Preview-Art.Com CONTEMPLATION 凝视 Selected Works by Jianjun an & Qiangli Liang Sept 28 - Nov 11, 2018 Opening Reception: Sept

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September - October 2018 preview-art.com CONTEMPLATION 凝视 Selected works by Jianjun An & Qiangli Liang Sept 28 - Nov 11, 2018 Opening Reception: Sept. 28. 6:00pm Viridian Gallery 1570 Coal Harbour Quay, Vancouver, BC. V6G 3G1 Gallery Hours: Tue - Sat, 10:00-16:00 and by appointment Sun and Mon Holidays: Closed www.viridiangallery.ca [email protected] 7782233690

Curated by Sen Wong Co-ordinated by Yizhe zhao & Cherry Chang 2419 Clarke Street, Port Moody, BC (778) 355-5399 Specializing in fine floral art silkgallery.ca

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Whistler Kelowna Medicine Hat Black Creek Sunshine Coast Penticton Nelson Qualicum Beach Lethbridge Vancouver Grand Forks Port Alberni (see above) Castlegar Nanaimo Bellingham Victoria La Conner Friday Harbor Everett Port Angeles Spokane Bellevue Bainbridge Island Seattle Tacoma WASHINGTON Pacific Ocean

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6 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS September - October 2018 Vol.32 No.4 ALBERTA 8 Banff, Black Diamond, Calgary PREVIEWS & FEATURES 14 Edmonton 9 Agnes Martin - Esker Foundation 16 Foothills 17 Lethbridge, Medicine Hat, St. Albert 10 Alberta Vignettes

BRITISH COLUMBIA 12 Seated - Alberta Craft Gallery, Edmonton

18 Abbotsford, Black Creek, Burnaby 17 Germaine Koh - Evergreen Cultural Centre 19 Castlegar, Chilliwack 20 Coquitlam, Fort Langley, Grand Forks, 21 Anna Wong - Burnaby Art Gallery Kamloops, Kelowna 21 Laxgalts’ap 23 Gyre - New Media Gallery 22 Maple Ridge, Nanaimo 23 Nelson 25 Arnold Shives - Seymour Art Gallery 24 New Westminster, North Vancouver 28 Penticton, Port Alberni, Port Moody 26 British Columbia Vignettes 30 Prince George, Prince Rupert, Qualicum Beach, Richmond, Salmon Arm 29 Focus on E.J. Hughes 31 Skidegate, Sunshine Coast, Surrey 32 Tsawwassen, Vancouver 34 Arts of Resistance - Museum of Anthropology 50 Vernon, Victoria 53 West Vancouver, Whistler 38 Ian Thom Selects - Vancouver Art Gallery 54 White Rock, Williams Lake 44 The Groundhogs: Hinterlands - Gallery Jones

OREGON 49 Karina Kalvaitis - arc.hive gallery 56 Astoria, Cannon Beach 55 Oregon Vignettes 57 Eugene, Portland 60 Salem, Sisters 59 Culinaria - Disjecta Contemporary Art Center WASHINGTON 61 Plastic Entanglements -

62 Bainbridge Island, Bellevue, Bellingham Jordan Schnitzer Museum of Art 64 Everett, Friday Harbor 65 La Conner, Port Angeles, Seattle 63 Close-up: Hafthor Yngvason - Western Gallery 73 Spokane 74 Tacoma 66 Jenny Heishman - Specialist Gallery

68 Peacock in the Desert - Seattle Art Museum 71 Washington Vignettes 75 Catalogues

© 1986-2018 Preview Art Media Inc. ISSN 1481-2258 Member of Tourism Vancouver and Visit Seattle. 76 Art Services Reproduction in whole or in part is strictly forbidden 78 Index EDITORIAL + ADVERTISING Tel 604-222-1883 Toll Free 1-844-369-8988 Email [email protected] Address PO Box 39041, 3695 W 10th Ave. Vancouver, BC V6R 4P1 Canada Cover: Leah Dorion, Michif Horsewomen, detail, 2012 Paula Fairweather, Publisher acrylic and mika flakes on canvas Meredith Areskoug, Listings Editor Photo: Peter Beszterda Photography Trevor Martin, Art & Production Manager Image courtesy of Art Gallery of St. Albert Judith Mazari, Graphic Production Artist The views, opinions and positions expressed are those Banner Image: Museum members at a reception of the authors and do not necessarily reflect those of the Image courtesy of the Whatcom Museum publisher. Please note that all gallery particulars are set out as submitted by clients prior to the date of publication. Printed on FSA approved and recycled paper preview-art.com PREVIEW 7 My Favourites. Alison Brewster as the act of setting the table and en- the 14th guest curator for this exhib- joying a meal. Ongoing SPOTLIGHT. ALBERTA it of works by Carl Clemens Moritz New work of Alberta Craft Council Rungius (1869-1959, American). members launching new designs or BANFF Alison is a fifth generation Brewster. exploring new themes. Her selections are a reflection of Whyte Museum her own backcountry experiences Alberta Printmakers Gallery- of the Canadian Rockies and her family’s history in Banff that and Studio 111 Bear St &403-762-2291 extends over 100 years. 4025 4th St SE &403-287-1056 whyte.org albertaprintmakers.com daily 10am-5pm. Admission: adults BLACK DIAMOND wed-sat 11am-4pm. A/P MAIN $10, seniors $9, students & locals SPACE Sep 14-Oct 12 Laura (Lake Louise to Morley) $5, children Bluerock Gallery Peturson: Wasteland/Wonder- under 12 & members free To Oct 21 110 Centre Ave W &403-933-5047 land is an immersive print-based Artistry Revealed: Peter Whyte, bluerockgallery.ca installation that depicts children Catharine Robb Whyte and Their daily 10am-6pm including holidays as the explorers of a beautiful, Contemporaries. Aspiring career and by appt. A destination for yet dystopian setting. Oct 19-Nov artists from vastly differing back- handmade, one-of-a-kind fine art 30 John Graham: Fiercely Open grounds, Peter Whyte and Catharine and craft. We represent close to 200 synthesizes long-standing artistic Robb Whyte met at the School of artists, most of whom live and work interests in integrating mythological the Boston Museum of Fine Arts and within 100 miles of the gallery. representations, surreal aesthetics, immersed themselves in the craft of and visual poetics in both still and fine art painting.Christine Wignall: CALGARY moving imagery. A/P +15 WINDOW 100 Heads: Childhood Memories To Sep 28 Kristina van Westen- of Banff Personalities ‚“Until you Alberta Craft Gallery - Calgary brugge: MEGAFAUNA. Oct 7-Nov 23 have sculpted one hundred heads Suite 280 - 1721 29th Ave SW Mitchell Luken: GLUMPS. you will never understand the head.“ &587-391-0129 albertacraft.ab.ca This artistic challenge inspired Wig- wed-sat 11-5 pm* To Oct 13: sat Contemporary Calgary nall to begin sculpting. People she 10am-5pm To Nov 3Set the Table. various &403-770-1350 knew growing up in Banff showed Textile artist Natalie Gerber and contemporarycalgary.com up in the clay. To Oct 31 A Few of ceramicist Kalika Bowlby celebrate Public programs and exhibitions are

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8 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Tammi ampbell ear Agnes Agnes artin The mind nos hat the ee has not seen Sarah Steenson othing idden ESKER FOUNDATION, CALGARY AB - Sep 22 - Dec 21, 2018 eskerfoundation.com Born in Macklin, Saskatchewan, in 1912 and raised in Vancouver, Agnes Martin spent most of her adult life in the United States – fi rst in Bellingham, Washington, then in New York City. There she came to prom- inence alongside Barnett Newman and Ad Reinhardt, with whom she was close. Following the death of Reinhardt and the demolition of her Lower Manhattan studio, she hit the road, eventually landing in New Mexico in 1968. In the towns of Cuba and Galisteo, Martin continued to refi ne an already minimal practice noted for faint lines, meticulous grids and soft colour. Since her passing in 2004, Martin’s reputa- tion has grown neck-and-neck with her infl uence, particularly among younger artists disposed to form, feminism, ethics and spir- ituality. In recognition of her importance to art historians and studio practitioners, the Esker Foundation has fashioned a sen- sual exhibition focused on her print works, on paintings she made in relation to those Tammi Campbell, Dear Agnes, July 31, 2016, prints, as well as ephemera and source mate- graphite on Japanese paper. Private Collection rial, much of it drawn from Martin’s life and later travels through Saskatchewan and BC. In concert with Martin’s exhibition are works by artists who, if not in dialogue with Martin, share a vocabulary. Tammi Campbell’s Dear Agnes (2010 -17) is a serial work comprised of “visual letters” (graphite and rag paper) the artist drew at the start of each day and, once “written,” folded twice and stored in sequence. Described as “drawings in air,” sculptor Sarah Stevenson’s elegant wire and string hangings bring to mind that which Martin evokes in the viewer when experiencing her drawings, paintings, prints and fi lm. Michael Turner

held at a variety of central Calgary artist’s wordless communion with non-native weed species in relation locations. See website for details. Agnes Martin for seven years. Sarah to urban development. In this work, Stevenson: Nothing Hidden acts the artists hope to create a conver- Esker Foundation as a counter dialogue to Martin and sation about land use, notions of 4th floor - 1011 9th Ave SE Campbell, using the line to delineate progress, and the de/naturalization &403-930-2490 three-dimensional space with process of invasive species. eskerfoundation.com gridded string sculptures. PROJECT tue-sun 11am-6pm; thu-fri 11am- SPACE To Oct 28 Alana Bartol & Founders’ Gallery 8pm. free admission. Opening Sep Mia Rushton + Eric Moschopedis: 4520 Crowchild Trail SW 22 Tammi Campbell: Dear Agnes a hint of perennial magic lingers &403-410-2340 presents a selection from the series in its fingertips is a site-specific founders.ucalgary.ca of visual letters that served as the project that examines native and preview-art.com PREVIEW 9 IGNETTES ROBIN LAURENCE ALBERTA

VISIONS OF THE HUNT Esplanade Art Gallery, Medicine Hat, To Sep 15 As the title suggests, this powerful and sometimes controversial group show explores the nature and practice of hunting and the shifting relationships between wild creatures and the human beings who may prey upon them. Drawing on the observations, experiences and traditions of modern and contemporary Prairie artists, both Indigenous and non-Indigenous, the works here range from fur-swathed portraits of European

KRISTEN KEEGAN, BLOCK TRAP, 2014 royalty to life-size sculptures of bright red stags wreathed in horns.

JERRY HEINE Bugera Matheson Gallery, Edmonton, Sep 22 - Oct 5 An accomplished watercolourist, Jerry Heine creates landscape images fi lled with colour, light and liveliness. His work, which seems to bring together infl uences as diverse as French Post-Impressionism, historic Chinese ink painting and the English watercolour tradition, has been widely exhibited and is represented in public and private collections across Canada and the United States. Based in Edmonton, Heine is also recognized as

JERRY HEINE, ALONG THE WEST an educator, mentor and adjudicator at the University of Alberta. COAST TRAIL, 2015

UNPACKING IKG: 60 YEARS A GALLERY Illingworth Kerr Gallery, Calgary, Sep 25 - Dec 8 This show marks six decades of exhibiting art at the Alberta College of Art and Design. (Although art had been shown at the college for many years previously, 1958 was the year a permanent curator was hired and purpose-built exhibition spaces were inaugu- rated.) A timeline, illustrated with posters and other materials drawn from the archival holdings of a number of institutions, has been created to celebrate the gallery’s lively

HASEGAWA, KUBO, AND CERAMICS ’69 history – and prehistory. POSTER DESIGNER UNKNOWN

LYNDAL OSBORNE Nickle Galleries, Calgary, Sep 27 - Dec 15 A survey of sculptural work by this acclaimed Australian-born, Edmonton-based artist, Mutation of the Commons folds an examination of genetic modifi cation into her ongoing concern about environmental issues and her themes of transformation. Most recent among the nine monumental sculptures on view is her Coral Project, a complex,

LYNDAL OSBORNE, CORAL PROJECT (DETAIL), multi-component wall-mounted work that combines natural forms such as seashells, 2018. IMAGE COURTESY THE ARTIST. leaves and antennae in a hybrid dance of the beautiful and the grotesque.

LEAH DORION: DANCING THE EARTH Art Gallery of St. Albert, St. Albert, Oct 6 - Nov 10 Leah Dorion’s vibrantly coloured and intricately patterned artworks evoke beading and embroidery, honouring “the sacred feminine” and “the spiritual strength” of her female ancestors. A Métis artist and storyteller, Dorion incorporates shells, birchbark, river rocks and mica fl akes into her paintings, adding elements of tactility to her visual imagery. In her artist’s statement, she declares that her new work “celebrates the

LEAH DORION, beauty of the earth” and the energy abounding in “this great circle of life.” TURTLE WOMEN DRUMMERS, 2010

10 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 11 Seated ALBERTA CRAFT GALLERY, EDMONTON AB - Sep 1 - Dec 24, 2018 albertacraft.ab.ca An oft-cited work of Conceptual Art is Joseph Kosuth’s One and Three Chairs (1965). Comprised of a mass-produced wooden chair, a mounted photograph of that chair and a mounted photographic enlargement of the dictionary defi nition of “chair,” the work is noted for its then-daring provocation: Which representation of “chair” is most fi tting? In Seated, the provocation is less toward an art debate platform than a call for “re-imagined seating objects,” of which a chair is but one of a number of possibilities. The work of 18 fi ne craft artists from across Canada, “seats” on display range from stools, chairs and benches by master woodworkers to those constructed of fold formed copper and enamelled Adrian Ferrazzutti, Signature Arm Chair, 2015, hickory, metal. In addition to material consider- wenge and leather ations, attention is given to aesthetics, scale and proportions. But as with most thematic exhibitions, it is style that carries the day. From traditional to contemporary, practical to conceptual, the works all lend themselves to Seated’s serious playground atmosphere. Notable works include Amanda McCavour’s Still Life (2018). Here, two chairs beck- on patrons to wander over, take a load off – but on closer inspection are made not of wood or steel but of “deceptively” strong thread. Deception abounds in Michael Fournier’s knock-down prayer seat. Titled Aibiki (2018) and inspired by Japanese sashimono joinery, this simple-looking design eschews fasteners (nails) and is as inge- nious as it is complex. Patrons are encouraged to put this seat together on the fi rst try. A provocation if ever there was one. Reception Sep 29, 2-4pm Michael Turner

CALGARY tive celebrating Janvier’s lifetime of and creating self-portraits in paint, creativity, knowledge and perspec- photography and sculpture. mon-fri 9am-5pm sat & sun tive gained through his love of the 9:30am-4pm To Sep 9 Gassed land, and Dene culture. Gwenessa Herringer Kiss Gallery Redux. Adad Hannah will create Lam: What Magic. Examines how 709A 11th Ave SW a new work based on the epic meaning is made, lost and changed Oct 1st new address: First World War painting by John by the repetition and circulation of 1615 - 10 Avenue SW. Calgary, AB. Singer Sargent. images on the web, and how the line &403-228-4889 between perceived and construct- herringerkissgallery.com Glenbow H ed reality is continually blurred. tue-fri 11am-5:30pm; sat 11am- 130 9th Ave SE &403-268-4100 Opening Sep 29 Cosmos: Gathie 5pm Sep 8-29 Tia Halliday & glenbow.org Falk, Margaret Nazon and Erik Megan Dyck: The Laboratory of tue-sat 9am-5pm; sun 12-5pm. Olson. The mysteries of the universe Spatial Bemusement is a series Admission: adults $16, seniors & come to life in celestial studies by of moveable kinetic sculptures students $11, youth (7-17) $10, three fascinating contemporary and dance-based performances family (2 adults & 4 youth) $40, artists. Ongoing The Artist’s Mirror: embracing a unique and uncanny children under 6 free, members free Self Portraits. Exhibition featuring union of kinesthetic and pictorial To Sep 9 Alex Janvier: Modern In- artists looking deeply at themselves vocabularies (part of Beakerhead digenous Master. Major retrospec- Sep 19-23). Ben Skinner: Cymatic

12 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Seated ALBERTA CRAFT GALLERY, EDMONTON AB - Sep 1 - Dec 24, 2018 albertacraft.ab.ca An oft-cited work of Conceptual Art is Joseph Kosuth’s One and Three Chairs (1965). Comprised of a mass-produced wooden chair, a mounted photograph of that chair and a mounted photographic enlargement of the dictionary defi nition of “chair,” the work is noted for its then-daring provocation: Which representation of “chair” is most fi tting? In Seated, the provocation is less toward an art debate platform than a call for “re-imagined seating objects,” of which a chair is but one of a number of possibilities. The work of 18 fi ne craft artists from across Canada, “seats” on display range Semantics. Skinner’s works often Oct 12 Bradley Harms: Countdown Rae: Re-Imagined Narratives. An from stools, chairs and benches by mas- combine mechanical production to Infinity. Harms deviates from exhibition of 22 narrative sculptural ter woodworkers to those constructed methods common in sign making the formal qualities and procedural rings inspired by fairy tales and of fold formed copper and enamelled with traditional materials and tech- rigour embedded in other parts of the archetypes found in the Higher Adrian Ferrazzutti, Signature Arm Chair, 2015, hickory, metal. In addition to material consider- wenge and leather niques such as hand-applied gold his painting practice to allow for Arcana of the Tarot. ations, attention is given to aesthetics, leaf and silk marbling. Oct 4-Nov 10 impulse and improvisation to take scale and proportions. But as with most Sampler 2018. Back in 2002, the over-to a place where freedom is The Collectors’ Gallery of Art thematic exhibitions, it is style that carries the day. From traditional to contemporary, first show was titledSampler . In paramount and both light and colour 1332 9th Ave SE &403-245-8300 practical to conceptual, the works all lend themselves to Seated’s serious playground October, 2018, the Gallery will move become subject matter. Samantha collectorsgalleryofart.com atmosphere. to a new, larger location and the first Walrod: The Still Season is a tue-fri 10am-5:30pm; sat 10am- Notable works include Amanda McCavour’s Still Life (2018). Here, two chairs beck- show will be Sampler 2018, with reflection on the beauty and the 5pm The Collectors’ Gallery of Art on patrons to wander over, take a load off – but on closer inspection are made not new works made specifically for this impermanence of life. The subjects specializes in important Canadian of wood or steel but of “deceptively” strong thread. Deception abounds in Michael exhibition and this space. in Walrod’s paintings are still, and art from the 19th and the 20th cen- Fournier’s knock-down prayer seat. Titled Aibiki (2018) and inspired by Japanese yet they look as if they are ready to tury including early topographical sashimono joinery, this simple-looking design eschews fasteners (nails) and is as inge- Illingworth Kerr Gallery move out of view or change in some paintings, Canadian impressionists nious as it is complex. Patrons are encouraged to put this seat together on the fi rst try. Alberta College of Art + Design way: bears and wolves are on the and the Group of Seven. The Col- A provocation if ever there was one. 1407 14th Ave NW &403-284-7633 hunt, rabbits are ready to run and lectors’ Gallery represents over 30 ikg.acad.ca flowers are ready to wilt. prominent Canadian contemporary Reception Sep 29, 2-4pm Michael Turner tue-fri 12pm-6pm; sat 12-4pm artists. Check website for current Opening Sep 25 Unpacking IKG: 60 Nickle Galleries exhibition information. Years a Gallery explores the IKG’s University of Calgary 60-year history as a gallery and 410 University Court NW The New Gallery (TNG) considers an even longer history of &403-220-7234 nickle.ucalgary.ca 208 Centre St SE &403-233-2399 exhibiting art as an Art Institution. Summer hours: mon-fri 10am-5pm thenewgallery.org This is an elusive history that has Sep 27 Lyndal Osborne: Mutation tue-sat 12-6pm MAIN SPACE Sep never been written and it relies on of the Commons. Features nine 21-Oct 27 Kevin Day: before z-axis material from our extensive archive, monumental sculptures including (feedback loop of commensura- the ACAD collection, as well as her new work, Coral Project. An illus- bility). Sculptural installation uti- public records from city archives. trated catalogue with a critical essay lizing sensors to collect data about It will examine the gallery’s history by Natalie Loveless will accompany the visitors to the gallery. Interactive through key exhibitions via posters, the exhibition. Opening Oct 18 Jude elements change the feedback in photo and slide documentation, Griebel: Illuminated Collapse. A the space with each new visitor. exhibition catalogues, reviews, series of richly detailed dioramas +15 WINDOW GALLERY To Sep 28 and ephemera. that represent anatomies/land- B.G-Osborne: A Thousand Cuts. scapes engaged in dramatic acts of Three channel video and sound Newzones self-consumption and destruction. piece using found footage from film 730 11th Ave SW &403-266-1972 An illustrated catalogue with a criti- and TV. These videos seek to capture newzones.com cal essay by Tammer El-Sheikh will the inauthentic nature of cisgender tue-fri 10:30am-5pm; sat 11:30am- accompany the exhibition. Shona actors playing transgender actors, 4:30pm. free admission. Sept 15-

preview-art.com PREVIEW 13 CALGARY 7- Oct 7 in the Treaty 7 region, and Alberta Branded is open 362 days includes 20 emerging, local, national a year. Start your discovery with a common troupe in Hollywood and international performative art- us today. for decades. Alongside this video, ists. +15 WINDOW, 205 8th Ave SE viewers can take home a hand out (Second Level) To Sep 30 Rosalie H. Alberta Craft Gallery - list of transgender murder victims, Maheux: Saintes is an installation Edmonton all names collected from the last incorporating a series of resin sculp- 10186 106th St NW 2 years. tures casted from the inside &780-488-6611 albertacraft.ab.ca of a hollow Virgin Mary statue. mon-sat 10am-5pm; thu 10am-6pm TRUCK Contemporary Art Opening Sept 1 SEATED. Features in Calgary EDMONTON a diverse range of work created by 2009 10th Ave SW &403-261-7702 18 Canadian Fine Craft artists. This truck.ca Alberta Branded exhibition explores the theme of tue-fri 11am-5pm; sat 12-5pm. free Legislative Assembly Visitor Centre seating objects in clever and unex- admission. Sep 7-Oct 20 Entertain- 9820 107 St &780-422-3982 pected ways. Sept 1-Oct 13 Robin ing Every Second is a new body of assembly.ab.ca/visitorcentre/ Lambert: Because it never occurs performance and sculptural work by abBranded.html to us that we cannot. Interdisci- Life of a Craphead that engages with mon-wed & fri 10am-5pm; thu plinary ceramic artist Robin Lambert experiences and representations 10am-8pm; sat & sun noon-5pm. investigates the need and desire to of western imperialism in Asia. The Discover our province through an be a part of a larger social system. title of comes from a Nam June artist’s eye at Alberta Branded. This Opening Oct 20 Loretta Kyle: On Paik quote: “I am a poor [wo]man retail destination for art and fine the Family Farm. Showcasing the from a poor country, so I have to be craft features over 80 artists and gentler side of farming, Loretta entertaining every second.” Life of designers celebrating the best of Kyle’s soapstone sculptures are a Craphead is the collaboration of Alberta’s creative culture. Let the based on her personal experience Amy Lam and Jon McCurley. Their growing assortment of art, design, growing up on the family farm. Lisa work spans performance art, film, style, function and expression guide Head Harbidge: Ticket to Ride and curation. The exhibition will be your experience. Be inspired by Drawing on her horses as inspi- preceded by a production residency the annual showcase that presents ration, Lisa Head Harbidge’s glass in concert with the ninth biennial new artists whose work explores sculptures are about the spirit of life. M:ST Performative Art Festival; Sep new themes and new perspectives.

