Marian Penner Bancroft Rca Studies 1965
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Liz Magor I Have Wasted My Life
Andrew Kreps 22 Cortlandt Alley, Tue–Sat, 10 am–6 pm Tel. (212)741-8849 Gallery New York, NY 10013 andrewkreps.com Fax. (212)741-8163 Liz Magor I Have Wasted My Life May 21 - July 3 Opening Reception: Friday, May 21, 4 - 7 pm Andrew Kreps Gallery is pleased to announce I Have Wasted My Life, an exhibition of new works by Liz Magor at 22 Cortlandt Alley. On the wall, a new sculpture titled Perennial is formed from a duffle coat, which in the 1960s and 1970s had become a de-facto uniform for student protestors, including those part of the nascent environmental movement in Vancouver, where Greenpeace was founded in 1971. A near artifact from this time, the coat carries with it the accumulated wear from these actions. The artist’s own interventions seek to repair the garment, though in lieu of erasure, Magor marks the damage using paint, ink, and sculptural material. Simultaneously, Magor adds vestiges of the coat’s past activity, such as two cookies cast in gypsum placed in its pocket to resuscitate it to its prior use. Magor often positions humble objects at the center of her sculptures, the stuff that plays fleeting roles in our lives as repositories for memories and affection before being replaced. Three found workbenches, positioned throughout the galleries, become stages for these objects, suggesting sites for their rehabilitation. On each, a meticulously molded and cast toy animal rests between an array of accumulated items that range from the deeply personal, such as small collections of rocks, shells, and dried flowers, to those that are ubiquitous, such as Ikea Lack furniture, which is produced in a way that it is no longer contained to one place, or time. -
Borderline Research
Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Adam Douglas Swinton Welch 2019 Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch Doctor of Philosophy Department of Art University of Toronto 2019 Abstract Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush’s relationship with the critic Clement Greenberg; Brydon Smith’s first decade as curator at the National Gallery of Canada (1967–1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe’s debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962–1972); Barry Lord and Gail Dexter’s involvement with the Canadian Liberation Movement (1970–1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967–1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists’ fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world. -
Rodney Graham Biography
Rodney Graham Rodney Graham pulls at the threads of cultural and intellectual history through photography, film, music, performance and painting. He presents cyclical narratives that pop with puns and references to literature and philosophy, from Lewis Carroll to Sigmund Freud to Kurt Cobain, with a sense of humour that betrays Graham’s footing in the post-punk scene of late 1970s Vancouver. The nine-minute loop Vexation Island (1997) presents the artist as a 17th-century sailor, lying unconscious under a coconut tree with a bruise on his head; after eight and a half minutes he gets up and shakes the tree inducing a coconut to fall and knock him out, and for the sequence to start again. Graham returns as a cowboy in How I Became a Ramblin’ Man (1999) and as both city dandy and country bumpkin in City Self/Country Self (2001) – fictional characters all engaged in an endless loop of activity. Such dream states and the ramblings of the unconscious are rooted in Graham’s earlier upside-down photographs of oak trees. Inversion, Graham explains, has a logic: ‘You don’t have to delve very deeply into modern physics to realise that the scientific view holds that the world is really not as it appears. Before the brain rights it, the eye sees a tree upside down in the same way it appears on the glass back of the large format field camera I use.’ (2005) Rodney Graham was born in Abbotsford, British Columbia, Canada in 1949. He graduated from the University of British Columbia, Burnaby, Canada in 1971 and lives and works in Vancouver, Canada. -
