14 DAYS in JANUARY Photojournalists’ Experiences and Images from Two Historic Weeks in Washington, D.C
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Coach's Word Packets©
! ! Coach’s Word Packets © ! 1. Level 1-100 a. Phrases b.Sentences c. Story – “A Bus Trip to the River” ! 2. Level 101-200 a. Phrases b.Sentences c. Story – “Two Houses” ! 3. Level 201-300 a. Phrases b.Sentences c. Story – “A Trip to the Country” ! 4. Level 301-400 a. Phrases b.Sentences c. Story – “My School Day” ! 5. Level 401-500 a. Phrases b.Sentences c. Story – “The Good Book” ! ! ©copyright 2014 ! ! ! !2 The New First 100 Fry Words in Phrases ! 1. The people 28. We had their dog 2. of the water 29. By the river water 3. Now and then 30.The first words 4. This is a good day. 31. But not for me 5. From here to there 32. Not him or her 6. up in the air 33. What will they do? 7. Now is the time 34. All or some 8. Can you see? 35. We were 9. That dog is 36. We like to write 10. He has it. 37. When will we 11. He called me. 38. Write your 12. There was 39. Can he 13. for some people 40. She said to go 14. on the bus. 41. So there you are 15. How long are 42. No use 16. as big as the first 43. An angry cat 17. with his mother 44. Each of us 18. for his people 45. Which way 19. What did they say 46. She sat 20. I like him. 47. Do you 21. at your house 48. How did they 22. -
10Th Grade Accelerated English (10X) North Central High School Summer Reading 2021
1 Name: _____________________________________________________________ Date:__________________________ Period: _________ 10th Grade Accelerated English (10X) North Central High School Summer Reading 2021 Assignment: Read and annotate the following texts: ● “Ethnic Hash” By Patricia J. Williams ● “Who Am I This Time?” By Kurt Vonnegut In addition to having read the texts and annotated them, you are exPected to: 1. make claims about characters’ identities 2. find evidence in support of those claims 3. explain how that evidence supports your claims in detail ○ Avoid making a general statement about the quotation as a whole. Focus your explanation on specific parts of the quotation. If typed, responses must be typed in 12-point font and double-spaced. All responses must have a professional, uniform, and neat appearance. The grade earned on the responses will affect your initial grade in the class. Note: Please include an in-text citation, author’s last name and paragraph number, for each quotation. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ “Ethnic Hash” Claim: Williams’ identity is best described as __________________________________________________. Quotation: ExPlanation: 2 “Who Am I This Time?” Claim: Harry’s identity is best described as __________________________________________________. Quotation: ExPlanation: Claim: Helene’s identity is best described as __________________________________________________. Quotation: ExPlanation: 3 “Ethnic Hash” Patricia J. Williams [1] Recently, I was invited to a book party. The book was about pluralism. "Bring an hors d'oeuvre representing your ethnic heritage," said the hostess, innocently enough. Her request threw me into a panic. Do I even have an ethnicity: I wondered. It was like suddenly discovering you might not have a belly button. I tell you, I had to go to the dictionary. -
Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uriccio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publica- tion has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an im- age can be altered in the darkroom or on the computer. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
Westminster Research
Westminster Research http://www.westminster.ac.uk/research/westminsterresearch Picturing the World's news: news photography, cultural production, Thomson Reuters and the international process of news making Jonathan Ilan School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e- mail [email protected] Picturing the World’s News: News Photography, Cultural Production, Thomson Reuters and the International Process of News Making Jonathan Ilan A thesis in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy February 2012 Abstract In this research the production process of news pictures at Thomson Reuters international multimedia news agency is examined along its ‘local’ and ‘international’ key moments and sites, and the career of Reuters photographs- from the moment they are conceived as ideas to their purchase- is followed and explored at the ways that at every stage they are used, chosen, sold and processed as 'Reuters' products. -
