Teaching English in a Nuclear Age
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
49Th USA Film Festival Schedule of Events
HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck -
A Historian Reflects on America's Half-Century Encounter With
THE VIEW FROM THE NINETIES ast-forward a full decade. By fiction to movies, video games, the mid-1990s, the Cold War and television programs. Further, Fwas fading into memory, and Americans continued to wrestle the "nuclear threat" had mutated with the meaning of the primal from its classic form—a nightmar event that had started it all, the ish, world-destroying holocaust— atomic destruction of two cities by into a series of still-menacing but the order of a U.S. president in Au less cosmic regional dangers and gust 1945- The fiftieth anniversary technical issues. of the end of World War II, and of But these developments, wel the nearly simultaneous Hiroshima come as they were, did not mean and Nagasaki bombings, raised that the historical realities ad this still contentious issue in a par dressed in this book had suddenly ticularly urgent form, inviting re vanished. For one thing, nuclear flections on America's half-century menace in forms both fanciful and effort to accommodate nuclear serious remained very much alive weapons into its strategic thinking, in the mass culture, from popular its ethics, and its culture. 197 1 4 NUCLEAR MENACE IN THE MASS CULTURE OF THE LATE COLD WA R ERA AN D BEYOND Paul Boyer and Eric Idsvoog v espite the end of the Cold War, the waning of the nu clear arms race, and the disappearance of "global Dthermonuclear war" from pollsters' lists of Ameri cans' greatest worries, U.S. mass culture of the late 1980s and the 1990s was saturated by nuclear themes. -
AAHE Bulletin, 1995-96. INSTITUTION American Association for Higher Education, Washington, D.C
DOCUMENT RESUME ED 399 925 HE 029 561 AUTHOR Marchese, Theodore J., Ed. TITLE AAHE Bulletin, 1995-96. INSTITUTION American Association for Higher Education, Washington, D.C. PUB DATE 96 NOTE 190p. AVAILABLE FROMAmerican Association for Higher Education, One Dupont Circle, Suite 360, Washington, DC 20036-1110 ($35, annual subscription; $5, single issue). PUB TYPE Collected Works Serials (022) JOURNAL CIT AAHE Bulletin; v48 n1-10 Sep 1995-Jun 1996 EDRS PRICE MFOI/PC08 Plus Postage. DESCRIPTORS Academic Standards; Administrator Role; Citizen Participation; College Faculty; College Freshmen; *College Instruction; College School Cooperation; Departments; *Distance Education; *Educational Assessment; Educational Change; *Educational Quality; Elementary Secondary Education; Higher Education; Instructional Improvement; School Schedules; Student Evaluation; Undergraduate Study IDENTIFIERS *American Association for Higher Education ABSTRACT The 10 issues of this organizational bulletin for the 1995-96 school year present reports, reviews, andessays on issues concerning the advancement of higher education as wellas organizational news items. Major articles include: "Bowling Alone"--An Interview with Robert Putnam; "Crossing Boundaries: Pathways to Productive Learning and Community Renewal" (Russell Edgerton); "'Read My Lips': The Academic Administrator's Role inthe Campus Focus on Teaching" (Joan Deguire North); "Front-End Alignment/An Introduction to the Standards Movement" (Ruth Mitchell); "How Standards-Based K-12 Reforms Affect Higher Education" (Francis Griffith); "Student Collaboration: Not Always What the Instructor Wants" (Donald McCabe and Sally Cole); "Reassessing (and Defining) Assessment" (Thomas Angelo); "Just Say No' to Calendar Change" (Thomas Trzyna); "Distance Education: The Options Follow Mission" (Susan Rogers); "Resources for Learning about Distance Education"; "Giving Distance Learning a Try" (Norman Coombs and Edward White); "Crossing Boundaries" (information about the 1996 national conference); "Persistent Problems in Evaluating College Teaching" (W. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Dossier De Presse
