MEDIA INFORMATION 2019 Schönbrunn
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Dill's Greenhouse Tour
DILL’S GREENHOUSE TOUR: The Dill’s Greenhouse Tour includes the Columbus Park of Roses in Whetstone Park, Dill’s Greenhouse, Gantz Farm, and the International Harvest Garden. Come smell the roses, learn about herbs, and even go on a hayride. Columbus Park of Roses at Whetstone Park This 13-acre park contains three unique rose gardens, an Earth-Kind® Rose Garden, Main Rose Garden and Heritage Garden as well as herb and perennial gardens. One of the largest public rose gardens in the United States, the Park of Roses in Whetstone Park has been among the most beautiful places in Columbus since 1953. It has grown to include 12,000 roses of more than 400 varieties. The park is a certified arboretum and ranked among the top 10 public rose gardens in the country by the All-American Rose Selections. (parkofroses.org) . Dill’s Greenhouse Dill’s Greenhouse is a local, family-owned business started in 1983. They have a knowledgeable team eager to share their love of gardening. They grow their own annuals, perennials, vegetable plants and hanging baskets. Nearly all the nursery stock is Ohio-grown increasing the success rate of its trees and shrubs. Our Tour will coincide with their annual Fall Fun Festival featuring a 5-acre corn maze, an indoor straw maze and (weather permitting) a hayride given by owner Jerry Dill. At Dill’s, “Only Nature Does It Better.” (dillsgreenhouse.net) . The Gardens at Gantz Farm After being a “hidden gem” of Grove City and the greater Columbus area for 26 years, The Garden at Gantz Farm is ready to take it’s spot in the limelight. -
English Turf Labyrinths Jeff Saward
English Turf Labyrinths Jeff Saward Turf labyrinths, or ‘turf mazes’ as they are popularly known in Britain, were once found throughout the British Isles (including a few examples in Wales, Scotland and Ireland), the old Germanic Empire (including modern Poland and the Czech Republic), Denmark (if the frequently encountered Trojaborg place-names are a reliable indicator) and southern Sweden. They are formed by cutting away the ground surface to leave turf ridges and shallow trenches, the convoluted pattern of which produces a single pathway, which leads to the centre of the design. Most were between 30 and 60 feet (9-18 metres) in diameter and usually circular, although square and other polygonal examples are known. The designs employed are a curious mixture of ancient classical types, found throughout the region, and the medieval types, found principally in England. Folklore and the scant contemporary records that survive suggest that they were once a popular feature of village fairs and other festivities. Many are found on village greens or commons, often near churches, but sometimes they are sited on hilltops and at other remote locations. By nature of their living medium, they soon become overgrown and lost if regular repair and re-cutting is not carried out, and in many towns and villages this was performed at regular intervals, often in connection with fairs or religious festivals. 50 or so examples are documented, and several hundred sites have been postulated from place-name evidence, but only eleven historic examples survive – eight in England and three in Germany – although recent replicas of former examples, at nearby locations, have been created at Kaufbeuren in Germany (2002) and Comberton in England (2007) for example. -
£75,000 Awarded to Browne's Folly Site
Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. -
Our Partners
• Leopold Museum • Liliputbahn miniature railway, Our partners Donauparkbahn miniature railway, • Albertina Prater train • Apple Strudel Show • Madame Tussauds • Bank Austria Kunstforum • MAK- Austrian Museum of Applied • Austrian National Library with Arts / Contemporary Art & MAK State Hall, Papyrus Museum, Branch Geymüllerschlössel Globe and Esperanto Museum, • Mozarthaus Vienna Literature Museum • mumok- Museum of Modern Art • Bank Austria Kunstforum Ludwig Foundation • Beethoven Pasqualati House • Museum at the Abbey of the Scots • Beethoven Museum Heiligenstadt • Museum of Military History • Belvedere (Upper and Lower • Museum of Natural History Belvedere, Belvedere 