DOCSLIB.ORG

Songs for Waiters: a Lyrical Play in Two Acts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Songs for Waiters: a Lyrical Play in Two Acts SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio. The lights are dim. The audience hears snippets of music on the empty set interrupted with the characters’ voiceovers complaining about the current song before promptly changing the music. The staff is having their normal battle over the music for the Saturday night shift at George’s. The audience overhears the three characters, as if the staff were in the kitchen, offstage. The tone should be comical, as though these guys are making fun of each other’s music, but making fun of each other in a familial way. *Note: All song titles can be updated by director/designers in order to make the music as contemporary as possible. Whatever the genre, these men love music and would know what is current. An American Roots song comes on (Wilco) Reg/voiceover: Oh hell no. Music skips to rap, something aggressive. (Lupe Fiasco) George/voiceover: It’s too early to be getting yelled at son. 1 Music skips to a Tin Pan Alley instrumental or a contemporary musical theatre song Trenton/voiceover: Oh c’mon George. Are you trying to scare the cool people from coming in tonight? Music skips to contemporary rock (Jack White) Reg/voiceover: Somebody needs to tell that bitch to stop screaming. Music and lights dim and the audience hears a couple more changes of music. Lights come back up and it’s now Saturday night at George’s. The tables are full and the audience consists of the guests who are waiting for available tables. REG appears… speaking to a specific table upstage…(perhaps each night a few audience members are seated onstage [company members, community personalities, fellow theatre artists from the community]). Reg has an old school Brooklyn baseball cap on, a “George’s” t-shirt and some sneakers. He has a quick tongue, a quick smile, and acts ridiculously confident, though he is somehow more endearing than obnoxious. REG: (to a table) Alright, so I got a veggie burger on wheat w/ provolone, no pickle, side of fries, another Brooklyn Brown, and a falafel, extra tahini, no tomato, sub small house for the fries, no tomato, light balsamic on the side. Iced Tea. No. Sorry. Yeah. Sure. No. Cool. (Faces audience) I wanted to be like, “I get it. You don’t like tomatoes, damn.” But I held my tongue. It’s gonna be a long Saturday and I’ve been practically living here this 2 week. I don’t need no extra shit. She looked like the type that could get fussy real quick, have you running for “extra side this” and “fresh lemon that.” A pretty little pain in the ass, know what I mean? Ya’ll, I’m begging. Take a moment when your waiter stops by. Add up all your little needy requests, then give me the list, and I’ll go hook you up. Anyway, “No tomato” over there will be just fine. Her man though…hoooo. Dark skin, nice little waist, looking all cute in his jacket. I wouldn’t kick him offa no futon, you understand? What? I hit on my customers all the time. I don’t give a fuck. It’s Columbus, baby, you never know. And I’ve got some stories, but that’s for another time. Pops keeps telling me he’s gonna pull me off of the floor and send me back to washing dishes, but that ain’t about to happen. People askin’ to sit in my section all the time. Everybody be comin’ to George’s. We keep it real, downtown. Shit. Anyways we on about a 25 minute wait, so make sure we got your name and we’ll do our best. You tell ‘em you want to be sat in Reg’s section. I’ll take care of you. (Eyes someone in the audience) I can definitely take care of you. (To the audience in general) What? You never know. (Music becomes audible … something folksy, downbeat, sensitive [Bon Iver]) Aw man turn that shit off. Damn. Ever since that lil’ bitch Jeremy starting workin’ lunches, he keeps slipping this shit into all the playlists. These fuckin’ bands of the month he always reading about on those stupid music blogs. Man by the time he plays it a couple of times, and somehow, miraculously, some other customer actually starts to like this shit… it’s gone, he doesn’t want to play it no more. It’s like, as soon as someone else knows about it, all the sudden it’s the worst track in the world because somebody 3 less cool had the nerve to like it too. Dude