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14 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS FALL 2018 GALLERY WALK SATURDAY SEPTEMBER 22, 2018 10AM – 5PM SUNDAY 107 AVE NW SEPTEMBER 23, 2018 Alan Syliboy, Ochre Man with Silver Star, Scott Plear RCA, King John, 2018, 2018, acrylic on canvas acrylic on canvas 12PM – 4PM 106 AVE NW

1 2 NW ST 116 BEARCLAW BUGERA MATHESON STONY PLAIN RD

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127 ST NW ST 127 123 ST NW ST 123 10403 124 St. NW 10345 124 St. NW NW ST 122 780.482.1204 780.482.2854 OLIVER SQUARE bearclawgallery.com bugeramathesongallery.com 4 3 1 104 AVE NW 104 AVE NW 5 2 N 103 AVE NW EDMONTON 1 102 AVE NW FEATURED GALLERIES 1

Arlene Wasylynchuk (1947-2012), Last Tom Gale, Ghost Forest, 2018, Alex Colville, Willow, 2002, Hold of Summer #10, 1993, oil on board oil on canvas serigraph, signed and numbered 10/70 3 4 5 SCOTT THE FRONT UDELL XHIBITIONS GALLERY GALLERY FINE ART GALLERY 10411 124 St. NW 10402 124 St. NW 10332 124 St. NW 780.488.3619 780.488.2952 780.488.4445 scottgallery.com thefrontgallery.com udellxhibitions.com

Art Gallery of Alberta James Wilson Morrice: The A.K. Bearclaw Gallery 2 Sir Winston Churchill Square Prakash Collection in Trust to 10403 124 St NW &780-482-1204 &780-392-2468 youraga.ca the Nation. Pioneering a fresh and bearclawgallery.com tue & fri 11am-5pm; wed-thu 10am- vibrant use of colour, and known mon-sat 10am-5:30pm Apr-26 Sep 8pm; sat-sun 10am-5pm. Admis- for his delicate handling of paint 22-Oct 4 Linus Woods: ANIMALS. sion: adults $12.50, seniors (65+)/ on small-scale wooden pochades. Woods lives on the Long Plains students $8.50, children under 6 To Nov 11 Hubert Hohn: Edmon- Reserve in Manitoba surrounded by free, children 7-17 $8.50, family (up ton Entrances and Suburban nature in its purity. “I step out my to 2 adults + 4 children) $26.50, Landscapes features two series of door and imagine how my ancestors members free. To Sep 9 Li Salay photographs taken in the 1970s of lived hundreds of years before me. (Michif for “the sun”) focused on the Edmonton’s domestic architecture. Often, I am visited by the many work of over 40 Métis artists from LandMark: A New Chapter Ac- animals that live and play in this across Canada. To Oct 7 Samantha quisition Project. Showcases new beauty. The coyotes sing and dance, Walrod-Vanitas RBC Work Room acquisitions to the AGA’s permanent the rabbits graze (ever alert) and the artist in residence exploring ideas collection of work by Indigenous, eagles fly with such ease. Everyday of life and loss. Paper and canvas. Métis and Inuit artists. these animals bring a smile to my preview-art.com PREVIEW 15 indiscriminate and it was ruthless: 2012). An exhibition of paintings and estimates place the worldwide drawings by the artist with special mortality rate between 20 million emphasis on small panel paintings and 100 million people. Roughly 1 done plein-air by Arlene during hikes in 6 Canadians perished. More than into the Canadian Rockies. 4,000 Albertans, almost 10 per cent of the province’s population, died The Front Gallery within four months. What happened? 10402 124th Street And what did it mean for the young &780-488-2952 province of Alberta? thefrontgallery.com tue-fri 11am-5pm; sat 10am-5pm Bugera Matheson Gallery To Sep 7 Women-Art-Com- 10345 124th St NW pelled-Mind-Originations. In &780-482-2854 collaboration with the Bugera bugeramathesongallery.com Matheson and the Scott Gallery, tue-fri 11am-5pm; sat 10am-5pm. The Front Gallery is proud to feature Sep 22-Oct 5 Jerry Heine: Life our represented women artists who in Colour. Jerry Heine has been have dedicated their lives to the working as an artist throughout visual arts. Sep 13-Oct 4 Occupied his career, both in graphic arts and People. A group exhibition of new in fine arts and as an instructor. work by The Front Gallery represent- He studied art at the University of ed artists. Occupied by a lifetime Kirsty Templeton Davidge, Alberta, and graphic art at NAIT and commitment to art, artists offer us Red Flower Blouse, detail, 2018 Peter Robertson Gallery, Edmonton at the Washington School of Art. a visual documentation of our time. He has been an instructor with the Please join us in establishing a EDMONTON Faculty of Extension since 1989 and context for The Front Gallery artists’ has had over 35 solo art exhibitions, ideas and stimulating discussion face.” Oct 20-Nov 1 Alan Syliboy, both nationally and internationally. about their work. new works. Syliboy sees making Oct 13-27 Chroma-Tone: 2018 art as a way of organizing chaos. Paintings by Scott Plear and Udell Xhibitions “Sometimes within the chaos of John King. Fine Art Gallery making a painting, a symbol in the 10332 124st NW &780.488.4445 shape of a moose or a caribou will Peter Robertson Gallery udellxhibitions.com walk through my consciousness in 12323 104th Ave NW Sep 1-29 Turbulent Skies. a form that resembles an ancient &780-455-7479 petroglyph. My work is inspired by probertsongallery.com FOOTHILLS the ancient petroglyphs which were tue-fri 11am-5pm, sat 10am-5pm carved in stone by my ancestors on Sep 6-23 Kirsty Templeton Da- Leighton Art Centre walls in caves.” vidge: Common Threads. Rooted 282027 144 St West in the enduring genre of figurative &403-931-3633 leightoncentre.org Borealis Gallery painting, Templeton Davidge To Nov 11 tue-sun 10am-4pm Legislative Assembly Visitor Centre explores ideas of observing, looking To Sep 23 Bison bison bison. 9820 107 St &780-427-7362 and perception. Basic concepts like Celebrating the continuing existence assembly.ab.ca/visitorcentre/ pictorial representation, negative of the mighty Plains Bison,16 local borealis.html space and the absence or presence artists portray this impressive crea- mon-wed & fri 10am-5pm; thu of form are central tenants of her ture in many styles and in pieces 10am-8pm; sat & sun noon-5pm. work. Sep 22-Oct 13 Amy-Claire large and small. If Bees Are Few. To Sep 24 Snapshots of Canada. Huestis. Sep 29 to Oct 20 Erin In celebration of apis mellifera, the Exploring unforgettable moments in Loree, new work. European Honeybee, four Vancouver our history, this travelling exhibition Island artists have come together to from the Canadian Museum of Scott Gallery create an exhibition which explores History and Canada’s History 10411 124th St NW the wonder and the plight of these Society pairs compelling images &780-488-3619 scottgallery.com complex and remarkable social with texts by well-known authors, tue-sat 10am-5pm. Sep 22-Oct 11 insects. Sept 29-30, 10am-4pm Fall journalists and historians. Opening General Exhibition featuring gallery Paint Out 2018. An outdoor painting Oct 17 In Flew Enza: The Spanish artists including Gillian Willans, party and your chance to unleash Flu Comes to Alberta. In 1918, a Edward Epp, Jim Vest, Douglas your inner artist! Sept 29-Oct 28 mysterious illness swept the globe. Haynes, Yuriko Kitamura, Sean Caul- Ripple Effect. Honours endangered, It struck erratically and swiftly, field & Kelly Krueger. Oct 20-Nov 11 threatened and at-risk species from seeming to target otherwise healthy Wood, Water & Stone an exhibition across Canada and Africa. young adults. The Spanish flu, as the of paintings and drawings by the pandemic came to be known, was late Arlene Wasylynchuk (1947- 16 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS ermaine oh ome ade ome evergreenculturalcentre.ca EVERGREEN CULTURAL CENTRE, COQUITLAM BC - Sep 15 - Nov 4, 2018 The 2018 appointment of Germaine Koh to the position of artist-in-residence for the City of Vancouver’s Engineering De- partment came as no surprise to those familiar with her work. Though known for participating in a variety of media, Koh has over her 25-year career managed to occupy that most challenging of artistic battlegrounds: the social-formal divide. Thus, when it comes to serving the public artistically, particularly on an issue as irre- ducible as housing, Koh is a wise choice.

For Home Made Home, Koh began with a Photo: Germaine Koh question: At a time when owning a house Germaine Koh, Home Made Home: Lululiving, 2018 is unlikely, what other forms of housing can you imagine? From there she set out on a research project that led her to the small house movement, where she immersed herself in basic carpentry and ergonomic design. The result, not surprisingly, was her own small house, which she keeps on Salt Spring Island. However, for exhibition purposes, Koh displays components – works that allude as much to minimal sculpture as they function as kitchens and bathrooms. “A lot of my work tries to set up situations that cause us to reﬂ ect upon the world at large, and how things are organized, the systems that are out there,” says Koh in a 2016 Kelowna Art Gallery interview. “But I am hoping this project goes a step further and people start asking why do dwellings have to have a minimum size, what’s preventing people from living in very small houses? So this project is about trying to propose some of those other models for living arrangements.” Michael Turner

LETHBRIDGE MEDICINE HAT Sean Caulfield: The Flood and Other Works. Caulfield conjures the Southern Alberta Art Gallery H Esplanade Art Gallery dark trauma of destruction as well 601 3 Ave S &403-327-8770 401 First St SE &403-502-8580 as the potential for regeneration in saag.ca tue-sat 10am-5pm; thu 10 esplanade.ca his carved wood sculpture and relief am-7 pm; sun 1-5pm. Admission: mon-fri 10am-5pm; sat & holidays mural works. general $5, students/seniors $4, 12-5pm To Sep 15 Visions of groups $3 per person, members the Hunt. Powerful and intriguing vi- ST. ALBERT & children under 12 free Opening sions of animals and people involved Sept 29 Althea Thauberger: Who in hunting in Alberta, including a Art Gallery of St. Albert H Is It That Will Tell Me What I Am? suite of historical linocut prints by Il- #100, 6D Perron Street (temporary Parenthetically presents and refer- lingworth Kerr. Joan van Belkum: A location) &780-460-4310 ences a selection of previous works, Retrospective from the Collection. artgalleryofstalbert.ca including Marat Sade Bohnice and Features works acquired directly tue-sat 10am-5pm; thu 10am-8pm Mad Mad Mad Mad Filmy World. An from Joan van Belkum (1923-2014) To Sep 29 Viktor Brim, Matthew artist’s monograph will be published and generous donations from her Allan Clarke and Jeff Wilson: at the conclusion of the exhibition estate. Sep 29-Nov 17 Yulin Wang: Changing the Landscape. With tour. Cindy Baker: Things I’ve Boya Haogu 博雅好古 Time the passing of time, human activity Forgotten explores the relationship Space Legacy. Highly coloured and transforms the environment through between trauma, memory, and the deeply contemplative, these remark- industry, urbanization, and other body. This project is based on a very able new paintings are the result interventions within the natural specific, mostly-forgotten memory, of a meticulous and meditative environment. The artists featured in where the artist is three years old, painting process based on Ming and this exhibition magnify the ever con- riding her Big Wheel tricycle, and Qing Dynasty ceramic and bronze stant changes to our surroundings abducted by two young boys. objects from his own collection. through a variety of channels. preview-art.com PREVIEW 17 tue, wed, fri 10am-5pm; thu 10am- 9pm; sat & sun 12-5pm. Admission BRITISH COLUMBIA by donation. Opening Sep 27 Behind The Lines: Contemporary ABBOTSFORD Syrian Art. Featuring painting, photography, video, and sculpture by Kariton Gallery & Boutique 20 contemporary Syrian artists. This 2387 Ware St &604-852-9358 exhibition provides a unique window abbotsfordartscouncil.com into the lives of those affected by tue-fri 12-5pm sat 9:30am-4:30pm the devastating war through their & sun 11am-4:30pm To Sept 11 Say art. Dick Averns: Ambivalence It With Flowers. The Kariton Art Gal- Blvd. In 2009 Averns was embedded lery is getting floral. This exhibition with Canadian troops in the Middle will be jam packed with flowers. Art East as a part of the Canadian of all medium and skill level with be Forces Art Program. This exhibition gracing the gallery for your viewing includes examples of the resulting pleasure! Sep 15-Oct 16 Chris large-scale photographic works, Friesen: Graffiti Flags and Money as well as a survey of his evolving Games. Chris’ screen-printing and series of performances and videos gestural painting technique used also titled Ambivalence Blvd. British in his pieces is a commentary on Columbia’s War, 1914-1918. Orga- the increased production of bills in nized and circulated by the Royal BC the developed world, specifically Museum this exhibition is comprised the United States. Oct 20-Nov 20 of archival photographs, fascinat- Watermedia Society’s ing stories, and historical artifacts Krista Belle Stewart, Eye Eye. Installation view, Autumn Mosaic. drawn from the RBCM’s extensive Teck Gallery, 2018. Photo: Blaine Campbell. SFU Harbour Centre, Vancouver collection, and expanded upon with S’eliyemetaxwtexw additional content from The Reach’s ST. ALBERT Art Gallery own collection. University of the Fraser Valley Oct 6-Nov 10 Leah Dorion: Danc- 33844 King Rd &604-504-7441 ext BLACK CREEK ing the Earth is an interdisciplinary 4543 sag-ufv.ca Métis artist from Prince Albert, mon-fri 9:00am-5:30pm. Free Brian Scott Studio Gallery Saskatchewan. Her vibrant and sym- Admission. Sep 8-Oct 10 Madeline 8269 N Island Hwy &250-465-8856 bolic paintings honour the spiritual Hildebrandt: Les Fantasmes de bscottfinearts.ca strength of Indigenous women and la Flore (2018). An interpretation daily 12-5pm. Expressionist oil and the sacred feminine. “Dancing the of plant life into stylized, intricately acrylic paintings reflecting whim- Earth celebrates the beauty of the detailed ink drawings. Aquatic sical West Coast themes. Current earth and the Energy of life that plants are a major inspiration for subjects: contrasting distortions abounds within this great circle this series, most notably from of harbour scenes and man-made of life.” - Leah Dorion species of coral and seaweed. forms (geometric) with organic forms (irregular) caused by Musée Héritage Museum The designs in each piece trace creative origins back to one pivotal tidal action. 5 St Anne St &780-459-1528 drawing, originally assigned in a museeheritage.ca BURNABY tue-sat 10am-5pm; sun 1-5pm Drawing II class at UFV. This series To Oct 21 In Their Footsteps is unlocks imaginative spaces inspired by nature’s exquisite intricacy and Burnaby Art Gallery an exhibition curated by Bill and & evokes appreciation for the creative 6344 Deer Lake Ave 604-297- Michelle Tracy based on a selection 4422 burnabyartgallery.ca possibilities of ink on paper. Faculty of footwear, emphasizing on the tue-fri 10am-4:30pm; sat & sun 12- diversity, innovation and creativity Supervisor: Shelley Stefan. Oct 16- Nov 15 DESIGN SCHOOL: Turning 5pm. Admission by donation. To Nov of artistic expression found in the Ideas Into Action. A compilation 3 Anna Wong: Traveller on Two strong traditions of the Dené, of design exploration and visual Roads. A retrospective exhibition of Cree and Métis people of Western communication created by graphic Canadian master printmaker Anna Canada. In Their Footsteps design students, revealing the Wong (1930-2013) featuring over 70 promises colour and inspiration process and thinking behind ideas original artworks, including paint- featuring several well-known mak- that matter. ings, drawings, hand-pulled prints, ers and their stories. The work will and large-scale textile pieces from span over several generations The Reach Gallery Abbotsford a lifetime of travel and cultural influ- of craft, including selected 32388 Veterans Way ence. OFFSITE, McGill Library, 4595 contemporary examples. &604-864-8087 thereach.ca Albert St. To Oct 29 Ron Eckert:

18 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS A retrospective exhibition of Canadian master printmaker ANNA WONG Anna Wong (1930-2013) featuring over 70 original TRAVELLER ON TWO ROADS artworks, from a lifetime of travel and cultural influence: from Vancouver’s Chinatown to New York City, and from On until November 3, 2018 Quadra Island to Beijing.

Media Sponsors: Reception Sponsors:

The Wong Family

6344 Deer Lake Avenue, Burnaby | burnabyartgallery.ca | burnabyartgallery | @BurnabyArtGall | bbyartgallery

Works from the City of Burnaby Featuring: Kenneth Yuen, Susan tue-sat 10am-5pm. Admission Permanent Art Collection. Includes Jessop & Frankie Watt-Elphinstone. by donation. To Sep 15 Mapping recent work made in the artist’s Mixed media. Language, mixed media by West Chilliwack studio. Bob Prittie Library, Kootenay artist Natasha Smith, is an 6100 Willingdon Ave. To Oct 28 SFU Galleries exploration into the development of #BookFaceFridays. Photographs of Various locations her own visual language juxtaposing Burnaby Public Library staff posing &778-782-4266 print elements with natural objects. with books related to topical themes. sfu.ca/galleries GLOW, black light installation by Check website for hours AUDAIN Sonia Haberstich,from Quebec in Deer Lake Art Gallery GALLERY, SFU Goldcorp Centre which her interest in intuitive cre- Burnaby Arts Council for the Arts, 149 W Hastings St, ativity results in a whimsical exhibit. 6584 Deer Lake Ave Vancouver. Oct 11-Dec 8 taisha Sep 21-Nov 3 PAN-dulum, 2 and 3D &604-298-7322 paggett: i believe in echoes. work by Nelson based artist Deborah burnabyartscouncil.org Presented in tandem with her post Thompson is an investigation of the tue-sat 12-4pm. Admission is free as the Fall 2018 Audain Visual Artist pandemic state of anxiety that exists To Sep 15 Jawahir: Jewels. Solo in Residence, with SFU’s School in the global society. Geologic Time, exhibition featuring Durrah Alsaif’s for the Contemporary Arts. TECK paintings by Nelson based artist 2D & 3D artworks. Originally from GALLERY, SFU Harbour Centre, 515 Carol Wallace includes imagery Saudi Arabia her artistic practice W Hastings St, Vancouver. Ongoing of fossil forms examining the vast revolves around sociopolitical is- Krista Belle Stewart: Eye Eye. SFU concept of geologic time. sues. Most of her artwork addresses GALLERY, AQ 3004-8888 University issues that are considered culturally Dr, Burnaby. Sep 4-Dec 6 Charlene CHILLIWACK taboo to talk about in her home Vickers: Speaking with Hands country. Sep 22-Oct 20 Water- and Territory. O’Connor Group Art Gallery marks. Featuring Michael Abelman, Chilliwack Cultural Centre Amelia Alcock-White & Graham CASTLEGAR 9201 Corbould Street Coulthard. A visually immersive &604-392-8000 experience of various perspectives Kootenay Gallery of Art oconnorgroupartgallery.com of aquatic scenes of Coastal British 120 Heritage Way &250-365-3337 wed-sat 12-5pm. free admission. To Columbia. Opening Oct 27 Parallel. kootenaygallery.com Sep 15 Claire Sarfeld: Colour Mark. preview-art.com PREVIEW 19 admission Sep 15-Nov 4 Germain KAMLOOPS Koh: Home Made Home. Art, design and architecture converge in this Kamloops Art Gallery H solo exhibition, as Koh explores 101-465 Victoria St small-scale dwellings, creative &250-377-2400 kag.bc.ca space design and sustainability in mon-sat 10am-5pm; thu 10am- response to the complex housing 9pm; closed stat holidays. CENTRAL issues facing the Lower Mainland. GALLERY To Sep 15 Through the Memory Atlas: Forty Years of FORT LANGLEY Collecting. A selection of works from the KAG’s permanent collec- Barbara Boldt tion. Opening Sep 29 Eleanor King: Original Art Studio Inverted Pyramids and Roads to 25340 84th Ave &604-888-5490 Nowhere. King’s practice combines barbaraboldt.com sound art explorations, social prac- please call ahead In-home studio tices, improvisations, drawing and gallery of Barbara Boldt, located 5 sculptural installations that engage km outside of Fort Langley, featuring with memory, community, technol- original local landscapes, forest and ogy and the everyday. THE CUBE garden scenes in oils and soft pas- To Sep 8 Dion Fortie: Every Night tels, and her signature EarthPatterns A World Created. A multi media Ono Shuhei, Angel, detail, 2016 paintings of sandstone formations installation of found objects and Dundarave Print Workshop + Gallery, Vancouver found on Galiano Island. Copies of discarded materials. Sep 15-Nov 3 biography Places of Her Heart: The Edward Cheung: A Chinese Dance. CHILLIWACK Art and Life of Barbara Boldt, by Cheung uses photography and video Barbara Boldt with K. Jane Watt, are to explore his Chinese-Canadian Sarfiled plays with her signature available at the studio and various heritage and the changing cultural bold strokes while embracing bookstores. For directions to the and geographic community where a more vivid and unconventional studio, see map on website or call. he grew up. RIVERSIDE PARK Oct colour palette. Imposing colorful 12-20 Luminocity A week-long vid- blocking to her signature loose GRAND FORKS eo art exhibition, showcasing video sweeps, she creates a complex projects by artists from across the yet playful narrative throughout Gallery 2 - Grand Forks & country in public spaces throughout this body of work. It embraces District Art & Heritage Centre the downtown core of Kamloops. the tactility of paint with textural 524 Central Ave &250-442-2211 elements, and mindfully incorporat- gallery2grandforks.ca KELOWNA ing metallics and neon throughout. tue-fri 10am-4pm; sat 10am-3pm Sep 20-Oct 27 Enduring Spirit. To Sep 8 Willa Downing: The Geert Maas Sculpture Ron Huebner (1959-2004) was a Space Between: The World Before Gardens and Gallery pioneering spirit in the Canadian Us. An exploration of the social 250 Reynolds Rd &250-860-7012 conceptual, sculptural arts arena. networks formed from the relation- geertmaas.org His installations and individual works ships among fictional characters in mon-sat 10am-5pm; sun by were highly original often including a novel. Using markers, pencil and chance. Internationally acclaimed sound and sensory elements which paint, the network is plotted and artist Geert Maas invites the public were at the forefront of exploratory mapped on paper that covers much to visit his exceptional sculpture art practices at the time. Huebner’s of the gallery walls, immersing gardens and indoor gallery, with one endeavors were strongly supported the viewer in the experience. Sep of the largest collections of bronze throughout his entire career by 15-Nov 17 Dennis Evans, Richard sculpture in Canada; changing not only the British Columbia Arts Crack, and Susan Crack: Between exhibitions, Maas creates distinctive, Council and the Canada Council for Heaven and Earth presents a visual rounded, semi-abstract figures, the Arts but also the Government of interpretation of the power of the architectural structures and installa- the Netherlands. Presented by the Canadian landscape expressed tions in a wide variety of materials, Ron Huebner Legacy Project. in three different ways. Darlene including bronze, stainless steel, Dautel: When I Grow Up is a aluminum, wood and stoneware. COQUITLAM celebration of the artistic process The great diversity of outdoor art is and the simpler things life has to complemented in the gallery by an Art Gallery at Evergreen offer. Zev Tiefenbach: The Wildfire overwhelming number of paintings, Cultural Centre that Begat Suburbia examines serigraphs, medals, reliefs and 1205 Pinetree Way &604-927-6550 the relationship between natural sculptures in various media. &604-927-6566 disasters, wilderness, religiosity and evergreenculturalcentre.ca/exhibit/ suburban development. wed-sat 12-5pm; sun 12-4pm. Free

20 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Anna Wong Traeller on To Roads BURNABY ART GALLERY, BURNABY BC - Aug 31 - Nov 3, 2018 burnabyartgallery.ca The passing of master printmaker Anna Wong (1930-2013) marked the end of an extraordinary life of a member of an important Vancouver family. One of 10 children born to Modernize Tailors founder Gung Lai Wong and Man Ming, Anna Wong studied Chinese brush painting in Hong Kong before majoring in creative printmaking at the Vancouver School of Art. At the age of 36 she moved to New York to study at Pratt, where she then taught for 20 years, returning to Vancou- ver each summer to teach at a school of her own. As much as this retrospective is devoted to over 70 of Wong’s paintings, hand- pulled prints and large-scale textile pieces, it also functions as a life map, inscribed with parallel movements, what it means to be in two places at once. For Wong, “place” includes her hyphenated status as a Chinese-Canadian, but also her life in Vancouver and New York, and later, the continuum of urban life and life at her ru- ral studio on Quadra Island. In their exhibition introduction, co-cu- Anna Wong, The Great Wall #6, c. 1982, serigraph on paper, rators Ellen van Eijnsbergen and Jennifer A/P. Collection of the Wong Family Cane put it succinctly: “Whether Wong was creating work in the city or in her isolated West Coast studio, she was always working with images in stark contrast from her present surroundings: establishing an ‘elsewhere’ through tableaux of ﬁ r and maple leaves while living in Manhattan; or through scenes of the Great Wall and Mount Gongga while making art in Vancouver. These works represent two parallel journeys of self, and in this exhibition we have attempted to accompany her on those travels.” Michael Turner

Kelowna Art Gallery H Meagan Musseau, Meghann O’Brien, LAXGALTS’AP 1315 Water St and Tania Willard. Opening Oct 20 &250-762-2226 Journey of a Pod interactive instal- Nisga’a Museum kelownaartgallery.com lation by artists Aleksandra Dulic 810 Highway Dr &250-633-3050 tue-sat 10am-5pm; thu 10am-9pm; and Miles Thorogood that invites nisgaamuseum.ca sun 12-4pm. Admission: adults $5, visitors to engage with the wander- tue-sat 10am-5pm. Admission seniors/students $4, family $10, ing of a seed pod within Okanagan (+GST): adults 19-59 $8, children group of 10 or more $40, members creek systems. OFFSITE: Kelowna 6-18 $5, preschool, senior & Nisga’a free, thu free International Airport (ylw) citizens free, families (2 adults To Oct 28 A Cultivating Jour- To Feb 2019 Fern Helfand: Okana- with up to 4 children) $22 Ongoing ney: The Herman Levy Legacy. gan Log Pile Large-scale photo- Anhooya’ahl Ga’angigatgum’ - The Organized by the McMaster Museum graphic montage and installation Ancestors’ Collection features of Art. 60 paintings, drawings, and that explores issues surrounding the Nisga’a masks, bentwood boxes, etchings from the collection. forestry industry in British Columbia. charms, headdresses, regalia, To Oct 7 Woven Together Featuring rattles, and other treasures. Visit our indigenous artists Ursula Johnson, website for more information. preview-art.com PREVIEW 21 Il Museo Preview Ad 01/08/18 3:24 PM Page 1

MAPLE RIDGE The ACT Art Gallery Maple Ridge Pitt Meadows Arts Council 11944 Haney Pl &604-476-4240 theactmapleridge.org/gallery/ tue-sat 10am-4pm. free admission. Sep 8-Oct 27 Whonnock Weavers WOMEN’S WORK and Spinners-Fibre art: OUT OF Reflections on the History THE WOODS. The Whonnock Weav- of Women in Textile ers and Spinners, our local fibre arts group, is renowned throughout the region for their refreshingly September 12–December 30, 2018 innovative approach to textile arts. Tuesday–Saturday 10:00AM–5:00PM In this installation, which they have 3075 Slocan Street, Vancouver, BC designed themselves, the group will www.italianculturalcentre.ca share ideas about how textile arts Tel: (604) 430-3337 have responded to both historical and social events since time began. The exhibition will reveal how tradition and innovation are constantly in a state of flux as textile production evolves to reflect current tastes, needs, and concern for the environment. Formed in 1974, the Whonnock Weavers offer members the opportunity to learn, socialize and sell their high quality textile creations. Many of the textile pieces in this exhibition will be for sale. NANAIMO Nanaimo Art Gallery 150 Commercial St &250-754-1750 nanaimoartgallery.com tue-sat 10am-5pm; sun 12-5pm. Admission by donation. To Oct 6 Earthlings. Featuring Roger Aksadjuak, Shuvinai Ashoona, Pierre Aupilardjuk, Shary Boyle, Jessie Kenalogak, John Kurok, and Leo Napayok. Ceramic sculptures and works on paper created individu- ally and collaboratively by seven contemporary artists working from distinct cultural and geographical positions. Organized and circulated by Esker Foundation. Opening Oct 26 The Poetics of Space Historical and contemporary artworks explore the idea of space from many different perspectives. The title is from Gaston Bachelard’s 1958 book of the same name that presents a psychic interpretation of home and experiences of personal environments. The exhibition features works by numer-

Image Credit: Alaa Sharabi, Untitled 2 (detail), 2016, acrylic on canvas. Photo courtesy of Francesca Moore. ous artists that together contemplate

