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History Society Trip to Prague and Vienna, 2018
History Society trip to Prague and Vienna, 2018 As one of the Trip Officers for the Edinburgh University History Society, Student Ambassador Carmen was responsible for organising a trip to Budapest and Vienna for 40 society members during Innovative Learning Week. While we were only away for 5 days, it felt like ages because we did so much in both cities! – Carmen Day 1: Monday, 19th of February Our flight to Budapest was extremely early – but this meant we got there really early too, giving us plenty of time to get our bearings! While the sky was blue, it was freezing cold as we walked around streets on the Pest side of the city, taking in the amazing views of Liberty Square & Parliament Square. After giving everyone a few hours to have dinner (and a nap after a long day of travelling!), we met up again to see the iconic Hungarian Parliament building light up at night. Here, we were able to get a big group photo, before running off to take some night shots of the stunning view over the River Danube! Day 2: Tuesday, 20th of February On our second day, we walked along the Széchenyi Chain Bridge (covered in snow!) to go across the Danube to Buda Castle. Using our trusty Budapest Cards, we were able to get a free Castle bus that took us outside the building – a lifesaver considering it was a very uphill walk! Some of our group were lucky enough to see the changing of the guard at the Sándor Palace, the residence of the Hungarian President. -
£75,000 Awarded to Browne's Folly Site
Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. -
Our Partners
• Leopold Museum • Liliputbahn miniature railway, Our partners Donauparkbahn miniature railway, • Albertina Prater train • Apple Strudel Show • Madame Tussauds • Bank Austria Kunstforum • MAK- Austrian Museum of Applied • Austrian National Library with Arts / Contemporary Art & MAK State Hall, Papyrus Museum, Branch Geymüllerschlössel Globe and Esperanto Museum, • Mozarthaus Vienna Literature Museum • mumok- Museum of Modern Art • Bank Austria Kunstforum Ludwig Foundation • Beethoven Pasqualati House • Museum at the Abbey of the Scots • Beethoven Museum Heiligenstadt • Museum of Military History • Belvedere (Upper and Lower • Museum of Natural History Belvedere, Belvedere 21) • Otto Wagner’s Court Pavilion • City Cruise (Hietzing) • Collection of Anatomical Pathology • Otto Wagner Pavilion Karlsplatz in the Madhouse Tower • Porcelain Museum at Augarten • Danube Tower • Prater Museum • Desert Experience House • Remise – Wiener Linien’s Schönbrunn Transport Museum • Dom Museum Wien • Roman City Carnuntum • Esterházy Palace • Schloss Hof Estate • Forchtenstein Castle • Schloss Niederweiden • Liechtenstein Castle • Schlumberger Cellars • Guided Tour of the UN • Schönbrunn Panorama Train Headquarters • Schönbrunn Palace (Grand Tour) • Haydn House incl. Gloriette, Maze, Privy Garden, • Hofburg- Imperial Apartments, Sisi Children’s Museum at Schönbrunn Museum, Imperial Silver Collection Palace, Orangery Garden • Hofmobiliendepot - Imperial • Schönbrunn Zoo Furniture Collection • Sigmund Freud Museum • House of Music • Schubert’s Birthplace • -
Landscape and Architecture COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B landscape and architecture COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice garden scene from a C15th manuscript of the Roman de la Rose Christopher Thacker, The History of Gardens (Berkeley [California] 1979), p 87 Monreale Cathedral, Palermo, Sicily, 1176-82: cloisters of the Benedictine Monastery commercial slide RENAISSANCERENAISSANCE && MANNERISMMANNERISM gardens of the Villa Borghese, Rome: C17th painting J D Hunt & Peter Willis, The Genius of the Place: the English Landscape Garden 1620-1820 (London 1975), p 61 Villa Medici di Castello, Florence, with gardens as improved by Bernardo Buontalenti [?1590s], from the Museo Topografico, Florence Monique Mosser & Georges Teyssot [eds], The History of Garden Design: The Western Tradition from the Renaissance to the Present Day (London 1991 [1990]), p 39 Chateau of Bury, built by Florimund Robertet, 1511-1524, with gardens possibly by Fra Giocondo W H Adams, The French Garden 1500-1800 (New York 1979), p 19 Chateau of Gaillon (Amboise), begun 1502, with gardens designed by Pacello de Mercogliano Adams, The French Garden, p 17 Casino di Pio IV, Vatican gardens, -
Schloss Neuschwanstein
