DOCSLIB.ORG

Dezember 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dezember 2019 PROGRAMMINFORMATION NR.250 DEZEMBER 2019 SPECIALS ONCE UPON A TIME IN HOLLYWOOD HOLLYWOODS PHILOSOPHIE MI 04.12.19 19:00 S.13 Ein Filmvortrag von Johannes Dezember Binotto Klostergasse 5 Im Sputnik Liestal 4051 Basel / beim Kunsthallengarten Im Fachwerk Allschwil www.stadtkinobasel.ch Im Marabu Gelterkinden SHOW PEOPLE Tel. 061 272 66 88 www.landkino.ch DO 19.12.19 21:00 S.13 Mit Live-Vertonung vom Ensemble Improcinema – Günter Buchwald (Piano), Bruno Spoerri (Saxophon), Marc Roos (Posaune), SÉLECTION LE BON FILM LANDKINO S.11 Frank Bockius (Schlagzeug) S.27 «A DOG CALLED S.24 BRITISH HEIST MOVIES MONEY» VON ONCE UPON A | ONCE UPON A TIME SPECIAL ZHANG YIMOU SEAMUS MURPHY IN HOLLYWOOD | SÉLECTION LE BON COMING HOME BASLER FILMTREFF DO 05.12.19 18:00 S.23 DIE BASLER KAMERA- TIME IN FILM S.20 Mit einem einführenden Vortrag FRAU ALINE LÁSZLÓ ABSCHIEDSFILM von Luc Schaedler – DEN MOMENT S.26 «À BOUT DE SOUFFLE» EIN FANGEN ODER HOLLYWOOD – EIN ABSCHIED UND SPECIAL BASLER FILMTREFF BILDER INSZENIEREN? S.18 EIN NEUBEGINN VAKUUM MO 09.12.19 18:30 ZHANGLEBEN! YIMOU S.23 Im Rahmen des Basler Filmtreffs gibt die Kamerafrau Aline László Einblick in ihre Arbeitsweise. SPECIAL ABSCHIEDSFILM À BOUT DE SOUFFLE Mi 11.12.19 18:30 S.26 Im Anschluss Apéro. SONNTAG 13:15 ZHANG YIMOU JU DOU S.20 China/Japan 1990 95 Min. Farbe. 35 mm. OV/d/f ZHANG YIMOU, YANG FENGLIANG1 15:15 ONCE UPON A TIME SUNSET BOULEVARD S.14 USA 1950 110 Min. sw. DCP. E/d BILLY WILDER 17:30 ZHANG YIMOU TO LIVE S.20 China/Hongkong 1994 133 Min. Farbe. 35 mm. OV/d/f ZHANG YIMOU 20:00 ONCE UPON A TIME ONCE UPON A TIME IN HOLLYWOOD S.17 USA/Grossbritannien/China 2019 159 Min. Farbe/sw. DCP. E/d/f QUENTIN TARANTINO ONCE UPON A TIME IN HOLLYWOOD / S.17 WOCHE 49 DEZEMBER WOCHE 49 DEZEMBER 2019 2019 MONTAG FREITAG 18:30 ONCE UPON A TIME 16:15 ONCE UPON A TIME THE LAST TYCOON HELLZAPOPPIN’ S.15 USA 1976 S.13 USA 1941 122 Min. sw/Farbe. 35mm. 84 Min. sw. 35mm. E/d/f E/d/f HENRY C. POTTER ELIA KAZAN 2 18:30 ZHANG6 YIMOU 21:00 ZHANG YIMOU RAISE THE RED LANTERN THE ROAD HOME S.20 China/Hongkong/Taiwan 1991 S.21 China 1999 120 Min. Farbe. 35 mm. OV/d/f 89 Min. sw/Farbe. 35 mm. ZHANG YIMOU OV/d/f 21:00 ONCE UPON A TIME ZHANG YIMOU SINGIN’ IN THE RAIN DIENSTAG S.14 USA 1952 19:30 GASTVERANSTALTUNG 110 Min. Farbe. DCP. E/d STANLEY DONEN, point de vue präsentiert: ALBRECHT SCHNIDER GENE KELLY SAMSTAG – WAS BLEIBT 15:15 ZHANG YIMOU Schweiz/Deutschland 20193 75 Min. Farbe. DCP. OV/d THE STORY OF QIU JU RITA ZIEGLER S.20 China/Hongkong 1992 100 Min. Farbe. 