22 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS re NEW MEDIA GALLERY, NEW WESTMINSTER BC - To Sep 30, 2018 newmediagallery.ca The word “gyre” derives from the Latin gyrus, and the Greek gûros before it, meaning “circle, ring, turning.” In geometry, the gyre has a point of origin from which it moves progressively wider, forming a spiral, vortex or tunnel, while in nature, it is associated with oceans, of which the world has fi ve major systems. For this group exhibition, the gyre is evoked as a cultural metaphor, a condition that traps its subject, only to be freed by grav- itational forces, an unusual disturbance or by a chance en- Nicolas Bernier, Frequencies (Light Quanta), 2014, counter. sculptural light + sound installation Frequencies (Light Quanta) (2014), by Montreal-based Nicolas Bernier, is an arresting installation developed during his residency at the Sound LAB at LABoral Centro de Art y Creación Industrial in Gijón, Spain. Here, Bernier’s research into the quantum (the smallest measurable value of energy) has manifested in a clear-boxed display that contains 100 sound and light fragments that develop by chance, disrupting the viewer’s perception of time and space. Forward (2015), by Bogatá-born Daniel Iregui, is a hypnotic wall work that uses code, randomness, interactivity and projection mapping to create a “constantly changing choice of perpetual tunnels that generate infi nite ways to get to a distant point on the horizon.” Equally hypnotic – and no less disruptive – is Korean-born Chul Hyun Ahn’s Tunnel (2008), a knee-high cinder block, light and mirror structure that invites patrons to look down on its infi nite sconces. Oddly enough, these sconces bring to mind Donald Judd’s Untitled (Stack) (1967), but also Buddhist notions of the void. Unlike Bernier’s and Iregui’s installations, Tunnel appears to have no digital interfaces. Michael Turner space - through optical perceptions, the government sold their homes, NELSON experiences of the domestic, and the businesses and belongings. This experimental mapping of broader exhibition explores human rights and Oxygen Art Centre terrain. A touring exhibition from the determination of the Japanese 3-320 Vernon St (Alley Entrance) the Vancouver Art Gallery. Canadian community and examines &250-352-6322 the ten-year fight for redress using oxygenartcentre.org Nanaimo Museum historic photographs, artifacts, wed-sat 1-5pm To Sep 30 Justin 100 Museum Way &250-753-1821 poetry, personal statements, art Langois: Conflict Studies is a so- nanaimomuseum.ca and video. Sep 12-Nov 24 Kids cially engaged project that explores mon-sat 10am-5pm. Admission: Celebrate! Everyone loves a special the notions of conflict, disagree- adult $2,student/senior $1.75, Child occasion - be it India’s Diwali, the ment, and tension as important (5-12) $0.75, Kids under 5 Free. To New Year in China, the Jewish cel- elements in engaging in everyday Sep 3 Call for Justice: Fighting ebration Hanukkah, Toonik Tyme in civic life. During Conflict Studies the for Japanese Canadian Redress Iqaluit or Canada Day. The Museum’s exhibition space will function as a (1977-1988).22,000 Japanese fall feature exhibit, Kids Celebrate!, laboratory and social space for con- Canadians were forced to leave is a travelling exhibition from the versation and gathered reflections their homes on BC’s coast during Canadian Museum of History. on the role of conflict in civic life. World War II. Many were trans- ported to internment camps while preview-art.com PREVIEW 23 locked? and Flotsam Fixation. The Mortuary poles at Ninstints, Installations and Sculptures. Land- S’Gang Gwaay Llanagaay. Oct 2-31 locked? is the story of a man’s futile Ronnie Dean Harris: In The Storm. desire to escape his farm life for the sea. Flotsam Fixation features The Gallery at Queen’s Park sculptural work that implements Centennial Lodge non-valuable hierarchy objects and Queen’s Park &604-525-3244 repurposed components from all acnw.ca sorts of tools and items once owned wed 1-8pm; thu-sun 1-5pm. free by the artist’s parents and others. admission. Sep 5-30 Suzanne Sep 13-Oct 20 Josh Byer: Le Neon. Laird: Shift. This body of work is The 1st Canadian Exhibition of Faux intended to shift perspective and Fauvist Art. consciousness from a place of pain and hurt to one of healing. Explored Gabor Gasztonyi Studio through the lens of a feminist per- & Gallery spective, she uses art as a platform 730 12th St &778-397-1449 for sharing fragmented narratives gaborgasztonyigallery.com of trauma and its transformative 10-5:30 wed-sat A full service pho- aftermath. Her artwork ranges from tographic studio and gallery show- two-dimensional pieces referenc- casing award winning photographer ing paintings to three dimensional Gabor Gasztonyi’s classic black and sculptures. Oct 3-28 Seth Macbeth. Barbara Boldt, Retreat Cove Creation, white photographic prints and the detail, 2007. Photo: Ken Faulks In her work, Macbeth tells stories, in Barbara Boldt Original Art Studio, Fort Langley oil paintings of Judith Copland, plus many forms and mediums. Our lives, other artists. Gabor specializes in our history, our worlds are made of NELSON black and white studio portraits of stories. The intension behind her children, families as well as photo- work is for the viewer to hear the Touchstones Nelson Museum graphs of artwork. The gallery is in H story she is telling, but also begin of Art and History New Westminster nestled in a small a tale of their own, with their own 502 Vernon St &250-352-9813 art deco storefront from the 1920s. experiences leading their interpreta- touchstonesnelson.ca tion. Lead by an emotional response wed-sat 10am-5pm; tue & sun New Media Gallery H to the imagery, Macbeth extracts her 11am-4pm; thu 10am-8pm. Admis- Anvil Centre material from books, cutting them sion: adults $8, seniors/students $6, 777 Columbia St, 3rd Flr by hand and weaving them together youth $4, children & members free, &604-875-1865 until a balances image is formed. thu 5-8pm by donation. To Oct 28 newmediagallery.ca has Heather Benning: Field Doll tue-sun 10am-5pm; thu 10am-8pm. NORTH VANCOUVER taken up residence at Touchstones To Sep 30 Nicolas Bernier, Daniel and has been making appearances Iregui, Chul Hyun Ahn: Gyre. Light, Caroun Art Gallery H at several iconic spaces throughout Sound, Infinity. Gyre is an archaic 1403 Bewicke Ave. the city of Nelson, including the Big, word that means to whirl something &778-372-0765 caroun.net Orange Bridge (BOB). To Nov 4 A in circles; gyroscope comes from tue-sat 12-8pm Sep 1-15 Summer Mountain Biking Retrospective. this root. Imagine a swirling vortex Group Exhibition. Works by: Ahmad An exploration of the culture, char- of spiral motion and form; an ocean Aghazadeh, Ardiloga, Chelan, acters, infrastructure and landscape current, or a spinning body or Ghorbani, Hirono, Maryam Hatami, of mountain bike culture in the particle. In geometry, a gyre starts Nafiseh Saadati, Saba Orouji and Kootenays. A community-curated at its origins and then moves pro- Zohreh Hamraz. Sep 18-29 Art Sale: exhibition, and the result of a wide gressively wider, creating the shape Group Exhibition by Anonymous range of outdoor enthusiasts sharing of a spiral vortex or tunnel. Time is Artists Oct 2-27 Figurative their stories about the history and implicated in this process. Painting Exhibition by: Fereshteh impact of mountain biking in the Shahani. VIRTUAL EXHIBITIONS Kootenay/Columbia Basin. Plaskett Gallery Sept Painting Exhibition by: Massey Theatre Complex Olivia Moleo; Traditional Painting NEW WESTMINSTER 735 Eighth Avenue &604-517-5900 Exhibition by: Fatemeh Javadi. Oct masseytheatre.com/events/ Figurative Painting Exhibition by: Amelia Douglas Gallery category/plaskett-gallery/ Fereshteh Shahani. Douglas College tue-sat 1-pm; or by appt and one 700 Royal Ave &604-527-5723 hour before & during productions in CityScape Community douglascollege.ca/about-douglas/ the Massey Theatre. Sep 4-29 Art Space groups-and-organizations/art-gallery Bob Gunning presents: Portraits North Vancouver Community Arts mon-fri 10am-7:30pm; sat 11am- of Ninstints. 335 Lonsdale Ave &604-988-6844 4pm To Sep 7 Tiki Mulvihill: Land-

24 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS And The Faded into the andscape Arnold Shies SEYMOUR ART GALLERY, NORTH VANCOUVER BC Sep 15 - Nov 3, 2018 seymourartgallery.com Arnold Shives was born in Vancouver in 1943 and was a childhood friend of the avant-garde poet bpNichol (1944-1988). Like Nichol, Shives was interested in human consciousness. In 1964, he enrolled at the San Francisco Art Institute. As another poet, Edward Lucie-Smith, wrote in his essay “Shives the Transcen- dentalist”: “Shives was caught up in the radical climate of that time, but for him it triggered a spiritual quest.” Today Shives’ quest might lie Arnold Shives, Mt. Fromme VI, 2018, oil, acrylic and collage on canvas less in books than in the trees that supply them their pages – “the sinewy sprawl of Vine Maples, the bark pattern of cottonwoods” that he communes with on his morning walks near his North Vancouver studio. “I like to think that this ritual of forest immersion sharpens ear and eye,” he writes on his website. “To those who are receptive, the splendor of nature colonizes the imagination.” For his current exhibition, Shives presents seven large-scale mixed-media paintings, blending oil and acrylic, abstraction and ﬁ guration, stamp and stencil, montage and collage. Not surprisingly, these are landscape paintings, or at least they begin as such, with attention paid to Mount Fromme, known to many Lower Mainlanders as the “crown jewel” of the North Shore mountains. Informed by his printmaking practice, Shives works his canvases in multiple directions, laying down ﬁ gures and forms in paint, only to remove them with razor blades, then rebuilding his surfaces using collage, stencil and stamping techniques. The process evokes growth, decay and rebirth, but also the routes one takes when travelling life’s forest path. Michael Turner

nvartscouncil.ca CITY ATRIUM GALLERY, 141 W 14th At the Gordon Smith Gallery of Cana- CityScape: mon-wed & fri 12-5pm, St. To Sep 24 Wool Weaving by dian Art curation is a pedagogical thu 12-8pm sat 12-5pm; District Cheximiya Allison Burns Joseph. endeavour integral to arts education Foyer Gallery, North Vancouver Opening Sep 25 Debbie Wester- and the ignition of community District Hall: mon-fri 8am-4:30pm; gaard Tuepah: Salish Sea, J35 engagement. Throughout each District Library Gallery, Lynn Valley less 1. DISTRICT LIBRARY GALLERY, school year (Oct-Apr) we showcase Main Library: mon-fri 9am-9pm sat 1277 Lynn Valley Rd. To Oct 1 You the Artists for Kids (AfK) Collection 9am-5pm; City Atrium Gallery: mon- Are Here. Art from the 2019 You Are for school groups, families and the fri 8:30am-5pm CITYSCAPE COM- Here Calendar. Opening Oct 3 Joyce general public. Each season we MUNITY ART SPACE, 335 Lonsdale Ozier: Little Picasso Series. select works from the collection that Ave. To Sep 8 Art Rental Sep 14-Oct share a common theme and speak 13 Journey of a Salmon. DISTRICT Gordon Smith Gallery to pertinent art historical, social, FOYER GALLERY, 355 W Queens Rd. of Canadian Art cultural, political or environmental To Sep 17 Mimi Ama: Dancing in 2121 Lonsdale Ave &604-998-8563 issues in a way that is accessible the Sky. Ronna Ander: Ceramics. gordonsmithgallery.ca to all audiences. Check website for Sep 19-Nov 5 Janet Strayer: Flow. wed-sat 12-5pm closed holiday current exhibition information. weekends. Admission by donation. preview-art.com PREVIEW 25 BRITISH COLUMBIA

A TALE OF TWO SHAMANS / Ga SGáagaa Sdáng / Ga SGaaga Sding

Masset (M): sk’a.aaws ‘laangee gu nang sGaagaa sdaagulaadaayaan. Haida Gwaii Museum at Kay Llnagaay, Skidegate, To Dec 28 gud ‘ahl ‘la naang‘aawaan gu la kuyaada ‘iiwaan’aaw.aan. “T’ll kasaats’an” ‘waagyaan hin sdaaguhl’aang ‘la suudaayaan. “gitlaan.gu?” hin ‘laa ‘la suudaa.yaan. “HlGaawt’a kunnGaa’aa” hin ‘laa ‘la suudaayaan. ‘Waagyaan ‘la kasaa’aaw.aan. ‘Waagyaan nang sGwaan ‘laa kunaasda’gan tluu kaa’ayd.aan. Artist Michael Nicoll Yahgulanaas is internationally acclaimed for his “Haida Manga”

Skidegate (S): Sk’aa.aaws Llnagaay guu nang sçaaga There was a shaman and his partner, hltaaxwii daaça gan. Elder, who loved each other very much. Gud ad ‘la naa.uu gan. Daanýan gud ad ll k’uuga çuu gan. “Hala t’alang ñaydts’ang”, They lived in Sk’a.aaws town. ‘wagen han hltaaxwii ‘la suuda gan. “Let’s leave this place,” the shaman said. “Giidsgwii?”, ‘la ‘la suuda gan. “Hlçaawt’a Kun”, ‘la ‘la suuda gan. style of illustration, which combines Pacifi c Northwest graphic elements with those Then they left in separate canoes. ‘Wagen tl’l ñaaydan. ‘Wagen nang sçaaga aadagas ‘la kunçasda tluu ñayd gan.

Kaigani (K): Sk’a’áaws ‘lan-gáaygw nang sGáagaa sdáagulaadaayaan. Gud eehl ‘ll na’áangaawaan, gu ‘ll kuyáadä í’waanaawaan. “Tl’áng kasaa ts’an” ‘wáagyaan hín sdáaguhl’aang ‘ll súudaayaan. of Asian manga. This exhibition celebrates the recent reissue of Yahgulanaas’ book “Tl’áan-g uu?” hín ‘láa ‘ll súudaayaan. “HlGáawt’a kún aa” hín ‘láa ‘ll súudaayaan. ‘Wáagyaan ‘ll kasaa’áawaan. ‘Wáagyaan nang sGwáan ‘láa kunáasdä hán tlúu káaydaan. A Tale of Two Shamans, and features the artist’s illustrations along with text in the three main dialects of the Haida language as well as in English. The book is based 10 on three different accounts of an ancient Haida story, recorded in the early 1900s. MICHAEL NICOLL YAHGULANAAS (DETAIL) A TALE OF TWO SHAMANS, 2018

KAREN YURKOVICH: FUNCTIONALLY EXTINCT South Main Gallery, Vancouver, Sep 6 - 30 Drawing upon past projects with natural history museums, Vancouver artist Karen Yurkovich uses abstract imagery and disintegrating landscape forms to examine the shifting nature-culture interface. In her artist’s statement, Yurkovich tells us that “functionally extinct” refers to “a species whose population is so reduced that it no longer plays a signifi cant role in ecosystem function.” She extends this defi nition KAREN YURKOVICH, to her own creative practice of painting, which she sees as “teetering on the edge of OKANAGAN LAKE, DISAPPEARING, 2018 functional extinction.”

WOVEN WORKS FROM NEAR HERE grunt gallery, Vancouver, Sep 7 - Oct 20 Held in conjunction with the Textile Society of America Symposium in Vancouver this fall, this exhibition looks at recent innovations in the traditional weaving practices of both Indigenous artists and artists from settler cultures, “near here” being the North Pacifi c coast. Contributing artists push the possibilities of textile and woven art and at the same time confront regional histories of colonialism, cultural dislocation JOVENCIO DE LA PAZ, AS IN THE SUMMER, SO TOO THE WINTER, and newly re-emerging “conceptual, functional, aesthetic and spiritual forms.” 2017. IMAGE COURTESY OF THE ARTIST.

MADELEINE WOOD: DREAM ON Madrona Gallery, Victoria, Sep 8 - 22 Realist painter Madeleine Wood often creates images of great intimacy, whether of the natural world or of human beings tenderly interacting with one another. In her newest work, she overlaps landscape elements such as fl owers and foliage with reclining fi gures to create dreamlike or surreal scenarios. She also juxtaposes snapshot-like MADELEINE WOOD, POPPIES, 2018 images that isolate fi gurative details and tangled bedsheets, so that memory, fantasy and sensuality intertwine.

XIAOJING YAN: IN SUSPENDED SILENCE Richmond Art Gallery, Richmond, Sep 14 - Nov 10 Through her immersive exhibition of sculptures, mixed-media installations and silk “paintings” executed in pine needles, Toronto-based artist Xiaojing Yan refl ects upon Taoist beliefs as expressed in Chinese myths and folklore. Curator Nan Capogna points out that Yan also draws upon “traditional Chinese art, iconography and symbolism” to explore aspects of the spiritual and the transformational. In Suspended Silence is Yan’s fi rst solo show on the West Coast. XIAOJING YAN, LINGZHI GIRL, 2016-17

26 PREVIEW n SEP - OCT 2018 ROBIN LAURENCE IGNETTES

CATHERINE M. STEWART: SKIN & BONES Beaty Biodiversity Museum, Vancouver, Sep 15, 2018 - Aug 13, 2019 With a background in both science and art, Catherine Stewart uses her photographs to explore our connections to and perceptions of the natural world. She bases her most recent images on individual animal specimens in the Beaty Biodiversity Museum, as well as on display cases there and animal-based accessories from the fashion collections of Claus Jahnke and Ivan Sayers. Stewart encourages visitors to refl ect on “our

morally complicated” relationships with the creatures with which we share our planet. CATHERINE M. STEWART, DESERT WARTHOG (PHACOCHOERUS AETHIOPICUS) PHOTO: DEREK TAN

CONNECTING THREADS Surrey Art Gallery, Surrey, Sep 22 - Dec 16 One of the Surrey Art Gallery’s four textile-themed exhibitions this fall, Connecting Threads draws artworks from its permanent collection. Working across a range of images, forms and materials, artists such as Barbara Todd, Ruth Scheuing, Nep Sidhu and Robin Ripley demonstrate the ways textiles and fi bres may articulate complex themes and diffi cult issues. Look, too, for concurrent solo shows byMaggie Orth and BETTINA MATZKUHN, THE MAGIC QUILT, 1983 Kathy Slade and a group show from the Peace Arch Weavers and Spinners Guild. PHOTO: CAMERON HERYET

BEHIND THE LINES: CONTEMPORARY SYRIAN ART The Reach Gallery Museum, Abbotsford, Sep 27, 2018 - an 6, 2019 Organized and circulated by the Penticton Art Gallery in partnership with Cyrrus Gal- lery, Damascus, this exhibition of paintings, photographs, sculptures and videos gives us powerful insights into creative responses to the ongoing civil war in Syria. Twenty contemporary Syrian artists express the physical and emotional toll of the confl ict while also testifying to the extraordinary resilience of the human spirit. Complemented by FADI AL-HAMWI, GLOATING, 2016 photographic, video and performance works by Calgary artist Dick Averns. IMAGE COURTESY OF PAUL CRAWFORD

FORCES OF NATURE: NORTHWEST COAST INDIGENOUS JEWELLERY Lattimer Gallery, Vancouver, Sep 29 - Oct 13 At the gallery’s invitation, more than 15 First Nations artists have created jewellery in response to the dramatic natural environment and natural phenomena – wind, rain, earthquakes, pounding surf – that characterize the Northwest Coast. Working with hand-engraved silver, along with seashells, gems, copper and other precious metals, artists such as Shawn Edenshaw, Landon Gunn, Corrine Hunt, David Neel and Jennifer

Younger evoke a powerful sense of place and its intersection with cultural identity. SHAWN EDENSHAW, HAIDA/GITKSAN, RAVEN MOON AND TIDAL FORCE, SILVER RINGS WITH 14K YELLOW GOLD

ELEANOR KING Kamloops Art Gallery, Kamloops, Sep 29 - Dec 29 Subtitled Inverted Pyramids and Roads to Nowhere, this exhibition by Brook- lyn-based artist and musician Eleanor King uses aural and visual elements to address environmental themes. Her immersive installations are often site-specifi c and include the use of Google software to create abstracted, local landscape images. At the Kamloops Art Gallery, her architectural interventions will involve shifting the position of temporary walls and “fi lling awkward nooks with salvaged materials.” ELEANOR KING, HIGHLAND VALLEY (RESEARCH), 2018. IMAGE COURTESY OF THE ARTIST preview-art.com PREVIEW 27 20, The Polygon Gallery opens a Front Street in Penticton shows a showcase of work by the finalists powerful group of artists exhibiting of the Philip B. Lind Emerging their original works in oil, acrylic, Artist Prize. Established in 2016, ceramic, bronze, stone and fused the Philip B. Lind Emerging Artist glass sculptures. Please come Prize is awarded annually to an in to browse our gallery while in artist currently enrolled in a BFA or the Okanagan Valley, and preview MFA program in British Columbia, our collection online. Emails are working in mediums of film, pho- answered promptly. Children and tography, or video. Fall 2018 Dick families welcome! Oulton Studios Ltd: Wedding–Col- or–Portraits. An exhibit of the most PORT ALBERNI extensive body of Dick Oulton’s work seen to date. Dick Oulton was a DRAW Gallery well-known Vancouver commercial 4529 Melrose St &250-724-2056 photographer who lived and worked &1-855-755-0566 drawgallery.com in his studio on West Hastings Street tue-fri 12-5pm and by appointment, from the 1950s into the ‘90s. His too! Our Gallery Beyond Walls photographic work documented a offers contemporary Canadian West wide range of subject matter, pro- Coast Art in an intimate setting. ducing a unique and often intimate Celebrating the diversity and talent Monika Napier, Swarm, detail, 1995 portrait of life in Vancouver over a of local and regional artists. Works Photo: Cameron Heryet. Collection of Surrey Art Gallery, Surrey forty-year period. can be viewed and purchased online or on location; Sept 13-Nov NORTH VANCOUVER PENTICTON 23, Fall In Love With Art!, Group Show of eclectic works in glass, Griffin Art Projects Penticton Art Gallery wood, paint, metal, photography 1174 Welch St &604-985-0136 199 Marina Way &250-493-2928 and also featuring work from this griffinartprojects.ca tue-fri 10am-5pm sat & sun 11-4pm year’s Annual Plein Air Paint Out sat 12-5pm, or by appt. Opening To Sep 16 eRacism. Exploring the participants! showcasing works Sep 14 Flower Petal Tongues. rise in racism in contemporary by various artists such as Doug culture and the parallels between Blackwell aka SockeyeKing, Cecil Seymour Art Gallery the USA today and 1930’s Germany. Dawson, Jacques De Backer, 4360 Gallant Ave &604-924-1378 Dennis Eugene, Norman Burton Cynthia Bonesky, Cecil Dawson, seymourartgallery.com and Cliff Braggins: Tell Me A Chris Doman, Perry Johnston, tue-sun 10am-5pm. free admission. Story, Blossom. For the first time Pamela Holl Hunt, Miriam Manuel, Sep 15-Nov 3 And They Faded into on public display their unpublished Jillian Mayne, Ann McIvor, Todd the Landscape. Paintings by Arnold children’s book from 1959. Keep Robinson, Perrin Sparks, Ariane Shives. An important figure in Cana- Penticton White: A Historical Terez, Cat Thom, Sue Thomas, dian art and printmaking, this North View of Racism in Penticton and Nancy Wilson & others. Vancouver artist exhibits seven British Columbia. Sep 21-Nov 4 large-scale mixed media paintings Joshua Van Dyke: Trace Marks. PORT MOODY in his most recent exhibition. Shives Examines the movement of data disrupts his landscapes by playing between digital and analog space. Port Moody Arts Centre H with spatiality; interspersed with Gerry Yaum: Forgotten Laughter: 2425 St Johns St. &604-931-2008 mountains, trees and water are Children of the Dump. Documen- pomoarts.ca abstract shapes and lines. At times tary photography series was made mon, wed, fri 12-8pm; tue, thu shapes frame or obscure the land- at the Mae Sot, Thailand garbage 10am-8pm; sat-sun 10am-4pm scape, other times lines float on the dump. Greg Constantine: Exiled closed holidays. free admission. surface of the paintings. They also To Nowhere: Burma’s Rohingya. To Sep 13 PoMo Arts Instructors: serve as a reference to topography, Looks at the persecution and slow Inspiring Creativity Our talented leading us like a trail through a for- violence toward the Rohingya over visual arts instructors not only est, offering us multiple perspectives the past decade. Annual Mental inspire and coach students but they of the landscape simultaneously. Health Exhibition. also practice what they teach. This biennial exhibition showcases their The Polygon Gallery The Lloyd Gallery personal artistic style. Sept 22-Nov 101 Carrie Cates Court 18 Front St &250-492-4484 1 Art 4 Life. Geared toward a young &604-986-1351 thepolygon.ca lloydgallery.com audience, this annual exhibition tue-sun, 10am-5pm. Admission mon-sat 10am-5:30pm Celebrate encourages creative exploration, is always by donation, courtesy of the Okanagan through artists’ eyes! fosters imagination, and facilitates BMO Financial Group. Sep 21-Oct 7 Est. 1980, The Lloyd Gallery, at #18 artistic learning experiences. The Lind Prize 2018. On September

