A Historian Reflects on America's Half-Century Encounter With
THE VIEW FROM THE NINETIES ast-forward a full decade. By fiction to movies, video games, the mid-1990s, the Cold War and television programs. Further, Fwas fading into memory, and Americans continued to wrestle the "nuclear threat" had mutated with the meaning of the primal from its classic form—a nightmar event that had started it all, the ish, world-destroying holocaust— atomic destruction of two cities by into a series of still-menacing but the order of a U.S. president in Au less cosmic regional dangers and gust 1945- The fiftieth anniversary technical issues. of the end of World War II, and of But these developments, wel the nearly simultaneous Hiroshima come as they were, did not mean and Nagasaki bombings, raised that the historical realities ad this still contentious issue in a par dressed in this book had suddenly ticularly urgent form, inviting re vanished. For one thing, nuclear flections on America's half-century menace in forms both fanciful and effort to accommodate nuclear serious remained very much alive weapons into its strategic thinking, in the mass culture, from popular its ethics, and its culture. 197 1 4 NUCLEAR MENACE IN THE MASS CULTURE OF THE LATE COLD WA R ERA AN D BEYOND Paul Boyer and Eric Idsvoog v espite the end of the Cold War, the waning of the nu clear arms race, and the disappearance of "global Dthermonuclear war" from pollsters' lists of Ameri cans' greatest worries, U.S. mass culture of the late 1980s and the 1990s was saturated by nuclear themes.
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