21) • Otto Wagner’s Court Pavilion • City Cruise (Hietzing) • Collection of Anatomical Pathology • Otto Wagner Pavilion Karlsplatz in the Madhouse Tower • Porcelain Museum at Augarten • Danube Tower • Prater Museum • Desert Experience House • Remise – Wiener Linien’s Schönbrunn Transport Museum • Dom Museum Wien • Roman City Carnuntum • Esterházy Palace • Schloss Hof Estate • Forchtenstein Castle • Schloss Niederweiden • Liechtenstein Castle • Schlumberger Cellars • Guided Tour of the UN • Schönbrunn Panorama Train Headquarters • Schönbrunn Palace (Grand Tour) • Haydn House incl. Gloriette, Maze, Privy Garden, • Hofburg- Imperial Apartments, Sisi Children’s Museum at Schönbrunn Museum, Imperial Silver Collection Palace, Orangery Garden • Hofmobiliendepot - Imperial • Schönbrunn Zoo Furniture Collection • Sigmund Freud Museum • House of Music • Schubert’s Birthplace • -
From Epic to Romance: the Paralysis of the Hero in the Prise D'orange
Minnette Grunmann-Gaudet From Epic to Romance: The Paralysis of the Hero in the Prise d'Orange N HIS Essai de poétique médiévale, Paul Zumthor attempts to establish a basic structural model for the Old French epic, (Schema I I).1 He bases his schema upon a typological classification of the principal characters of the chanson de geste proposed by Pasqualino in 1970. On the primary horizontal axis we find an opposition between good and bad characters, or in socio-religious terms, between Christians and pagans. This axis is broken by secondary diagonal axes which gauge whether individuals change, becoming good by repentance or conversion to Christianity, or bad by political treason or renouncements of the Christian faith. This model clearly illustrates the moral polarities inherent in works such as the Oxford Roland and the Chanson de Guillaume, but does not account for a great number of gestes in which the conflict is between lord and vassal, uncle and nephew, husband and wife, or even two friends. Schema I 'Paul Zumthor, Essai de poétique médiévale (Paris: Éditions du Seuil, 1972),p. 326. 22 Grunmann-Gaudet / Paralysis in the Prise d'Orange 23 In a more recent endeavor to define the structure of the Old French epic, P. Van Nuffel develops a similar but more elaborate schema, based upon the Greimasian model for determining deep structures (Schema II).2 Schéma II defense of Christianity defense of Muhammedanism betrayal of Muhammedanism betrayal of Christianity Here the horizontal axes represent the axes of contraries (defense of Christianity vs. defense of Muhammedanism; betrayal of Muhammed- anism vs. -
The European Garden I :
The European Garden I : ............................................ I ............................................ Progetto editoriale: Angelo Pontecorboli Tutti i diritti riservati Angelo Pontecorboli Editore, Firenze www.pontecorboli.com – [email protected] ISBN 978-88-00000-00-0 2 Mariella Zoppi e European Garden ANGELO PONTECORBOLI EDITORE FIRENZE 3 4 C 5 Introduction As with all written histories of the garden, this one begins with the most ancient civilizations and thus dedicates much attention to the Roman Empire. is way, the ordinary has little that is ritual or can be foreseen and one can witness the true origins of gardens which arrived from western culture. ese origins were not lost in the centuries which passed by each other, but were a constant source of inspiration for the civilizations which came and went in the Mediterranean Basin. e Mediterranean, for an extremely long period stretching from 2000 BC to the late fourteenth century, was almost exclusively the scenery of western culture. Diverse peoples acquired economic and political hegemony, they imposed laws, customs and artistic models which merged with pre-existing backgrounds and styles which then expanded throughout Northern European and African countries. Ideas from the East, such as science, religion and artistic models, fil- tered throughout the Mediterranean. Nomadic populations reached Mediterranean shores and so cultures and customs were brought to- gether for several centuries in a relatively small circle. It was on the edges of the Mediterranean where the two fundamental ideas of gar- den design, the formal and the informal, were created and confronted each other. Here, the garden became the idealization of a perfect and immutable world, the mimesis of nature. -