Doomscrolling: Special Report 2
Copyright © All rights reserved worldwide. YOUR RIGHTS: This book is restricted to your personal use only. It does not come with any other rights. LEGAL DISCLAIMER: This book is protected by international copyright law and may not be copied, reproduced, given away, or used to create derivative works without the publisher’s expressed permission. The publisher retains full copyrights to this book. The author has made every reasonable effort to be as accurate and complete as possible in the creation of this book and to ensure that the information provided is free from errors; however, the author/publisher/ reseller assumes no responsibility for errors, omissions, or contrary interpretation of the subject matter herein and does not warrant or represent at any time that the contents within are accurate due to the rapidly changing nature of the internet. Any perceived slights of specific persons, peoples, or organizations are unintentional. The purpose of this book is to educate, and there are no guarantees of income, sales, or results implied. The publisher/author/reseller can, therefore, not be held accountable for any poor results you may attain when implementing the techniques or when following any guidelines set out for you in this book. Any product, website, and company names mentioned in this report are the trademarks or copyright properties of their respective owners. The author/publisher/reseller are not associated or affiliated with them in any way. Nor does the referred product, website, and company names sponsor, endorse, or approve this product. COMPENSATION DISCLOSURE: Unless otherwise expressly stated, you should assume that the links contained in this book may be affiliate links, and either the author/publisher/reseller will earn a commission if you click on them and buy the product/service mentioned in this book. -
Harton Woods
HARTON WOODS My name is Paige Plant, and I’m a singer-songwriter. I have fourteen paintings to prove it—one for each song I’ve written. Thirteen Möbius strip watercolors where I painted the song’s story on the strip. What can I say? I was good at science back in the day. The fourteenth, done in oil and not on a Möbius strip, depicts the only love song I’ve ever written. Not that I’ve had only one lover or anything—I’m quite attractive in a B+ kind of way—but only one worth an oil painting. Plus, oil makes the other guys, and an occasional girl, work a little harder at pleasing me. Everybody wants a love song written about them; almost everyone wants to see their song in oil. Today, I’m going to meet this guy named John Bustin. He’s older, like pensioned, and, well, from the whisper-whisper out there, he was a decent songwriter in his time. No one that most people would know, but he’s well respected in a few east coast music circles. A buddy of mine saw John’s ad online and set us up. I guess John has this million-dollar recording studio in the woods forty miles west of Boston, and he lets singer-songwriters use it for free if he vibes on their stuff. Who knows, maybe I’ll get a few paintings out of the place if things go well. Watercolors. Not oils. I don’t do the daddy thing. Already have one of those, and he’s great. -
The Economy Joe Biden Will Inherit America's Allies: a Long Wishlist
The economy Joe Biden will inherit America’s allies: a long wishlist The trouble with value investing Zambia, becoming the next Zimbabwe NOVEMBER 14TH–20TH 2020 Suddenly, hope 打赏 - JUST FOR FUN ⽀持分享! ⼀杯咖啡钱, 打赏⾦额随意,感谢⼤家~ :) ⽀付宝 微信 资源来⾃ : https://github.com/hehonghui/the-economist-ebooks Contents The Economist November 14th 2020 5 The world this week Britain 8 A summary of political 25 Protest in the provinces and business news 26 Foreign-investment rules 27 Brexit and Biden Leaders 27 Chumocracy 13 Vaccines Suddenly, hope 28 Phone-hacking 28 New nukes? 