MATT DAMON LE 11 JANVIER 2017 LEGENDARY PICTURES et UNIVERSAL PICTURES présentent une production LEGENDARY PICTURES / ATLAS ENTERTAINMENT (THE GREAT WALL) un film de ZHANG YIMOU avec MATT DAMON JING TIAN PEDRO PASCAL WILLEM DAFOE et ANDY LAU Produit par ERIC HADAYAT, ER YOUNG et ALEX HEDLUND Une histoire de MAX BROOKS, EDWARD ZWICK et MARSHALL HERSKOVITZ Scénario de CARLO BERNARD, DOUG MIRO et TONY GILROY SORTIE LE 11 JANVIER 2017 Durée : 1h44 Matériel disponible sur www.upimedia.com DISTRIBUTION PRESSE Universal Pictures International SYLVIE FORESTIER 21, rue François 1er YOUMALY BA 75008 Paris assistées de COLOMBE SIROT Tél. : 01 40 69 66 56 [email protected] www.lagrandemuraille-lefilm.com SYNOPSIS Entre le courage et l’effroi, l’humanité et la monstruosité, il existe une frontière qui ne doit en aucun cas céder. William Garin (Matt Damon), un mercenaire emprisonné dans les geôles de la Grande Muraille de Chine, découvre la fonction secrète de la plus colossale des merveilles du monde. L’édifice tremble sous les attaques incessantes de créatures monstrueuses, dont l’acharnement n’a d’égal que leur soif d’anéantir l’espèce humaine dans sa totalité. Il rejoint alors ses geôliers, une faction d’élite de l’armée chinoise, dans un ultime affrontement pour la survie de l’humanité. C’est en combattant cette force incommensurable qu’il trouvera sa véritable vocation : l’héroïsme. - 2 - - 3 - NOTES DE PRODUCTION AU CŒUR DE LA MURAILLE : LA TRAME DU FILM L’histoire de LA GRANDE MURAILLE se déroule au nord de la Chine, à une époque très lointaine. -
Nuclear War Representations and Rhetoric in Made-For-Television Films
SMALL APOCALYPSE: NUCLEAR WAR REPRESENTATIONS AND RHETORIC IN MADE-FOR-TELEVISION FILMS A Thesis by Christopher A. Loghry Bachelor of Fine Arts, Emporia State University, 2011 Submitted to the Department of Communication and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2016 © Copyright 2016 by Christopher A. Loghry All Rights Reserved May 2016 SMALL APOCALYPSE: NUCLEAR WAR REPRESENTATIONS AND RHETORIC IN MADE-FOR-TELEVISION FILMS The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts, with a major in Communication. ___________________________________ Lisa Parcell, Committee Chair ___________________________________ Jeffrey Jarman, Committee Member ___________________________________ Glyn Rimmington, Committee Member iii DEDICATION To my mother, my sister, my brother, and my wonderful friends iv ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Lisa Parcell, for her tireless commitment to guiding me during the course of conducting and writing this study. I would also like to express my appreciation to the members of my committee: Dr. Jeffrey Jarman and Dr. Glynn Rimmington for their consideration and help throughout the process. Thanks also go to Dr. Tiara Na’puti for her support during the writing phase. Finally I would also like to thank Courtney Schauer who is the epitome of support, I truly could not have done this without her. v ABSTRACT Nuclear war is a topic that has captured imaginations since the dropping of bombs on Hiroshima and Nagasaki in 1945. -
Zborn in Winnetka, Edward Zwick Began Directing and Acting in High
HONOREE HONOREE James Collins Warren Edward M. Zwick Class of 1942 Class of 1970 Lt. Col. James Collins Warren grew up in the northern suburbs of Born in Winnetka, Edward Zwick began directing and acting in high Chicago and graduated from New Trier High School in 1942. He enlisted school and trained as an apprentice at the Academy Festival in Lake Forest. in the Army Air Forces in November 1942 and entered active duty in March While studying literature at Harvard, he continued writing and directing 1943. He participated in aviation cadet training at Tuskegee Army Air Field for the theatre. Upon graduation, he was awarded a Rockefeller Fellowship and served as a member of the 477th Bombardment Group. to study in Europe with some of the major innovative theatre companies. From 1947 to 1950, he attended the University of Illinois and Zwick was accepted as a Directing Fellow at the American Film majoreWd in Architecture. He was employed with the firm of Holsman, Institute in 1975. ZTimothy and the Angel , Zwick’s AFI short film, won first Holsman, Klekamp and Taylor. place in the student film competition at the 1976 Chicago Film Festival and During the Korean War, Warren was recalled to active duty and flew caught the attention of the producers of the television series Family . 50 combat missions. Over his flying career of more than 12,000 hours, he He served as story editor on Family and subsequently became a director and flew several missions of note: e Bob Hope Christmas Show from Vietnam producer. to Los Angeles in 1964, the Apollo Moon Crew from splashdown in the e television movie Special Bulletin marked the beginning of Zwick’s Pacific near American Samoa to Houston, Texas, and as Navigator on the collaboration with Marshall Herskovitz, with whom he created the Emmy “Homecoming One” mission to return the first group of American ex-POWs Award- winning television series thirty something . -
