DOCSLIB.ORG

Road to the Playoffs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ROAD TO THE PLAYOFFS 01:00:00 - PART 1 YA ALL BETTER GET READY TO ROLL MAN. WE’RE MOVING REAL FAST. IT’S GONNA BE VIOLENT. SO YA ALL PUT THE KIDS TO BED. RADIO – AND THIS STADIUM IS BALLISTIC. LIGHTS, CAMERAS, ACTION BABY. NOW WE GOT SOME UNINVITED GUESTS TO OUR PARTY! LET’S GO TO THE NEXT LEVEL! AIN’T NOTHING LEFT TO TALK ABOUT! THIS AIN’T OVER YET! THIS IS ALL THAT MATTERS! COME ON DEFENSE! DEFENSE! DEFENSE! RADIO – DO THEY HAVE THE STONES TO MAKE THIS CALL? LET’S GO! HUDDLE UP!! YOU BETTER WATCH YOURSELF! RADIO - TOUCHDOWN! WHAT ARE YA ALL DOIN?!! NO!! 01:01:08 ALRIGHT LOU. GOOD TO SEE YA MAN. GOOD TO SEE YA LOU. KINDA. HOW YOU DOING BUDDY? THE LIST IS LONG. WE GOT A LOT OF THINGS TO GET BETTER AT. START CHECKING THEM OFF. YOU KEEP CATCHING THE BALL LIKE THAT, YOU MAY GET COACH __ TO LEARN YOUR NAME. PRETTY GOOD. 1 IS IT PITA? IT’S PITA. WAY TO GO! IS IT PITA OR PITA? IT’S PITA, ISN’T IT? WHAT’S NEBI’S FIRST NAME? I FORGOT. PITA…IT’S PITA NOT PITA. MARK, CAN YOU PUT THE MUSIC ON. HOW MANY POUNDS DID YOU LOSE YESTERDAY? (WHAT’S THAT?) HOW MANY POUNDS DID YOU LOSE YESTERDAY? (I HAVEN’T WEIGHED MYSELF.) I CAN TELL. LOOK AT THAT. GEEZ. YOU DON’T WANT TO HIT THOSE ABS, BABY. THOSE ARE THE OBLIQUE’S. I THINK IF YOU CUT OFF THAT BEARD YOU’D PLAY A WHOLE LOT BETTER. COME ON, GET OUT OF HERE. CUT OFF THAT UGLY THING. GEEZ…YOU GOT ANY KIDS YET? (I GOT 2 KIDS.) 2, GEEZ. NEED A GOOD PERIOD HERE. LET’S GET BETTER! UH OH, UH OH, HERE WE GO. SPEED, QUICKNESS & LEVERAGE. YOU’RE ROLLIN’. THEY’RE TIRED, HOT. THEY’RE NOT THINKING. SO IT’S NOT PROCESSING. IS THAT ALL YOU GOT? YOU DROP 1 BALL, WE’RE DONE? DON’T GIVE IN TO A LITTLE FATIGUE MEN! GUYS, GUYS, GUYS. HEY WAIT, WAIT. HOLD UP. LET’S DO THIS ONE AGAIN. PLAY IT AGAIN! THAT’S TERRIBLE. Page 2 of 24 BRING IT BACK! BRING IT ALL THE WAY BACK. ALL THE WAY BACK, LET’S GO! LET ME SEE THAT. LET ME SHOW YOU AGAIN. YOU DID ALL THAT RIGHT. AND THEN DROP THE BALL. O.K. CAN YOU DO THAT? I DON’T WANT TO HAVE TO REPEAT THOSE PLAYS EVERY TIME. I GOTTA REPEAT IT BECAUSE YOU DON’T DO WHAT I’M SAYING. DON’T MAKE IT HARDER THAN IT IS! GOD. NOW LET’S GO DO SOMETHING. LET’S GO DO SOMETHING. SHOCK THE WORLD RIGHT HERE. GO TIMMY! GO! STAY INBOUNDS! STAY INBOUNDS! OH BOY. OH YEA. OH LORD. THAT’S A HELL OF A BALL. HELL OF A BALL DUDE. THAT’S GREAT PROTECTION. FRICKIN’ GREAT PROTECTION. HEY, BRING IT UP! ALRIGHT, WE EARNED THAT MONEY TODAY FELLAS. ALRIGHT, GOOD JOB. I APPRECIATE THE WAY YOU’RE WORKING. I LIKE THE WAY YOU’RE COMPETING. WE CAN WORK WITH THAT. WE CAN GET BETTER WITH THAT. LET’S KEEP CHALLENGING EACH OTHER. LET’S HAVE A PRIDE. 