics’) into the visual field, this Ph.D explores photography’s implication in bolstering the abject and exclusionary discourses of the era. Exploring the contexts in which photographs were created, utilised and disseminated to visually convey ‘waste’ as an expression of social abjection, this Ph.D exposes how the Right’s successful establishment of a neoliberal political economy was supported by an accelerated use and deployment of revolting photographic aesthetics.
    [Show full text]
  • Flip Magazine Neighbourhood Issue
    f or LONDON INDEPENDENTPHOTOGRAPHY or LONDON 31 NEIGHBOURHOOD £4 Published by for LONDON INDEPENDENT PHOTOGRAPHY for LONDON INDEPENDENT PHOTOGRAPHY Satellite Groups Small informal groups meet approximately once a month to discuss each others’ work, plan exhibitions and just share ideas. As groups are independently organised by members, the structure, content, times, dates, and frequency of meetings are left to the individual groups to decide for themselves. Contact an organiser for more details about a specific group: Central London Hugh Look - [email protected] Crossing Lines Editor’s note 4 John Levett - [email protected] £4 Crouch End Letter from Krakow David Gibson 4 Eva Turrell - [email protected] Dulwich/Sydenham NEIGHBOURHOOD MY WAY 31 Yoke Matze - [email protected] #31 NEIGHBOURHOOD, Summer 2015 Ealing Cover image: Emma Marshall Robin Segulem - [email protected] Bello Market – My Hood Benjamin Szabo 6 Back image: Tom Gifford Greenwich John Levett - [email protected] 11 Stoke Newington Portraits Emma Marshall 8 London Independent Photography is a community organisation Kingston upon Thames of photographers from different backgrounds and levels of Matthew Green - [email protected] expertise who wish to develop their individual approach to Putney Unfinished Houses Raphael Schutz-Weissmann 10 photography. The group was founded in 1987 as an informal Andrew Wilson - [email protected] gathering of like-minded photographers, and has since grown Queens Park to over 600 members. Not-for-profit and run by member Simon Butcher - [email protected] FEATURES volunteers, LIP comes together to offer a programme of Ruislip Metroland workshops and talks, and to produce an annual group exhibition.
    [Show full text]
  • For Content Approval Only
    Johnny Abrahams · Saâdane Afif · Afro Libio Basaldella · Leila Alaoui · Anni Map #15 #15 Map 5 7 Albers · Isabel Albrecht · Santi Alleruzzo · Heba Y. Amin · Harold Ancart · Carl 4 6 Berners St Laure Genillard Andre · Kathryn Andrews · Giovanni Anselmo · Ian Anüll · Billy Apple · Lucas Bartha Contemporary Eastcastle St Arruda · Daniel Arsham · Joannis Avramidis · Frank Avray Wilson · Stephan Pilar Corrias Balkenhol · Ali Banisadr · Simeon Barclay · Georg Baselitz · Stig Baumgartner Detail Tottenham Court Road Regent St · Larry Bell · Amélie Bertrand · Walead Beshty · Forrest Bess · McArthur Binion Fitzrovia · Dara Birnbaum · Anna Bjerger · Jean Boghossian · Joe Bradley · AA Bronson Oxford St · Berlinde De Bruyckere · Fatma Bucak · Heidi Bucher · Chris Burden · Daniel D Buren · Victor Burgin · Alberto Burri · Edward Burtynsky · Brad Butler · Pier Paolo Calzolari · Rodrigo Cass · Lynn Chadwick · Alan Charlton · Pierre Puvis Soho Charing Cross Rd Oxford Circus Square de Chavannes · Christo · James Clar · Ed Clark · Pietro Consagra · Anne- The Photographers‚ Gallery Lise Coste · Rochelle Costi · Johan Creten · Ian Davenport · Enrico David · Regent St Benjamin de Burca · Anne De Carbuccia · Herman de Vries · Antonio Dias · Oxford St Francesca DiMattio · Lucy Dodd · Jürgen Drescher · Jimmie Durham · Latifa Annely Juda Fine Art Osborne Samuel Echakhch · Martin Eder · Ibrahim El-Salahi · Ndidi Emefiele · Niklas Eneblom · Frida Escobedo · Arielle Falk · Sam Falls · Zeng Fanzhi · Olga Mikh Fedorova Bond Street Great Marlborough St · Urs Fischer
    [Show full text]
  • David Hurn Photoshoot
    David Hurn Photoshoot The ‘100’ Lucky Draw – proceeds to WLCoW Charitable Trust • Purchase one (or more) £30 tickets for a chance to win a photoshoot with World Class Photographer David Hurn (see biography below) • David will travel anywhere in Wales (keeping to COVID rules) to take a family portrait, landscape or other photo choice. • The winner will receive an A4 signed photo from David (extra prints £30) • Tickets are on sale now and once 100 tickets are sold the draw will take place PAYMENT:` • Payment by cheques made out to WLCoW Charitable Trust to Simon Holt, 55 Hendre Park, Llangennech, SA14 8UP. • Please add your name and phone number on back of cheque • Payment by PayPal on the website also available - please email [email protected] to confirm payment and receive your ticket(s). Brought up in Cardiff, David became one of the World Class Magnum Collective photographers. He made his name as a young man documenting the Hungarian revolution and his career as a world-famous photographer and Welsh enthusiasts now extends over 6 decades. His publicity pictures of Sean Connery as James Bond and Jane Fonda as Barbarella are instantly recognised icons. He has worked as photographer with Ken Russel and Dino de Laurentiis amongst other famous names. His Abbey Road series of the Beatles are legendary. More recently he is particularly renowned for his photographs of Wales. He lives in Tintern. He set up the School of Documentary Photography in Newport in 1973 and has supported it ever since. He has generously donated many of his photographs and those of his Magnum colleagues to the National Museum of Wales.
    [Show full text]