2017 Football Manual
2017 Football Manual MSHSAAMissouri State High School Activities Association 2017 FOOTBALL MANUAL MISSOURI STATE HIGH SCHOOL ACTIVITIES ASSOCIATION 1 N. Keene St., PO Box 1328 Columbia, MO 65205-1328 Telephone: 573-875-4880 - Fax: 573-875-1450 Email: [email protected] – Website: www.mshsaa.org EXECUTIVE STAFF Kerwin Urhahn, Executive Director Stacy Schroeder, Associate Executive Director * Greg Stahl, Assistant Executive Director Davine Davis, Assistant Executive Director Kevin Garner, Assistant Executive Director Don Maurer, Assistant Executive Director **Kenny Seifert, Assistant Executive Director Lou Mazzocco, Assistant Executive Director Craig Long, Chief Financial Officer Jason West, Media Coordinator *MSHSAA contact person for Football **MSHSAA contact person for Football Officials TABLE OF CONTENTS Purpose and Philosophy ............................................................................................. Page 2 Section 1: Regular Season......................................................................................... Page 3 MSHSAA Board Policy – Onsite Protest……………………………………………………Page 6 Section 2: Criteria for Post Season ............................................................................. Page 7 Section 3: Instructions for Managers (Hosting During Playoffs) .................................. Page 11 Appendix A: Concussion Education ............................................................................ Page 15 Appendix B: Media Information .................................................................................. -
Merican College of Antrgeone'
merican College of AntrgeonE‘ FOUNDED SY SURGEONS OF THE UNITED STATES AND CANADA, 1913 40 EAST ERIE STREET, CHICAGO II, ILLINOIS INDEX TO THE PUBLICATIONS OF THE AMERICAN COLLEGE OF SURGEONS SINCE ITS FOUNDING 1913-1945 PREPARED BY THE DEPARTMENTS OF PUBLIC RELATIONS AND PUBLICATIONS N INDEX is to all appearances a dull and life- terial, the number of authors, and the scope and less piece of printed matter, with utilitarian variety of subjects listed. A value only. The one which.appears in the fol- The lack of an index to the publications of the lowing pages will, however, have for most readers of College has been keenly felt for many years and the BULLETIN an intriguing quality that will work on it has been done spasmodically over a long prompt them to read it fairly carefully and to treas- period. A large number of requests have been re-. ure it for frequent reference. The reason is that even ceived, particularly from libraries, for such a guide, in this driest possible form of presentation, there is and the need for it within the organization as well told the absorbing story of the beginnings and growth has spurred the task on to completion. While the of what is now a great institution. This index to the main endeavor has been to cover the contents of the publications is a key to the biography of the Ameri- BULLETIN during its thirty years of existence, it can College of Surgeons, in whose development seemed desirable to include a considerable number these very readers have in many instances played of references to the College Year Book, the Manual an important part. -
Television Programming