28 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Focus on E ughes In the summer of 1948, E.J. Hughes made a sketching trip by bus from Victoria, where he was then living, to Cour- tenay, on the east coast of Vancouver Island. He disembarked at a number of stops along the way, including Ladysmith, Chemainus, Nanaimo and Qualicum Beach. The detailed drawings and extensive notes he made on that expedition, which was supported by an mily Carr scholarship, supplied subject mat-

ter for his paintings of Editions Courtesy of TouchWood coastal life and land- E. J. Hughes, Taylor Bay, Gabriola Island, 1995, watercolour scapes for years to come. So writes Robert Amos in his deeply researched and richly illustrated book E.J. Hughes Paints Vancouver Island, published by TouchWood Editions (touchwoodedi- tions.com). Edward John Hughes was born in North Van- couver in 1913, grew up in Nanaimo, and spent most of his painting career in small Vancouver Island communities, including Duncan, where

he died in 2007. In his Editions Courtesy of TouchWood devotion to the British E. J. Hughes, Maple Bay, 1984, acrylic #4 Columbia landscape, he is often referred to as the heir to Emily Carr. His characteristic style, however, could not be more different from hers. Although his early work was “primitive” in the manner of Henri Rousseau, Hughes is best known as a folk realist, executing his paintings and watercolours in a meticulously controlled manner, with fl attened space, tilted perspective, and vividness of form and colour. His Vancouver Island images, the subject of Amos’ book, include log-strewn beaches and busy harbours, summer cabins and sawmills, farms and fl oating homes, and all manner of vessels, large and small, plying the coastal waters. Amos, an artist and writer based in Victoria, fi rst encountered a Hughes painting in 1975, shortly after arriving on the West Coast from Toronto – and was captivated by it. He recalls later seeing an exhibition of the senior artist’s work in Nanaimo and, as he emerged from the gallery, being struck by how much “the whole world looked just like a Hughes painting.” This, he adds, “is how art is supposed to work!” Robin Laurence

preview-art.com PREVIEW 29 artist Brault in his first exhibition in Arrowsmith Chapter Fall Show Western Canada draws on outdoor and Resident Artists from TOSH 10 subject matter including fishing, Studio. Oct 19-Nov 17 Cumberland camping and other interests that are Printmaker, Clive Powsey and compelling, upbeat and designed Vancouver Island Fabric Artists, as an antidote to the disquiet adrift Current Threads. in the world today. Robert Dyson: ContraStructural. Local artist Dys- RICHMOND on transcends boundaries between sculpture and painting incorporating Richmond Art Gallery trompe l’oeil techniques and theatre 180-7700 Minoru Gate craft to fashion artwork. Opening &604-247-8300 Oct 19 Colin Lyons: Prototypes richmondartgallery.org for the Preservation of Degrada- mon-fri 10am-6pm; sat & sun tion. This exhibition will survey a 10am-5pm. Admission by donation. number of recent series examining Sep 14-Nov 10 Xiaojing Yan: In Enmeshment 23” x 29 1/2” Lyons’ inventive engagement with Suspended Silence. Combining reflecting the human condition printmaking. It will touch on themes two bodies of work that draw from Handmade Gilded Frame of preservation in an age of planned traditional Chinese ink wash painting obsolescence and resource deple- and Western portrait sculpture, it is tion, and reflect on issues around bound together by Yan’s poetic ex- David Hall Studio/Gallery geo-engineering and urban renewal. plorations into the meaning of spiri- tuality and the transformation of self. 373 Skyline Dr. PRINCE RUPERT Wen-Li Chen: To My Unborn Child. Gibsons B.C. Curated by Tyler Russell. Richmond 778.836.5744 Museum of Northern BC Art Gallery (RAG) in partnership with [email protected] 100 First Ave W &250-624-3207 Centre A: Vancouver International davidehall.ca &778-772-3385 Centre for Contemporary Asian Art museumofnorthernbc.com presents the first Canadian solo Daily 9am-5pmtue-sat 9am-5pm. exhibition by Taiwanese artist Admission: adults $6, teens 13-19 Wen-li Chen. PORT MOODY $3, children 6-12 $2, children under Silk Art Gallery 5 $1, members free. To Sep 8 Artist Vancouver Lipont Art Centre 2419 Clarke St &778-355-5399 Anne-Marie Harvey exhibits unique 4211 No. 3 Rd &604-285-9975 silkgallery.ca/ depictions of the Northwest Coast lipont.com mon-thu 10am-7pm; mon-fri 10am-5pm; sat 11am-5pm; using a combination of thick oil Last entry 6:30pm; fri-sun 10am- sun by appt. To Oct 27 Floribunda! paints and large brushes. Sep 14- 8:30pm; Last entry 8pm. Ongoing A group exhibition of fourteen Oct 20 The Prints Rupert Camera Titanic: The Artifact Exhibition award-winning and emerging local Club Annual Exhibit will feature a focuses on the legendary RMS Titan- artists, most of whom specialize in variety of photographs by amateur ic’s compelling human stories, told botanical art. It displays a range of and professional photographers. The through more than 120 authentic artistic styles from hyper-realism exhibit will contain a number of pho- artifacts and extensive room re-cre- to impressionism and abstraction. tographs highlighting the Northwest ations. titanicvancouver.com. Artists: Jane Appleby, Kimberly region of BC. Ongoing Permanent Blackstock, Valerie Butters, Barbara exhibits of Northwest Coast history, SALMON ARM Day, Caroline Hallat, Lori Holdenried, art and culture. Kwinitsa Railway Antonio Hyeok Lee, Zoë Royer, Claire Station Museum and Tsimshian Salmon Arm Arts Centre 70 Hudson Ave NE &250-832-1170 Sower, Sandy Terry, Gerry Thomp- Dance Longhouse: exhibits, salmonarmartscentre.ca son, Marjorie Turnbull, Jeff Wilson, art and performances. tue-sat 11am-4pm admission by do- and Granzyna Wolski. QUALICUM BEACH nation To Sep 8 Scenery: Paintings PRINCE GEORGE by Herald Nix. Blurring the lines The Old School House between landscape and abstract, Two Rivers Gallery Arts Centre Herald’s views of the Shuswap 725 Canada Games Way 122 Fern Rd W &250-752-6133 explore subtleties in colour and light. &250-614-7800 theoldschoolhouse.org Sep 15-Nov 10 Peak Year III: A &1-888-221-1155 mon-sat 10am-4:30pm. Admission Climate of Change. Eight Shuswap tworiversgallery.ca by donation. Sep 4-30 Quadra artists of diverse media explore the mon-sat 10am-5pm; thu 10am- Island Painter, Perrin Sparks and effects of climate change on the 9pm; sun 12-5pm To Oct 7 Dan Photographer, Marshall Soules. Oct Adams River Sockeye Salmon Run. Brault: Atomic Love. Québec City 1-27 Federation of Canadian Artists,

30 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS SKIDEGATE SUNSHINE COAST 9pm; sat 10am-4pm; sun 12-7pm The Kwantlen Fine Arts Department Haida Gwaii Museum Sunshine Coast Art Crawl exhibits student artwork, and at Kay Llnagaay &604-740-5825 presents shows by Canadian and 2 Second Beach Rd sunshinecoastartcrawl.com international contemporary artists &250-559-4643 Oct 19-21 9th Annual Sunshine on the KPU Surrey Campus. haidagwaiimuseum.ca Coast Art Crawl. Held along the daily 10am-6pm. Admission: adults entire Sunshine Coast Highway Arnold Mikelson $16, seniors $15, students $10, chil- from Langdale to Earls Cove or Earls Mind & Matter Art Gallery dren 6-12 $5, children under 5 free Cove to Langdale. It is a chance 13743 16th Ave &604-536-6460 To Sep 15 Artists in Gwaii Haanas. to meet the artists in their studios mindandmatterart.com Featuring Siobhan Humston, and experience the vibrant arts and daily 12-6pm Sep Elizabeth Grégoire Mabit and Sheila Karrow. culture community on the Sunshine Carefoot, acrylic painting. Shirley Ongoing A Tale of Two Shamans / Coast as you follow brochure maps, Thomas, acrylic painting. Jack Ga SGáagaa Sdáng / Ga SGaaga directional signs, smart phone Olive, pottery. Bob Askew, wood- Sding. In celebration of the Haida maps and other Crawlers. Printed turning. Bette Hurd, oil painting. language, Haida Manga, and the brochure/maps will be available late Robert Parks, glass blowing. Mary revised edition of the original book, Sept. at many local outlets including Stevenson, textile. Oct Val Eibner, the Haida Gwaii Museum is thrilled galleries, stores, restaurants, visitor fused glass. Arnold Mikelson, wood to present Yahgulanaas’ original centres, public participating venues, sculpture. Thelma Newbury, fibre book illustrations and in the three BC Ferries and more. art. Elmer Gunderson, bark carving. main dialects of the Haida language. Anita Lindblom, ceramics. Ray Gidansda’s Moon and Mountain SURREY Richards, pottery. Sheila Syming- Goat Chest, and Chief’s Settee. ton, watercolour. On loan from the American Museum Arbutus Gallery at Coast of History, the lineage of the Moon Capital Savings Library Surrey Art Gallery & Mountain Goat chest spans Kwantlen Polytechnic University 13750 88 Ave &604-501-5566 back at least seven generations of D126-12666 72nd Ave surrey.ca/artgallery Hereditary Leaders from the Gakyals &604-599-2219 finagallery.ca tue-thu 9am-9pm; fri 9am-5pm; sat KiiGuwaay clan of Skedans. mon-thu 7:30am-11pm; fri 7:30am- 10am-5pm; sun 12-5pm (closed preview-art.com PREVIEW 31 on Art. Artists make life & learning Stanley Mishkin, Jennifer Harwood, an enriching creative experience for Miles van Yperen, Suzanne Goodwin everyone. Oct 11-28 Artists Eyes, and Roy Geronimo. as quoted by Pablo Picasso: "Others have seen what is and asked why, I ArtStarts Gallery have seen what could be and asked 808 Richards St. &604-336-0626 why not?" artstarts.com/gallery All ages are welcome! Admission VANCOUVER by donation. Open tue-sat, 10am- 4:30pm. ArtStarts Explores, a free Art Beatus (Vancouver) drop-in art activity for families and Consultancy Ltd. young people ages 12 and under 108-808 Nelson St &604-688-2633 from 11am-12pm, the first three artbeatus.com Saturdays of each month! To Oct mon-fri 10am-6pm Oct 12-Dec 7 2018 Movement is for Every Body. Entr’acte: The Works of Taiga A new two-part exhibition about Chiba New mixed media works, movement, dance, and accessibil- each unique but mainly comprised ity. Who gets to call themselves a of silkscreen, natural dye, embroi- dancer? What’s dance and what’s Beastly Habits Fashion Show, detail, dery, and pen, are influenced by the Sep 21, 2018. Photo: Derek Tan movement? Explore these questions Beaty Biodiversity Museum at UBC, Vancouver local artist’s recent stay in Guate- and challenge how you’re usually mala, Mexico, and by two distinct supposed to move in an art gallery! SURREY Mayas: the Mayan culture (Meso- Highlighting students, teachers, and american) and Maya, the Hindu artists creating while on the move, mon & holidays) To Nov 10 The Art goddess of illusion. from classrooms to art galleries and of Warmth, beloved items for the all around their neighbourhoods. home and wardrobe by Peace Arch Art Works Gallery Part one features four schools and Weavers and Spinners Guild. Open- 1536 Venables Street 557 students! Oct to Spring 2019 ing Sep 22 Connecting Threads, &604-688-3301 artworksbc.com The gallery transforms into a pop-up contemporary textiles celebrate the mon-fri 9am-6pm; sat 10am-6pm; dance studio! Visit us to play around human bond with nature, the deep sun 12-5pm Art Works represents in our space with projected images, relationship between the past and some of BC’s most dynamic artists. light, and music. Learn about the present; and the importance Working with corporations, movie different ways to move by following of community and cross-cultural studios, and many of Vancouver’s people dancing on the walls, make dialogue. Maggie Orth: Moving leading interior designers and your own choreography, or be the Towards Stillness, interactive co- architectural firms, Art Works has DJ - it’s up to you! Book online at lour-changing textiles blend ancient developed a distinct and unique artstarts.com/gallery. craft with cutting-edge technology. aesthetic vision, complementing and Kathy Slade: This is a chord. creating value within residential & Bau-Xi Gallery This is another pop culture-in- commercial spaces. Visit our web- 3045 Granville St &604-733-7011 fused textile-based images and site for upcoming exhibition info. bau-xi.com objects. Ongoing Jim Bizzocchi: mon-sat 10am-5:30pm; sun 11am- Ambient Landscape, evocative Arts Off Main Gallery 5:30pm Sep 8-22 Sheri Bakes: video landscapes simulate a natural 1704 Charles Street Open the World. Open the World is environment. OFFSITE: At Urban- &604-876-2785 artsoffmain.ca a body of work inspired by a farm Screen, projecting art after dark tue-fri 12-6pm; sat 10am-6pm; sun on Vancouver Island. The title stems (exterior of Chuck Bailey Recreation 11am-5pm The Gallery is an artist from a painting that was made upon Centre 13458-107A Ave, surrey. collective that has been active for 15 arriving to this farm and depicts a ca/urbanscreen) Sep 21-Jan 6 years. At its core are 9 artist-part- heavily abstracted opening of light Nicolas Sassoon: Liquid Landscapes, ners and a professional framer. We through a forest of trees along a hypnotic animated art evokes the carry a wide variety of affordable art fleshy coloured rain soaked muddy beauty of major geographic sites created by local Artists and Artisans; path. Oct 13-27 George Byrne. across Surrey. paintings, photography, waterco- George Byrne creates large-scale lours, textile arts, pottery, jewelry, photographs that depict everyday TSAWWASSEN stained glass, sculpture, woodwork surfaces and landscapes as paint- and more. Our artist-partners are erly abstractions. Borrowing from Gallery 1710 Lee Sanger, Elana Sigal, Tom Antil, the clean, vivid clarity of modernist & 1710 56th St 604-943-3313 Gary Nay, Tanya Boya, danielle-lou- painting, he also references the New southdeltaartistsguild.com ise, NormaJean McCallan, Eileen Topographics photography move- thu-sun 11am-4pm To Sep 9 Mosca and Cindy-Wynne Kolding. ment via a subject matter firmly Private show. Sep 13-Oct 7 Hands Currently showcasing works by entrenched in the urban everyday.

32 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS and they faded into the landscape paintings by arnold shives SEPTEMBER 15 - NOVEMBER 3, 2018 4360 Gallant Ave | North Vancouver | 604.924.1378 | seymourartgallery.com

Beaty Biodiversity Museum of the Northwest is the first exhibi- Centre A 2212 Main Mall, UBC tion to fully explore the rich history Vancouver International Centre for &604-827-4955 and artistry of Indigenous tattooing, Contemporary Asian Art beatymuseum.ubc.ca piercing and personal adornment on 268 Keefer St &604-683-8326 tue-sun 10am-5pm. Admission: the Northwest Coast. Opening Sep centrea.org tue-sat 12-5pm Sep adults $14, seniors 55+/students/ 18 Interface: The woven artwork 8-29 Ho Rui An: Sun, Sweat, Skirt, youth 13-17 $12, children 5-12 $10, of Meghann O’Brien. Highlighting Fan. Ho Rui An is an artist and writer children under 5 free. Opening Sep some of her finest works done over working in the intersections of con- 15 Skin & Bones by Catherine M. the past ten years in the areas of temporary art, cinema, performance Stewart. Examine our complicated basketry, Yeil Koowu (Raven’s Tail) and theory. He writes, talks and relationship with the animal world and Naaxiin (Chilkat) textiles. thinks around images, with an inter- in an exhibition that intersects the est in investigating their emergence, disciplines of natural science, fine Brian Scott Studio Gallery transmission and disappearance art, and the applied art of 2227 Granville St &250-337-1941 within contexts of globalism fashion design bscottfinearts.ca and governance. tue-sun 10am-6pm Featuring Brian Bill Reid Gallery of Northwest Scott’s paintings for his new book Chali-Rosso Art Gallery Coast Art (Book 6). 40 paintings and stories 549 Howe Street &604-733-3594 639 Hornby St &604-682-3455 of Vancouver. Memories back to chalirosso.com billreidgallery.ca the parade on Kingsway, for the mon-sat 10am-7pm; sun 12-5pm daily 11am-5pm; Admission (+GST): Coronation of Elizabeth II. Ongoing exhibition of works by adults $11, seniors/students $8, historical masters Pablo Picasso, youth 13-17 $6, children 12 and Catriona Jeffries Joan Miró, Salvador Dalí, Marc under free, family (2 adults + 2 &604-736-1554 Chagall, Henri Matisse, Pierre- children) $26. Group rates and catrionajeffries.com Auguste Renoir, Vassily Kandinsky, guided tours available when booked Interim office is open by appoint- Jean Cocteau, Max Ernst, Robert in advance. First Fri is free from ment In anticipation of the relocation Motherwell, Andy Warhol, Roy 2-5pm. Ongoing Body Language: the gallery is closed. Lichtenstein, and Damien Hirst. Reawakening Cultural Tattooing preview-art.com PREVIEW 33 Arts of Resistance Politics and the Past in atin America MUSEUM OF ANTHROPOLOGY AT UBC, VANCOUVER BC - To Sep 30, 2018 moa.ubc.ca While the Vietnam War is among the deﬁ ning moments of the North American baby boom generation, conﬂ icts in Central and South America have remained a media con- stant for those born after 1945. The Cuban Revolution of 1959 is one such touchstone, the Chilean coup d’état of 1973 is another, the 1998 election of Venezuela’s Hugo Chávez another, and so on. In this timely exhibition, guest curator Laura Osorio Sunnucks has assem-

Photo: Alina Ilyasova. Courtesy of Museum Anthropology at UBC bled works that chronicle how Pedro Pérez Martínez, Xalitla, Mexico, 2017 injustice in Latin America is both registered and resisted through art. Structured in fi ve sections, the exhibition opens with a juxtaposition of contemporary and traditional forms: a colourful graffi ti-inspired title wall and a display of Mayan textiles. As the exhibition proceeds, its energies compress. Its second section focuses on present-day political corruption and state intervention in Indigenous affairs, as expressed in a call-to-arms print work in defi ance of a Mexican government’s genetic modifi cation of Oaxacan corn. But not all is tension and strife. Later sections highlight the role carnivals play in providing a site not only for celebration, but also for communication and exchange. Sometimes this communication is direct and geared at mobilizing resistance, other times it is allegorical, a place for connections to be made within the individual – again through art. The exhibition concludes with a Kené mural from the Shipibo people of Peru. Although Kené can appear as abstraction to some, it is closer to traditional narrative than it is to lyric poetry, functioning as a therapeutic device for those who know how to read it. Michael Turner

VANCOUVER Circle Craft Gallery Inuit and Plains art. Showcasing 1-1666 Johnston St, Granville Island culturally expressive works in var- Chinese Cultural &604-669-8021 circlecraft.net ious mediums from prominent and Centre Museum daily 10am-7pm A unique BC Artist emerging First Nations artists from 555 Columbia St &604-658-8880 Cooperative dedicated to providing across Canada. cccvan.com opportunities for craftspeople tue-sun 10am-5pm. Admission by to connect with the community. Contemporary Art Gallery donation. Ongoing Generation to Formed in 1972, Circle Craft utilizes 555 Nelson St &604-681-2700 Generation - History of Chinese a ‘direct from the artist’ approach, contemporaryartgallery.ca Canadians in British Columbia. and our shop & gallery features the tue-sun 12-6pm. free admission. Photos and artifacts of the first work of over 130 artists from BC. To Sep 16 Jeneen Frei Njootli: my Chinese immigrants in BC from auntie bought all her skidoos with the 1800s. The Chinese Canadian Coastal Peoples bead money. Channa Horwitz: Military Museum is also on location. Fine Arts Gallery Progressions and Rhythms in Learn about Chinese contributions 200-332 Water St &604-684-9222 Eight. Andi Icaza-Largaespada: to both world wars and the personal coastalpeoples.com (untitled) a mountain bought but stories of Chinese-Canadians in the daily 10am-6pm A superb collection not yet named. Opening Sep 28 Canadian Armed Forces in WW II. of museum-quality Northwest Coast, Dove Allouche and Kameelah Janan Rasheed.

34 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Haughton - Preview 1/2H - SO2018.qxd 2018-07-19 1:13 PM Page 1 Arts of Resistance Politics and the Past in atin America MUSEUM OF ANTHROPOLOGY AT UBC, VANCOUVER BC - To Sep 30, 2018 moa.ubc.ca While the Vietnam War is among the deﬁ ning moments of the North American baby boom generation, conﬂ icts in Central and South America have remained a media con- stant for those born after 1945. The Cuban Revolution of 1959 is one such touchstone, the Chilean coup d’état of 1973 is another, the 1998 election of Venezuela’s Hugo Chávez another, and so on. In this timely VIEW FROM SAN JUAN ISLANDS exhibition, guest curator Laura Osorio Sunnucks has assem-

Photo: Alina Ilyasova. Courtesy of Museum Anthropology at UBC bled works that chronicle how DAVID HAUGHTON Pedro Pérez Martínez, Xalitla, Mexico, 2017 injustice in Latin America is both registered and resisted 80+ VIEWS OF MOUNT BAKER – HOMAGE TO HOKUSAI through art. VISUAL SPACE GALLERY, 3352 DUNBAR STREET, VANCOUVER, BC Structured in fi ve sections, the exhibition opens with a juxtaposition of contemporary SEPTEMBER 13–26, 2018 – NOON TO 5:00 DAILY and traditional forms: a colourful graffi ti-inspired title wall and a display of Mayan textiles. As the exhibition proceeds, its energies compress. Its second section focuses on present-day political corruption and state intervention in Indigenous affairs, as ex- VIEW PAINTINGS AT WWW.HAUGHTON-ART.CA pressed in a call-to-arms print work in defi ance of a Mexican government’s genetic modifi cation of Oaxacan corn. But not all is tension and strife. Later sections highlight the role carnivals play in providing a site not only for celebration, but also for communication and exchange. Sometimes this communication is direct and geared at mobilizing resistance, other Craft Council of BC Gallery Don Yeomans and Phil Gray. Artwork of layering in their current studio times it is allegorical, a place for connections to be made within the individual – again 1386 Cartwright St &604-687-7270 includes carved wood masks, cedar practices. Oct 8-28 BIMPE X. The through art. The exhibition concludes with a Kené mural from the Shipibo people of craftcouncilbc.ca bentwood boxes, totem poles, 10th Biennial International Mini Print Peru. Although Kené can appear as abstraction to some, it is closer to traditional nar- daily 10:30am-6pm To Oct 4 paddles, bronze and glass works, Exhibition More than 200 artists rative than it is to lyric poetry, functioning as a therapeutic device for those who know Brenda Crabtree: Cultural Fabric. baskets, prints, and handcrafted from all over the world will be repre- how to read it. This exhibition challenges notions gold and silver jewelry. The gallery sented with more than 400 prints in about how Indigenous art is created also offers custom commissioned the exhibition. All works are for sale. Michael Turner and perceived, with works ranging projects for individual and Oct 31-Nov 25 Denise Tonner, Sue from a variety of artistic disciplines corporate clients. Damen and Erin Taniguchi: Points and materials including, fur, hide, of View. An exhibition encompass- wool and cedar. Opening Oct 4 felt Dundarave Print ing whimsical narrative, story telling, :: feutre Canada: SHRINE. A group Workshop + Gallery and illustrative imagery. exhibition created by felt :: feutre 1640 Johnston St., Granville Island canada members from across &604-689-1650 Eagle Spirit Gallery Canada. The work asks participating dundaraveprintworkshop.com 1803 Maritime Mews, Granville artists to create a portable shrine Winter: Oct. 1-May 18, wed-sun Island &604-801-5277 that pays homage to a belief which 11-5pm Summer: May 19-Sept 30, &1-888-801-5277 is intrinsic to them. mon-sun 11-5pm To Sep 16 Group eaglespiritgallery.com Summer Exhibition. A diverse tue-sat 11am-5pm or by appt Douglas Reynolds Gallery range of work including etchings, Specializing in Northwest Coast First 2335 Granville St &604-731-9292 monotypes, relief prints, collagraphs Nations and Inuit art. Featuring mu- douglasreynoldsgallery.com and more. As pieces are sold, new seum-quality hand-carved masks, mon-sat 10am-6pm; sun 12-5pm works go up to create an ever panels, bentwood boxes, totem Specializing in contemporary and changing exhibition. Sept 17-Oct 7 poles, argillite carvings, button historical Northwest Coast Native IT’S ALL ABOUT LAYERS. Three blankets, glass sculptures, and Inuit art, a wide selection of artwork is of- printmakers: Gail Fromson, Alex stoneworks fered by leading First Nations artists Gage, and Gloria Shaw explore the including Bill Reid, Robert Davidson, conceptual and aesthetic strategies

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Lookout Gallery Lookout preview-art.com PREVIEW 37 A urators Vie Ian Thom Selects vanartgallery.bc.ca VANCOUVER ART GALLERY, VANCOUVER BC - Sep 22, 2018 - Mar 17, 2019 The announcement last spring of VAG Senior Curator Ian Thom’s retirement allowed many in the Vancouver art community to refl ect on the curator’s work, as well as what it means to give 30 years of your life to a single institution. For those who entered the workforce after the late 1980s, a lifelong job seems as distant as your grandfather’s war. But that’s when Thom joined the VAG as Senior Curator – in 1988 – and his contribution Photo: Pardeep Singh to the VAG is as much the Ian M. Thom, Senior Curator – Historical, Exhibition Tour, 2018 story of the gallery as it is the story of Thom. For his fi nal exhibition, Thom selected from the VAG’s 12,000+ permanent collection a range of historical and contemporary works that he considers foundational, both to the collection and to himself. These include works by Emily Carr, Robert Davidson, David Hockney, Beatrice Lennie and Andy Warhol. To fi nd out more about what mo- tivated his selection, Preview requested an iw. Preview: Is there an exhibition you are most proud of? Thom: The fi rst major show I did at the VAG – David Milne. It was the most compre- hensive retrospective of Milne’s work and remains very close to me. Otherwise, I am proud to have enabled Vancouverites to see the Leonardo drawings during the 2010 Winter Olympics. Preview: What is the biggest lesson you have learned from your time at the VAG? Thom: Perseverance will usually get you there in the end. Preview: Is that lesson refl ected in your Selects exhibition? Thom: Yes, in some of the works that I facilitated entering the collection. Preview: Is there a work from the VAG collection that you will miss the most, one that you wish you could take home with you? Thom: No. The works that I helped bring into the collection are where they should be – available to the public. Michael Turner

VANCOUVER and printmaking. The exhibition Sept 19-23. Oct 11-Nov 3 Amanda brings a theoretical perspective to Reeves: NEW PAINTINGS. In her Elissa Cristall Gallery art practices combining material new series Reeves takes a slight 2239 Granville St &604-730-9611 and tacit knowledge. In each artists’ change in direction from geometric cristallgallery.com work, the history of their craft and shapes to imagined patterns closely tue-fri 11am-6pm; sat 11-5pm their deep understanding of the associated with nature. The nuanced Sept 13-29 Rachael Ashe, Aurora process is evident. Curated by colours and layered patterns arouse Landin, Alwyn O’Brien, Amanda Lesley Finlayson. This exhibition a rhythm and movement in each Wood: CUT WEAVE THROW PRINT. coincides with the Textile Society painting and engage the eye in the The artists work in a variety of me- of America’s 16th Biennial Sym- pleasure of seeing. dia including textile, paper, ceramic posium taking place in Vancouver

38 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS sept 29 - oct 13 Forces of Nature: Northwest Coast Indigenous Jewellery L A T T I M E R G A L L E R Y 1590 West 2nd Ave. Vancouver, BC 604-732-4556 lattimergallery.com

English Bay Gallery the BC Sculptor Society, the FCA Groundhogs. 11 years later, The 103-1535 Johnston St, Granville is exhibiting sculptures alongside Groundhogs reunite for this special Island &604-688-3006 our two-dimensional artwork. It exhibition titled Hinterlands, which englishbaygallery.com investigates the usage of space as looks at the realm of nature and the daily 10am-6pm Paintings by Ted a design element across art forms, animal kingdom that surrounds and Seeberg, photo collages by Bill and awakens the gallery space to overlaps human encroachment. Oct Frampton, and photographs by work beyond the two-dimensional. 13-Nov 17 Pierre Coupey and Dion Yoshi Yamamoto. The gallery will be Kliner. In the studio the search is leaving their Granville Island location Gallery Gachet for discovery through proprioception at the end of Sep - please see our 9 W Hastings St &604-687-2468 (sensibility within the organism by website for contact info. gachet.org movement of its own tissue), that is, tue-sat 12-6pm Sep 7-Oct 28 the intelligence of the body. In my Federation Gallery 11th Annual Oppenheimer Park practice it isn’t reason over passion, 1241 Cartwright St, Granville Island Exhibition. Features artwork from or passion over reason, but reason &604-681-8534 artists.ca Oppenheimer Park artists, a resolute with passion. Not depiction of "the mon-sun 10am-5pm To Sep 9 community of people upholding a real" but re-enactment of the real Scenes from Western Canada. vision of the Downtown Eastside as through the proprioception of rimed There is no shortage of inspiration a place for art, education, recreation, experience, language, landscape from the environment in western health and healing. and art. – Pierre Coupey Canada. We are spoilt for our natural bounty; our beautiful farms, parks, Gallery Jones Goldmoss Gastown Studio and vineyards. Sept 25-Oct 7 BIMPE 1-258 E 1st Ave &604-714-2216 & Goldmoss Satellite X. The Biennial International Minia- galleryjones.com 606-55 Water St & 1338 Franklin St ture Print Exhibition.Oct 9-28 The tue-fri 11am-6pm sat 12-5pm &604 331-9936 &604-886-1968 Annual International Representa- and by appt Sep 6-Oct 6 The goldmoss.com tional Exhibition. A juried exhibition Groundhogs: Hinterland. In 2007, Gastown Studio: mon-thu 11am- of representational and semi-rep- four artists, Anne Ashton, Randall 4pm or by appt. Satellite: mon-thu resentational original paintings, Finnerty, Paul Morstad, and Craig 2-9pm; fri 2-10pm; sat 1-10pm; sun prints and drawings. Opening Oct 30 Welsh, formed a collective and 1-8pm GASTOWN STUDIO, #606 - Shape and Form. Partnering with exhibited under the moniker The 55 Water St. Sculpture, Painting and preview-art.com PREVIEW 39 Sean William Randall Opening Reception: September 8 - 30th, 2018 Saturday, Sept 8th from 2 to 4 pm