doesn’t even like music; he just like rents for a little while. I hate this shit: 10,000 strummy fuckin’ songs about people leavin’. People been leavin’ me my whole life and I just say “fuck ‘em.” They should let me make the playlists exclusively for dinner. Exclusively. Heads would be nodding. I promise you that. (Back to previous table with the couple) Man, we outta Brooklyn Brown. I guess you musta drank it all. (openly flirting) Just playin’. I’m sorry. Yeah. Yeah. No. Cool. (Looks at audience, mischievous smile). (To Audience) Where was I? Oh yeah. Man, I’m telling you I could set this place up track for track. Someday I’m a run this joint. As he says this last line Reg steps on a repeat pedal that is located conveniently under one of the tables. The line “Someday I’m a run this joint” repeats quietly on loop as there is a slow lighting change. “About to Change That” Reg will rap the first section a capella. There is a gradual transformation from Reg as a waiter fooling around, free-styling to a full-on rap star fantasy concert. I’m calling a recall on how we divide up the power You fat cat salaried, I’m fuckin’ paid by the hour Plus tips, but don’t trip, one day I’ll rule the nation And until then you’re flippin’ to my radio station W-REG, Reg serving up delicious Hot treats and rock beats, cat you can bring the Mrs. 4 The party goes my way, and the party’s got my tracks Ya’ll some big beats? I got my band in the back. GO! (Live band drops a big drum beat, and Reg is in full out fantasy performance) That’s right, band’s live, gonna keep things straight up B Hat like Chuck D, oh shit, wait up Step to Reg wrong way son, you get laid up Downtown C-Bus you served right, you paid up And I’m owning your headphones on a permanent basis Listen to my thesis, boy you just call me Oasis Now some might say, “Is this kid serious?” And some might say, “Oh no, he looks queer to us” And still some might say “his beats got me delirious” B, here comes the hook, rhyme skills furious Chorus Hook: Right now I’m fetching, making your night better Servin’ High Street, call me the town’s trend setter Right now you’re thinking, I get shoved around If the push comes, then I’ll back away and look down And I want ya’ll to make that mistake, go head, buy the ticket You ain’t seen me dominate yet; I’m about to kick it So call the news, call the mayor, and call your dad You ain’t seen strength but I’m about to change that I’m about to change that. 5 Verse Two: Stand up to me eye to eye, this ain’t a test I’m about to hit your mind, reach in your chest Thump, thump, thump, poundin’ goes below your belt Vegas, Blackjack, sit back I got your hand dealt Back to point, I’m on a fuckin’mission I’m a change this whole culture. Quiet knucklehead, listen. I work through and take my cues from Public Enemy Don’t care if you say, “Reg, he offended me.” P.E.
Load more

Recommended publications
  • Stardigio Program
    スターデジオ チャンネル:４５０ 洋楽アーティスト特集 放送日：２０１９/１１/２５～２０１９/１２/０１ ｢番組案内 （８時間サイクル）｣ 開始時間：4：00～/12：00～/20：00～ 楽曲タイトル 演奏者名 ■CHRIS BROWN 特集 (1) Run It! [Main Version] Chris Brown Yo (Excuse Me Miss) [Main Version] Chris Brown Gimme That Chris Brown Say Goodbye (Main) Chris Brown Poppin' [Main] Chris Brown Shortie Like Mine (Radio Edit) Bow Wow Feat. Chris Brown & Johnta Austin Wall To Wall Chris Brown Kiss Kiss Chris Brown feat. T-Pain WITH YOU [MAIN VERSION] Chris Brown TAKE YOU DOWN Chris Brown FOREVER Chris Brown SUPER HUMAN Chris Brown feat. Keri Hilson I Can Transform Ya Chris Brown feat. Lil Wayne & Swizz Beatz Crawl Chris Brown DREAMER Chris Brown ■CHRIS BROWN 特集 (2) DEUCES CHRIS BROWN feat. TYGA & KEVIN McCALL YEAH 3X Chris Brown NO BS Chris Brown feat. Kevin McCall LOOK AT ME NOW Chris Brown feat. Lil Wayne & Busta Rhymes BEAUTIFUL PEOPLE Chris Brown feat. Benny Benassi SHE AIN'T YOU Chris Brown NEXT TO YOU Chris Brown feat. Justin Bieber WET THE BED Chris Brown feat. Ludacris SHOW ME KID INK feat. CHRIS BROWN STRIP Chris Brown feat. Kevin McCall TURN UP THE MUSIC Chris Brown SWEET LOVE Chris Brown TILL I DIE Chris Brown feat. Big Sean & Wiz Khalifa DON'T WAKE ME UP Chris Brown DON'T JUDGE ME Chris Brown ■CHRIS BROWN 特集 (3) X Chris Brown FINE CHINA Chris Brown SONGS ON 12 PLAY Chris Brown feat. Trey Songz CAME TO DO Chris Brown feat. Akon DON'T THINK THEY KNOW Chris Brown feat. Aaliyah LOVE MORE [CLEAN] CHRIS BROWN feat.