14 America and its allies Great expectations 29 Rishi and the City 14 America’s next president 30 Bagehot Princess Diana, Biden’s economy populist politician 15 Asset management Beyond Buffett Europe 31 Nagorno- Karabakh On the cover 16 Democracy in Africa Zambia’s descent 32 Corruption and Ukraine A highly effective vaccine 33 Europe’s recovery fund should transform the fight Letters against covid-19. But a lot 33 France fights jihadists On transgender sports, remains to be done: leader, 18 in Africa diplomacy, Facebook, page 13, and briefing, page 21. management, Armenia, Cheap, rapid tests for avatars, Brazil sars-cov-2 are here. Will they United States be the stopgap needed? Page 72 35 Covid-19 and Biden Briefing • The economy Joe Biden 36 Republicans and the result 21 Covid-19 vaccines will inherit He faces two 37 The Pentagone The technology of hope extraordinary challenges: leader, 38 Fox News page 14. What he would do 38 Unhappy cowboys differently, and how much Special report: difference it would make, Asset management 39 The urban-rural divide page 35. -
Do International News Agencies Set the Agenda of Pakistani English Newspapers? a Critical Analysis of Three English Dailies of Pakistan
p- ISSN: 2708-2105 p- ISSN: 2709-9458 L-ISSN: 2708-2105 DOI: 10.31703/gmcr.2021(VI-I).16 | Vol. VI, No. I (Winter 2021) URL: http://dx.doi.org/10.31703/gmcr.2021(VI-I).16 | Pages: 209 – 229 Do International News Agencies Set the Agenda of Pakistani English Newspapers? A Critical Analysis of Three English Dailies of Pakistan Lubna Shaheen * Muhammad Naseem Anwar † Rashid Ishaq ‡ Abstract: The aim of this study is to measure the reliance of the Headings Pakistani English press on international news agencies. Quantitative content analysis was done to see the level of reliance. A ten-year • Introduction period has been selected for analysis starting from 9/11. International pages of three English newspapers were selected. The • Literature Review results indicated that there is very small contribution of the • Methodology newspapers in the case of international news content, they mostly rely on foreign content and publish the same. Pakistani newspapers • Research Questions hardly try to appoint their correspondents and resultantly they have • Analysis to copy the same content available by international news agencies e.g., AP, AFP & Reuter. The study considered the theory of media • Conclusion imperialism and the results endorse the age-old central verses • References peripheral relationship with developed countries and the developing nations which still persist. Key Words: Developed Countries, Developing Nations, Foreign Content, Media Imperialism, Peripheral Introduction South Asian nations cover a good part of the overtly uni-polar world, centering the US, the globe; that is why happenings and events global media follows a different trend in their occurring across the Muslim world catch portrayal of news stories. -
INTERVIEW with JOHN TROAN Interviewed by Ford Risley Conducted Under the Auspices of the Pennsylvania Newspaper Journalists
INTERVIEW WITH JOHN TROAN Interviewed by Ford Risley Conducted under the auspices of the Pennsylvania Newspaper Journalists Oral History Program Department of Journalism Penn State University 2006 John Troan Interview Risley: This is an interview with John Troan at his home in Pittsburgh, Pennsylvania, on August 18, 2005. I guess we’ll get started at the beginning. Tell me when and where you were born. Troan: Well, I was born in the little coal mining town near Scranton, Pennsylvania, called Jessup. And according to the state’s vital statistics bureau, I was born on August 23, 1918, even though my mother insisted it was 1919. Risley: Why did she insist it was 1919? Troan: She said I was not born until after World War I had ended. And that was her recollection. But the midwife who delivered me signed the certificate saying 1918, so I accept that. Risley: Tell me a little bit about your parents. Troan: Well, they were immigrants, from what was then Austria—Hungary, and is now a part of Slovakia. They came into the United States in 1908—same year Bob Hope came in. He came in from England. His friends had preceded him and they told him there were a lot of opportunities in coal mining and steel making. So he elected to come and go into the coal mines—anthracite coal mines in and near Scranton. And then he sent for my mother—told her if the opportunity arose, and he had a job, he would bring her in and he did—brought my mother and my two older sisters here. -