Tim Fraser Opening Reception: October 6 - 31st, 2018 Saturday, Oct 6th from 2 to 4 pm

2342 Granville Street, Vancouver iantangallery 604 738 1077 iantangallery.com 40 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS South Granville WWW.SGGA.CA GALLERY ROW SOUTH GRANVILLE GALLERY ASSOCIATION

1 UNO LANGMANN LIMITED 2117 Granville St 604.736.8825 langmann.com 5th AVE 2 KIMOTO GALLERY 1 1525 W 6th Ave 2 604.428.0903 6th AVE kimotogallery.com 3 ELISSA CRISTALL GALLERY 3 2239 Granville St 604.730.9611 4 cristallgallery.com 5 Sean William Randall Opening Reception: 4 PETLEY JONES GALLERY 7th AVE 2245 Granville St September 8 - 30th, 2018 Saturday, Sept 8th from 2 to 4 pm 6 604.732.5353 7 petleyjones.com 5 HEFFEL FINE ART 8th AVE AUCTION HOUSE 2247 Granville St 8 604.732.6505 9 heffel.com 6 IAN TAN GALLERY WEST BROADWAY 2342 Granville St 604.738.1077 iantangallery.com 10th AVE 7 DOUGLAS REYNOLDS GALLERY 2335 Granville St 11th AVE 604.731.9292 douglasreynoldsgallery.com

FIR 12th AVE GRANVILLE HEMLOCK 8 MARION SCOTT GALLERY 2423 Granville St 604.685.1934 13th AVE marionscottgallery.com 9 KURBATOFF ART GALLERY 10 2435 Granville St 604.736.5444 14th AVE kurbatoffgallery.com 11 10 THE ART EMPORIUM 2928 Granville St 15th AVE 604.738.3510 theartemporium.ca Tim Fraser Opening Reception: 11 BAU-XI GALLERY 3045 Granville St October 6 - 31st, 2018 Saturday, Oct 6th from 2 to 4 pm 604.733.7011 bau-xi.com 2342 Granville Street, Vancouver iantangallery 604 738 1077 iantangallery.com hfa contemporary Kimoto Gallery JOHN DANN Vancouver Studio Closing 320-1000 Parker St 1525 W 6th Ave &604-428-0903 &604-876-7606 &604-349-7606 kimotogallery.com hodnettfineart.com tue-thu 10am-6pm; fri 12-5pm; sat by appt List both phone numbers. 10am-6pm Sept 28-27 Katsumi 604-349-7606A contemporary fine Kimoto & Friends. 5 year anniver- art gallery located in the industrial sary exhibition. arts district of east Vancouver showing work by a selection of local and Lattimer Gallery international contemporary artists. 1590 W 2nd Ave &604-732-4556 Viewing by appointment only. lattimergallery.com VAN: mon-sat 10am-5:30pm; sun Ian Tan Gallery 11am-5pm; holidays 12pm-5pm 2342 Granville St &604-738-1077 YVR: 9am-8pm Daily MOV: sun-wed iantangallery.com 10am-5pm; thu-sat 10am-8pm

(detail), marble, 65 cm marble, (detail), mon-sat 10am-6pm; sun 12pm- 1590 W 2nd Ave. @YVR: Interna-

Torso 5pm Established in 1999, Ian tional Terminal. Level 3 Departures. 604.813.2432 Tan Gallery in British Columbia is @MOV 1100 Chestnut St. Original Sale of 2D-3D works a contemporary art gallery that works of art by First Nations artists, [email protected] represents important emerging and including gold and sterling silver established artists in contemporary jewellery, masks, panels, bentwood VANCOUVER Canadian Art. Sept 8-30 In the blue boxes, totem poles, argillite, future, Sean William Randall. Oct sculptures, paintings, and limited Photography by artist couple Lee 6-31 Lit,Tim Fraser. edition prints. WEST 2ND Sep 29-Oct & Bon Roberts. SATELLITE, Callister 13 Forces of Nature: Northwest Brewing 1338 Franklin St. Works by Il Museo, Il Centro Coast Indigenous Jewellery Jonathan Dy and Lee Italian Cultural Centre features some of the most popular & Bon Roberts. 3075 Slocan St &604-430-3337 and accomplished Northwest Coast italianculturalcentre.ca Indigenous jewelers on the market. grunt gallery tue-sat 10am-5pm Opening Sep 12 116-350 E 2nd Ave Women’s Work: Reflections on Libby Leshgold Gallery &604-875-9516 grunt.ca the History of Women in Textile. Emily Carr University of Art + Design tue-sat 12-5 pm Sep 7-Oct 20 Curated By Angela Clarke. Artists: 520 East 1st Avenue Woven Works From Near Here. Constance Chapman, Linda Coe, &604-844-3809 libby.ecuad.ca Curated by Emily Hermant and T’ai Eleanor Hannan, Barbara Heller, daily 12-5pm. free admission. Open- Smith. Featuring eight artists who Anni Hunt, Ruth Jones, Jennifer ing Oct 4 Dorothy Cross: Stalactite. experiment with woven methods Love, Bettina Matzkuhn, Hellen and concepts, this group show McCrindle, Catherine Nicholls, Lookout Gallery stretches what it means to be a Susan Purney Mark, Kaija Regent College, UBC textile. Included in the show are Rautianian, Ruth Scheuing, Michelle 5800 University Blvd works by artists Debra Sparrow or Sirois-Silver and Yvonne Stowell. &604-224-3245 lookoutgallery.ca mon-fri 8:30am-5pm; sat 12-4pm. θəliχʷəlʷət, Gabrielle L’Hirondelle Hill, Hank Bull, Jovencio de la Paz, Inuit Gallery of Vancouver free admission. Sep 12-Oct 5 Kerri Reid, Matt Browning, Melvin 206 Cambie St &604-688-7323 Edith Krause: Adam/Adamah. In Williams, and Merritt Johnson. &1-888-615-8399 inuit.com juxtaposing images of human tissue mon-sat 10am-6pm; sun 11-5pm sections with landscapes, the exhibit Heffel Fine Art Auction House Since 1979, the Inuit Gallery of seeks to consider the connections 2247 Granville St &604-732-6505 Vancouver Ltd has offered a muse- between human beings and the land &1-800-528-9608 heffel.com um-quality collection of masterwork: in which they originated. Open- mon-fri 9am-5pm; sat 10am-5pm Inuit, Northwest Coast First Nations ing Oct 12 Colleen McLaughlin Sep 6-26 Online Auction: Matter and contemporary Canadian art, in Barlow: Whale Dreams. Dive into + Mass / Canadian Post-War & the heart of Gastown. Continuing the underwater world of whales with Contemporary Art. Oct 4-25 Online a tradition of presenting important the extraordinary crystal sculptures Auction: International Art / Inter- exhibitions of Canadian Indigenous of whale bones; located in the national Graphics & Pop Art Prints art, featuring new works by senior Regent North Atrium. Opening Oct / Canadian Landscapes: Group of artists and exploring the work of the 17 Dao Zi: Turning Blood Into Ink. Seven & Their Contemporaries. Oct talented next generation of artists. This collection of Chinese ink-wash 27-30 Live Auction Preview in Sep 15-Oct 5 Leah Pipe: Feather + paintings reimagines the ancient Vancouver: Post-War & Contempo- Bone. New paintings from BC artist Literati tradition–stemming from the rary Art / Canadian, Impressionist Leah Pipe. Oct 20-Nov10 Annual Tang Dynasty–along spiritual lines. & Modern Art. Cape Dorset Print Collection. Inspired by the Literati painters’

42 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS capacity to portray personal mental mission. Opening Sep 4 Beginning ica. Featuring art and multi-sen- landscapes, Dao Zi uses similar with the Seventies: Collective sory installations from Mexico, techniques to give shape and colour Acts. Collective Acts taps into the Guatemala, Peru, Honduras, Ecuador to transcendence. generative potential of archival and Chile, with special attention research by artists into experiments to marginalized communities, Arts Marion Scott Gallery/ with collective organizing and of Resistance explores the role of Kardosh Projects cooperative production, presenting creativity during times of political 2423 Granville St &604-685-1934 new work by Dana Claxton, Jeneen turmoil. Ongoing Culture at the marionscottgallery.com Frei Njootli and the ReMatriate Centre a collaboration between six tue-sat 10am-6pm Sep 13-Oct 6 Collective, Christine D’Onofrio and First Nations Communities and of- Vicky Marshall: Forest Heather Kai Smith, alongside work fers insight into the important work new paintings. by Salish Weavers Guild members Indigenous-run cultural centres and Mary Peters, Adeline Lorenzetto and museums in BC are doing to support Monny’s Art Gallery Annabel Stewart. their language, culture, and history. 2675 W 4th Ave &604-733-2082 The Musqueam Cultural Education envisionoptical.ca Museum of Anthropology and Resource Centre (Musqueam), mon-sat 11am-6pm Long-time at UBC Squamish-Lil’wat Cultural Centre collector Monny’s permanent collec- 6393 NW Marine Dr (Squamish, Lil’wat), Heiltsuk Cultural tion of artwork, as well as rotating &604-822-5087 moa.ubc.ca Education Centre (Heiltsuk), Nisga’a exhibitions of works by local artists tue-sun 10am-5pm; thu 10am-9pm; Museum (Nisga’a), Haida Gwaii Mu- Andrea Gower, Kerensa Haynes, closed mon (until May 15). Admis- seum and Haida Heritage Centre at Ted Hesketh, Sonia Kobrahel, and sion: adults $18, students & seniors Kay Llnagaay (Haida) come together Stanimir Stoylov. 65+ $16, family $47, children 6 to cover a wide geographic expanse. and under free, UBC staff, students Morris and Helen Belkin Art & faculty free with ID. thu 5-9pm: Museum of Vancouver H Gallery $10 To Sep 30 Arts of Resistance: 1100 Chestnut St &604-736-4431 1825 Main Mall, UBC Politics and The Past In Latin &604-730-5304 &604-822-2759 belkin.ubc.ca American. Curated by Laura Osorio museumofvancouver.ca tue-fri 10am-5pm; sat - sun Sunnucks, MOA’s Mellon Postdoctor- mon-wed & sun 10am-5pm, thu 12-5pm, closed holidays. free ad- al Curatorial Fellow for Latin Amer- 10am-8pm, fri 10am-9pm, sat preview-art.com PREVIEW 43 The roundhogs interlands GALLERY JONES, VANCOUVER BC - Sep 6 - Oct 6, 2018 galleryjones.com

Randall Finnerty, Bear on a Buoy, 2018, mixed media, watercolour on paper The idea of the artist collective continues to confound those who hold a romantic view of the artist as a necessarily singular fi gure tormented by their genius. But North America has a rich history of collective visual art practitioners, from Toronto’s General Idea to the US Southwest’s Postcommodity. Among the more infl uential collectives of the past quarter-century is Winnipeg’s Royal Art Lodge (1996-2008), whose art is based in illustrative drawing and painting, and who invariably spring to mind when looking at the work of the Groundhogs. Formed in 2007 by artists Anne Ashton, Randall Finnerty, Paul Morstad and Craig Welsh, the Groundhogs also display a penchant for the natural world and its relationship to human consciousness. However, where the Lodgers’ simple, often violent psychosexual illustrations fl oat over unmarked fi elds, the Groundhogs ground theirs, more often than not against blue skies, as in Ashton’s work, or in washed-out ones, as in Finnerty’s. Certainly all of them model their surfaces harder and with more technical precision than the Lodgers. For this reunifi cation exhibition, the Groundhogs provide audiences with a gentler though no less foreboding view of human, plant and animal interactivity at a time when temperatures are rising and icebergs are melting. In Morstad’s Who Cooks for You (2018), a snow-bound Renaissance princess casts a withering eye from a forest of teth- ered owls, while in Finnerty’s Bear on a Buoy (2018), isolation competes with loneliness. But not all is storybook narrative. In Rings (2018), Ashton gives us a circle comprised of mushroom caps, bark, and a bird’s egg and skull. Michael Turner

44 PREVIEW n SEP - OCT 2018 preview-art.com PREVIEW 45 VANCOUVER combined with hands-on activities Or Gallery will encourage you to reflect on and 555 Hamilton St &604-683-7395 10am-9pm. Admission: adults $18, engage in a mutualistic relationship orgallery.org seniors & students $15, youth 5-18 with nature. tue-sat 12-5pm Sep 29-Nov 3 $8, family $40, children 4 and Arjuna Neuman and Denise under - free. Last thu of the month Musqueam Cultural Ferreira da Silva: Four Waters. by donation. Ongoing HAIDA NOW: Centre Gallery It is as much a film project and an A Visual Feast of Innovation and 4000 Musqueam Ave experiment in collaboration, as it Tradition An unparalleled collection &604-263-3261 is a set of fragments drawn from of Haida art boasting more than &1-866-282-3261 a re-imagined cosmos. Through a 450 works created as early as musqueam.bc.ca/ series of experimental migrations 1890. Local Haida artists share their musqueam-cultural-centre-gallery and elemental crossings we begin insights and knowledge about the by appt. Admission: $5 The Gallery to question the form of the universal art pieces, providing visitors with the at the Musqueam Cultural Education human, its calcified and exceptional opportunity to experience a powerful Resource Centre features 1300 sf of origins, and in particular, its ethical way to engage with the worldview space where the Musqueam people program. Wandering and wondering and sensibility of the Haida people can share their history and culture, through a transformative figuring of while gaining greater appreciation from their perspective. The gallery justice, we ask, what if our image for the role museums can play features exhibitions highlighting his- of the world recalled phase instead in the reconciliation movement. toric cultural objects, contemporary of measure? And what becomes of WILD THINGS: THE POWER OF arts, and the sharing of Musqueam ethics if we let go of value? NATURE IN OUR LIVES delves into culture. The Gallery also utilizes the life stories of local animals and Reciprocal Research Network (RRN) Parker Projects plants-how they connect with each kiosks to provide a richer interactive 440 - 1000 Parker St. other and how people connect with exhibition experience. &604-254-8743 parkerprojects.ca nature in the city. The immersive To Oct 6 Mimesis. Works by Robert nature of the exhibition environment Kelly and Tanis Saxby. Oct 11-14

46 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Wanderings Photographer Yasmeen what’s new or visit our website for Strang showcases works from her exhibition information. travels in Africa and Jamaica. Open- ing Oct 25 Unseated Guest Curator Poly Culture Art Center Pennylane Shen brings together #100-905 W Pender St three artists: David Ellingsen, David &778-855-8936 &604-564-5766 Robinson and Jay Senetchko. With polyculture.us/ a special installation by Anonymous tue-sat 10am-5pm. free admission. Sculptor Society. Poly Culture Art Center is the only platform for Poly Culture Group Pendulum Gallery H to exhibit, display and operate 885 W Georgia St, HSBC Building Chinese artworks in North America. &604-250-9682 To Sep 12 The Lingering Charm: pendulumgallery.bc.ca Oil Paintings by Xue Yanqun. A mon-wed 9am-5pm; thu-fri beauty of remoteness and tranquility 9am-9pm; sat 9am-5pm. Sep permeates in Xue’s paintings: behind 10-28 Splash 2018. Arts Umbrella the dreamy veil of time, a gentle presents an exhibition of painting, sound calls for response from the sculpture, drawing, photography, ancient time, and whispers in the jewelry and furniture design. Held dialoguing cultural tide of east and annually at the Pendulum Gallery, west. Traditionally dressed, modern this show is a preview of the works ladies in Xue’s paintings embody Aimee Henny Brown, Future Cache IV, 2018 to be sold at the Splash Auction held an implicit beauty and a poetic Pendulum Gallery, Vancouver in support of A.U programming. Oct leisure, leaving us with an illusion 1-27 Aimee Henny Brown & Jessie of time travel. has exhibited locally, nationally, McNeil: The Opposite of Entropy. and internationally over the past A measurement of change from Roedde House Museum forty years. Oct 11-Nov 9 Claudie order to disorder, entropy is at root, 1415 Barclay St &604-684-7040 Azoulai and Nicole Schouela: a decline towards chaos - a slip into roeddehouse.org Heart to Heart. Nature’s changing infinite possibilities. Aimee Henny tue-sat 11am-4pm; sun 1-4pm palette, swelling with textures, Brown and Jessie McNeil, through $5 Admission / $8 Admission on tones and hues, provides a means the act of collage, are in practice of Sundays (Tea and Tour) Sep 24-Nov of expression for these two artists. bringing an abundance of sources 18 Memories of the Future III Although diverse in their respective and visual material into focus. Start- features an installation of prints mediums, their messages coincide. ing at a place of collection, Brown by Diyan Achjadi and a new Azoulai uses the ancient art of and McNeil observe, sort, select and experimental dance film byCindy feltmaking and Schouela uses digital assemble new landscapes, shelters Mochizuki that collapse fact and photographic deconstructions. and inhabitants from disparate parts, fiction and interweave official and making meaning from multitudes. counter histories in response to the Skwachàys Lodge Aboriginal history and domestic setting of the Hotel and Gallery Peter Kiss Studio and Gallery Roedde House. Built in 1893, the 29/31 W Pender St &604-558-3589 1327 Railspur Alley, Granville Island Roedde House Museum preserves skwachays.com &604-696-0433 peterkiss.com and exhibits the day-to-day life of a daily 10am-6pm. free admission. tue-sun 10:30am-5:30pm middle class, European immigrant Original works of art by Indigenous A constantly changing collection family at the turn of the century. artists including carvings, paintings, of sculpture, mixed-media prints, limited edition prints and jewelry. and jewellery that boldly combines Sidney and Gertrude Members of the Authentic Indige- materials, social commentary, Zack Gallery nous Arts initiative which provides a and humour. Jewish Community Centre effective way to identify and protect 950 West 41st Ave &604-638-7277 Indigenous art. The gallery is located Petley Jones Gallery jccgv.com/art-and-culture/gallery/ on the Lobby Level of Skwachàys 2245 Granvillle Street Please see website. free admission Lodge with the proceeds funding &604-732-5353 petleyjones.com Sep 6-Oct 8 Barbara Heller: Divine housing for artists. Look for our new tue-sat 10am-6pm Art Dealers in Sparks. Heller’s work reflects her website coming soon. Contemporary and Historical Art. concerns about our world - one In addition to sales, purchases, art fraught with inequities, beset by South Main Gallery rentals and consignment we offer senseless violence in the name of 279 E 6th Ave &604-565-5622 services in conservation framing, a “greater good,” the environment, southmaingallery.com restoration, appraisals, historical and our psychological isolation from wed-sun 11am-6pm. free admis- and contemporary works are one another. She is a passionate sion. Sep 6-30 Karen Yurkovich: continuously acquired - come see proponent of the art of tapestry, and Functionally Extinct. These works continue an exploration of the preview-art.com PREVIEW 47 directions in aboriginal art, including Ukama Gallery JOHN DANN cross-cultural communication, the 1802 Maritime Mews, Granville Vancouver Studio Closing use of new materials (such as glass Island &778-379-0666 ukama.ca and metal), and modern interpreta- daily 10am-6pm. free admission. tions of shamanism, environmental Specializing in original stone concerns, and other issues pertain- sculpture, Ukama Gallery represents ing to the changing world. emerging and world-renowned artists from Zimbabwe. Each unique SUM gallery work of art is selected with an eye Pride In Art Society toward capturing the remarkable 268 Keefer St - Suite 425 variety of styles that flourish in artis- &778-228-1219 tic communities across the country. queerartsfestival.com Complementing the sculpture are tue-sat 12-6pm Opening Sep 8 paintings and mixed media works Adrian Stimson: Naked Napi. Napi from outstanding Canadian artists. is a character from traditional stories Side by side, these distinctly dif- of the Siksika (Blackfoot) nation. ferent art forms have something to Often referred to as the “Old Man” say about the essence of the human who came from the sun, Napi along- artistic instinct. Visit us on Granville side the “Old Woman” are known as Island for a truly unique experience. quasi-creators in these stories. Na- Sep 20-25, 11am-4pm Cultural ked Napi presents Adrian Stimson’s Connections: Master Zimbabwean new site specific Installation and Sculptor, Dominic Benhura & reimagines the traditional tales Ojibway Dreamer, IceBear. Live of Napi in the present. Where the , acrylic on aluminium, 15 ft high 15 ft acrylic on aluminium, , carving event.

5M intersections of indigeneity, sexuality 604.813.2432 and Two-Spirit identities are drawn Unitarian Church of Vancouver Sale of 2D-3D works to the forefront in this retelling. 949 W 49th Ave &604-261-7204 [email protected] It is a display of reclamation that vancouverunitarians.ca challenges the colonial erasure sun 10am-1:30pm or phone for VANCOUVER of Indigenous bodies, power and hours Sep 1-30 Paintings by sexual histories. Richard Reiner. Self taught, Richard natural world and the cultural paints in acrylics. He favours a landscape. They also reach into The Art Emporium realistic style with a preference for my personal artistic trajectory; 2928 Granville St outdoor scenery. His works include &604-738-3510 reconsidering themes from different Rocky Mountain views, English Bay theartemporium.ca mon-sat moments of my practice. This show from Jericho Park and places in 10am-6pm or by appt Exceptional constitutes a landscape or the cre- Richmond including the colorful Finn inventory of paintings by Canadian, ation of an eco-system, or at least Slough community. Opening Oct 1 American, and French masters of the my attempt to create one. M. Carsience: The Light of All 20th century, as well as all members Oct 13-Nov 4 Lori Goldberg: Things. A collection of abstract of the Group of Seven and several Poetics of the Discarded. Contem- light paintings. The images are of their contemporaries. Featuring plating the intrinsic beauty in the made with a technique the artist J.P. Riopelle, Lawren Harris, Tom discarded and the disregarded. calls "experimental optics," curious Thomson, and Emily Carr. experiments with digital photogra- Spirit Wrestler Gallery phy and disassembled camera lens 101-1669 W 3rd Ave The Gallery at The Cultch parts, which transforms the light & &604-669-8813 1895 Venables St 604-251-1766 of our illuminated environment into &1-888-669-8813 thecultch.com/venues/gallery tableaus that challenge perceptions spiritwrestler.com mon-sat 12-4pm. To Sep 22 Spac- and invite the imagination to explore tue-sat 10am-5pm; sun 12-5pm; es, Places, and Traces: Eastside new realms. mon: closed or by appt. Spirit Wres- Culture Crawl Preview Show. tler Gallery is a leading contempo- Oct 30-Nov 17 Works by Ilze Uno Langmann Limited rary fine art gallery representing Bebris and M.A. Tateishi. 2117 Granville St &604-736-8825 &1-800-730-8825 langmann.com master Inuit, Northwest Coast and Toni Onley Estate Maori artists. Sep 29-Oct 27 A tue-sat 10am-5pm; or by appt. Sep &604-263-8980 tonionley.com Hunter’s Vision: Paul Malliki. A 1-30 Impressionist Brushstrokes. [email protected] This month’s Impressionist exhi- long awaited solo exhibition of 22 Representing the Estate: in Victoria, sculptures collected over 3 years. bition presents art pieces by John Winchester Galleries; in Calgary, Hammond, Emile Schuffenecker, The gallery focuses on exhibitions Wallace Galleries. that showcase contemporary Franklin Milton Armington and John

48 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS arina alaitis Age of the Unseen World ARC.HIVE GALLERY, VICTORIA BC - Sep 8 - 23 arc-hive.weebly.com Age of the Unseen World is, in sculptor Karina Kalvaitis’ own words, a collection “of imaginary animals … created in small limited edition ‘litters,’ with each sculpture being unique enough to have its own personality. Created by hybridizing features from various animals and sometimes plants, they create a world … both familiar and strange.” Fourteen creatures made from wool, angora, glass, wire, epoxy clay, polymer clay, acrylic paint and varnish, all approximately 8 to 9 inches long, will be exhibited in small groups of multiples. The fruit of three years’ labour, these little be- Karina Kalvaitis, Fortune Tellers, 2018, wool, angora, glass, wire, epoxy clay, polymer clay, ings are inspired by a acrylic paint, varnish series of graphite drawings. Kalvaitis spent a year learning and perfecting her needle felting technique to be able to incorporate the glass, wire and clay necessary to build the exquisite little horns and hooves and eyes. Her ﬁ rst success was the Northern Unicorns, a group of downy primatal elks, each with a lion’s mane, a velvety nose, blue eyes and a single elaborate antler. Inspired by nature, animals and the tactile nature of art supplies, Kalvaitis graduated with a BFA from the Alberta College of Art and Design and studied theatre prop building at the Banff Centre (2007- 8). Her technical skill and love of mystery is a magical combination, seamlessly infusing her creations with spirit. She says that “like people without the armor of artiﬁ ce and culture…[my creatures] nakedly engage with the world in ways that are beautiful, awkward and loveable.” Opening reception Sep 7, 7pm Christine Clark

Wentworth Russell. Oct 1-31 Cap- rotating selection of museum-quality children 6 to 12 $6.50, children turing Childhood An exhibition of paintings, objets d’art, and antiques 5 and under free, members free. children as the subjects of portraits from Europe and North America. Reference Library mon-thu 1-5pm and genre scenes. A variety of artists Opening Sep 22 A Curator’s View: have replicated the innocence and Vancouver Art Gallery Ian Thom Selects, selected works exuberance of youth on canvas. 750 Hornby St &604-662-4719 from the permanent collection. Artists: Laura Muntz Lyall, Bernand (24-hr info line) vanartgallery.bc.ca Opening Oct 13 Guo Pei: Couture de Hoog, Lammert Van Der Tonge daily 10am-5pm; tue 10am-9pm. Beyond. Immaculately-crafted mas- and Edmund Adler. Ongoing Showing Admission: adults $24, seniors (65+) terpieces evoking the decadence of alongside these exhibitions is a $20, students (with valid ID) $18, China’s historical dynasties. preview-art.com PREVIEW 49 September 8 - 22 DREAM ON MADELEINE WOOD 606 View St. Victoria • www.madronagallery.com • 250 380 4660