Visitor Attractions
Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er. -
Pdfperiurban Parks Fact Sheets
BARCELONA ESPAGNE Parc de Collserola Parc Serralada Litoral Surface : 8 070 hectares Population : 3 millions residents Cerdanyola Region : Catalunya Parc Natural del Garraf Organisme gestionnaire: Consorci del Parc de Collserola Adress : Carretera de l'Església, 92 E 08017 Barcelona Mataró Tel. +34 93 280 06 72 BARCELONA Fax. +34 93 280 60 74 Aeroport del Prat e-mail : [email protected] web : http://parccollserola.amb.es La Sierra de Collserola is part of the coastal cordillera, a mountainous, 300 km-long landscape along the Mediterranean Ocean. The park's northern boundary is the Besòs river and Vallès depression, and it is bordered by the Llobregat river and city of Barcelona in the south. In 1987, a special management and environmental protection plan was established for Collserola. It is based on the principle of protecting and strengthening ecosystems. At the same time, infrastructure construction has allowed the public to use this space rationally, without endangering the park's precious natural and landscape resources. The site, managed by the Collserola park Consortium, is a diversified spectrum of natural Mediterranean environments, where forest areas predominate. There are also a few agricultural areas. The park's highest point is on the Tibidabo mountain (512 m). It has a typically Mediterranean climate. The average temperature is 14°C, with pluviometry of 620 mm/year, although microclimates due to diverse hilly terrain must also be considered. Natural heritage. The park is home to a wealth of plant and animal species characteristic of Mediterranean ecosystems. Thus, endemic Iberian Peninsula species are found among the arthropods, some of which have been observed exclusively on the Collserola site. -
Schönbrunn Palace Gardens
Schönbrunn Palace Schönbrunn Palace is a former imperial summer residence in Vienna, Austria. The name Schönbrunn means beautiful spring. The Palace is Vienna´s most popular tourist attraction. It had 2, 6 million visitors in 2010. The whole Schönbrunn complex together with Tiergarten Schönbrunn (Schönbrunn Zoo), Palmenhaus (Palm House), Wüstenhaus (Desert House) and the Wagenburg (Carriage Museum), accounted for more than 5 million tourists! Many tourists visit Schönbrunn for classical music concerts in the Orangerie with musical pieces by Mozart and Strauss. Gardens The sculpted garden between the palace and the Sun Fountain is called the Great Parterre, which is lined with 32 sculptures. It contains a maze. The gardens around Schönbrunn also contain a zoo, an Orangerie, and old Palm House and many statues and sculptures. The Great Parterre at Schönbrunn Schönbrunn text created by Maria Koprolin and Emma Stinson, based on wikipedia.org and based upon Schönbrunn by Dolby Jaretz. Gloriette The Gloriette is on top of a 60 m high hill. Empress Maria Theresia decided that the Gloriette should be built to glorify the power of the Habsburgs. The Gloriette today houses a café. Roman Ruin The Roman Ruin was erected in 1778. It was designed as a garden feature in the style of buildings built in Roman times. The Roman Ruin consists of a rectangular pool enclosed by a massive arch. In the pool in front of the ruin is an arrangement of store fragments which symbolizes the rivers Danube and Enns. Schönbrunn text created by Maria Koprolin and Emma Stinson, based on wikipedia.org and based upon Schönbrunn by Dolby Jaretz. -
Landscape Architecture and Art