    [Show full text]
  • Read an Excerpt
    Teen Brain: The Musical • Daugherty / Martin • Dramatic Publishing The Musical • Daugherty / Martin Dramatic Publishing Brain: Teen Teen Brain: The Musical Musical. Book by Linda Daugherty. Music and lyrics by Nick Martin. Teen Brain: Cast: 3m., 5w. At last it’s Friday night for eight teens! After careening through a stressful week of schoolwork, difficult choices and drama surrounding family and friends, they’re ready for an unchaperoned party. The impulsive decisions of all eight young people result in a consequence that might have been foretold—even prevented—were it understood that teens are working with a brain revealed by the latest The Musical neuroscience to be, at best, a “work in progress.” Teen Brain: The Musical entertains while dramatizing how the neural gawkiness of the beautifully mysterious, rapid-speed, impulsive teen brain often results in vexing and inconsistent behavior, occasional misfires and, all too often, tragic consequences. This honest look at the rich complexities of teen behavior contains fast-paced scenes along with sharp dialogue and a hip, memorable score that includes “Like Me, Like Me,” an ode to Facebook; “Work in Progress,” a mad scientist’s vision of the teen brain; and “When I Was Small,” an emotional reflection about how simple life used to be. The dialogue, action and spirit of Daugherty’s “teen issue” plays have always rung true to teens, their families and the therapeutic community. Nothing gets in the way of the intended message. The work is engrossing and entertaining theatre. Nick Martin’s smart songs for Teen Brain: The Musical follow you from the theatre, providing an enhanced experience that will leave teens with a better understanding of themselves, adults with a better understanding of their teens and both with the tools to change dangerous behaviors—and perhaps save a life.
    [Show full text]
  • Crazy Ex Girlfriend
    CRAZY EX-GIRLFRIEND Pilot Episode "West Covina" Written by Rachel Bloom and Aline Brosh McKenna CW Rewrite May 6, 2015 ACT 1 OVER BLACK WE HEAR THE STRAINS OF A SHOW TUNE FADE IN INT. AUDITORIUM -- CAMP CANYON GROVE -- DAY The theater of a summer camp. Hand painted sets, vintage costumes. A row of 16-year-olds perform “I’m In Love With A Wonderful Guy” from South Pacific. CAMP CHORUS FLATLY I'LL STAND ON MY LITTLE FLAT FEET AND SAY/ LOVE IS A GRAND AND A BEAUTIFUL THING!/ I'M NOT ASHAMED TO REVEAL/ THE WORLD FAMOUS FEELIN' I FEEL... We focus on a girl in the chorus: REBECCA BUNCH, 16, awkward, not quite grown into her skin. She is very enthusiastic about her small role. Rebecca throws a look into the wings. ANGLE ON: A jocky Asian teenager working backstage. This is JOSH CHAN, also 16. Rebecca winks. Josh gives a half-smile and a little bro wave. CAMP CHORUS (CONT’D) ...I’M AS CORNY AS KANSAS IN AUGUST/HIGH AS A FLAG ON THE FOURTH OF JULY... Rebecca looks for someone else, this time in the audience. We move across a row of eager parents snapping photos to find one woman, arms folded, judgmental, annoyed to be there. This is Rebecca’s mother, JANICE BUNCH, 30’s, ex-housewife, now divorced, living in an apartment, keeps busy by being bitter. Rebecca makes eye contact with her. Smiles. Janice’s expression does not change. GIRL PLAYING NELLIE IF YOU’LL EXCUSE AN EXPRESSION I USE/I’M IN LOVE/ I’M IN LOVE, I’M IN LOVE (etc)..
    [Show full text]
  • Coach's Word Packets©
    ! ! Coach’s Word Packets © ! 1. Level 1-100 a. Phrases b.Sentences c. Story – “A Bus Trip to the River” ! 2. Level 101-200 a. Phrases b.Sentences c. Story – “Two Houses” ! 3. Level 201-300 a. Phrases b.Sentences c. Story – “A Trip to the Country” ! 4. Level 301-400 a. Phrases b.Sentences c. Story – “My School Day” ! 5. Level 401-500 a. Phrases b.Sentences c. Story – “The Good Book” ! ! ©copyright 2014 ! ! ! !2 The New First 100 Fry Words in Phrases ! 1. The people 28. We had their dog 2. of the water 29. By the river water 3. Now and then 30.The first words 4. This is a good day. 31. But not for me 5. From here to there 32. Not him or her 6. up in the air 33. What will they do? 7. Now is the time 34. All or some 8. Can you see? 35. We were 9. That dog is 36. We like to write 10. He has it. 37. When will we 11. He called me. 38. Write your 12. There was 39. Can he 13. for some people 40. She said to go 14. on the bus. 41. So there you are 15. How long are 42. No use 16. as big as the first 43. An angry cat 17. with his mother 44. Each of us 18. for his people 45. Which way 19. What did they say 46. She sat 20. I like him. 47. Do you 21. at your house 48. How did they 22.