Chapter 10: Television 1 Television I: Television Programming 10.1 Felix the Cat, 1929. 10.2 First human step on the moon. 10.3 The toppling of Saddam. “This is television. That’s all it is. It’s nothing to do with people. It’s the ratings. For fifty years, we’ve told ‘em what to eat, what to drink, what to wear. For Christ’s sake Ben, don’t you understand? Americans love television. They wean their kids on it. Listen. They love game shows. They love wrestling. They love sports, violence. So what do we do? We give ‘em what they want.” Actor Richard Dawson, as a game show host, in The Running Man (1987, US, Paul Michael Glaser) Television has changed the perceptual base of Western culture and has profoundly influenced the development of other mass media popular arts. It has also changed the avant- garde. The structure and icon function of television programming will be discussed in this chapter. The next chapter will discuss television commercials. Chapter 10: Television 2 The main reason for the cultural and artistic impact of television is easy to identify: for the first time in Western history, the primary source of culture-building images is located within the home itself. Television has produced images ranging from the Felix the Cat doll (10.1) used in NBC’s experimental broadcasts before World War II to the live shots of an American setting foot on the surface of the moon (10.2) to belated scenes of the invasion of Grenada to images of the 2003 war with Iraq such as the one of a Saddam Hussein statue discussed at the very beginning of this book (10.3). -
Finding and Cataloging Images of Native American Art
VRA Bulletin Volume 36 Article 1 Issue 1 Special Bulletin No. 15 1-1-2009 Special Bulletin #15: Finding and Cataloging Images of Native American Art Follow this and additional works at: https://online.vraweb.org/vrab Part of the History of Art, Architecture, and Archaeology Commons, and the Indigenous Studies Commons Recommended Citation (2009) "Special Bulletin #15: Finding and Cataloging Images of Native American Art," VRA Bulletin:Vol. 36: Iss. 1, Article 1. Available at: https://online.vraweb.org/vrab/vol36/iss1/1 This Feature Articles is brought to you for free and open access by VRA Online. It has been accepted for inclusion in VRA Bulletin by an authorized editor of VRA Online. Special Bulletin #15: Finding and Cataloging Images of Native American Art Abstract The purpose of this special bulletin on Native American art is to provide sources for images that express Native American culture for use in teaching and lecturing and reference materials that will make it possible to identify, describe and catalog the works accurately and consistently. The components include a general chronology with a list of major sites and styles that distinguish each geographic region with accompanying maps, some general principles that illuminate the imagery employed, and a suggested core list of visual resource components for an introductory survey course in Native American art and culture. The bulletin aims to be useful to those curators who have little or no background in the subject, as well as those who have already developed collections of images of Native American art...Native American art features many animal images and non-objective patterns. -
African Americans and Historic Preservation in San Diego: the Douglas and the Clermont/Coast Hotels Leland T
The Journal of Volume 54 2008 Winter Volume 1 • The Number Journal of San Diego History San Diego History Publication of The Journal of San Diego History has been partially funded by generous grants from the Joseph W. Sefton Foundation; Natale A. Carasali Trust; Quest for Truth Foundation of Seattle, Washington, established by the late James G. Scripps; Philip M. Klauber; and an anonymous friend and supporter of the Journal. Publication of this issue of The Journal of San Diego History has also been supported by a grant from “The Journal of San Diego History Fund” of the San Diego Foundation. PRESERVE A SAN DIEGO TREasURE The San Diego Historical Society is able to share the resources of four museums Your $100 contribution will help to create an endowment for and its extensive collections with the community through the generous support of the following: City of San Diego Commission for Art and Culture; County of San The Journal of San Diego History Diego; foundation and government grants; individual and corporate memberships; corporate sponsorship and donation bequests; sales from museum stores and Please make your check payable to The San Diego Foundation. Indicate on reproduction prints from the Booth Historical Photograph Archives; admissions; the bottom of your check that your donation is for The Journal of San Diego and proceeds from fund-raising events. History Fund. The San Diego Foundation accepts contributions of $100 and up. Your contribution is tax-deductible. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life.