1, 2, 3, PRIDE! 01:04:26 THE SKY’S SO BRIGHT YOU HAVE TO SQUINT. IT’S A BEAUTIFUL DAY FOR FOOTBALL. WHERE WOULD YOU RATHER BE THAN RIGHT HERE RIGHT NOW? IT’S SO BEAUTIFUL. WE GET TO HIT PEOPLE AND WE GET PAID! IS THEY SERIOUS?! RADIO - BETTER THAN 70,000 IN THE HOUSE. BRIGHT LIGHTS, BIG STAGE. NATIONAL TV. ALL BUSINESS NOW. LET’S GO. ALL BUSINESS. LET’S GO. Page 3 of 24 LET THE GAMES BEGIN! RADIO – WITH THE FOOTBALL IS …! HE’S AT THE 30! HE COULD GO! 20, 25, 30, 35! TOUCHDOWN!! WRIGHT WITH A PUNTER TO BEAT! TOUCHDOWN! RAIDERS! TOUCHDOWN AS HE TUMBLES IN! WHOOO! MAKE SURE YOU SHOW THAT ON TV TOO! I SAID HAPPY BIRTHDAY TO MY MOTHER. WE’RE ALRIGHT. I’M ALRIGHT. YOU ALRIGHT? GOOD MAN. I’M ALRIGHT. I’M GOOD. I’M EXCITED ABOUT THIS. ALL 3 OF US HAD OUR HANDS ON HIM. WE JUST GOTTA FINISH WITH A SACK. YOU GOTTA FINISH WITH A SACK, O.K.? THAT’S ALL. COME ON, THIS WOULD BE A HUGE STOP RIGHT HERE. RADIO – UNDER PRESSURE. HE’LL BE SACKED! FUMBLES THE FOOTBALL! IT’S LOOSE! THE JETS HAVE IT! MILLER DOWN TO THE 35 AND DROPS THE BALL. GUESS WHO? DARREN SHARPER. THAT’S WHAT I’M TALKING ABOUT! THAT’S WHAT I’M TALKING ABOUT! RADIO - SCHAUB STANDS IN. HE ROLLS AWAY. HE’S HIT BY FREENEY! THE BALL’S FUMBLED! THE COLTS HAVE GOT IT! THAT WAS NICE. RADIO – INTERCEPTED BY DEION BRANCH! HE STEPPED RIGHT OVER THE T.E.! BATTED IN THE AIR AND INTERCEPTED! CORY BERMAN IS UP AND RUNNING. 20, 15, BERMAN 10, 5! HE IS …SCORE! TOUCHDOWN! RADIO - IT GOT BATTERED. IT GOT KICKED. IT GOT TIPPED. IT STAYED AIRBORNE. MERRY CHRISTMAS. THE FAR SIDELINE. INTERCEPTED! THE STEELERS HAVE IT! TROY POLAMALU! THAT’S IT! THAT’S IT! SEE WHAT HAPPENS WHEN WE HAVE FUN? DON’T WORRY ABOUT IT. KEEP PUSH…HEY, KEEP PUSHING. HEY, KEEP FIGHTING. WE’RE GONNA STEP IT UP. WE’RE GONNA STEP IT UP. LET’S JUST MAKE A PLAY. LET’S JUST MAKE A PLAY. Page 4 of 24 ALRIGHT, THIS IS GONNA BE A TOUCHDOWN. ALRIGHT, I LIKE TO HEAR THAT. 01:07:14 RADIO – HERE WE GO, FOR THE WIN. HEY, THAT’S THAT SCOBIE BRYANT RIGHT THERE BABY. SCOBIE BRYANT. HE’LL MAKE IT. I’M RUNNING TO THE LOCKER ROOM. I WILL HOLLER AT YOU TOMORROW. RADIO – SNAP. SCOBIE’S KICKOFF ON THE WAY. SCOBIE’S GOT IT CLINCHED… HE’S GOT THE DISTANCE. MONEY! AND HE GOT IT! FROM 59 YDS. FOR THE WIN!! YEA BABY! YEA!! RADIO - THE BALL IS BLOCKED! PUNT BLOCKED BY THE 49ERS! EARL THOMAS PICKS IT UP! TOUCHDOWN SEAHAWKS! AND…IT’S RECOVERED FOR A TOUCHDOWN! OH, ALRIGHT!! RADIO - TIPPED AND CAUGHT! WHAT A SPECTACULAR CATCH! SPECTACULAR LEAPING CATCH AT THE BACK LINE OF THE END ZONE. I LOVE WATCHING YOU PLAY MAN. RADIO – LONG DOWN THE FIELD. CATCHES IT FOR A TOUCHDOWN!! I CAN WATCH