35 mm. OV/d/f MITTWOCH ZHANG YIMOU 19:00 ONCE UPON A TIME 17:30 ONCE UPON7 A TIME HOLLYWOODS PHILOSOPHIE BARTON FINK S.13 Ein Filmvortrag von Johannes S.15 USA/Grossbritannien 1991 Binotto 116 Min. Farbe. 35mm. E/d/f 20:30 ONCE UPON A TIME JOEL COEN, ETHAN COEN 4 20:00 ZHANG YIMOU MULHOLLAND DRIVE S.16 USA/Frankreich 2001 NOT ONE LESS 147 Min. Farbe. 35mm. E/d/f S.21 China 1999 DAVID LYNCH 106 Min. Farbe. 35 mm. OV/d/f ZHANG YIMOU 22:15 ONCE UPON A TIME DONNERSTAG 18:00 ZHANG YIMOU ED WOOD 20 RAISE THE RED LANTERN / S. S.16 USA 1994 COMING HOME 126 Min. sw. 35mm. E/d/f S.22 China/Frankreich 2014 TIM BURTON 109 Min. Farbe. DCP. OV/d/f ZHANG YIMOU SONNTAG Mit einem einführenden5 Vortrag 13:00 ZHANG YIMOU von Luc Schaedler 21:00 SÉLECTION LE BON FILM UNDER THE HAWTHORN TREE S.22 China 2010 A DOG CALLED MONEY 114 Min. Farbe. 35 mm. OV/e S.27 Irland/Grossbritannien 2019 ZHANG YIMOU 90 Min. Farbe. DCP. E/d 15:15 ONCE UPON8 A TIME SEAMUS MURPHY LANDKINO IM SPUTNIK THE PLAYER 20:15 BRITISH HEIST MOVIES S.15 USA 1992 124 Min. Farbe. 35mm. E/d/f THE LAVENDER HILL MOB ROBERT ALTMAN S.24 Grossbritannien 1951 17:45 ZHANG YIMOU 78 Min. sw. Digital HD. E/d CHARLES CRICHTON JU DOU S.20 China/Japan 1990 95 Min. Farbe. 35 mm. OV/d/f ZHANG YIMOU, YANG FENGLIANG 20:00 ONCE UPON A TIME A STAR IS BORN S.14 USA 1954 181 Min. Farbe. DCP. E/d GEORGE CUKOR UNDER THE HAWTHORN TREE / S.22 THE BAD AND THE BEAUTIFUL / S.14 2 3 WOCHE 50 DEZEMBER WOCHE 50 DEZEMBER 2019 2019 MONTAG FREITAG 18:30 BASLER FILMTREFF 16:15 ZHANG YIMOU VAKUUM COMING HOME S.23 Schweiz/Deutschland 2017 S.22 China/Frankreich 2014 80 Min. Farbe. DCP. D 109 Min. Farbe. DCP. OV/d/f CHRISTINE REPOND ZHANG YIMOU Im Rahmen des Basler Filmtreffs 18:30 ONCE13 UPON A TIME 9 gibt die Kamerafrau Aline László Einblick in ihre Arbeitsweise HELLZAPOPPIN’ 21:00 ONCE UPON A TIME S.13 USA 1941 84 Min. sw. 35mm. E/d/f SILENT MOVIE HENRY C. POTTER S.15 USA 1976 21:00 ZHANG YIMOU 87 Min. Farbe. Digital HD. Stummfilm mit engl./dt. HERO Zwischentiteln S.21 China/Hongkong 2002 MEL BROOKS 99 Min. sw/Farbe. 35 mm. OV/d/f DIENSTAG ZHANG YIMOU Keine Vorstellungen SAMSTAG 10 15:15 ONCE UPON A TIME MITTWOCH HAIL, CAESAR! 18:30 ABSCHIEDSFILM S.16 Grossbritannien/Japan/USA 2016 À BOUT DE SOUFFLE 106 Min. Farbe. DCP. E/d/f S.26 Frankreich 1960 ETHAN COEN,14 JOEL COEN 90 Min. sw. 35 mm. F/d 17:30 ZHANG YIMOU JEAN-LUC GODARD Im Anschluss Apéro11 THE STORY OF QIU JU 21:00 ONCE UPON A TIME S.20 China/Hongkong 1992 100 Min. Farbe. 