VANCOUVER and disaster. Ongoing St Roch-90 examine what it means to Years of Adventure celebrates the try and hold onto a particular part Opening Oct 27 Dana Claxton: St. Roch’s 90th birthday with images of the past in the face of the ever- Fringing the Cube. Claxon critiques and artifacts from the collection that changing present. Jennifer Dyck: the representations of Indigenous have rarely been on display. Slow Down! Big Themes Ahead. people in art, literature and popular Series of collage works makes culture. To Sep 30 Cabin Fever. Viridian Gallery visual commentary about some Tracing the history of the North 1570 Coal Harbour Quay prominent subject matter found in American cabin. To Oct 28 Ayumi &604-568-3377 viridiangallery.ca historic religious art. Goto & Peter Morin: how do you daily 10am-6pm Sep 28-Nov 11 carry the land? Works from the Contemplation. Selected works VICTORIA ongoing collaboration of artists Goto by Jianjun An, Qiangli Lian. (Japanese Canadian) and Morin arc.hive gallery (Tahltan). Kevin Schmidt: We are Z Gallery Arts 2516 Bridge Street &250-480-8197 the Robots. Schmidt’s art practice 102-1688 W 1st Ave arc-hive.weebly.com embodies the DIY sensibilities of an &604-742-2001 zgalleryarts.com sat-sun 12-5 pm Sep 7-23 Karina amateur inventor. OFFSITE, 1100 wed-sat 11am-5pm and by appt. Kalvaitis: Age of the Unseen W Georgia St. To Oct 8 Shigeru To Sep 5 Group Exhibition with World. A series of beautifully Ban. His Kobe Paper Log House has Xie Lei, Henni Alftan and Khaled hand-felted sculptures of hybrid become the prototype for disaster Alkhani. Sep 20-Oct 20 creatures that embody both vulner- relief structures built around the Stare: Ferle. ability and a sense of hopefulness world for the past 20 years. while acting as a metaphor for VERNON our own states of mind, conveying Vancouver Maritime stoicism, happiness, uncertainty and Museum H Vernon Public Art Gallery wonder. Oct 6-21 Kate Scoones: 1905 Ogden Ave &604-257-8300 3228 31st Ave &250-545-3173 Florage. An installation of paintings, vanmaritime.com vernonpublicartgallery.com drawings, textile and paper works mon-sun 10am-5pm; thu 5-8pm by mon-fri 10am-5pm; sat 11am- that combine notions of floral and donation. Admission (+GST): $11 4pm To Oct 3 Spirit of the Lens. forage to question the displacement adults, $8.50 students, seniors, The Vernon Photography Club is and revaluation of native plants into youth, $30 family, 5 and under free a group of active photographers food, decoration and weeds with the To Oct 7 Maria Steernberg: Sea with a wide range of focus and arrival of European settlement. Snaps Exhibition As part of Vancou- subject matter. The exhibition is ver’s Capture Photography Festival, juried by its members and the VPAG Deluge Contemporary Art the Vancouver Maritime Museum provides exhibition opportunities 636 Yates St &250-385-3327 presents this exhibition highlighting in a professional setting. To Oct deluge.ws the beauty of Vancouver’s maritime 31Deirdre Hofer: Fallen. Based on wed-sat 12-5pm. Sep 7-Oct 6 setting and our beautiful coast line Hofer’s memories of growing up in Serpentine Rhythm: Laura Piasta. through a series of themes; the Vernon, the installation calls to mind New Sculpture. "It’s not enough to working waterfront, cruising, nature the instances of natural memory and just apply the ouroboros; neither

50 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Tiresias’ strike, his/her blindness, or in the surreal and the fantastic and Jennifer Heine, Mark Heine, Keith his/her/his (growing and shrinking) influenced by his background in Hiscock, Evguenia Ioganov, Shawn breasts; nor my mother’s acute architecture, interest in music, espe- A. Jackson, Brian R. Johnson, David fear; nor psychoanalysis’ tiresome cially jazz, and experience of various Ladmore, Ernest Marza, Joane assertions, for example. No, some- cultures, east and west. Sep 25- Moran, Allan Myndzak, Paul what traceable here, but beyond Oct 6 Margo Cooper: Brain Dance: Paquette, Nicholas Pearce, Natasha and through. / So now I am in the Going Off the Ploughed Track. Perk, Kim Pollard, Deirdre Roberts, desert. You got me here. Lofty sky. / A series of 15 abstract figurative Sandu Singh, and Linny D. Vine. Thinking heat. Thinking of rocks, of paintings illustrates a five-month a landscape resembling a snake’s timeline of recovery, as an artist Madrona Gallery hide; coming to be called for it, in processes the mental and emotional 606 View St &250-380-4660 fact. / To be like the serpent." effects of surviving a life threatening madronagallery.com Oct 11-21 21st annual Anti- illness. Oct 9-27 Jane Michiel: Re- tue-sat 10am-5:30pm sun & mon matter [Media Art] Screenings, alism from an abstract mind. After 11am-5pm Sep 8-22 Madeleine installations and performances of many years of painting abstractions, Wood: Dream On. Wood’s paintings international media art and experi- illusions of space and depth have evoke a sense of intimacy. She mental cinema in Victoria, BC; visit made reality appear within this body chooses to include the viewer in antimatter.ca for information. of work. private moments that could be snapshots of memories or fantasies. Gage Gallery Arts Collective Gallery in the Oak Bay Village This collection of new paintings 2031 Oak Bay Ave &250-592-2760 2223A Oak Bay Ave take on a more surreal influence gagegallery.ca &250-598-9890 incorporating overlapping images to tue-sat 11am-5pm To Sep 8 theoakbaygallery.com re-contextualize the subject matter. Heather Midori Yamada: Orb. mon-fri 10am-5pm; sat 10am-3pm. Oct 13-27 Sean Yelland: There Are Features ink paintings on washi Featuring original artwork by leading No Words. Sean Yelland is a Toronto paper, hanging scrolls, assemblage local artists Kathryn Amisson, Sid based painter who seeks to capture and prints. Sep 11-22 Haren Vakil: Barron, Andres Bohaker, Jeffery the picturesque in everyday urban Weird & Whimsical Drawings and Boron, Janice Bridgman, Robert settings, finding the beautiful and Paintings. Haren’s work is rooted Genn, Caren Heine, Harry Heine, mysterious in the mundane.

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Dallas Rd preview-art.com PREVIEW 51 8 Designs for Canon or Canon 10 Expanded, 1982 Courtesy the Estate of Channa Horwitz. Photo: Robert Wedemeyer Contemporary Art Gallery, Vancouver VICTORIA Fine Furniture Program. In the tue-fri 10am-4pm; sat 11am-5pm past 30 years, the Fine Furniture Sep 11-20 GREG MURDOCK: The His work plays with a sense of voy- program at Camosun College has Shape of Symmetry. Oct 9-Nov 3 eurism. Yelland removes the comfort produced over 500 graduates. 37 of BRAD PASUTTI: The Surface of of the expected, and questions our these exceptional artists have been Memory. Oct 9-Nov 3 WALTER J. relationship to our environment. In invited to create new works that PHILLIPS. Oct 25-29 ART TORON- this series of 20 new paintings he celebrate the process of designing TO-Booth C39. focuses on text in landscape often and building seating, a foundational cutting off words on signs to create component and tradition of the Xchanges Gallery and Studios new, often subversive meanings. program. Opening Sep 22 Testify: 6E-2333 Government St Indigenous Laws + the Arts is a &250-382-0442 Open Space Arts Society celebration of Indigenous Laws as xchangesgallery.org 510 Fort Street &250-383-8833 expressed through art. This ongoing sat-sun 12-4pm. free admission. openspace.ca project is a curated pairing of artists/ Sep 8-23 Jason Stovall: Triceph- tue-sat 12-5pm free/by donation legal thinkers, working in conver- alos. The mixed suburban and Ongoing Garry Neill Kennedy: sation with each other to create an industrial setting of Fort McMurrayis CORRECTIONS. The grandfather of art work and written work about the starting point for the juxtapos- conceptual art in Canada, Garry Neill Indigenous laws and opportunities ing of issues such as power and Kennedy, has created a site-specific for the dynamic expression as part tension with themes of identity and treatment for the main stairwell of Canadian society. masculinity in Stovall’s work. He of Open Space that highlights the manipulates figures using the formal history of the space and calls atten- Victoria Gallery Walk capacities of paint to create a ten- tion to the work still to come going Fort St - Yates St sion that does not always rest well forward. It is the first in a series of sat 10am-5:30pm; sun 12-5pm. on a viewer’s eye or conscience. Oct stairwell installations to celebrate Oct 20 & 21 Downtown Victoria Art 6-21 Aileen Penner: The Promise Open Space’s 50th anniversary. Walk. One of Victoria’s much loved of Something Grand. Inspired and art events, the Annual Victoria Gal- curious about the ideas at the time UVic Legacy Art Galleries lery Walk, established in 1998 takes of her father’s working life as a civil 630 Yates St &250-721-6562 place at Alcheringa Gallery, Madrona engineer in the 1970s, this solo legacy.uvic.ca Gallery, University of Victoria Legacy exhibition is a series of cyanotypes Legacy Downtown: wed-sat 10am- Art Gallery and West End Gallery. and a video installation that exam- 4pm; Legacy Maltwood: library ines the grief and chaos associated hours. free admission. To Sep 22 Winchester Galleries with such contested approaches to Making It: A Celebration of 30 2260 Oak Bay Ave &250-595-2777 altering the land. Years of the Camosun College winchestergalleriesltd.com

52 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS October 6, 2018 – January 28, 2019

4350 Blackcomb Way, Whistler, B.C. audainartmuseum.com

Spinifex Men’s Collaborative, Wati Kutjarra (Two Men Story), 2003, Synthetic polymer paint on canvas 82 11/16 x 74 13/16 in., Promised gift of Margaret Levi and Robert Kaplan, In honor of the 75th anniversary of the Seattle Art Museum © Spinifex Men’s Collaborative, Photo by Susan Cole, Courtesy American Federation of Arts

WEST VANCOUVER 16-Nov 4 Such Stuff as Dreams. tue-sat 11am-5pm. CLOSED Sep Paintings by E. Andrea Klann. 1-Oct 17. Opening Oct 17 Fred Buckland Southerst Gallery Hollingsworth: Art of Architecture. 2460 Marine Dr &604-922-1915 Silk Purse Arts Centre Architect Fred Hollingsworth, helped bucklandsoutherst.com 1570 Argyle Ave &604-925-7292 pioneer West Coast modernism tue-sat 10am-5pm Representing the westvanartscouncil.ca tue-sun by designing numerous significant work of Rick Cepella, Ieva Baklane, 12-5pm. free admission. To Sep 2 homes and buildings in Vancouver Maria Josenhans, Shirley Williams, Urban Renderings: Sandra Yuen and beyond. The exhibition explores Elizabeth Topham, Dominique MacKay & Victoria General. 2 the masterful colour renderings, fur- Walker, and Bi Cheng. Also featuring artists contrast urban centres with nishings and artworks, Hollingsworth paintings by Andrea Padovani, Adam MacKay’s vibrant acrylic paintings drew for his clients and celebrates Noonan, and Tatjana Mirkov-Popo- of Vancouver & General’s expressive the architect’s draftsmanship and vicki, street scenes and cityscapes charcoal studies of Toronto. Sep belief that design should be accessi- by Brian Eby, world scenes by Henry 4-23 Patterns of Our Land: Tatjana ble to everyone. Huai Xu, and still lifes by Hazel Breit- Mirkov-Popovicki. Bold, colourful & kreutz, and Deborah Worsfold. expressive acrylic paintings of BC WHISTLER & Alberta’s majestic wilderness. Sep Ferry Building Gallery 25-Oct 14 Stillness & Oneness: Adele Campbell Gallery West Vancouver Cultural Services Luke Potter & Peter Hudoba. 109-4090 Whistler Way 1414 Argyle Ave &604-925-7290 Meditative works in b&w: Potter’s &604-938-0887 ferrybuildinggallery.com photographs of empty classrooms &1-888-938-0887 tue-sun 11am-5pm. free admission. alongside Tao calligraphy by Hudoba. adelecampbell.com To Sep 9 Interwoven Nature. Bas- Oct 16-Nov 4 From the Roots. 4 daily 11am-5pm Adele Campbell ketry by Cheryl Massey. Sep 11-23 artists explore notions of ‘home’, Gallery proudly shines the Monthly The Mayan Dress Code: Legacy ‘nature’,‘memory’ & ‘growth’ through Spotlight on select featured artists. and Continuity in Chiapas, Mexico. painting, drawing & sculpture. Sep 15-30 September Spotlight: Textiles by artisans from Chiapas. Paul Paquette. View incredible local Sep 25-Oct 14 Of Nature and West Vancouver Art Museum landscape artist Paul Paquette’s col- Human Nature. Solo exhibition of 680 17th St &604-925-7295 lection including brand new works. mixed media by Susanna Blunt. Oct westvancouverartmuseum.ca preview-art.com PREVIEW 53 Diane Kingzett, East Bay, detail, 2018 Imogen Gallery, Astoria WHISTLER a selection of outstanding contem- whiterockgallery.com porary art by Indigenous Australian tue-sat 10am-5:30pm, closed long Oct 15-31 October Spotlight: and Torres Strait Islander artists. weekends Ongoing Rotating exhi- Rick Bond His collection depicting It includes innovators like Rover bitions of gallery artists, including Rick’s observant nature, are created Thomas and Emily Kam Kngwarreye, Nicholas Bott, Phil Buytendorp, Rod with a loose vibrant style and are who adapted materials and motifs Charlesworth, Marina Dieul,Robert considered to have a contemporary traditionally used in ground painting, Genn, Laura Harris, David Langevin, impressionistic style. Visit & be ab- body painting, or the preparation Min Ma, Renato Muccillo, Michael sorbed by each collection, on display of ritual objects in their works on O’Toole, Mike Svob, Christopher in the warm & friendly gallery space, canvas. Organized by the American Walker, Ray Ward, Alan Wylie, open daily. Browsers welcome. Federation of Arts and Donna Zhang. Audain Art Museum Mountain Galleries at the WILLIAMS LAKE 4350 Blackcomb Way Fairmont Chateau &604-962-0413 4599 Chateau Blvd &604-935-1862 Station House Gallery audainartmuseum.com mountaingalleries.com #1 North Mackenzie Ave wed-mon 10am-5pm. After Nov 16: open daily Ongoing Wild and &250-392-6113 mon, wed, sat, sun 10am-5pm; thu, Sacred Places, featuring a stationhousegallery.com fri 10am-7pm. Closed tue. admis- handful of our top artists including mon-sat 10am-5pm. free admission. sion: adults $18, youth 16 and under Nicholas Bott, Shannon Ford, Brent Sep 7-29 My Summer Evacuation. free, members free To Sep 17 Pop Lynch, Karel Doruyter, Cathryn Juried group show dedicated to the Art Prints. Pop art emerged in stark Jenkins, Charlie Easton, and Doria personal aspects of the summer contrast to the emotional intensity Moodie. Monthly Artist in Residence of 2017. Oct 5-27 James Savage: of abstract expressionism, then the programs running throughout the Illuminations. Central Interior reigning movement in contempo- summer. Check website for details. artist uses art to uplift the human rary art. This exhibition features 37 experience. Jasmine Alexander: works drawn from the Smithsonian WHITE ROCK After Wake. Al selection of oil and American Art Museum collection. watercolours exploring the land- Opening Oct 6 Ancestral Modern: White Rock Gallery scapes and dreamscapes that affect Australian Aboriginal Art from the 1247 Johnston Rd &604-538-4452 our memory and personal journeys. Kaplan & Levi Collection presents &1-877-974-4278

54 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS OREGON JOSEPH GALLIVAN IGNETTES

PICA: TBA18 Multiple venues, Portland, Sep 6 - 16 The Portland Institute for Contemporary Art’s Time-Based Art festival has become a mar- quee event for serious art lovers and lovers of serious art. Now in its 16th year, the event’s appeal of hitting a couple of performance art events per night, plus gallery shows, artist talks and the Works party (every night) has made this the perfect end-of-summer festival. Unmissable shows this year include Jean Cocteau’s Beauty and the Beast, screened with a live, original score; Some Styles of Masculinity, by Gregg Bordowitz; Raquel André’s Collection of Lovers; Ariella Tai’s Swallow; and a US premiere from RAQUEL ANDRÉ Compagnie Nacera Belaza. PHOTO: TIAGO DE JESUS BRÁS

NAOMI SHIGETA • SARA SIESTREEM Augen Gallery, Portland, Sep 6 - 29 Naomi Shigeta’s show Elements shows cool abstraction where lines like blinds or the teeth of a comb intersecting the plane are the only drama, and where the edge of un- framed paintings is painted to show where it all ends. In Sara Siestreem’s show Black Huckleberry, messy paintings pulse with energy as black battles with color and paint vainly fi ghts gravity. The work channels Basquiat. Both artists use easy-to-understand titles that make their paintings relatable. SARA SIESTREEM, PALACE, 2013-18

CURTIS SETTINO: NEW WORK Gallery 114, Portland, Sep 6 - 29 Skulls, sail-driven zeppelins, a sea creature made of forks with a pocket watch for brains Curtis Settino’s work brings to mind tattoos come to life and then recap- tured in painting and sculpture. He works in sculpture, photography, sound, animation, video and words, but his strongest pieces are his acrylics.

CURTIS SETTINO, NOT PRESENT, 2018

BRIAN HANNA: BRICKS Steel Door Art Gallery, Portland, Sep 21 - Oct 22 Brian Hanna’s Lego art comes out of his former life in construction management (that part of construction you can do in your loafers, as they say). The Portlander uses pop culture subjects (like Samuel L. Jackson playing Jules in Pulp Fiction) to easily draw the viewer in, but the textures make the works as disconcerting as a Chuck Close portrait. As well as living celebs such as Madonna and Johnny Cash, he riffs on Air Force One Nikes and Babe Ruth, with a Warholian sense of the image as an endlessly tradable commodity. BRIAN HANNA, MADONNA, MUHAMMAD ALI, JULES, BABE, MADONNA II, LEGO® BRICK MOSAIC, 2018

J.D. PERKIN Russo Lee Gallery, Portland, Oct 4 - 27 Portland artist J.D. Perkin’s ceramic heads are comic and grotesque, daring the viewer to look as closely as they can. But he also makes sculptural arrangements of such heads that give the work a monumental quality. The rich variety of surfaces, from sandpaper rough to slippery gloss, makes the works breathe with intrigue. His stocky, faceless fi gures have a charm and menace at the same time. J.D. PERKIN, OPEN COAT, 2018 preview-art.com PREVIEW 55 Shaman’s Way. A new series of restaurants host a variety of writers, oil paintings inspired by nature and singers, composers, painters, sculp- OREGON jazz. Boone, who studied under the tures and more. The unique coastal influential Louis Bunce, continues in beauty of this region has inspired ASTORIA the tradition of powerful use of line creativity for many decades making and color, bringing solid dimension Cannon Beach one of The Best Art Imogen Gallery to the painted surface. Towns in America. Transform your 240 11th St &503-468-0620 coastal experience into a festival of imogengallery.com CANNON BEACH creativity filled with music, theatre, mon-sat 11am-5pm sun 11am- poetry and art. 4pm, closed wed Sep 8-Oct 9 Diane Cannon Beach Gallery Group Kingzett: Time Spent. A new series Various Locations Northwest By Northwest of mixed media paintings for her cbgallerygroup.com Gallery third solo show at Imogen. Describ- see website for schedule and hours 232 N Spruce, across from the City ing herself as a painter of emotion, Nov 2-4 Stormy Weather Arts Park & info center &503-436-0741 Kingzett leaves preconceived ideas Festival. Each November Cannon &1-800-494-0741 of content and composition to Beach’s art community gathers to nwbynwgallery.com consider her own internal dialogue, collectively celebrate diverse talents daily 11am-6pm and by appt Sep allowing psyche to become muse. during this popular festival of the 10, 3-5pm Professional Women’s Oct 13-Nov 6 Marc Boone: arts. Galleries, shops, hotels and Art Tour with curator & gallerist and

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56 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS advocate for public art; with NW wine educator Patrick McGELLIGOTT. Collectors’ selection of bronze sculpture by Georgia Gerber. New works include Tufted Puffins & Standing Otter. Ivan McLean, contemporary sculptor; public works include Nike, Nines Hotel. Look for his works in the NW By NW Gallery sculpture garden. Oct 1-31 Ruth Brockmann kiln formed glass masks & bowls (estate). Bronze by Ann Fleming, figurative & narrative. Paintings of the natural world by An- gelita Surmon on kiln formed glass with a painters eye. PBS NewsHour featured artist Christopher Burkett; see PBS youtube link of Oregon’s Master of Fine Art Film Photography and Plein Air award winning painter Hazel Schlesinger. Nov 2-4 31st Stormy Weather Arts Festival. “Cannon Beach is one of the 30 best Coastal towns in the world because of Art Festivals & Art Galleries” - US News & World Report. White Bird Gallery 251 N Hemlock St &503-436-2681 whitebirdgallery.com Sept/Oct hours: daily, 11am-5pm (through Oct 15th) Sep 1-Oct 20 Christopher Mathie: Seeking Balance. This new exhibition Christopher Mathie, We're Here to Heal Each Other, (triptych), 2018 reflects the search for balance and White Bird Gallery, Cannon Beach truth within a commerce-driven world by moving past fear-based each based in a particular city and tue-fri 11am-5:30pm sat 11am-5pm decision making. Washington-state feature layers of cultural references and by appt. 2nd Avenue: by appt painter Christopher Mathie has and historical text. Opening Sep 22 only Sep 6-29 Naomi Shigeta: developed a high-energy painting Plastic Entanglements: Ecology, Elements and Sarah Siestreem: style that bridges bold abstractions, Aesthetics, Materials features 58 Black Huckleberry. expressive coastal landscapes and works by 30 artists from 13 coun- a language of symbolic forms. His tries that investigate the complex Blackfish Gallery & emotional canvases are based on material nexus that is “Plastic.” 420 NW 9th Ave 503-224-2634 blackfish.com intuitive mark making, intimate Organized around the concept of en- tue-sat 11am-5pm. Sep 4-28 dialogues and a free flowing thought tanglement, the exhibition explores Rita Alves: Paintings will feature process created from trust and the the unique materiality of plastic, as medium and large scale oil paintings letting go of fear. an artistic material and symbol of Western modernity, and considers which include figurative elements EUGENE the environmental consequences of within perspectival and semi-ab- its widespread use. Ongoing Paper stract spaces. Mitchell’s title is Jordan Schnitzer Weight: Works in Paper by Elsa Monica Mitchell: The New Seven Museum of Art Mora. Mora’s latest exhibition of Wonders of the Ancient World: 1430 Johnson Lane painstaking works made solely of Hanging Gardens is an explora- &541-346-3027 jsma.uoregon.edu paper and glue. tion of formal elements of color, wed 11am-5pm; thu-sun 11am- form, mark making and man-made 5pm. Adults $5; Seniors (62+) $3 PORTLAND materials. Mitchell seeks to create Opening Sep 12 Matthew Picton: a dialogue between the artifice of Cultural Mapping. To call Matthew Augen Gallery H social expectations and the natural Picton’s sculptural works “maps,” Desoto Building, 716 NW Davis world. Oct 2-27 Christopher Sho- is both accurate and a misnomer. &503-546-5056 &503-224-8182 tola-Hardt and Lauren Carrera: His 3D aerial cartographies are augengallery.com Elegy for the Birds. preview-art.com PREVIEW 57 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 TIME SEPTEMBER BASED 6–16 ART FESTIVAL

TICKETS & PASSES AVAILABLE PORTLAND INSTITUTE

AT PICA.ORG/TBA FOR CONTEMPORARY ART LISA ALEXANDER PHOTO: 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018 2018

PORTLAND &503-517-7851 reed.edu/gallery figurative practice, using her ceram- tue-sun 12-5pm The Douglas F. ic sculpture, 32 Year Old Woman, as Shotola-Hardt birds are not field Cooley Memorial Art Gallery is the an anchor for the exhibition. guide illustrations, but rather are visual art museum at Reed College bird-centric fine arts works and in Portland, Oregon. The Cooley Gallery 114 portraits of birds in which he hopes produces three to four annual 1100 NW Glisan St &503-243-3356 to engender emotion, memory and exhibitions of exemplary histori- gallery114pdx.com empathy. Carrera investigates the cal and contemporary work from thu-sun 12-6pm Sep 6-29 Curtis nexus between art and science, outside the region. To Oct 21 Gregg Settino: New Work and Don Bailey. examining the paradoxes generated Bordowitz: I Wanna Be Well features Artists on Dueling Perspectives. by the scientific need to assemble, Bordowitz’ seminal films and activist classify, experiment and display. materials; rarely-seen sculptures Oregon Jewish Museum and drawings; books, essays, and and Center for Holocaust Blue Sky Gallery H poetry; personal ephemera; and Education 122 NW 8th Ave &503-225-0210 recent performance films. The title 724 NW Davis Street blueskygallery.org of the exhibition pays homage to the &503-226-3600 ojmche.org tue-sun 12-5pm; first thu 6-9pm infamous punk band the Ramones, tue-thu 11am-5pm; fri 11am-4pm; Sep 6-30 Matt Eich: I Love You, I’m and to their 1977 album Rocket To sat & sun noon-5pm. To Sep 23 Leaving and Touch: a group show Russia which renewed vitality to Upon Thy Gates: The Elaine K. curated by Christopher Rauschen- rebellion against apathy at the close and Norman Winik Mezuzah Col- berg. Oct 4-28 Tommy Kha: I’m of the 1970s. lection. Highlights a wide range of Only Here to Leave and Tamara styles, materials, and symbolism in Staples: Side Effects May Include. Elizabeth Leach Gallery H mezuzahs from around the world. To 417 NW 9th Ave &503-224-0521 Sep 30 RB Kitaj: A Jew etc., etc . Disjecta Contemporary elizabethleach.com The first Northwest overview of work Art Center tue-sat 10:30am-5:30pm and by by renowned artist RB Kitaj. The 8371 N Interstate Ave appt Sep 6-Oct 27 Judy Cooke: Immigrant Story. Displaying three &503-286-9449 disjecta.org Conversation: Aluminum, Oil, Rub- photographs from the series Who fri-sun 12-5pm or by appt ber. Cooke continues her fascination We Are, an exhibit honoring Muslim Sep 23-Nov 3 Culinaria (Art + Food with materials by embracing rubber women in our community. Opening + Community), an exhibition and and aluminum as the medium upon Oct 4 Eli’s Town. In early 2017, pho- series of dinners during the fall of which she subtly sculpts or paints. tographer Elliot Burg traveled to the 2018, which relaunches the past The result is a richness of texture, Ukraine to document the birthplace Disjecta Culinaria dinner program. form and color with mark making as of his Jewish grandfather and a prominent element. Malia Jensen: namesake Eli. Opening Oct 9 The Douglas F. Cooley Memorial Yields. Jensen continues her Last Journey of the Jews of Lodz, Art Gallery exploration of human nature using OJMCHE and Memory Unearthed: Reed College clay constructions to create a highly The Lodz Ghetto Photographs of 3203 SE Woodstock Blvd personal narrative. Jensen revisits a Henryk Ross, PAM. Together the