An Interview with Tania Willard on Beat Nation, Indigenous Curation and Changing the World Through Art
Decolonization: Indigeneity, Education & Society Vol. 3, No. 1, 2014, pp. 218-224 An interview with Tania Willard on Beat Nation, Indigenous curation and changing the world through art Jarrett Martineau Jarrett Martineau: First, many thanks about your own creative and curatorial from everyone at Decolonization for taking practice? What guides or informs the art the time to participate in this interview! you make and curate? We are pleased to have you join us for this special issue on “Indigenous art, aesthetics Beat Nation has grown and become and decolonial struggle.” Please introduce something less intimate than how it started yourself and what nation you are from. and I have learned lessons in that. So, first of all, I never really set out to be a curator; I Tania Willard: My name is Tania Willard, come to it as an artist and an activist, which I Secpwemc Nation... and mixed Euro- think is a well understood trajectory in Indian Canadian. At times other white people and Country. We have amazing models and family have asked why I don’t define the histories to see of all kinds of creative minds, other ‘half’ of me. For me it is political to philosophers, and leaders who sought uphold my Secwepemc heritage: first, as an creative ways to have their voices heard. attempt to address the purposeful erasure of Aboriginal story, place, culture, spirituality I went to art school at the University of and land. I reassert my Secwepemc heritage, Victoria, before Taiaiake Alfred and all of story, land and rights in recognition of the the Indigenous Governance programming whole story of these Indigenous territories there now. -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
FIERMAN Letterhead Template
! Jeneen Frei Njootli is a Canadian born Artist who lives and works in Vancouver, BC. [email protected] 604-726-3565 SELECTED EXHIBITIONS 2018 My Sister/Ma Soeur, Contemporary Indigenous Art Biennial/ La Biennale d’Art Contemporain Autochtone (BACA) (upcoming), with Tsēma Igharas, Montreal QC These Hands, Coney Island Baby with Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Tania Willard and Amy Kazymerchyk, Western Front, Vancouver BC Pink Noise Pop Up, ONE AND J + 1 with Space One, Instant Coffee and grunt gallery, Seoul ROK Inaugural Fashion Show, UnFURled, Whitehorse YT Common Cause: before and beyond the global, Mercer Union, Toronto ON Being Skidoo film screening and performance, Available Light Film Festival, Whitehorse YT 2017 Art Toronto, Macaulay & Co. Fine Arts, Toronto ON Western Canada Fashion Week, Ociciwan Collective, Edmonton AB Crafted Strangers, Center for Craft, Creativity and Design, Asheville NC Thunder in Our Voices, Interurban Gallery, Vancouver BC Vancouver Indigenous Fashion Week, Queen Elizabeth Theatre, Vancouver BC LandMarks2017, Vuntut Gwitchin Traditional Territory, Old Crow YT wnoondwaamin: we hear them, Platform Gallery (Saskatoon SK), Whitewater Gallery (North Bay 2016 ON), Art Gallery of South Western Manitoba (Brandon MB) Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery, Vancouver BCwnoondwaamin: we hear them, Trinity Square Video, Toronto ON Emergence, Fazakas Gallery, Vancouver BC Our Home is Our Gallery, Yukon Arts Centre, Whitehorse YTif this were a draft, would you dodge -
THE ARTERY News from the Britannia Art Gallery February 1, 2017 Vol