35 mm. OV/d/f ED WOOD ZHANG YIMOU S.16 USA 1994 20:00 ONCE UPON A TIME 126 Min. sw. 35mm. E/d/f TIM BURTON THE BAD AND THE BEAUTIFUL S.14 USA 1952 DONNERSTAG 119 Min. sw. 35 mm. E/d 18:30 SÉLECTION LE BON FILM VINCENTE MINNELLI A DOG CALLED MONEY 22:15 ZHANG YIMOU SUNSET BOULEVARD / S.14 SHADOW / S.22 S.27 Irland/Grossbritannien 2019 HAPPY TIMES 90 Min. Farbe. DCP. E/d S.21 China 2000 SEAMUS MURPHY 96 Min. Farbe. 35 mm. OV/d/f 21:00 ONCE12 UPON A TIME ZHANG YIMOU THE PLAYER SONNTAG S.15 USA 1992 13:00 ONCE UPON A TIME 124 Min. Farbe. 35mm. E/d/f ROBERT ALTMAN SINGIN’ IN THE RAIN LANDKINO IM SPUTNIK S.14 USA 1952 110 Min. Farbe. DCP. E/d 20:15 BRITISH HEIST MOVIES STANLEY DONEN, THE ITALIAN JOB GENE KELLY15 S.24 Grossbritannien 1969 15:30 SÉLECTION LE BON FILM 99 Min. Farbe. Digital HD. E/d PETER COLLINSON A DOG CALLED MONEY S.27 Irland/Grossbritannien 2019 90 Min. Farbe. DCP. E/d SEAMUS MURPHY 17:15 ONCE UPON A TIME ONCE UPON A TIME IN HOLLYWOOD S.17 USA/Grossbritannien/China 2019 159 Min. Farbe/sw. DCP. E/d/f QUENTIN TARANTINO 20:15 ZHANG YIMOU RAISE THE RED LANTERN S.20 China/Hongkong/Taiwan 1991 120 Min. Farbe. 35 mm. OV/d/f ZHANG YIMOU JU DOU / S.20 ED WOOD / S.16 4 5 WOCHE 51 DEZEMBER WOCHE 51 DEZEMBER 2019 2019 MONTAG FREITAG 18:30 ZHANG YIMOU 16:15 ONCE UPON A TIME NOT ONE LESS THE BAD AND THE BEAUTIFUL S.21 China 1999 S.14 USA 1952 106 Min. Farbe. 35 mm. OV/d/f 119 Min. sw. 35 mm. E/d ZHANG YIMOU VINCENTE MINNELLI 21:00 ONCE UPON A TIME 18:30 20ZHANG YIMOU 16 THE LAST TYCOON THE ROAD HOME S.15 USA 1976 S.21 China 1999 122 Min. sw/Farbe. 35mm. 89 Min. sw/Farbe. 35 mm. E/d/f OV/d/f ELIA KAZAN ZHANG YIMOU 21:00 ONCE UPON A TIME DIENSTAG Keine Vorstellungen SUNSET BOULEVARD S.14 USA 1950 17 110 Min. sw. DCP. E/d BILLY WILDER MITTWOCH 18:30 ONCE UPON A TIME SAMSTAG HAIL, CAESAR! 15:15 ZHANG YIMOU S.16 Grossbritannien/Japan/USA 2016 HAPPY TIMES 106 Min. Farbe. DCP. E/d/f S.21 China 2000 96 Min. Farbe. 35 mm. OV/d/f ETHAN COEN,18 JOEL COEN 21:00 ZHANG YIMOU ZHANG YIMOU 17:30 ONCE21 UPON A TIME SHADOW S.22 China/Hongkong 2018 SILENT MOVIE 116 Min. Farbe. Digital HD. S.15 USA 1976 OV/e 87 Min. Farbe. Digital HD. ZHANG YIMOU Stummfilm mit engl./dt. Zwischentiteln LANDKINO IM MARABU MEL BROOKS 20:15 ONCE UPON A TIME 19:45 ZHANG YIMOU SUNSET BOULEVARD TO LIVE S.25 USA 1950 S.20 China/Hongkong 1994 110 Min. sw. DCP. E/d 133 Min. Farbe. 35 mm. OV/d/f BILLY WILDER ZHANG YIMOU 22:15 ONCE UPON A TIME DONNERSTAG 18:30 SÉLECTION LE BON FILM BARTON FINK S.15 USA/Grossbritannien 1991 A DOG CALLED MONEY 116 Min. Farbe. 