HIM PLAY ALL DAY BRO. RADIO – OH MY GOD! A SELF-INFLICTED WOUND FOR THE MIAMI DOLPHINS. // ...AND LAUNCHES THIS ONE IN THE DIRECTION OF MIKE SIMMS-WALKER, AND THIS ONE’S GOING TO BE ..BATTED AND CAUGHT! TOUCHDOWN!!! OH MY GOSH! HOW DID THAT HAPPEN? HOLY COW!! THAT’S UNBELIEVABLE! HAIL MARY!! I’VE NEVER SEEN A FINISH LIKE THAT. NOR HAVE I. 01:11:55 HOW OLD ARE YOU? (61) ME? (NO, I’M 61.) YOU’RE NOT 61! (WHO WOULD LIE ABOUT BEING OLD?!) YOU LOOK GREAT. (THANKS, I FEEL GREAT.) WHAT HAPPENED TO ME? HEY J.D., THEY GOT A NEW D.J. HUH? WE’RE GONNA HAVE TO MAKE OUR OWN MUSIC IN HERE. Page 5 of 24 I HEARD YOU HAVE NO RHYTHM BUT, ALL YOU NEED’S A LITTLE BIT. 01:12:30 SLOW BABY. SLOW! I LIKE THAT BABY! O.K. HERE COMES MY SONG NEXT. WHOO! WHOO! WHOO! THEY DON’T MAKE MUSIC LIKE THAT ANYMORE. MAN, PEOPLE ARE OBSESSED WITH THIS SONG RIGHT NOW. LET’S GOOOO!! GONNA BE GOOD. LET’S BE GREAT TODAY. THERE’S A PARTY GOING ON TODAY! RIGHT NOW! RIGHT NOW! ALL YEAR! ALL YEAR! WHAT WE DO?! WIN! LET’S GO! LET’S GO! KIDDING ME?! LET’S GO. AHHHH, LET’S GO! I’M A LITTLE TIRED. GOOD THING WE’RE KICKING. RADIO – KICK IS TO TATE 4 YDS. DEEP AND THEY’LL RUN IT OUT. COME ON IN THERE. COME ON IN THERE! RUN, RUN RUN. NO, NO, NO! RADIO – 40, 45! HE’S GONNA GO THE DISTANCE!! ON A 4 YD. KICKOFF RETURN!! MAN, THAT SUCKS. LET’S GO. HEY! Page 6 of 24 GEORGE. HEY! GEORGE. HEY! GEORGE. WHAT’S A NEVER?! YOU WANT 6? YOU WANT 5? YOU WANT 8? WHAT DO YOU WANT? #2 DERRICK. LET’S PLAY 2. HERE WE GO, #4. NICKEL’S GONNA COME DOWN #2, I’M GONNA GET #3. 3, 3. THAT IS CRAZY. LOOK AT IT. IT GOES TO THE BEATS AND EVERYTHING. 01:14:34 MY BAD. I THINK I KNOCKED THE WIND OUT OF MYSELF! GET YOUR WIND BACK. BRIAN, LET’S DO THIS NOW!! ALRIGHT, LET’S GO FIELD GOAL. FIELD GOAL! HE’S GONNA MAKE IT. I’M GOIN' TO THE L.R. I WILL HOLLER AT YOU TOMORROW. WE’RE NOT GOIN’ F.G. WE GO FOR TOUCHDOWNS. RADIO - TOUCHDOWN! TOUCHDOWN! TOUCHDOWN! WE GOT A BALL GAME AGAIN! Page 7 of 24 OVERTIME, HERE WE GO! TAKE IT. RADIO – SNAP. SPOT. THE KICK IS ON THE WAY. GOOD!! WHOA!! YEA BABY! YEA BABY! THERE IS SOMETHING SPECIAL GOING ON HERE AND NOBODY ELSE KNOWS ABOUT IT, AND WE’LL KEEP MAKING OUR OWN HIGHLIGHTS WITH OUR MUSIC AND EVERYTHING! YEA! 01:15:25 LET’S RILE IT UP! LET’S TAKE THE GAME EARLY AND … ! AND WE’RE GONNA … TOO BECAUSE THAT’S …! I DON’T GOT NO APPROPRIATE SONG TO SING IN BALT. MAN. WE’RE GONNA GO OUT AND DO OUR DAMN JOBS TODAY MAN. YES SIR. WATCH YOUR TECHNIQUE! HEY, HEY, HEY. TAKE THE FIELD FOR THE KICK. IF YOU EVER SEE HIM, CLEAN HIS CLOCK! GET HIM! GET HIM! THAT’S WHAT I’M TALKING ABOUT! 3 AND OUT! SMASH THIS DUDE.
Recommended publications
  • Read an Excerpt