Schloss Neuschwanstein Neuschwanstein Castle, which King Ludwig II built on a rugged hill against a backdrop of picturesque mountain scenery, was prompted by the idea of rebuilding an existing ruin "in the authentic style of the old German knights' castles", as he wrote in a letter to Richard Wagner. Seven weeks after the death of King Ludwig II in 1886, Neuschwanstein was opened to the public. The shy king had built the castle in order to withdraw from public life – now vast numbers of people came to view his private refuge. Today Neuschwanstein is one of the most popular of all the palaces and castles in Europe. Every year 1.3 million people visit "the castle of the fairy-tale king". In the summer around 6,000 visitors a day stream through rooms that were intended for a single inhabitant. Throne Room The Throne Room of Neuschwanstein resembles a Byzantine church. Ludwig II had actually given instructions for it "to be based on the Munich All Saints Church" as well as "St Sophia in Constantinople" (Hagia Sophia in Istanbul). The throne, which was to stand like an altar in the apse of the hall, was never built. Ludwig II had expectations of his kingly role that could scarcely be met; this is vividly illustrated by the Throne Hall's many pictures. The Throne Room in the form of a Byzantine church looks as if it is decorated with precious stones and mosaics. The pillars are however made of coloured stucco and the "mosaics" are paintings. Ludwig himself wrote: "The illustrations have been selected in accordance with the elevated purpose of the Throne Room, which is to proclaim that the Throne is the source of authoritative law-making". -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
Price List Hofburg New Year's Eve Ball on 31 December 2019
PRICE LIST HOFBURG NEW YEAR’S EVE BALL ON 31 DECEMBER 2019 GRAND TICKET WITH GALA DINNER Admission entrance Heldenplatz at 6.30 pm The ticket price includes the entrance and a seat reservation at a table as well as a glass of sparkling wine for the welcome (at the Hofburg Foyer until 7.00 pm), a four-course dinner with white / red wine, mineral water and a glass of champagne at midnight at your table. Musical entertainment by live-orchestras and dance floor. Festsaal EUR 780.- per person Zeremoniensaal Center EUR 730.- per person Zeremoniensaal Wing EUR 700.- per person Geheime Ratstube EUR 520.- per person STAR TICKET WITH SEAT RESERVATION Admission entrance Heldenplatz at 9.15 pm The ticket price includes the entrance ticket and the seat reservation at a table, a glass of sparkling wine for the welcome (at the Hofburg Foyer until 10.00 pm). Festsaal Seat reservation in a centrally located state hall musical entertainment by live-orchestras, dance floor EUR 440.- per person Wintergarten or Marmorsaal Seat reservation in a centrally located state hall or in a room with a view over the Heldenplatz EUR 350.- per person Seitengalerie or Vorsaal seat reservation in a centrally located state hall EUR 300.- per person Künstlerzimmer or Radetzky Appartment seat reservation in a smaller, historical state hall EUR 250.- per person CIRCLE TICKET Admission entrance Heldenplatz at 9.15 pm The ticket price comprises access to all ballrooms and a glass of sparkling wine for the welcome (at the Hofburg Foyer until 10.00 pm). A seat reservation is not included. -
From Epic to Romance: the Paralysis of the Hero in the Prise D'orange
Minnette Grunmann-Gaudet From Epic to Romance: The Paralysis of the Hero in the Prise d'Orange N HIS Essai de poétique médiévale, Paul Zumthor attempts to establish a basic structural model for the Old French epic, (Schema I I).1 He bases his schema upon a typological classification of the principal characters of the chanson de geste proposed by Pasqualino in 1970. On the primary horizontal axis we find an opposition between good and bad characters, or in socio-religious terms, between Christians and pagans. This axis is broken by secondary diagonal axes which gauge whether individuals change, becoming good by repentance or conversion to Christianity, or bad by political treason or renouncements of the Christian faith. This model clearly illustrates the moral polarities inherent in works such as the Oxford Roland and the Chanson de Guillaume, but does not account for a great number of gestes in which the conflict is between lord and vassal, uncle and nephew, husband and wife, or even two friends. Schema I 'Paul Zumthor, Essai de poétique médiévale (Paris: Éditions du Seuil, 1972),p. 326. 22 Grunmann-Gaudet / Paralysis in the Prise d'Orange 23 In a more recent endeavor to define the structure of the Old French epic, P. Van Nuffel develops a similar but more elaborate schema, based upon the Greimasian model for determining deep structures (Schema II).2 Schéma II defense of Christianity defense of Muhammedanism betrayal of Muhammedanism betrayal of Christianity Here the horizontal axes represent the axes of contraries (defense of Christianity vs. defense of Muhammedanism; betrayal of Muhammed- anism vs. -