35mm. E/d/f S.27 Irland/Grossbritannien 2019 JOEL COEN, ETHAN COEN 90 Min. Farbe. DCP. E/d SEAMUS MURPHY SONNTAG 21:00 ONCE19 UPON A TIME 13:15 ZHANG YIMOU SHOW PEOPLE HERO S.13 USA 1928 S.21 China/Hongkong 2002 78 Min. sw. 16mm. Stummfilm 99 Min. sw/Farbe. 35 mm. mit engl. Zwischentiteln OV/d/f KING VIDOR ZHANG22 YIMOU Mit Live-Vertonung vom 15:15 ONCE UPON A TIME Ensemble Improcinema – Günter Buchwald (Piano), MULHOLLAND DRIVE Bruno Spoerri (Saxophon), S.16 USA/Frankreich 2001 Marc Roos (Posaune), 147 Min.
Load more

Recommended publications
  • Chinese National Revitalization and Social Darwinism in Lu Xun's Work
    Chinese National Revitalization and Social Darwinism in Lu Xun’s Work By Yuanhai Zhu A thesis submitted in partial fulfillment of the requirement for the degree of Master of Arts Department of Comparative Literature University of Alberta ©Yuanhai Zhu, 2015 ii Abstract This thesis explores decolonizing nationalism in early 20th century China through its literary embodiment. The topic in the thesis is Lu Xun, a canonical modern Chinese realist whose work is usually and widely discussed in scholarly works on Chinese literature and Chinese history in this period. Meanwhile, late 19th century and early 20th century, as the only semi-post-colonial period in China, has been investigated by many scholars via the theoretical lens of post-colonialism. The intellectual experience in China during this period is usually featured by the encounters between Eastern and Western intellectual worlds, the translation and appropriation of Western texts in the domestic Chinese intellectual world. In this view, Lu Xun’s work is often explored through his individualism which is in debt to Nietzsche, as well as other western romanticists and existentialists. My research purpose is to reinvestigate several central topics in Lu Xun’s thought, like the diagnosis of the Chinese national character, the post-colonial trauma, the appropriation of Nietzsche and the critique of imperialism and colonization. These factors are intertwined with each other in Lu Xun’s work and embody the historical situation in which the Chinese decolonizing nationalism is being bred and developed. Furthermore, by showing how Lu Xun’s appropriation of Nietzsche falls short of but also challenges its original purport, the thesis demonstrates the critique of imperialism that Chinese decolonizing nationalism initiates, as well as the aftermath which it brings to modern China.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Warriors As the Feminised Other
    Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle.