    Read an Excerpt

    Teen Brain: The Musical • Daugherty / Martin • Dramatic Publishing The Musical • Daugherty / Martin Dramatic Publishing Brain: Teen Teen Brain: The Musical Musical. Book by Linda Daugherty. Music and lyrics by Nick Martin. Teen Brain: Cast: 3m., 5w. At last it’s Friday night for eight teens! After careening through a stressful week of schoolwork, difficult choices and drama surrounding family and friends, they’re ready for an unchaperoned party. The impulsive decisions of all eight young people result in a consequence that might have been foretold—even prevented—were it understood that teens are working with a brain revealed by the latest The Musical neuroscience to be, at best, a “work in progress.” Teen Brain: The Musical entertains while dramatizing how the neural gawkiness of the beautifully mysterious, rapid-speed, impulsive teen brain often results in vexing and inconsistent behavior, occasional misfires and, all too often, tragic consequences. This honest look at the rich complexities of teen behavior contains fast-paced scenes along with sharp dialogue and a hip, memorable score that includes “Like Me, Like Me,” an ode to Facebook; “Work in Progress,” a mad scientist’s vision of the teen brain; and “When I Was Small,” an emotional reflection about how simple life used to be. The dialogue, action and spirit of Daugherty’s “teen issue” plays have always rung true to teens, their families and the therapeutic community. Nothing gets in the way of the intended message. The work is engrossing and entertaining theatre. Nick Martin’s smart songs for Teen Brain: The Musical follow you from the theatre, providing an enhanced experience that will leave teens with a better understanding of themselves, adults with a better understanding of their teens and both with the tools to change dangerous behaviors—and perhaps save a life.
  • Flexible Games by Which I Mean Digital Game Systems That Can Accommodate Rule-Changing and Rule-Bending

    Flexible Games by Which I Mean Digital Game Systems That Can Accommodate Rule-Changing and Rule-Bending

    Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: David Hendry, Chair David McDonald Nicolas Ducheneaut Jennifer Turns Program Authorized to Offer Degree: Information School ©Copyright 2013 Gifford Cheung 2 University of Washington Abstract Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung Chair of the Supervisory Committee: Associate Professor David Hendry Information School In this dissertation, I explore the idea of designing “flexible game systems”. A flexible game system allows players (not software designers) to decide on what rules to enforce, who enforces them, and when. I explore this in the context of digital card games and introduce two design strategies for promoting flexibility. The first strategy is “robustness”. When players want to change the rules of a game, a robust system is able to resist extreme breakdowns that the new rule would provoke. The second is “versatility”. A versatile system can accommodate multiple use-scenarios and can support them very well. To investigate these concepts, first, I engage in reflective design inquiry through the design and implementation of Card Board, a highly flexible digital card game system. Second, via a user study of Card Board, I analyze how players negotiate the rules of play, take ownership of the game experience, and communicate in the course of play. Through a thematic and grounded qualitative analysis, I derive rich descriptions of negotiation, play, and communication. I offer contributions that include criteria for flexibility with sub-principles of robustness and versatility, design recommendations for flexible systems, 3 novel dimensions of design for gameplay and communications, and rich description of game play and rule-negotiation over flexible systems.
  • 1 PLAYING AGAINST the ROLES SCENE 1 Scene 1

    1 PLAYING AGAINST the ROLES SCENE 1 Scene 1

    PLAYING AGAINST THE ROLES SCENE 1 Scene 1. The roof of Daniel and Estrella’s old apartment complex. DANIEL: Estrella! Why did you want to meet here? We’re going to miss the party! ESTRELLA: Can you believe how much this place has changed? DANIEL: I don’t even recognize it. ESTRELLA: It’s all so… white. It used to be filled with smells and sounds and people. DANIEL: Like the sounds of my terrible violin playing. ESTRELLA: I remember the smells that came from those windows. Mi abuela cooking (She pauses and smells the air) mole and fresh tortillas, and elote, and capirotada. DANIEL and ESTRELLA: and that awful Posole. They both make a face. DANIEL: We played for hours. ESTRELLA: With my Barbies. DANIEL: They were rich. ESTRELLA: and they had a swimming pool and like 10 kids and they always fought. DANIEL: Like my mom and dad. Before he left… ESTRELLA: but remember… we would run away and sneak out. DANIEL: And just lay up here and just look at the stars. They sit in silence remembering the past. DANIEL: You know… in a new place, you can be anyone you want. ESTRELLA: Easy for you to say, ”Dannie Beckerman football star.” (She laughs to herself) DANIEL: Speaking of… that party. You promised you’d come. ESTRELLA: I know. Just one more minute. 1 Scene 2 Scene 1. Friday Night. A teenage house party. We hear bumpin music, perhaps something by Drake or Kanye. DANIEL AND ESTRELLA enter the party. There are groups of mostly McGregor High School students scattered about the room laughing and talking loudly.
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3