Garden and Park Structures Listing Selection Guide Summary
Garden and Park Structures Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide looks at buildings and other structures found in gardens, parks and indeed designed landscapes of all types from the Middle Ages to the twentieth century. -
The RHS Lindley Library IBRARY L INDLEY RHS, L
Occasional Papers from The RHS Lindley Library IBRARY L INDLEY RHS, L VOLUME NINE DECEMBER 2012 The history of garden history Cover illustration: Engraved illustration of the gardens at Versailles, from Les Jardins: histoire et description by Arthur Mangin (c.1825–1887), published in 1867. Occasional Papers from the RHS Lindley Library Editor: Dr Brent Elliott Production & layout: Richard Sanford Printed copies are distributed to libraries and institutions with an interest in horticulture. Volumes are also available on the RHS website (www. rhs.org.uk/occasionalpapers). Requests for further information may be sent to the Editor at the address (Vincent Square) below, or by email (brentelliottrhs.org.uk). Access and consultation arrangements for works listed in this volume The RHS Lindley Library is the world’s leading horticultural library. The majority of the Library’s holdings are open access. However, our rarer items, including many mentioned throughout this volume, are fragile and cannot take frequent handling. The works listed here should be requested in writing, in advance, to check their availability for consultation. Items may be unavailable for various reasons, so readers should make prior appointments to consult materials from the art, rare books, archive, research and ephemera collections. It is the Library’s policy to provide or create surrogates for consultation wherever possible. We are actively seeking fundraising in support of our ongoing surrogacy, preservation and conservation programmes. For further information, or to request an appointment, please contact: RHS Lindley Library, London RHS Lindley Library, Wisley 80 Vincent Square RHS Garden Wisley London SW1P 2PE Woking GU23 6QB T: 020 7821 3050 T: 01483 212428 E: library.londonrhs.org.uk E : library.wisleyrhs.org.uk Occasional Papers from The RHS Lindley Library Volume 9, December 2012 B. -
The European Garden I :
The European Garden I : ............................................ I ............................................ Progetto editoriale: Angelo Pontecorboli Tutti i diritti riservati Angelo Pontecorboli Editore, Firenze www.pontecorboli.com – [email protected] ISBN 978-88-00000-00-0 2 Mariella Zoppi e European Garden ANGELO PONTECORBOLI EDITORE FIRENZE 3 4 C 5 Introduction As with all written histories of the garden, this one begins with the most ancient civilizations and thus dedicates much attention to the Roman Empire. is way, the ordinary has little that is ritual or can be foreseen and one can witness the true origins of gardens which arrived from western culture. ese origins were not lost in the centuries which passed by each other, but were a constant source of inspiration for the civilizations which came and went in the Mediterranean Basin. e Mediterranean, for an extremely long period stretching from 2000 BC to the late fourteenth century, was almost exclusively the scenery of western culture. Diverse peoples acquired economic and political hegemony, they imposed laws, customs and artistic models which merged with pre-existing backgrounds and styles which then expanded throughout Northern European and African countries. Ideas from the East, such as science, religion and artistic models, fil- tered throughout the Mediterranean. Nomadic populations reached Mediterranean shores and so cultures and customs were brought to- gether for several centuries in a relatively small circle. It was on the edges of the Mediterranean where the two fundamental ideas of gar- den design, the formal and the informal, were created and confronted each other. Here, the garden became the idealization of a perfect and immutable world, the mimesis of nature. -
The Idea of the Labyrinth
·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1.