    [Show full text]
  • Happy Times Review
    EBSCOhost 07/12/2007 05:34 PM Sign In | Folder | Preferences | New Features! | Ask-A-Librarian | Help Basic Advanced Visual Choose Search Search Search Databases New Search Keyword | Publications | Cited References | Indexes 1 of 2 Result List | Refine Search Print E-mail Save Export Add to folder View: Citation HTML Full Text Title: HAPPYTIMES (motion picture)., By: Garcia, Maria, Film Journal International, 15269884, May2002, Vol. 105, Issue 5 Database: Film & Television Literature Index with Full Text HAPPYTIMES (MOTION PICTURE) Find More Like This SONY PICTURES CLASSICS/Color/1.85/Dolby SR/ 106 Mins./Rated PG Cast: Zhao Benshan, Dong Jie, Dong Lihua, Fu Biao, Li Zuejian, Leng Qibin, Niu Ben, Gong Jinghua, Zhang Hongjie, Zhao Bingkun. Credits: Directed by Zhang Yimou. Produced by Zhao Yu, Yang Qinglong, Zhou Ping, Zhang Weiping. Screenplay by Gui Zi, based on the novella Shifu, You'll Do Anything for a Laugh by Mo Yan. Executive producers: Edward R. Pressman, Terrence Malick, Wang Wei. Director of photography: Hou Yong. Production designer: Cao Jiuping. Edited by Zhai Ru. Costume designer: Tong Huarniao. A Guangxi Film Studios, Zhu Hai Guo Gi Enterprise Development Co. and Beijing New Picture Distribution Co. production. In Mandarin with English subtitles. China's Zhang Yimou fashions yet another allegorical masterpiece with this story of an aging pensioner and a young blind woman. 02-113 In this ostensibly simple story about an elderly bachelor and a blind girl, director Zhang Yimou creates yet another masterpiece of allegory, as he did in The Story of Qiu Ju (1992) and The Road Home (2000). Happy Times is filmed from the point of view of the bachelor, Zhao (Zhao Benshan), but its undeniable hero is Wu Ying (Dong Jie), a slip of a girl whose boundless spirit--like the mother's in The Road Home and like Qiu Ju's--is, for the Chinese filmmaker, emblematic of his homeland.
    [Show full text]
  • De Filmkrant
    See all you can see met: DE FILMKRANT VAN WWW.FILMTHEATERHILVERSUM.NL Stichting Filmtheater Hilversum | Herenplein 5 | 1211DR Hilversum | 035 6235466 | PROGRAMMA Luc Freijer |TEKST Daniëlle van Nispen & Luc Freijer |EINDREDACTIE Anky Mulders ARTWORK Fred Trappenburg 1 AUGUSTUS T/M 4 SEPTEMBER 2019 50 JAAR FEELGOOD vol met WOENSDAG WOODSTOCK BRUCE SPRINGSTEEN VOORPREMIÈRE-AVOND e nieuwste films eerder tegen een extra VIER Dscherpe prijs! Kaartjes zijn slechts € 6,50. DE ZOMER MET WERELD KATTENDAG: ISABELLE BLINDED BY CATVIDEOFEST Zie pag. 3 HUPPERT Zie pag. 2 THE LIGHT Zie pag. 3 Zie pag. 4 31 juli Au bout des doigts So Long, My Son 7 augustus Diego Maradona iego Maradona’ is de nieuwe film van Regisseur Asif Kapadia maakte in 2010 veel indruk 14 augustus Ask Dr. Ruth, Only You SO LONG Oscarwinnaar Asif Kapadia (‘Amy’). met zijn documentaire ‘Senna’, over het leven en de 21 augustus Blinded by the Light ‘DEen meeslepend en onvergetelijk tragische dood van de Braziliaanse Formule 1 icoon 28 augustus A Rainy Day in New York MY SON verhaal over de opkomst en ondergang van Ayrton Senna. In 2016 won hij een Oscar voor ‘Amy’, 4 september Celle que vous croyez, Monos rachtig drama dat ruim dertig stervoetballer Diego Maradona. Gemaakt aan over de in 2011 overleden zangeres Amy Winehouse. jaar bestrijkt over twee Chinese de hand van meer dan 500 uur archiefmateriaal Voor zijn nieuwste film ‘Diego Maradona’ kreeg hij Pgezinnen in de jaren 80 schetst de film een uniek portret van deze man, Maradona zelf aan boord, die zijn volledige steun en hoe een tragisch ongeluk rebel, held, en voor velen: God.
    [Show full text]
  • List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
    List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr.