    1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3

    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
  • Racial Justice in Engineering the Road Ahead for Mckelvey Engineering

    Racial Justice in Engineering the Road Ahead for Mckelvey Engineering

    mckelvey engineering Across Disciplines. Across the World® // spring 2021 Racial justice in Engineering The road ahead for McKelvey Engineering inside Neal Patwari 18 // Virtual becomes reality 22 // Libby Allman 26 From the dean // The Long Road Ahead I write this letter as we are wrapping up what will be remembered as the most unusual academic year in living memory. The COVID-19 pandemic, which last spring was a crisis requiring an immediate response to launch online learning, grew into an ever-present constraint that impacted teaching, research and all aspects of operations across the university. For the Fall 2020 and Spring 2021 semesters, McKelvey Engineering needed to embrace new paradigms of teaching and learning, to develop new modes of managing and sharing research spaces, and to conduct business operations almost exclusively through remote interactions. In the pages of this issue of Engineering Momentum, you will read about some of the efforts it took to rise to the occasion. Given the enormity of the task, one might expect responding to COVID-19 to be the cover story of this issue of the magazine. It is not. Instead, the summer of last year saw the emergence of an awareness of a challenge that has been with us for centuries and whose destructive power is not amenable to being controlled by a vaccine. While the most visible event of the summer was the video-captured death of George Floyd at the hands of police officers, there was a washu photo litany of such tragedies and travesties. These incidents energized a Black Lives Matter Aaron F.
  • Jerry Garcia Song Book – Ver

    Jerry Garcia Song Book – Ver

    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
  • Table of Contents

    Table of Contents

    Empire Earth TABLE OF CONTENTS Chapter I: Installation...............................................................................................5 Installing Empire Earth ..........................................................................................................5 Tips to Improve Game Performance ......................................................................................6 Prehistoric (500,000 – 50,000 BC) ............................................................................8 Chapter II: What is Empire Earth? ......................................................................10 The Emergence of Empires ..................................................................................................10 Your Role in Empire Earth...............................................................................................11 Features of Empire Earth......................................................................................................12 Stone Age (50,000 – 5,000 BC)................................................................................14 Chapter III: Starting Empire Earth ......................................................................16 Launching the Game ............................................................................................................16 Main Menu ...........................................................................................................................16 Learning to Play ...................................................................................................................17
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature

    A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature

    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
  • Songs by Title

    Songs by Title

    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
  • Songs for Waiters: a Lyrical Play in Two Acts

    Songs for Waiters: a Lyrical Play in Two Acts

    SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio.
  • Songs by Title

    Songs by Title

    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
  • Spelman Students Compete in Japan

    Spelman Students Compete in Japan

    Monday, September 19, 2005 [email protected] LIGHT NEWS Hungry, Black actors SPORTS Homeless take control Intramural Need Help of the movie sports come Atlanta Mayor, Shirley Franklin, enforces new industry to Spelman panhandling law. SSGA establishes recre­ ational sports league. P2 P8 'S- •• Orleans, were evacuated from their schools on Saturday, Aug. 27. Like many of the hurricane survivors, they have migrated to Atlanta. Rae Lundy, a senior psychology / pre­ med. student from Xavier, has come to Spelman to try and register for the semester so that she can graduate on Commuter Student time. She is among a few others. The Issues week after evacuation, Lundy called Features section explores transportation Spelman, hoping that she would be able problems, financial hardships and staying to attend on a provisional basis. connected with life on campus. "I called Spelman a couple of days ago, but I did not hear back from them until 10:45 p.m. last night, when they told me to come here and [they would] P3 see if they could get me in,” said Lundy. ENTERTAINMENT Spelman helps displaced students like Xavier’s Mlchellee Moss, left, a freshman from St. Louis and friend “I had started to lose hope.” Shannette Cofield from Los Angeles. Lundy is still waiting to hear back Morehouse hosts from Xavier about their plans for stu­ Katrina’s survivors find dents in the upcoming months. At this Trey Songz point, students like Lundy do not know Audience gives cool reviews to this up and safe haven at Spelman how they are going to pay for Spelman coming artist.