58 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS ulinaria Art Food ommunit DISJECTA CONTEMPORARY ART CENTER, PORTLAND OR Sep 23 - Nov 3, 2018 disjecta.org

Ben Sanders, art bar installation

Throughout the fall, Disjecta brings together some of Portland’s fi nest talents in a series of collaborative events involving artists and chefs. This innovative exhibition and dinner series fuses art and cuisine in a way that encourages risk-taking, experimenta- tion and the exchange of ideas between two very different modes of creation. Bringing Portland’s culinary world into a visual and performing art space provides unique access to the creative process, with food and art being created in response to each other. The exhibition presents painting, sculpture, photography of fl oral arrangements, video projections, site-specifi c installations, and a new art bar by Ben Sanders, with Leah Brown (of Angel Face) acting as bartender-in- residence on opening night (Saturday, September 22). A relaunch of Disjecta’s past dinner program, this new iteration includes work by artists Jodie Cavalier and MK Guth, Fernanda D’Agostino, Julie Green, Ben Sanders, Manu Torres and Jessie Weitzel. It will transform the Contemporary Art Center into a dynamic dining room where food serves as an entry point for community engagement, camaraderie and artistic opportunity. In one of the art-food pairings, Green’s handmade wallpaper installation refl ecting on the health of our oceans and unsustainable practices creates an intimate setting for a dinner by Johanna Ware (of Smallwares), who is known for her “inauthentic Asian” meals that span many infl uences. In another pairing, D’Agostino’s video installation sets a dark, but dreamlike stage for a dinner where guests will be led in an evening of feasting, storytelling and questioning, inspired by her grandmother’s weekly lunches that were open to all. Through these immersive sensory environments, the Culinaria events craft a platform for interdisciplinary expression, thought-provoking dialogue and shared human experiences. Allyn Cantor preview-art.com PREVIEW 59 Portland State University: Steel Door Art Gallery School of Art + Design 2412 NW Raleigh St Galleries &503-875-6950 pdx.edu/art-design/exhibitions steeldoorgallery.com BROADWAY GALLERY, 1620 SW tue-sat 11am-6pm Sept 21-Oct 22 Park Avenue, Lincoln Hall, 1st Brian Hanna: Bricks. Far from a floor. mon-thu 7:30am-8pm; fri traditional artist, Hanna constructs 7:30am-5pm. Opening Sep 24 In/ amazing and intricate LEGO® Habitable, a collaboration between mosaics of pop culture subjects. Megan Hanley and the Center for Life Extreme Environments (CLEE) at SALEM PSU. Hanley has conducted research to learn about the life cycles of bac- Hallie Ford Museum of Art teria and viruses that survive in hot Willamette University springs and bubbling mud pots. The 700 State St. &503-370-6855 exhibition of drawings and ceramic willamette.edu/arts/hfma/ sculptures offer a reflection on the tue-sat 10am-5pm; sun 1-5pm. conditions necessary to sustain Admission: adults $6, seniors (+55) life for different organisms while $4, students (18+ with ID), children Preston Singletary, (0-17) and members free. tue free. Wealth – Eagle Rattle, 2013 also considering the complicated Courtesy of the artist relationship humans have with the To Oct 21 Strength and Dignity: Photo: Russell Johnson environment. AB LOBBY GALLERY Images of the Worker from the Museum of Glass, Tacoma & MK GALLERY, 2000 SW 5th Ave. Permanent Collection features mon-fri 8am-5pm. Oct 4-25 2018 scenes of workers and the working PORTLAND Arlene Schnitzer Visual Arts Prize class in 19th and early 20th century Exhibition. This prize recognizes European and American prints and two exhibitions will offer an extraor- excellence in the visual arts for photographs. Opening Sept 15 dinarily rare glimpse of life inside students pursuing graduate or un- Witness: Themes of Social Justice the Lodz Ghetto through the lens of dergraduate degrees in the School in Contemporary Printmaking and Polish Jewish photojournalist Henryk of Art + Design. Photography from the Collections Ross (1910-1991). of Jordan D. Schnitzer and His Russo Lee Gallery H Family Foundations explores Portland Art Museum H 805 NW 21st Ave &503-226-2754 issues of race, identity, and social 1219 SW Park Ave &503-226-2811 russoleegallery.com tue-fri 11am- justice in contemporary printmaking portlandartmuseum.org 5:30pm sat 11am-5pm Sep 6-29 and photography tue, wed, sat, sun 10am-5pm, Samantha Wall: Phantom Limbs. A thu & fri 10am-8pm. admission: drawing exhibition that interweaves SISTERS members free, adults $19.99, portraiture with Korean ritual seniors (62+) and students (18+ narratives, summoning the past in Raven Makes Gallery 182 E Hood Avenue with ID) $16.99, children (17 and order to decipher the present. Lisa &541-719-1182 under) free To Sep 16 The Shape of Jarrett: Imagining Home-100 ravenmakesgallery.com/ Speed: Streamlined Automobiles exercises in empathy. Jarrett’s mon-sat 10am-5pm; sun 11am- and Motorcycles, 1930-1942 intersectional practice considers the 4pm Sep 7-9 Yup’ik sculptor Translating aerodynamic efficiency politics of difference within a variety Terresa White. Bronze sculptures into exciting machines. To Sep 23 of settings including: schools, land- and ceramic masks reflect the inter- Richard Diebenkorn: Beginnings, scapes, fictions, racial imaginaries, dependence of humans, birds and 1942-1955. Traces his evolution studios, communities, museums, animals, including three evocative from representational landscape to galleries, walls, mountains, mirrors, Raven masks. “My art is a path his Abstract Expressionist paintings. floors, rivers, and lenses.Melanie through which we are connecting To Oct 21 In the Beginning: Minor Stevens: On View Oct 4-27 J.D. and building community with White’s Oregon Photographs. Perkin. Life-size, figurative ceramic other Alaska Natives in Oregon and Rarely exhibited early works. Open- sculpture, using surfaces that are Washington. Community and cultural ing Sep 1 CCNA (Center for Con- rich and organic. Human forms have reclamation through art, drumming, temporary Native Art): Not Fragile. a dynamic, yet often meditative and dance are concentric circles of Innovative glass work to impart presence. Ko Kirk Yamahira: de- hope we are bending around our messages of strength, resilience, construction and reconstruction. family, present, past, and future.” and insubordination. Opening Oct 13 A tactile and unusual approach to Sep 28-30 The Hopi Women’s Poetic Imagination in Japanese minimalism, involving the removal of Show, with jeweler Sonwai (Verma Art: Selections from the Collection individual threads from the weave of Nequatewa) Earth minerals painter of Mary and Cheney Cowles. the canvas; it fills the entire space, Pesavensi, (Donna Humetewa) and hanging from wall and ceiling. potter Dorothy Ami.

60 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Plastic Entanglements Ecolog Aesthetics aterials JORDAN SCHNITZER MUSEUM OF ART, EUGENE OR Sep 22 - Dec 30, 2018 jsma.uoregon.edu

Steve McPherson, Wavelengths, 2012-13, unaltered marine plastic objects. Courtesy of Victori + Mo Gallery Examining the environmental, aesthetic and technological implications of plastic and how it inﬁ ltrates virtually every aspect of our lives, this exhibition includes work by 30 emerging and mid-career contemporary artists from around the world. Confronting past, present and future roles of plastic items as all-encompassing, the exhibition charts a timeline of our ongoing relationship with the pervasive material in three thematic sections. “The Archive” examines how plastic objects from the mid-twentieth century onwards can act as a record of daily life. “The Entangled Pres- ent” shows the far-reaching effect of plastic on ecological networks across the globe and how the material inadvertently binds people, plants and animals. “Speculative Fu- tures” concludes with ideas emerging from the omnipresence of plastic, such as new eologic and biologic forms. It’s nearly impossible to talk about plastic refuse as an artistic medium without alluding to consumerism and excess, as in Dianna Cohen’s patchwork assemblage of plastic bags or Steve McPherson’s eloquently organized mandala form of unaltered marine objects. This poignant exhibition includes stellar works by a roster of artists who employ the inorganic everyday material with ingenuity, including Moreshin Allahyari Willie Cole, Chris Jordan, Vik Muniz and Aurora Robson. Organized by the Palmer Museum of Art at Penn State University, Plastic Entangle- ments is set to travel nationally over the next two years, to the Smith College Museum of Art in Northampton, Mass., and the Chazen Museum of Art in Madison, Wis. Allyn Cantor

preview-art.com PREVIEW 61 fri 11am-8pm. Admission: adults COME SEE WHERE $15, students/seniors/military (ID CREATIVITY required) $12, teens (with Teen Tix) Whatcom $5, children under 6 and members BEGINS! free. To Sep 30 FEMAIL: AMPM (2.0). A collection of the artists’ per- Artist sonal garments, textiles, childhood mementos, and keepsakes reinter- preted into new works of clothing, Studio furniture, tapestry, and sculpture. To Oct 14 Alex Katz: A Life in Print - Works from the Collections of Jor- dan D. Schnitzer and his Family Tour Foundation. Katz is a major actor in the world of American figurative art, known for his large scale paintings, ✽ First 2 weekends in October Oct. 6,7 & 13,14 sculptures, and prints. Opening Oct A FREE SELFGUIDED ART TOUR 12 Dylan Neuwirth: OMNIA. Five interconnected bodies of work, in- For more info: studiotour.net facebook.com/WhatcomArtistStudioTour cluding work in video, performance, sculpture, and neon. SISTERS WASHINGTON BELLINGHAM Contemporary works deeply inte- grate the integrity and beauty of the BAINBRIDGE ISLAND Allied Arts of Whatcom County Hopi lifeways; show, exhibition and 1418 Cornwall Ave &360-676-8548 sale of new, exquisite works. Bainbridge Island alliedarts.org Museum of Art mon-fri 10am-5pm sat 12-5pm Sep Sisters Arts Association 550 Winslow Way E 7-30 2018 Gallery Series: Organic &541-719-8581 &206-451-4013 Reaction. An exhibit dedicated to sistersartsassociation.org &1-855-613-1342 the inspiration and beauty of the Sep 28 and Oct 26 4th Friday Art biartmuseum.org natural world, and the art that can Stroll from 4-7pm. There are 20 daily 10am-6pm. free admission. To be made from it. Featuring: Penny fine art galleries in less than one Sep 22 Artist’s Books: Chapter 14 Bamford, Nancy Canyon, John mile to welcome you to the arts in with BIMA’s founder Cynthia Sears. D’Onofrio, Suzannah Gusukuma, Sisters. We are nestled in a cradle To Sep 30 Jenny Pohlman and and Shannon Kirby. Endangered of scenic ten-thousand-foot tall Sabrina Knowles - Synchronicity: Species. An ongoing exhibit which mountains in the Oregon Cascades. Twenty-five Years of Collabora- highlights artists’ unique ability to Our galleries, and the locally and tion, sculptural glass, metal, and bring attention to the importance nationally recognized artists they mixed media. Canoe Journeys: of biodiversity and the protection of represent, offer a wide range of art Pulling Together. Celebrated annual endangered species from diverse from paintings, etchings, photog- event for the Indigenous peoples ecosystems. Oct 5-27 2018 Gallery raphy, sculpture, jewelry, ceramics, of the Pacific Northwest Coast; Series: Color! An exhibit celebrating metal and wood works, creations in includes carved and mixed media the many mechanisms of color in crystal and glass, performance and art paddles, sculptures, prints, its influence on meaning, texture, theater arts, fiber arts and much photographs, and ephemera on loan. and aesthetic. Color! represents an more. Every month features new Marceil DeLacy: Into the Wood artists’ ability to draw the eye with work in all our galleries. Look for our sculptures. Carrie Goller: Creatures vibrancy and movement, featur- booth full of art at the Sisters Folk Comfort animal paintings in various ing artists such as Christopher Festival, Sep 7-9. Come stay for the media including oil, watercolor and Morrison, Damian Di Nitto, Marjie weekend. There is always something encaustic. BIMA@5: Selections Miller, Victor Flores, and more. to do, indoors and out. from the Permanent Art Collection celebrates its 5th anniversary show- Gallery Pegasus casing some of the diverse artworks 301 W. Holly Street &360-599-7731 donated to the collection. gallerypegasus.com tue-sun 12-5pm and by appt. To Sep BELLEVUE 29 Natura, a large group exhibition of Pacific Northwest artists whose Bellevue Arts Museum works provoke a sense of nature. 510 Bellevue Way NE Subjects ranging from landscape & 425-519-0770 bellevuearts.org to wild life illustrations and a few Sonwai, Gem Turquoise Ring wed-sun 11am-5pm; free first Raven Makes Gallery, Sisters

62 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS loseUp irector afthor ngason reams ig WESTERN GALLERY westerngallery.wwu.edu Formerly director of Reykjavik Art Museum in Iceland and of public art in Cambridge, Mass., Hafthor Yngvason arrived in Bellingham in 2015. Since then, he has had a measurable impact on the quality, security, protection and restoration of the 33 Minimal, Post-Minimal and Postmodern artworks in Western’s Outdoor Sculpture Collection, mostly large-scale outdoor sculptures. Considered among the top three university-based sculpture collections in the US (with MIT and the University of California – San Diego), the collection held by the Western Gallery began in 1960 with an early bronze fountain by James FitzGerald. It grew in the ensuing ﬁ ve decades to include works by high- Hafthor Yngvason, Director of the Western Gallery ly praised American, European and Outdoor Sculpture Collection and Asian artists. Underwritten then and now by Seattle collector Virginia Bloedel Wright, the collection began as she chose to feature Richard Serra and Mark di Suvero (their ﬁ rst commissions were from her) as well as Alice Aycock, Donald Judd, Anthony Caro and Bruce Nauman. Sev- eral works were co-funded by the National Endowment for the Arts and state entities. According to Yngvason, “Twelve[sculptures] have been restored and two more are in process.” A Provost’s Fund of US$300,000 covered that work, with an ensuing annual upkeep estimate of US$30,000. Mrs. Wright has extended her sup- Photo: Pol Brower port as well. Nancy Holt, Stone Enclosure: Rock Rings, 1977-78, detail, brown mountain stone Yngvason concluded, “We are making efforts to bring in school and senior groups so our community outreach can create a network of support.” When asked about dream acquisitions, he smiled. “We are getting a new Sarah Sze and one [sculpture] by Luis Camnitzer,” he said and then sighed. “But a Calder would be great – and a big David Smith too!” For now, the collection remains free and open to the public. Matthew Kangas preview-art.com PREVIEW 63 the unique culture of Bellingham

TOURISM COMMISSION 866-650-9317 Road Trip by Shanni Welsh

BELLINGHAM Tour brochures are available Sep to effects of ivory hunting, and how mid-Oct at hotels and businesses organizations are trying to save abstract, and fun interpretations. throughout Whatcom County. these incredible animals. Summers Eve event auctioning off of locally painted Murals to support Whatcom Museum EVERETT charities. Opening Oct 6 New OLD CITY HALL, 121 Prospect St; Whatcom which includes works LIGHTCATCHER BUILDING, Schack Art Center from recently graduated students 250 Flora St &360-778-8930 2921 Hoyt Ave &425-259-5050 from the university and colleges in whatcommuseum.org schack.org Whatcom County. LIGHTCATCHER: wed-sun 12- mon-fri 10am-6pm; sat 10am-5pm; 5pm. OLD CITY HALL: wed-sun sun 12-5pm. free admission. Western Gallery and Outdoor 12-5pm. Admission: adults $10; Sep 13-23 Schack-toberfest: Sculpture Collection, WWU H youth, students, military, seniors Glass Pumpkin Festival Pick (and 516 High St, FI 116 $8; children 2-5 $5; under 2 free purchase) your favorite glass pump- &360-650-3963 LIGHTCATCHER BUILDING Opening kin from more than 700 colorful westerngallery.wwu.edu Sep 8 Endangered Species: Artists pumpkins and gourds handcrafted mon-sat 12-4pm Opening Sep 28 on the Front Line of Biodiversity. in the Schack glassblowing studio. Modest forms of Biocultural Hope. Presenting 80 works of art in all me- Sponsored by Klein Honda of Everett. Installations by Nicole Dextras, dia, from rare books to cutting-edge Oct 4-Nov 3 Voyager: Steve John Feodorov, Deanna Pindell, video, that span the 19th through Jensen. Jensen began his Voyager Margaret and Christine Wertheim. 21st centuries. It highlights artists series to help navigate his own Nature-based Design: Biomimicry who celebrate biodiversity’s exqui- personal grief and loss, and with and Permaculture. site complexity, interpret natural the hope to provide relief for others and human-induced extinctions of dealing with their own sorrow. Whatcom Artist Studio Tour plants and animals, and focus on &818-653-0885 studiotour.net endangered species from diverse FRIDAY HARBOR 10am-5pm Oct 6-7 & 13-14 Annual ecosystems. Major funding for the Whatcom Artist Studio Tour, with exhibition and catalogue has been WaterWorks Gallery over 40 artists in 32 studios. A free provided by the National Endow- 315 Argyle Ave &360-378-3060 juried self-guided tour opening ment for the Arts and The Norcliffe waterworksgallery.com the creative spaces of the best Foundation. OLD CITY HALL Opening wed-sat and by appt. Sep 7-Oct 5. artists in Whatcom County. The Tour Sep 8 The Elephant in the Room: Cathy Schoenberg -Floral Oil features various media including: The Allure of Ivory and Its Tragic paintings. Jo Moniz - Geometric painting, sculpture, glass, wood, Legacy. Exploring the story of ivory encaustic paintings. These artists clay, jewellery, fiber, photography from pre-history to modern times, share a richly hued color palate, and mixed media. Most studios featuring a selection of ivory from Cathy in oil painting and the Jo offer demonstrations. For maps and the collection, research in elephant in encaustic painting. information, visit the website. Studio communications, the devastating

64 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Is hope possible in the Anthropocene?

Installations by Nicole Dextras John Feodorov Deanna Pindell Margaret and Christine Wertheim

Nature-based Design: Biomimicry and Permaculture

MODEST FORMS OF BIOCULTURAL HOPE SEPTEMBER 28 to DECEMBER 8 Nicole Dextras, Forest Warrior

WesternGallery.wwu.edu M-F 10a – 4p SAT 12p – 4p

LA CONNER Gallery Hours: thu-sun 11am-5pm. SEATTLE Webster’s Woods Art Park: daily Museum of Northwest Art from sunrise to sunset. Sep 22-Nov 4Culture 121 First St &360-466-4446 18 Donald and Era Farnsworth: I 101 Prefontaine Pl &206-263-1589 monamuseum.org Forget I’m Human II explores the galleries.4culture.org/ sun-mon 12-5pm; tue-sat 10am- relationship between humanity and mon-fri 9am-5pm Sep 6-27 5pm. free admission. To Sep 23 the environment, with a particular Lawrence Pitre: We Are One. In Red Ink. Recent works by over focus on how science and myth Oct 4-25 Haien Kang: Illusion. 20 contemporary Native American have shaped human values from artists, curated by artist RYAN! ancient times to the present day. BONFIRE Gallery H Feddersen with Chloe Dye Sherpe. Both the content and the techniques 603 South Main St &206-790-1073 Proceed with Abandon... Viva used to create this series reflect thisisbonfire.com Patty! The work of Patty Detzer our desire to find common ground wed-sat noon-5pm To Sep 29 Juli is as honest, as transgressive, and across centuries and borders. Each Adams: ‘I Saw the Face of Hecate’ as remarkable as the artist herself. composition incorporates multiple (“HEH-ka-tee”). ‘Hecate’s ability Opening Oct 6 Surge 2018 Together layers of both hand-painted and dig- to see into the “underworld” of the with the Skagit Climate Science itally generated elements, creating sleeping and the dead, made her Consortium(SC2), the MoNA will host a palimpsest-like effect that echoes comfortable and tolerant in the its third presentation of Surge in the the weathered patina and wabi-sabi company of those most would shun Fall of 2018. Surge, an exhibition of works that have survived from out of fear or misunderstanding.’ - designed to draw attention to ancient times. Works depicting GoddessGift.com “'I Saw the Face climate change and its impact on therianthropic (animal-human of Hecate’ is about facing my deeply Northwest’s coastal communities. hybrid) deities harken back to those feminine journey into darkness appearing in the earliest surviving where I found the treasures of the PORT ANGELES human artworks while incorporating underworld. If you knew that elements from Buddhist, Hindu, Ju- the most powerful guide is already Port Angeles Fine Arts Center deo-Christian, Islamic and Jungian in you, would you go into your 1203 E Lauridsen Blvd iconographies. underworld to find her? Would &360-457-3532 you be willing to meet Hecate?” pafac.org - Juli Adams. preview-art.com PREVIEW 65 enn eishman e Wor SPECIALIST GALLERY, SEATTLE WA - Oct 4 - Nov 25 specialist.gallery

Jenny Heishman, Rug 1 and Pattern, 2016, handmade paper: cardboard pulp, abaca ﬁ ber, clothing dye, tape, burlap. Hand-hooked rug: wool and cotton backing, 2017 Jenny Heishman’s new work at Specialist Gallery in Pioneer Square follows on her 2016 residency at Banff Centre for Arts and Creativity, where she devised her method of transferring handmade pulped-paper compositions into hand-hooked wool rugs. “One ﬁ ber re-interpreted by another. One process is rapid and spontaneous … and the other is deliberate and repetitive process,” the Ohio University graduate (MFA, 1998) mentioned in an interview from her Bainbridge Island home. Her studio is in Seattle, however, where she has exhibited since 2000. Heishman’s found-object sculpture has also been seen in group exhibitions in Great Britain, Victoria, Vancouver, Miami, and Austin, Texas. Heishman is deeply involved in art in public places; she has worked with the Seattle and King County arts commissions as well as corporate entities such as art collector Paul Allen’s Vulcan Real Estate in the South Lake Union area. Her 2012 project for Vulcan, Woodpile, was named among the top 50 public art projects of the year by the Public Art Network. The 2011 recipient of a prestigious Pollock-Krasner Foundation grant, Heishman studied craft processes at the Penland School in North Carolina. Working in both studio settings and the public art realm, Heishman combines public and private imagery into conglomerations of highly structured yet increasingly loose and informal combinations of materials. Awkward, disorienting and often catching the viewer off guard, they are, she says, “examples of how art can catch one unaware and challenge our expectations of where art might be or emerge.” Matthew Kangas

66 PREVIEW n SEP - OCT 2018 SEATTLE Davidson Galleries H 313 Occidental Ave S &206-624-7684 davidsongalleries.com tue-sat 10am-5:30pm Sep 6-29 Sister Mary Corita Kent: Selected Works and Eunice Kim: Nature Series. Foster/White Gallery H 220 3rd Ave S, #100 &206-622-2833 fosterwhite.com tue-sat 10am-6pm Sept 6-22 Janna Watson, Moody As Light. Whether it is a reflection glinting in a random stranger’s eye or the dullest light in a dark room, Janna Watson takes her inspiration from the immense Voyager: Steve Jensen impact of subtlety and nuance. The experience of the artist’s body is October 4 – November 3, 2018 evident in her gestural mark-making and generosity of paint application. With a rare talent for color and texture she strikes a balance ALSO ON EXHIBIT between chaos and harmony, laying bare the act of creation with her The 2017 Pilchuck Emerging stirring, abstract compositions. Oct Artists in Residence 4-20 Allison Collins, Understory. Allison Collins boldly merges elements of abstraction and traditional landscapes. Inspired by the beauty of Eastern Washington and the San Juan Islands, her paintings often 2921 Hoyt Ave. Downtown Everett, WA evoke a patchwork quilt or woven 425-259-5050 schack.org rug composed of cultivated land and Open M-F 10-6, Sa 10-5, Su 12-5 Free admission rolling hills. With a focus on texture and generous paint application, her “Riggings Canoe” by Steve Jensen work evolves layer by layer, forming Recycled glass, boat resin, salvaged bronze ship parts in much the same way as the sedi- mentary landscape she depicts.