    [Show full text]
  • 中国电影周展播候选片目- List of Film
    中国电影周展播候选片目 List of film 1. 十二生肖 12 Chinese Zodiac 2. 大武当之天地密码 Wu Dang 3. 被偷走的那五年 The Stolen Years 4. 太极 1 从零开始 Tai Chi 1 : Zero 5. 太极 2 Tai Chi 2: Hero 6. 画皮 2：Painted Skin 2 7. 全民目击 Silent Witness 1、《十二生肖》12 Chinese Zodiac 导演 Directed by 成龙 Jackie Chan 编剧 Screenplay by 成龙 /唐季礼 /邓景生 /陈勋奇 Jackie Chan, Stanly Tong, Edward Tang, Frankie Chan 剧情介绍 STORYLINE 当年英法联军火烧圆明园，致使大批珍贵文物流落海外，其中四尊十二生肖 兽首最引人关注，不仅惹出国内外的广泛争论，更有收藏家开出天价竞拍这几尊 珍品。当然，其间不乏奸邪的文物贩子，试图通过偷盗的手段获取宝贝。以此为 契机，正在度假的国际大盗 JC（成龙 饰）隆重登场。JC 背后有一支 Simon（权 相宇 饰）、David（廖凡 饰）、Bonnie（张蓝心 饰）等人共同组成的超专业团 队，他们一同远赴巴黎，寻求国宝鉴定专家 Coco（姚星彤 饰）的帮助。经过周 密细致的准备，JC 等人一步步逼近重兵把守的兽首，而围绕珍宝不可避免爆发 连番惊险火爆的打斗与追逐。 在这一过程中，JC 似曾被利益和金钱泯灭的爱国之心渐渐苏醒…… In 1860, the Old Summer Palace was looted and destroyed by British and French soldiers, and a large number of treasures were shipped overseas. Among them, four bronze heads of the animals of the Chinese zodiac have attracted the most attention and provoked widespread debate both at home and abroad. Some collectors have offered extremely high prices for them, while many vicious antiquity dealers try to steal the treasures. JC (starring Jackie Chan), an internationally renowned thief, comes to the stage. JC and his partners, Simon (starring Kwon Sang-woo), David (starring Liao Fan), and Bonnie (starring Zhang Lanxin), make a super professional team. They travel to Paris to seek the help of Coco (starring Helen Yao), an expert on evaluating treasures. With careful preparations, JC and his team get closer and closer to the heavily guarded bronze heads, and a series of thrilling fights break out.
    [Show full text]
  • View This Page
    16 發光的城市 A R O U N D T O W N FRIDAY, APRIL 9, 2010 • TAIPEI TIMES FILM REVIEW OTHER RELEASES COMPILED BY IAN BartHOLOmeW Precious Precious: Based on the Novel ‘Push’ by Sapphire Something’s rotten in to give the film its full Something’s rotten in title, is not easy to watch, but if you are looking for a cinematic experience to challenge glib optimism about the human condition, this is the movie for you. The performance by Gabourey Sidibe as the title character, an overweight, illiterate teen who is pregnant with her second child, has already garnered intense critical acclaim, and other performances, including those by comedian Mo’Nique SwedenSweden as Precious’ mother and, startlingly, Mariah Carey, as a social worker, seem all of a piece for a movie that is A disgraced journalist and a tattooed hacker on track to becoming a definitive work about the early 21st-century American experience. Precious picked with scores to settle investigate a series of up two Oscars, a remarkable achievement for a film that skirts the edges of art house. But be warned: In grisly murders in this sadistic Agatha Precious, hope is a distant and difficult prospect. Christie-style mystery The Crazies BY IAN BartHOLOmeW STAFF REPORTER It is a question why George Romero would wish to preside over this inept remake of his own 1973 classic of the same name. Romero, who has an executive producer credit for this film, seems content to watch Breck Eisner, the director of such innocuous adventure fare as Sahara (2006), labor through yet another predictable take on the zombie genre.
    [Show full text]
  • Conference Hotline
    1 2 1 Introduction ............................................................................................................ 3 2 Organizing Committee ........................................................................................... 4 2.1 Organization ..................................................................................................... 4 2.2 Chairs............................................................................................................... 5 2.2.1 Chairs of ACRS2020 .................................................................................. 5 2.2.2 Steering Committee .................................................................................... 5 2.2.3 Organizing Committee ................................................................................ 6 2.2.4 Local Organizing Committee ...................................................................... 7 2.2.5 Secretariat .................................................................................................. 7 2.2.6 Conference Office ....................................................................................... 8 3 Agenda .................................................................................................................. 9 3.1 Agenda Overview ............................................................................................. 9 3.2 Conference Program and Schedule ............................................................... 13 3.3 Poster Overview ............................................................................................