    [Show full text]
  • 1 PLAYING AGAINST the ROLES SCENE 1 Scene 1
    PLAYING AGAINST THE ROLES SCENE 1 Scene 1. The roof of Daniel and Estrella’s old apartment complex. DANIEL: Estrella! Why did you want to meet here? We’re going to miss the party! ESTRELLA: Can you believe how much this place has changed? DANIEL: I don’t even recognize it. ESTRELLA: It’s all so… white. It used to be filled with smells and sounds and people. DANIEL: Like the sounds of my terrible violin playing. ESTRELLA: I remember the smells that came from those windows. Mi abuela cooking (She pauses and smells the air) mole and fresh tortillas, and elote, and capirotada. DANIEL and ESTRELLA: and that awful Posole. They both make a face. DANIEL: We played for hours. ESTRELLA: With my Barbies. DANIEL: They were rich. ESTRELLA: and they had a swimming pool and like 10 kids and they always fought. DANIEL: Like my mom and dad. Before he left… ESTRELLA: but remember… we would run away and sneak out. DANIEL: And just lay up here and just look at the stars. They sit in silence remembering the past. DANIEL: You know… in a new place, you can be anyone you want. ESTRELLA: Easy for you to say, ”Dannie Beckerman football star.” (She laughs to herself) DANIEL: Speaking of… that party. You promised you’d come. ESTRELLA: I know. Just one more minute. 1 Scene 2 Scene 1. Friday Night. A teenage house party. We hear bumpin music, perhaps something by Drake or Kanye. DANIEL AND ESTRELLA enter the party. There are groups of mostly McGregor High School students scattered about the room laughing and talking loudly.
    [Show full text]
  • Experiences of Youth in the Sex Trade in Chicago: Issues in Youth Poverty and Homelessness
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Experiences of Youth in the Sex Trade in Chicago: Issues in Youth Poverty and Homelessness Author(s): Laurie Schaffner, Grant Buhr, Deana Lewis, Marco Roc, Haley Volpintesta Document No.: 249954 Date Received: June 2016 Award Number: 2009-MC-CX-0001 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Experiences of Youth in the Sex Trade in Chicago Issues in Youth Poverty and Homelessness By Laurie Schaffner, Grant Buhr, deana lewis, Marco Roc, and Haley Volpintesta 520 Eighth Avenue, 18th Floor New York, New York 10018 646.386.3100 fax 212.397.0985 www.courtinnovation.org This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Experiences of Youth in the Sex Trade in Chicago: Issues in Youth Poverty and Homelessness By Laurie Schaffner, Grant Buhr, deana lewis, Marco Roc, and Haley Volpintesta © March 2016 Center for Court Innovation 520 Eighth Avenue, 18th Floor New York, New York 10018 646.386.3100 fax 212.397.0985 www.courtinnovation.org This document is a research report submitted to the U.S.
    [Show full text]
  • Chart: Top50 AUDIO URBAN
    Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr.
    [Show full text]
  • 10Th Grade Accelerated English (10X) North Central High School Summer Reading 2021
    1 Name: _____________________________________________________________ Date:__________________________ Period: _________ 10th Grade Accelerated English (10X) North Central High School Summer Reading 2021 Assignment: Read and annotate the following texts: ● “Ethnic Hash” By Patricia J. Williams ● “Who Am I This Time?” By Kurt Vonnegut In addition to having read the texts and annotated them, you are exPected to: 1. make claims about characters’ identities 2. find evidence in support of those claims 3. explain how that evidence supports your claims in detail ○ Avoid making a general statement about the quotation as a whole. Focus your explanation on specific parts of the quotation. If typed, responses must be typed in 12-point font and double-spaced. All responses must have a professional, uniform, and neat appearance. The grade earned on the responses will affect your initial grade in the class. Note: Please include an in-text citation, author’s last name and paragraph number, for each quotation. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ “Ethnic Hash” Claim: Williams’ identity is best described as __________________________________________________. Quotation: ExPlanation: 2 “Who Am I This Time?” Claim: Harry’s identity is best described as __________________________________________________. Quotation: ExPlanation: Claim: Helene’s identity is best described as __________________________________________________. Quotation: ExPlanation: 3 “Ethnic Hash” Patricia J. Williams [1] Recently, I was invited to a book party. The book was about pluralism. "Bring an hors d'oeuvre representing your ethnic heritage," said the hostess, innocently enough. Her request threw me into a panic. Do I even have an ethnicity: I wondered. It was like suddenly discovering you might not have a belly button. I tell you, I had to go to the dictionary.