THE ARTERY News from the Britannia Art Gallery February 1, 2017 Vol. 44 Issue 97 While the Artery is providing this newsletter as a courtesy service, every effort is made to ensure that information listed below is timely and accurate. However we are unable to guarantee the accuracy of information and functioning of all links. INDEX # ON AT THE GALLERY: Exhibition My Vintage Rubble and Fish & Moose series 1 Mini-retrospective by Ken Gerberick Opening Reception: Wednesday, Feb 1, 6:30 pm EVENTS AROUND TOWN EVENTS 2-6 EXHIBITIONS 7-24 THEATRE 25/26 WORKSHOPS 27-30 CALLS FOR SUBMISSIONS LOCAL EXHIBITIONS 31 GRANTS 32 MISCELLANEOUS 33 PUBLIC ART 34 CALLS FOR SUBMISSIONS NATIONAL AWARDS 35 EXHIBITIONS 36-44 FAIR 45/46 FESTIVAL 47-49 JOB CALL 50-56 CALL FOR PARTICPATION 57 PERFORMANCE 58 CONFERENCE 59 PUBLIC ART 60-63 RESIDENCY 64-69 CALLS FOR SUBMISSIONS INTERNATIONAL WEBSITE 70 BY COUNTRY ARGENTINA RESIDENCY 71 AUSTRIA PRIZE 72 BRAZIL RESIDENCY 73/74 CANADA RESIDENCY 75-79 FRANCE RESIDENCY 80/81 GERMANY RESIDENCY 82 ICELAND PERFORMERS 83 INDIA RESIDENCY 84 IRELAND FESTIVAL 85 ITALY FAIR 86 RESIDENCY 87-89 MACEDONIA RESIDENCY 90 MEXICO RESIDENCY 91/92 MOROCCO RESIDENCY 93 NORWAY RESIDENCY 94 PANAMA RESIDENCY 95 SPAIN RESIDENCY 96 RETREAT 97 UK RESIDENCY 98/99 USA COMPETITION 100 EXHIBITION 101 FELLOWSHIP 102 RESIDENCY 103-07 BRITANNIA ART GALLERY: ACKNOWLEDGEMENTS: 108 SUBMISSIONS TO THE ARTERY E-NEWSLETTER 109 VOLUNTEER RECOGNITION 110 GALLERY CONTACT INFORMATION 111 ON AT BRITANNIA ART GALLERY 1 EXHIBITIONS: February 1 - 24 My Vintage Rubble, Fish and Moose series – Ken Gerberick Opening Reception: Wed. -
Rodney Graham CV
Rodney Graham Lives and works in Vancouver, Canada 1979–80 Simon Fraser University, Burnaby, Canada 1968–71 University of British Columbia, Vancouver, Canada 1949 Born in Vancouver, Canada Selected Solo Exhibitions 2020 ‘Artists and Models', Serlachius Museum Gösta, Mänttä, Finland ‘Painting Problems’, Lisson Gallery 2019 303 Gallery, New York, NY, USA 2018 ‘Central Questions of Philosophy’, Lisson Gallery, London, UK 2017 ‘Lightboxes’, Museum Frieder Burda, Baden-Baden, Germany 303 Gallery, New York, NY, USA ‘That’s Not Me’, BALTIC Centre for Contemporary Art, Gateshead, UK; Museum Voorlinden, Wassenaar, Netherlands; Irish Museum of Modern Art, Dublin, Ireland ‘Canadian Impressionist’, Canada House, London, UK ‘Media Studies’, Hauser & Wirth, Zurich, Switzerland 2016 ‘You should be an Artist’, Le Consortium, Dijon, France ‘Waterloo Billboard Commissions’, Hayward Gallery, London, UK ‘Jack of All Trades’, Prefix Institute of Contemporary Art, Toronto, Canada ‘Più Arte dello Scovolino!’, Lisson Gallery, Milan, Italy Alt Art Space, Istanbul Turkey 2015 Sammlung Goetz, Munich, Germany ‘Kitchen Magic Drawings’, Galerie Rüdinger Schöttle, Munich, Germany 2014 ‘Rodney Graham: Props and Other Paintings’, Charles H. Scott Gallery, Emily Carr University of Art + Design, Vancouver, Canada ‘Collected Works’, Rennie Collection, Vancouver, Canada ‘Torqued Chandelier Release and Other Works’, Belkin Gallery, University of British Columbia, Vancouver, Canada 2013 Lisson Gallery, London, UK 303 Gallery, New York, NY, USA ‘The Four Seasons’, Hauser & Wirth, Zurich, Switzerland 2012 ‘Canadian Humourist’, Vancouver Art Gallery, Vancouver, Canada Johnen Galerie, Berlin, Germany 2011 Donald Young Gallery, Chicago, IL, USA ‘Vignettes of Life’, Hauser & Wirth, Zurich, Switzerland ‘Rollenbilder – Rollenspiele’, Museum der Moderne, Salzburg, Austria ‘The Voyage or Three Years at Sea: Part 1. -
Coney Island C Convo-Web Ready.Indd
Coney Island Baby 2 Jeneen Frei Njootli, Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Tania Willard September 13—November 3, 2018 A Conversation with Gabrielle L’Hirondelle Hill, Amy Kazymerchyk, Chandra Melting Tallow, and Jeneen Frei Njootli Originally published in C Magazine 136: Site-ation, edited by Peter Morin and Tania Willard (Winter 2018): pgs: 18-23. In the winter of 2016, Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Jeneen Frei Njootli, Tania Willard, Amy Kazymerchyk and Aaron Leon came together at BUSH gallery to make a film about trapping rabbits. Gabrielle, a previous resident at BUSH and a long-time collaborator of Tania’s, had proposed the project the year before, after speaking with