Frye Art Museum H MADE POSSIBLE IN PART BY THE SNOHOMISH COUNTY HOTEL/MOTEL TAX FUND 704 Terry Ave &206-622-9250 fryemuseum.org by an international roster of artists. C. Jones: Drawings. In conjunction tue-sun 11am-5pm; thu 11am-7pm. Opening Oct 6 Quenton Baker: with his recent retrospective book, free admission. To Sep 23 Ballast. The exhibition draws on Multiplex (Minor Matters, 2018), we Juventino Aranda: Pocket Full an in-process collection of poems open the fall season with a selection of Posies. Aranda draws on his that amplify a sense of loss or of photographic works by artist Paul family history and particularities of un-speakability within fragmented Berger. During this exhibit, we will his childhood that speak to broader historical narratives. also feature a small selection of cultural themes. To Oct 14 paintings and drawings by Robert C. Bench Mark, created during 16 af- G. Gibson Gallery H Jones. Jones, now in his late 80’s, ter-school sessions where the artists 104 W Roy St &206-587-4033 worked along side Paul Berger as identified the bench as focal point ggibsongallery.com a faculty member at UW School of and unifying element of the urban wed-fri 11am-5:30pm, sat Art. Oct 19 - Dec 1 Eirik Johnson - environment. Opening Sep 15 11:30am-4pm & tue by appt. Gallery PINE (new photographs). This fall Group Therapy. Centering on open by appt. Jun 7 to 10. Sept the gallery will host a solo exhibit participatory projects and major 7-Oct 13 Paul Berger: Multiplex for Eirik Johnson - his new body of installations in a range of media (photographic survey) + Robert photographic work, PINE, is also the preview-art.com PREVIEW 67 Peacoc in the esert The Roal Arts of odhpur India SEATTLE ART MUSEUM, SEATTLE WA - Oct 18, 2018 - Jan 21, 2019 seattleartmuseum.org Known in the West as riding pants that balloon above the knee, “jodhpurs” were the result of a maharajah’s clothing trunk sinking en route to Queen Victoria’s jubilee. Savile Row recreated his court wardrobe and the look caught on with aristocratic equestrians. Assembled by a world-class team of scholars and cura- tors at Jodhpur’s Mehrangarh Museum and the Museum of Fine Arts, Houston, the lavish exhibition Peacock in the Desert involves only two other lenders: HRH Queen Elizabeth II and the ruling

Photo: Neil Grentree family of Kuwait, Al Sabah. Maharaja Ajit Singh Presenting a Garland to His Son Bakhat Singh, Never before has such over- c. 1751-52, opaque watercolor and gold on paper. the-top bling been seen as Mehrangarh Museum Trust serious social history, in a spectacularly designed setting. Court paintings illus- trate the actual clothes and deluxe trinkets on view; it’s not a trip to India, but such authenticity comes close. After being in Houston and before traveling to the Royal Ontario Museum in Toronto, this major museum survey of the aristocratic arts of the Marwar-Jodhpur area of Northwest India (a.k.a Rajasthan) ﬁ lls the Seattle Art Museum with hundreds of precious objects. They range from diamond-and-emerald

Photo: Neil Grentree necklaces to massive silken Krishna and Radha in the Forest, Folio 17 from the Bhagvata Purana, tents and elephant saddles as c. 1775, opaque watercolor and gold on paper. well as riﬂ es, cannons, pistols, Mehrangarh Museum Trust ruby-encrusted swords and axes. At the show’s only West Coast venue, visitors will marvel at the spectacular achievements of the Rathore dynasties in the ﬁ fteenth-century capital, Jodhpur, right up to the twentieth century. Even in jewelry, the dictum about Indian history—the local is the global—holds true: by the 1920s, platinum was imported from Europe, while the taste for emeralds traveled from India to Paris and London. Matthew Kangas

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Notorious Women Paintings by Li Turner

Angry White Men Paintings by David Haughton

September 6 - 29, 2018 Noon - 5pm, Thursday-Saturday

110 Third Avenue S, Seattle WA, 98104 | www.gallery110.com www.haughton-art-dark.ca | www.liturner.com 70 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS WASHINGTON MATTHEW KANGAS IGNETTES

IN RED INK Museum of Northwest Art, La Conner, To Sep 23 For their surprisingly diverse exhibition of First Nations and Native American contemporary artists, curator Chloe Dye Sherpe and guest artist RYAN! Feddersen spent three years assembling a mix of practicing multi-media artists who display a limit-busting range of approaches, from fractured photo-imagery to a wall of all-glass petroglyphs. Highly polemic, bracing and thoughtful, this show mixes propaganda and pop culture MATIKA WILBUR, DR. MARY EVELYN BELGARDE, PUEBLO OF ISLETA AND OHKAY OWINGEH, with a vengeful sense of art history. 2014. PHOTO COURTESY OF THE ARTIST

JULI ADAMS: I SAW THE FACE OF HECATE Bonfi re Gallery, Seattle, To Sep 28 For her Seattle gallery debut, Pop Surrealist Juli Adams delves into ancient Greek mythology, specifi cally the myth of Hecate, purported deity of household prosperity, magic and witchcraft, among other things. Imagining a trip to the underworld, presenting a female fi gure as Hecate, Adams creates creepy images of skeletons, skulls and the darker aspects of femininity. A BFA graduate of Evergreen State College, Adams has also exhibited in Oregon, New Mexico and California. JULI ADAMS, I SAW THE FACE OF HECATE, 2018

MUSE: MICKALENE THOMAS PHOTOGRAPHS Henry Art Gallery, niversity of Washington, Seattle, To Sep 30 In a follow-up to her extraordinary appearance in Seattle Art Museum’s recent show Figuring History, leading younger African American painter Mickalene Thomas displays photo setups, installations, photographs, prints, collages and videos, all related to her large-scale paintings. Toying with art history, as in the reclining nudes of Ingres and Manet, Thomas honors the models as inspirations and as members of her intimate community. Related photos by 15 other artists are included by Thomas. MICKALENE THOMAS, LA LEÇON D’AMOUR, 2008. © MICKALENE THOMAS. COURTESY OF THE ARTIST; LEHMANN MAUPIN, NEW YORK AND HONG KONG; AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK.

SISTER MARY CORITA KENT: SELECTED WORKS Davidson Galleries, Seattle, Sep 6 - 29 A Catholic nun who was infl uenced by and then extended the visual ideas of Andy Warhol – bright color, mass production, everyday subject matter, embrace of advertising’s appearance – Sister Corita (1918-1986) has a stature that has steadily grown since her death at age 68. Davidson Galleries selectively highlights her art in a small but intense survey. By the end of the 1960s, she had left the convent at the height of her fame yet continued to revolutionize graphic design and protest art. CORITA KENT, SONG OF SONGS,1958

HAIEN KANG: ILLUSION 4Culture, Seattle, Oct 4 - 25 A Korean-born doctoral candidate in digital arts at the University of Washington, Haien Kang constructs a sculptural-technological installation at the King County arts commission space for her Seattle debut. Illusion involves eight percussion instruments that are activated by a performer in the room hooked up to an EEG monitor. She

believes the listener will visualize “raindrops falling on the roof in the dead of winter.” HAEIN KANG, ILLUSION: Kang’s 1996 debut was at Flying Piggy Gallery in Seoul. She has also exhibited in YOU CAN HEAR BUT YOU CAN’T SEE, 2017 California and New Mexico. preview-art.com PREVIEW 71 Gallery110 2019 jury ad_Prevmag-1/3 H SO2018 2018-07-19 1:04 PM Page 1

CALL FOR ARTISTS Gallery 110 9th Annual Juried Show February 2019 JUROR: Carrie Dedon, Assistant Curator of Modern & Contemporary Art, Seattle Art Museum APPLY: callforentry.org DEADLINE: October 30, 2018 DETAILS: gallery110.com/call-for-entries

110 3rd Ave S, Seattle, WA 98104 www.gallery110.com Image: Paul Adams, Florence, wet collodion tintype

SEATTLE Harris Harvey Gallery H of greatest importance, however, 1915 First Ave &206-443-3315 is that this collection of portraits title of his forthcoming publication harrisharveygallery.com and performed scenes reflects a with Minor Matters. The exhibit tue-sat 11am-6pm, mon by appt personal community of inspiration will include a combination of color Sep 6-29 Ed Kamuda and Gregg as well. Opening Oct 27 Between photographs, illuminated light boxes Laananen: Messengers from the Bodies. This group exhibition in- and sound. North. Throughout the month of cludes sculpture, augmented reality, September, artists Ed Kamuda and video, and sound-based works that Gallery 110 H Gregg Laananen join Harris Harvey delve into intimate exchanges and 110 3rd Ave S &206-624-9336 Gallery to display how they capture entwined relations between human gallery110.com the natural Washington topography and more-than-human bodies within thu-sat 12-5pm Sep 6-29 Li Turner: within their plein air paintings. As contexts of ongoing ecological Notorious Women. Watercolor colleagues who frequently paint change. Ongoing Martha Friedman: paintings about female risk-takers together and find inspiration in local Castoffs. Friedman presents a new and their sexy, shocking, and sinister Northwest scenery, the two-artist group of figurative sculptures that deeds. David Haughton: Angry show is not only an ode to both engage a process of making and White Men. Terse paintings of Kamuda and Laananen’s artistry, but unmaking the body, challenging im- neo-Nazis, angry protesters and livid is also a celebration of the friendship posed logics that attempt to contain gun advocates strike the viewer with between the two and their reverence or define it neatly. unexpected force, revulsion and fear. for the Pacific Northwest landscape. Oct 4-27 Leonardo Lanzolla: Oct 4-27 Group Exhibition of Linda Hodges Gallery H Visions of Global Influence. Gallery Artists. Check website for 316 1st Ave S &206-624-3034 Colorful visionary characters and October exhibition information. lindahodgesgallery.com creatures, tracing intuitively man- tue-sat 10:30am-5pm and by appt kind’s spirit and personalities with Henry Art Gallery H Sep 6-29 Michael T. Hensley, quotes, signs and symbols of global University of Washington paintings / Polina Tereshina, influence. Susan J. Christensen: 15th Ave NE + NE 41st St paintings / Ursula Rose, paintings Imaginary Friends. Christensen’s &206-543-2280 henryart.org Oct 4-27 Gayle Bard, paintings / colorful imagination is joyfully wed fri sat & sun 11am-4pm; Samuel Blatt, paintings / enshrined in tiny mixed-media thu 11am-9pm. To Sep 30 MUSE: Iain Mangum, paintings. paintings evoking the fantastic Mickalene Thomas Photographs creatures inhabiting fairy tales and and tête-à-tête. With each series, Peter Miller Books H fantasy.Susan Gans: Counterpoint. Thomas grapples with and asserts 304 Alaskan Way South, Post Alley Gans’s Street Shots - black and new definitions of beauty and in- &206-441-4114 petermiller.com white captures of urban life and spiration. Her portraits draw equally Mon-Sat 10am-6pm Oct 1-30 suburban places, with all the emo- from 1970s black-is-beautiful Lad Decker: Peacekeeping. We are tion and backstories - are displayed images of women, odalisque figures, excited to present recent paintings in conjunction with a counterpoint of and mise-en-scène studio portrai- from Lad Decker’s ongoing body of abstracted images. ture, to mention a few. Perhaps work Conflict of Interest. Her work

72 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS reflects on American conflicts beginning with the Vietnam War through present day with an emphasis on human emotion and expression through the machines and landscapes of war, and as representations of internal conflict. Preview paintings at LadDecker.com Prographica/KDR H 313 Occidental Ave S &206-999-0849 prographicagallery.com tue-sat 11am-5:30pm Sep 6-Oct 13 Phillip Levine, sculptor. Dale Lindman, painter. Opening Oct 18 David Bailin: The Erasing and Tim Lowly: Radiator. Seattle Art Museum H 1300 First Ave &206-654-3100 seattleartmuseum.org wed 10am-5pm thu 10am-9pm fri-sun 10am-5pm. Suggested admission: adults $24.95, seniors (62 and over) and military (with ID) $22.95, students (with ID) and teens (13-19) $14.95, children 12 & under free, members free. Olympic Sculpture Park (2901 Western Ave) hours: open daily, sunrise to sunset. free. To Sep 9 Edward Klee-Atlin. These new paintings SPOKANE S. Curtis, Marianne Nicolson, and prints explore some aspects Tracy Rector, Will Wilson: Double of being selected or obscured Northwest Museum Exposure. Opens Oct 18 Peacock and removed. Sometimes, as in of Arts & Culture in the Desert: The Royal Arts of the Blazed Tree series the chosen 2316 W First Ave &509-456-3931 Jodhpur, India. Over 250 paintings, trees are be-ribboned trees to ease northwestmuseum.org decorative arts, textiles, and jewelry. one’s path through the woods and Museum: tue-sun 10am-5pm; wed Big Picture: Art After 1945. Works at other times these ribbons might 10am-8pm. Admission: adults $10, from SAM’s collection of postwar be the mark of future culling. Oct seniors (60+) $7.50, students (with American and European art. In This 4-27 oYo by Ken Barnes The focus ID) $5, kids 5 and under and MAC Imperfect Present Moment paint- of this show is his oYo form, which members no charge. Campbell ing, photography and sculpture from includes two vertical holes through House Tours: included in admission artists such as Amy Sherald, David the stone. This form was created price To Sep 23 Edward S. Curtis: Goldblatt, and Lawrence Lemoana. nearly two decades ago when Ken The Grand Idea. Explore the life’s Noble Splendor: Art of Japanese was sculpting in Japan. The stone work of one of America’s most Aristocrats. Sculpture, scroll paint- for the pieces was collected, often in important and controversial photog- ings and decorative arts that show the wild, because the raw form ap- raphers, chronicler of the West and the artistic patronage of pre-modern pealed to his eye. He knew he could the North American Indian peoples. Japan’s leaders. Lessons From the expose the interior to the curious Through Their Lens: The "Van- Institute of Empathy Featuring a mind while preserving the elegant ishing Race" in a Modern World work by Saya Woolfalk and pieces shape of its natural form. The holes looks at 3 Pacific Northwest from SAM’s African art collection. have no utilitarian function but serve photographers, contemporaries OLYMPIC SCULPTURE PARK Ongoing to draw the observer close for a of Edward Curtis, and how Native Spencer Finch: The view into the depths of the stone. American communities and the Western Mystery. lives of individuals were depicted Specialist Gallery in their work. Opening Sep 15 Shift Gallery H 300 S Washington St RYAN! Feddersen: Phantom Lands. 312 S Washington St specialist.gallery sat-sun 12-4pm Feddersen uses humor, play, and &607-379-9523 shiftgallery.org and by appt. Opening Oct 4 Jenny engagement to make connections fri-sat 12-5pm or by appt Sep 6-29 Heishman: New Work. between U.S. history, her Okanogan Some Obstructed Views by Karen heritage, and current events to preview-art.com PREVIEW 73 FOSS WATERWAY SEAPORT Maritime Museum Featured exhibition The Puyallup People: First on the Waterway

Celebrating Tacoma & South Puget Sound maritime heritage - past, present and future

705 Dock Street. Tacoma, WA 98402 253.272.2750 Photo: Puyallup Tribe- Historic Preservation Department fosswaterwayseaport.org Photo: Kevin Scott

SPOKANE members free, adults $15, seniors Artists and the American West. (62+), military and students (13+) This exhibition draws attention to ignite conversations. Opening Oct 6 $12, groups of 20+ $12, groups of how art relates to and responds to Modern Masters: Group f/64; Pho- 50+ $10, children 6-12 $5 (under personal and political issues around tographs from the Bank of America 6 are free), every 3rd thu 5-8pm immigration. Ongoing Familiar Collection. Nearly fifty works from free Ongoing Sara Young and Tyler Faces & New Voice: Surveying five of f/64’s members, now known Budge: Foraging the Hive. An Northwest Art. Offering a chrono- as some of the most influential exhibition of approximately 8,000 logical walk through Northwest art artists of the twentieth century. test tubes suspended in a swarm- history, illustrated with the works Featuring: Ansel Adams, Imogen like configuration. It also includes a of well-known artists from each Cunningham, Willard Van Dyke, Brett functional apiary displayed on the time period as well as lesser-known Weston and Edward Weston. Museum’s outdoor plaza. Opening figures. Opening Oct 20 Sun, Oct 3 Preston Singletary: Raven Shadows, Stone: The Photography TACOMA and the Box of Daylight. The story of Terry Toedtemeier. Photogra- of the Raven and his transformation pher and curator Terry Toedtemeier Foss Waterway Seaport of the world holds great significance (1947-2008) earned critical acclaim 705 Dock Street &253-272-2750 for the Tlingit people. This exhibition for his haunting photographs of the fosswaterwayseaport.org features a dynamic combination of Columbia Gorge, Oregon coastline, wed-sat 10am-4pm, sun 12-4pm; glass art, storytelling, and encounter, and arid terrain of southeastern Admission: adults $10, seniors/ where the Tlingit story unfolds Oregon; part of the Northwest students/children $8, family pass during the visitor’s experience. Perspective Series. $25. Third thu free. Ongoing The Ongoing Spotlight on Chihuly: Puyallup People: First on the Wa- Works from Museum of Glass Tacoma Arts Month terway. Exploring the history of the Permanent Collection. Showcasing tacomaartsmonth.com Puyallup People and their intimate nine intimate examples from the Oct 1-31 Tacoma Arts Month is connection to the Salish Sea and the Museum’s Permanent Collection, dedicated to showing off the very Puyallup River. Includes boat build- including the Gibson Chandelier, best about our community. October ing and fishing techniques, resource acquired from a private donor is brimming with hundreds of arts utilization, diet, recreation, world in 2013. and culture events, exhibits, and view, and contact with other tribes workshops for all ages. There is and later explorers. To tell this story Tacoma Art Museum H something for everyone to enjoy: accurately, the exhibit content has 1701 Pacific Ave &253-272-4258 music, dance and theater perfor- been developed in partnership with tacomaartmuseum.org mances; hands-on experiences; local members of the Puyallup Tribe. tue-sun 10am-5pm; thu 10am-8pm; visual art exhibits; literary readings; FREE every thu 5-8pm. $15 Adults; lectures; workshops; film screenings Museum of Glass $13 Student/Senior (65+); $40 Fam- and cultural events. Enjoy culture. 1801 Dock St &253-284-4750 ily (2 adults + up to 4 children under Explore Tacoma. Connect with your museumofglass.org 18); FREE Members/Military/Children community. Oct 13-14, 11am-5pm wed-sat 10am-5pm; sun 12-5pm; 5 and under. Youth under 18 FREE Tacoma Studio Tour. 3rd thu 10am-8pm. Admission: every sat. Ongoing Immigrant

74 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Ehibition atalogues of Interest SEP - OCT 2018

BODY LANGUAGE: REAWAKENING CULTURAL TATTOOING OF THE NORTHWEST accompanies an exhibition at the Bill Reid Gallery of Northwest Coast Art (to January 13, 2019). As the title suggests, the show and catalogue examine the histories, meanings, forms and techniques of cultural tattooing among First Nations peoples of this place, its suppression by colonial powers, and its current revival. With essays by participating artists Corey Bulpitt, Dean Hunt, Dion Kaszas, Nahaan, and Nakkita Trimble, and research assistant Lars Krutak.

Softcover, 76 pp., C$28.57. Available at the Bill Reid Gallery shop, 604-682-3455.

JEFF LADOUCEUR: PEARL PATH was published in concert with the recent Burnaby Art Gallery exhibition of this Victoria-born, New York-based artist. A work of art in itself, the book is replete with Ladouceur’s inimitable drawings, in which cartoon-like characters enact inexplicable and often surreal scenarios, alone or with recurring others. Humour, pathos and existential dread all inform Ladouceur’s work in ink, pencil, watercolour and gouache. Includes an introduction by curator Jennifer Cane and fanciful responses to the drawings by Canadian writer Sheila Heti.

Hardcover, 120 pp., C$25. Available at the Burnaby Art Gallery, 604-297-4422.

DAVID MILNE is the big catalogue accompanying the retrospective exhibition at the Vancouver Art Gallery (to September 9). Jointly organized by the Dulwich Picture Gallery and the McMichael Canadian Art Collection in collaboration with the VAG, the show is the fi rst major survey in over 25 years of one of Canada’s most important and distinctive early modernists. The publication is richly illustrated and features contributions by seven guest essayists, among them novelist Jane Urquhart and historian Margaret MacMillan, and an interview with photographer Edward Burtynsky. Softcover, 205 pp., C$35. Available at the Vancouver Art Gallery Store, 604-662-4706.

PAUL BERGER: MULTIPLEX is a new retrospective book by the infl uential photographer and University of Washington professor of 35 years. Illuminating Berger’s forward-thinking explorations and adaptations of the photographic medium, this hand- some monograph includes 80 images from several bodies of work. An essay by curator Rod Slemmons provides an overview of Berger’s early transitions to digital manipulation and electronic imagery, and an interview with the artist by Jon Feinstein discusses the increasing relevance of Berger’s work in the twenty-fi rst century.

Hardcover, 128240 pp., US$50.$55 USD. Available Available at atG. SeattleGibson ArtGallery, Museum Seattle, Shop, 206-587-4033. 206-654-3120

ENDANGERED SPECIES: ARTISTS ON THE FRONT LINE OF BIODIVERSITY highlights 60 artists, from the nineteenth through twenty-fi rst centuries, focusing on a rich cultural tradition of engagement with nature conservation. With a wide range of approaches, the art surveys themes of beauty, natural and human-induced extinctions, diverse ecosystems, habitat revitalization and reconnecting people to the natural world. Written by curator Barbara C. Matilsky, the catalogue accompanies the current Whatcom Museum exhibition (Sep 8, 2018 - Jan 6, 2019) about the importance of biodiversity.

Softcover, 144 pp., US$29.95. Available at the Whatcom Museum Store, Bellingham, 360-778-8975..

Prices may be subject to additional charges for postage, handling and taxes. preview-art.com PREVIEW 75 ART SERVICES

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preview-art.com PREVIEWPREVIEW 77 3 Alphabetical listing of galleries and museums in this issue

4Culture 65 Buckland Southerst Gallery 53 Gallery 2 - Grand Forks Adele Campbell Gallery 53 Bugera Matheson Gallery 16 & District Art & Heritage Centre 20 Alberta Branded 14 Burnaby Art Gallery 18 Gallery 110 72 Alberta Craft Gallery - Calgary 8 Cannon Beach Gallery Group 56 Gallery 114 58 Alberta Craft Gallery - Edmonton 14 Caroun Art Gallery 24 Gallery 1710 32 Alberta Printmakers Gallery Catriona Jeffries 33 Gallery Gachet 39 and Studio 8 Centre A 33 Gallery in the Oak Bay Village 51 Allied Arts of Whatcom County 62 Chali-Rosso Art Gallery 33 Gallery Jones 39 Amelia Douglas Gallery 24 Chinese Cultural Centre Museum 34 Gallery Pegasus 62 Arbutus Gallery Circle Craft Gallery 34 Geert Maas Sculpture at Coast Capital Savings Library 31 Gardens and Gallery 20 CityScape Community Art Space 24 arc.hive gallery 50 G. Gibson Gallery 67 Coastal Peoples Fine Arts Gallery 34 Arnold Mikelson Glenbow 12 Contemporary Art Gallery 34 Mind & Matter Art Gallery 31 Goldmoss Gastown Studio Art Beatus (Vancouver) Contemporary Calgary 8 & Goldmoss Satellite 39 Consultancy Ltd. 32 Craft Council of BC Gallery 35 Gordon Smith Gallery Art Gallery at Evergreen Davidson Galleries 67 of Canadian Art 25 Cultural Centre 20 Deer Lake Art Gallery 19 Griffin Art Projects 28 Art Gallery of Alberta 15 Deluge Contemporary Art 50 grunt gallery 42 Art Gallery of St. Albert 17 Disjecta Contemporary Art Center 58 Haida Gwaii Museum Arts Off Main Gallery 32 at Kay Llnagaay 31 Douglas F. Cooley Memorial ArtStarts Gallery 32 Art Gallery 58 Hallie Ford Museum of Art 60 Art Works Gallery 32 Douglas Reynolds Gallery 35 Harris Harvey Gallery 72 Audain Art Museum 54 DRAW Gallery 28 Heffel Fine Art Auction House 42 Augen Gallery 57 Dundarave Print Henry Art Gallery 72 Bainbridge Island Museum of Art 62 Workshop + Gallery 35 Herringer Kiss Gallery 12 Barbara Boldt Original Art Studio 20 Eagle Spirit Gallery 35 hfa contemporary 42 Bau-Xi Gallery 32 Elissa Cristall Gallery 38 Ian Tan Gallery 42 Bearclaw Gallery 15 Elizabeth Leach Gallery 58 Illingworth Kerr Gallery 13 Beaty Biodiversity Museum 33 English Bay Gallery 39 Il Museo, Il Centro 42 Bellevue Arts Museum 62 Esker Foundation 9 Imogen Gallery 56 Bill Reid Gallery Esplanade Art Gallery 17 Inuit Gallery of Vancouver 42 of Northwest Coast Art 33 Federation Gallery 39 Jordan Schnitzer Museum of Art 57 Blackfish Gallery 57 Ferry Building Gallery 53 Kamloops Art Gallery 20 Bluerock Gallery 8 Foss Waterway Seaport 74 Kariton Gallery & Boutique 18 Blue Sky Gallery 58 Foster/White Gallery 67 Kelowna Art Gallery 21 BONFIRE Gallery 65 Founders’ Gallery 9 Kimoto Gallery 42 Borealis Gallery 16 Frye Art Museum 67 Kootenay Gallery of Art 19 Brian Scott Black Creek Gabor Gasztonyi Studio & Gallery 24 Lattimer Gallery 42 Studio Gallery 18 Gage Gallery Arts Collective 51 Leighton Art Centre 16 Brian Scott Vancouver Studio Gallery 33 Libby Leshgold Gallery 42

78 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS Alphabetical listing of galleries and museums in this issue

Linda Hodges Gallery 72 Poly Culture Art Center 47 The Gallery at Queen’s Park 24 Lookout Gallery 42 Port Angeles Fine Arts Center 65 The Gallery at The Cultch 48 Madrona Gallery 51 Portland Art Museum 60 The Lloyd Gallery 28 Marion Scott Gallery/ Portland State University: The New Gallery (TNG) 13 Kardosh Projects 43 School of Art + Design Galleries 60 The Old School House Monny’s Art Gallery 43 Port Moody Arts Centre 28 Arts Centre 30 Morris and Helen Belkin Prographica/KDR 73 The Polygon Gallery 28 Art Gallery 43 Raven Makes Gallery 60 The Reach Gallery Abbotsford 18 Mountain Galleries Richmond Art Gallery 30 Toni Onley Estate 48 at the Fairmont Chateau 54 Roedde House Museum 47 Touchstones Nelson Musée Héritage Museum 18 Russo Lee Gallery 60 Museum of Art and History 24 Museum of Anthropology Salmon Arm Arts Centre 30 TRUCK Contemporary Art at UBC 43 in Calgary 14 Schack Art Center 64 Museum of Glass 74 Two Rivers Gallery 30 Scott Gallery 16 Museum of Northern BC 30 Udell Xhibitions Fine Art Gallery 16 Seattle Art Museum 73 Museum of Northwest Art 65 Ukama Gallery 48 S’eliyemetaxwtexw Art Gallery 18 Museum of Vancouver 43 Unitarian Church of Vancouver 48 Seymour Art Gallery 28 Musqueam Cultural Uno Langmann Limited 48 Centre Gallery 46 SFU Galleries 19 UVic Legacy Art Galleries 52 Nanaimo Art Gallery 22 Shift Gallery 73 Vancouver Art Gallery 49 Nanaimo Museum 23 Sidney and Gertrude Zack Gallery 47 Vancouver Lipont Art Centre 30 New Media Gallery 24 Silk Art Gallery 30 Vancouver Maritime Museum 50 Newzones 13 Silk Purse Arts Centre 53 Vernon Public Art Gallery 50 Nickle Galleries 13 Sisters Arts Association 62 Victoria Gallery Walk 52 Nisga’a Museum 21 Skwachàys Lodge Aboriginal Viridian Gallery 50 Northwest By Northwest Gallery 56 Hotel and Gallery 47 WaterWorks Gallery 64 Northwest Museum Southern Alberta Art Gallery 17 of Arts & Culture 73 South Main Gallery 47 Western Gallery and Outdoor Sculpture Collection, WWU 64 O’Connor Group Art Gallery 19 Specialist Gallery 73 West Vancouver Art Museum 53 Open Space Arts Society 52 Spirit Wrestler Gallery 48 Whatcom Artist Studio Tour 64 Oregon Jewish Museum and Center Station House Gallery 54 for Holocaust Education 58 Whatcom Museum 64 Steel Door Art Gallery 60 Or Gallery 46 White Bird Gallery 57 SUM gallery 48 Oxygen Art Centre 23 White Rock Gallery 54 Sunshine Coast Art Crawl 31 Parker Projects 46 Whyte Museum Surrey Art Gallery 31 of the Canadian Rockies 8 Pendulum Gallery 47 Tacoma Art Museum 74 Winchester Galleries 52 Penticton Art Gallery 28 Tacoma Arts Month 74 Xchanges Gallery and Studios 52 Peter Kiss Studio and Gallery 47 The ACT Art Gallery 22 Z Gallery Arts 50 Peter Miller Books 72 The Art Emporium 48 Peter Robertson Gallery 16 The Collectors’ Gallery of Art 13 Petley Jones Gallery 47 The Front Gallery 16 Plaskett Gallery 24 preview-art.com PREVIEW 79 80 PREVIEW n SEP - OCT 2018 H OPEN LATE ON FIRST THURSDAYS