    [Show full text]
  • [email protected] Green Book Stanley Kubrick: Genio E
    _ n.3 Anno VIII N. 71 | Aprile 2019 | ISSN 2431 - 6739 Riflessione sulla critica Green Book Non c’è dubbio che da Enrico Ghezzi sintetizzata dal geniale slogan alcuni anni gli inter- “chi pensa il cinema/chi è pensato dal cine- Trattare i drammi americani con venti più stimolanti, le ma?”. Questa premessa serve a sottolineare umorismo e levitas. Perché no? riflessioni più lungi- che la cine-filosofia nel tempo è diventata un miranti, le osservazio- evidenziatore dello stallo attuale della critica ci- “Quello che noi dobbiamo fare è non giudicare le ni più acute sul cine- nematografica italiana tradizionale, ha avuto persone dalle loro differenze, ma cercare invece ciò che hanno in comune. E noi tutti abbiamo un muc- Alberto Castellano ma sono quelle dei buon gioco (si fa per dire perché si tratta pur filosofi, complici uno segue a pag. successiva chio di cose in comune. Noi tutti vogliamo le stesse sguardo sulle immagini più libero e un ap- cose: noi vogliamo amore e felicità. E vogliamo proccio al cinema meno viziato da logore ge- essere trattati tutti allo stesso modo. E questa non è rarchie artistiche, obsolete categorie di gene- certo una cattiva cosa.” ri, fuorvianti preconcetti culturali. In realtà il Peter Farrelly rapporto tra cinema e filosofia non nasce ora perché già nei primi anni ’80 Deleuze con Credo che nessuno, L’immagine-movimento e L’immagine-tempo sol- prima delle nomina- levò il problema di una rifondazione del pen- tion del film Green Bo- siero sul cinema e di una ridefinizione del ci- ok, vedendo qualcuno nema stesso per la quale gli autori sono dei film sceneggiati e espressione e produttori di concetti quindi so- girati dei fratelli Peter e no dei filosofi e provocatoriamente invitava a Bobby Farrelly, o anche chiedersi non “che cos’è il cinema?” ma “che solo scorrendo la loro cos’è la filosofia?”.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Press Contacts: Michael Krause | Foundry Communications | (212) 586-7967 | [email protected]
    presents a film by ZHANG YIMOU starring GONG LI LI BAOTIAN LI XUEJIAN SUN CHUN WANG XIAOXIAO ————————————————————— “Visually sumptuous…unforgettable.” –New York Post “Crime drama has rarely been this gorgeously alluring – or this brutal.” –Entertainment Weekly ————————————————————— 1995 | France, China | Mandarin with English subtitles | 108 minutes 1.85:1 Widescreen | 2.0 Stereo Rated R for some language and images of violence DIGITALLY RESTORED Press Contacts: Michael Krause | Foundry Communications | (212) 586-7967 | [email protected] Film Movement Booking Contacts: Jimmy Weaver | Theatrical | (216) 704-0748 | [email protected] Maxwell Wolkin | Festivals & Non-Theatrical | (212) 941-7744 x211 | [email protected] SYNOPSIS Hired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of 1930s Shanghai. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang (Li Baotian) begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. STORY Shanghai, 1930. Mr. Tang (Li Boatian), the godfather of the Tang family-run Green dynasty, is the city’s overlord. Having allied himself with Chiang Kai-shek and participated in the 1927 massacre of the Communists, he controls the opium and prostitution trade. He has also acquired the services of Xiao Jinbao (Gong Li), the most beautiful singer in Shanghai. The story of Shanghai Triad is told from the point of view of a fourteen-year-old boy, Shuisheng (Wang Xiaoxiao), whose uncle has brought him into the Tang Brotherhood. His job is to attend to Xiao Jinbao.
    [Show full text]