Jeneen about her experiences hunting and trapping in Gwich’in territory. Chandra, a sound artist who heads the musical project Mourning Coup, was invited to score the film, as well as to come trapping. Amy, a curator who has made films, was asked to be the Director of Photography and Aaron, a photographer who had also previously worked with BUSH gallery, joined the group as a camera person. In this interview, four of the artists involved discuss what happened that week and the ideas at the heart of Coney Island Baby. Amy Kazymerchyk: Gabe, why don’t you start by telling us about where the title for the film came from? Gabrielle L’Hirondelle Hill: The title of the work, Coney Island Baby, refers to Coney Island in New York, I think it’s 1 Lenape territory, a place that was renamed by colonizers after the wild rabbits that populated that place. -
Canadian, Impressionist & Modern
CanAdiAn, impressionist & modern Art Sale Wednesday, december 2, 2020 · 4 pm pt | 7 pm et i Canadian, impressionist & modern art auCtion Wednesday, December 2, 2020 Heffel’s Digital Saleroom Post-War & Contemporary Art 2 PM Vancouver | 5 PM Toronto / Montreal Canadian, Impressionist & Modern Art 4 PM Vancouver | 7 PM Toronto / Montreal previews By appointment Heffel Gallery, Vancouver 2247 Granville Street Friday, October 30 through Wednesday, November 4, 11 am to 6 pm PT Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Monday, November 16 through Saturday, November 21, 11 am to 6 pm ET Heffel Gallery, Toronto 13 Hazelton Avenue Together with our Yorkville exhibition galleries Thursday, November 26 through Tuesday, December 1, 11 am to 6 pm ET Wednesday, December 2, 10 am to 3 pm ET Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” Consignments or “Auction House” [email protected] appraisals CONTACt [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com absentee, telephone & online bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shipping Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottawa subsCriptions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-6505 montreal Catalogue subsCriptions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. An Annual Subscription entitles vanCouver you to receive our Auction Catalogues and Auction Result Sheets. 2247 Granville Street, Vancouver, British Columbia V6H 3G1 Our Annual Subscription Form can be found on page 103 of this Telephone 604-732-6505, Fax 604-732-4245 catalogue. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
CONGRESSIONAL RECORD-SENATE. Tj"ULY 16
} ,.,...-/ 9104 CONGRESSIONAL RECORD-SENATE. tJ"ULY 16, By l\fr. GOULD: A. bill (H. R. 25771) for th-e· relief of James spective of the nationality of her husband; to the Committee M. McKenney; to the Committee on, Military Affairs. l on the Judiciary. By 1\!r. KORBLY: A bfll (H R. 25172) for the relief. Qf the ! By Mr. REILLY: Petition of the National Association of heirs of Bernhard Strauss; to the Committee on Wa.r Claims. Piaru:r Merchants of Amel'ica, protesting against any legislation By Mr.. l\IcCALL: A bill (H. R. 25773') granting a pension affeeting pl"iee maintenance, to the Committee on Patents~ to Charles McRugh ; to the Committee on Invalid Pensions. B1. Mr. S-.A.BA.TH: Memorial of Holy Mother of La:zajs B .. By l\Ir~ OLMSTED: A bill (H. R. 25774) granting an honor Society, No. 179,. of Chicago, Ill. .,. against paEsage of bills re l:!:ble discharge to Francis Tomlinson; to the Committee on Mili stricting immigration; to the Committee on Immigration and tary Affairs. Naturalization. By Mr. POST: A bill (H: R. 2D--Z'Z5) granting an increase of pension. to William A. Barnes; to th_e Committee on In.valid Pension& SENATE. By Mr. POWERS: A bill (H. R. ~6) for the- relief of TtJESDAY, Ju,ly 16, 1912 Sarah Ann Sun·en; to the Committee on: Wax Claim-s. 1 Also, a bill (H. R. 25777) for the relief of the· heirs. of .rhe Senate met :it l:t o'el-0ck a. m.. Samuel Griffis, deceased; to the Committee on War Cla:ims.