LANDSCAPE ARCHITECTURE AND ART SCIENTIFIC JOURNAL OF LATVIA UNIVERSITY OF AGRICULTURE VOLUME 5 NUMBER 5 ISSN 2255-8632 print Scientific Journal of Latvia University of Agriculture Landscape Architecture and Art, Volume 5, Number 5 ISSN 2255-8640 online SCIENTIFIC JOURNAL OF LATVIA UNIVERSITY OF AGRICULTURE LANDSCAPE ARCHITECTURE AND ART VOLUME 5 NUMBER 5 JELGAVA1 2014 Scientific Journal of Latvia University of Agriculture Landscape Architecture and Art, Volume 5, Number 5 EDITOR IN CHIEF Aija Ziemeļniece, Dr. arch., Professor, Latvia University of Agriculture, Jelgava, Latvia EDITORIAL BOARD Uģis Bratuškins, Dr. arch., Professor, Riga Technical University, Riga, Latvia Maria Ignatieva, Dr. phil., Professor, Swedish University of Agricultural Sciences, Uppsala, Sweden Karsten Jorgensen, Dr. scient., Professor, Norwegian University of Life Sciences, Oslo, Norway Jānis Krastiņš, Dr. habil. arch., Professor, Riga Technical University, Riga, Latvia Juhan Maiste, Dr. art., Professor, University of Tartu, Tartu, Estonia Eglė Navickienė, Dr. arch., Assoc. Professor, Vilnius Gediminas Technical University, Vilnius, Lithuania Valeriy Nefedov, Dr. arch., Professor, St. Petersburg State University of Architecture and Civil Engineering, St. Petersburg, Russia Thomas Oyen, Professor, Neubrandenburg University of Applied Sciences, Neubrandenburg, Germany Gintaras Stauskis, PhD arch., Assoc. Professor, Vilnius Gediminas Technical University, Vilnius, Lithuania Ivars Strautmanis, Dr. habil. arch., Professor, Riga Technical University, Riga, Latvia Ojārs -
Lusthaus Or Summer Palace, a Successful Building Type in Early Modern Europe Ivan Muchka
Architectura recreationis: Lusthaus or Summer Palace, A Successful Building Type in Early Modern Europe Looking for Leissure Ivan Muchka The reason most people are interested in history is because they think they will find answers to questions they are asking themselves about the present. In countries overtaken by totalitarian regimes after World War II, urban-dwellers escaped from cities to the countryside, to nature. It happened not only in large urban centres, but also in small towns and sparsely populated areas. The need to relax, to get out of the dirt, dust, smoke and smog (including the ideological smog – the political brainwashing), was prevalent, and citizens turned to the private sphere, the only area which could not be controlled by the omnipresent communist state. But this need for escape, at least for a few hours a week, from the dense, overpopulated places in order to enjoy the open nature and healthy air, had existed for a very long time before that.1 As architecture and urbanism have adjusted to our needs, they have become specialized in their functions. The term ‘building type’ came into existence – a structure that best embodied the needs and characteristics that was expected from a certain building. But as these needs may vary greatly, so could the look of an individual building type vary to a great degree, its typical features even bleeding into other building types. In this article, I will examine the definition of one building type, that of Lusthaus or summer palace, in order to be able to interpret better the concrete examples of this type. -
The Shining Mazes Roberto Milazzi
The Shining Mazes Roberto Milazzi Originally published in Caerdroia 41 (2012), p.49-51 “The Shining” was the third novel published by the American author Stephen King in January 1977, and three years later a film based on the novel, produced and directed by Stanley Kubrick and starring Jack Nicholson was released. The subject of this note is a key element featuring in the film, but not in the novel, a hedge maze.1 It plays a key role in the development of the plot, narrating the story of a family of three (Jack Torrance, his wife Wendy and their son Denny), set in and around the remote Overlook Hotel among the snowy mountains of Colorado. The position of caretaker is vacant and Jack secures the job, but is required to stay all winter long, when the extreme weather conditions prevent guests reaching the hotel. When the Torrance family arrives at the hotel we see them passing in front of the maze, right in front of the hotel, acknowledged by a plan of the maze on a notice board standing near its entrance. Later, while Wendy and Denny go outside to explore, we see Jack approaching a model of the maze set in the hotel’s lounge. Even if we may be not completely aware of it, its plan matches the one we saw earlier on the sign. Above: the Overlook Maze sign board Left: plan of the maze model and as shown on the sign Below: Jack studying the model in the hotel As the view shifts from an impersonal point of view to the one we assume to be Jack's own, we find ourselves drawn into what is seemingly an aerial view of the real maze, with Wendy and Denny crossing the central ‘chamber’ of the maze.