    [Show full text]
  • The Good 5 Cent Cigar (10/5/2012) University of Rhode Island
    University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 10-5-2012 The Good 5 Cent Cigar (10/5/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (10/5/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 10. http://digitalcommons.uri.edu/cigar/10http://digitalcommons.uri.edu/cigar/10 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume62 © 'Just what this country needs ' Friday · Issue 16 www.ramcigar.com . October 5, 2012 Nursing. school names interim Political science ·class puts Dean, searches for replacement focus on election campaigns BY KIMBE;RLY DELANDE Island], we're making steady said the College of Nursing News Reporter BY GILDA CENTENO exactly how the system progress," Sullivan said. has made it their initiative to Contributing News Reporter · works," Pearson ~aid . "We're responding to the not just teach students, but University of Rhode · An interestiry~ fact in the IOM' s report by looking at ensure that they are getting Political science professor speCifics . of vote'r hi'rnout, is Island nursing professor, our eurriculum and working experience out on. the field: Shanna Pearson ~ Merkowitz the' difficulties that jlre in · nurse-scientist and scholar to increase the number of Nursing students currently Mary Sullivan has been challenge to Univers·i,ty of pface when voting in ( the · nurses with bachelor degrees gain these skills by learning Rhode Island students in her Unit~d States.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 23, 2020 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Stapleton, Wallen Country By The Glass: The Genre’s Songwriters Reign Page 4 Grapple With Alcohol’s Abundance Bluegrass Turns 75 Country fans might not see all the world through “Whis- so long. Ironically, drinking is one of them.” Page 10 key Glasses,” but they’re definitely hearing it through Getting drunk is such a stereotypical activity in the genre that alcoholic earbuds. it was listed among the elements of the “perfect country and The 2019 Morgan Wallen hit “Whiskey Glasses” brought western song” in David Allan Coe’s “You Never Even Called Me songwriter Ben Burgess the BMI country song of the year title by My Name,” but alcohol has not always been prominent. When Rhett, Underwood on Nov. 9, and the Country Airplay chart dated Nov. 24 reveals Randy Travis reenergized traditional country in the mid-1980s Make Xmas Special a format that remains whiskey bent, if not hellbound. Seven of while mostly avoiding adult beverages as a topic, the thirst for Page 11 the songs on that list liquor dwindled. The — including HAR- trend turned around DY’s “One Beer” so strongly that three (No. 5), Lady A’s hits in the late-1990s FGL’s Next Album Is “Champagne Night” — Collin Raye’s ‘Wrapped’ (No. 12) and Kelsea “Little Rock,” Dia- Page 11 Ballerini’s “Hole in mond Rio’s “You’re the Bottle” (No. 14) Gone” and Kenny — posit an alcohol Chesney’s “That’s Makin’ Tracks: reference boldly in Why I’m Here” — took ‘Hung Up’ On the title.
    [Show full text]
  • Music Preferences: a Gateway to Where? by Delia Regan
    Music Preferences: A Gateway to Where? Delia Regan Anna Maria College Author’s Note Delia Regan (‘21), Music Therapy Honor Student, Anna Maria College This thesis was prepared for HON 490-01 Seniors Honors Seminar under the instruction of Professor Travis Maruska, Associate Professor of Humanities, Anna Maria College. Correspondence concerning this article should be addressed by electronic mail. Contact: [email protected], [email protected] ​ ​ ​ 1 Abstract This paper discusses the impact of peer pressure on shared music preferences which was conducted through a survey and group interviews. The information on the development of music preferences provides the reader with background on how the music preference process begins. Peer pressure is also discussed from early childhood into adulthood. The solidification of music preferences happens around the same age as college-aged individuals, which overlaps with a decrease in the impact of peer pressure. The research focuses on college-aged individuals who completed a survey on their music preferences in individual and group settings, and then were put into groups to determine if a social setting would influence their responses to the same questions. Overall, a distinct relationship between peer pressure and music preference could not be made. Keywords: College-Aged, Group Cohesion, Music, Music Preference, Peer Pressure, ​ Social Consequence 2 Music Preferences What does music taste say about a person? Music is usually a part of daily life, whether people are aware of it or not. It can help people express themselves, regulate their emotions, and, when used clinically, can help a person regain the ability to walk. Music is powerful, but what draws people to it? Studies have been done to try and determine why people are attracted to music, and they have created multiple theories trying to answer this question.
    [Show full text]
  • UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
    ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick.
    [Show full text]