University of Wisconsin Eau Claire Inked Identity a Capstone Paper Submitted to Dr. Jane Pederson History Department by Danielle
UNIVERSITY OF WISCONSIN EAU CLAIRE INKED IDENTITY A Social History of the Tattoo in America: 1900-1950 A CAPSTONE PAPER SUBMITTED TO DR. JANE PEDERSON HISTORY DEPARTMENT BY DANIELLE MEYER EAU CLAIRE, WISCONSIN MAY 18, 2010 i CONTENTS Illustrations ii Abstract iii Introduction 1 Identification 4 1900’s……………………………………………………………………………….4 1930’s……………………………………………………………………………….6 Beauty 7 1900’s…………………………………………………………………………….…7 1910’s………………………………………………………………………….……8 1920’s………………………………………………………………………….…....9 1930’s………………………………………………………………………….……9 1940’s………………………………………………….…………………………..10 Circuses and Sideshows 10 1920’s……………………………………………………………………………...10 The Great Depression 12 1930’s………………………………………………………………………………12 Military 16 1910’s………………………………………………………………………………16 1920’s………………………………………………………………………………17 1930’s………………………………………………………………………………19 1940’s………………………………………………………………………………20 Removal 25 1910’s…………………………………………………………………………….. .25 New Tattoo Methods 26 1940’s………………………………………………………………………………26 Conclusion 28 Annotated Bibliography 30 i FIGURES Figures 1. Albert L. Morse, “Electric Tattoo Machine,” The Tattooists……………………………..3 2. Margo Mifflin, “Artoria Gibbons,” Bodies of Subversion………………….12 3. Albert Morse, “Rock of Ages,” The Tattooists ……………………………………….21 4. Albert Morse, “Death Before Dishonor,” The Tattooists……………………………….24 ii Abstract A paper that studies the events between 1900 and 1950 that changed the outlook of the tattoo in America. The paper introduces the reader to the mechanization and modernization of the tattoo through newspaper articles and secondary sources. Cultural aspects including beauty and its advertising campaigns and the circuses and sideshows which introduced Americans from all walks of life to the tattoo are introduced and studied. The military is the largest aspect of tattoos and their identification with the American patriot; the paper includes several photos of the most popular of design. Other factors including a small excerpt on removal and new techniques that evolve from the tattoo are also discussed. -
1 As Filed with the Securities and Exchange
1 AS FILED WITH THE SECURITIES AND EXCHANGE COMMISSION ON SEPTEMBER 30, 1996 REGISTRATION NO. 333- - -------------------------------------------------------------------------------- - -------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 ------------------------ FORM S-4 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 ------------------------ COMCAST CORPORATION (EXACT NAME OF REGISTRANT AS SPECIFIED IN ITS CHARTER) PENNSYLVANIA 4841 23-1709202 (STATE OR OTHER JURISDICTION OF (PRIMARY STANDARD INDUSTRIAL (I.R.S. EMPLOYER INCORPORATION OR ORGANIZATION) CLASSIFICATION CODE NUMBER) IDENTIFICATION NO.) 1500 MARKET STREET PHILADELPHIA, PENNSYLVANIA 19102-2148 (215) 665-1700 (ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF REGISTRANT'S PRINCIPAL EXECUTIVE OFFICES) ------------------------ JOHN R. ALCHIN SENIOR VICE PRESIDENT AND TREASURER COMCAST CORPORATION 1500 MARKET STREET PHILADELPHIA, PENNSYLVANIA 19102-2148 (215) 665-1700 (NAME, ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF AGENT FOR SERVICE) ------------------------ COPIES TO: WILLIAM L. TAYLOR, ESQ. WILLIAM APPLETON, ESQ. DAVIS POLK & WARDWELL BAKER & HOSTETLER 450 LEXINGTON AVENUE 3200 NATIONAL CITY CENTER NEW YORK, NEW YORK 10017 CLEVELAND, OHIO 44114 (212) 450-4000 (216) 621-0200 APPROXIMATE DATE OF COMMENCEMENT OF PROPOSED SALE OF THE SECURITIES TO THE PUBLIC: As soon as possible after this Registration Statement becomes effective and all other conditions to the Merger of The E.W. Scripps Company with and into Comcast Corporation pursuant to the Agreement and Plan of Merger described in the enclosed Joint Proxy Statement-Prospectus have been satisfied or waived. If the securities being registered on this Form are being offered in connection with the formation of a holding company and there is compliance with General Instruction G, check the following box.