May 2014 Representing Today’S Great Labels This Month's Highlights
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2018 WASO Ingrid Fliter Plays Mendelssohn
PROGRAM Tchaikovsky’s Fourth Symphony MORNING SYMPHONY SERIES Thu 5 Apr 2018, 11am Perth Concert Hall Ingrid Fliter Plays Mendelssohn MACA LIMITED CLASSICS SERIES Fri 6 & Sat 7 Apr 2018, 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES We Care Tchaikovsky’s Fourth Symphony We are Flexible SHOSTAKOVICH Festive Overture (6 mins) We Deliver TCHAIKOVSKY Symphony No.4 (44 mins) MACA is proud to be a leader in supporting a wide Andante sostenuto – Moderato con anima – Moderato assai, range of community initiatives, small and large. quasi Andante – Allegro vivo Andantino in modo di canzona We value our position as a platinum sponsor of Scherzo (Pizzicato ostinato) – Allegro the West Australian Symphony Orchestra and Finale (Allegro con fuoco) their vision to touch souls and enrich lives through music. Dan Ettinger conductor Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize. -
Yo-Yo Ma Kathryn Stott
YO-YO MA KATHRYN STOTT ERÖFFNUNGSFESTIVAL 24. JANUAR 2017 ELBPHILHARMONIE GROSSER SAAL Dienstag, 24. Januar 2017 | 20 Uhr | Elbphilharmonie Großer Saal YO-YO MA VIOLONCELLO KATHRYN STOTT KLAVIER DIRIGENT.DER NEUE BMW 7er MIT GESTIKSTEUERUNG. DER ANSPRUCH VON MORGEN. SUITE »ARC OF LIFE« Johann Sebastian Bach (1685–1750) / Charles Gounod (1818–1893) Méditation / Ave Maria (1722/1852) Jean Sibelius (1865–1957) Var det en dröm? (War es ein Traum?) op. 37/4 (1902) Jacob Gade (1879–1963) Tango Jalousie (1925) Claude Debussy (1862–1918) Beau soir (1880) Franz Schubert (1797–1828) Ellens Gesang D 839 »Ave Maria« (1825) Dmitri Schostakowitsch (1906–1975) Sonate d-Moll op. 40 für Violoncello und Klavier (1934) Moderato, Largo – Moderato con moto – Largo – Allegretto Pause Giovanni Sollima (*1962) Il bell’Antonio (Tema III) (2005) César Franck (1822–1890) Sonate A-Dur M 8 / Fassung für Violoncello und Klavier (1886) Allegretto ben moderato – Allegro – Recitativo – Fantasia – Allegretto poco mosso Principal Sponsor der Elbphilharmonie Förderer des Eröffnungsfestivals BMW BMW Hamburg Niederlassung www.bmw-hamburg.de Hamburg www.bmw- hamburg.de Freude am Fahren Abbildung zeigt Sonderausstattungen. 5978 BMW 7er Kultur Engagements DIRIGENT 2016 148x210 NL Hamburg Abendprogramm 20160812.indd 1 01.08.16 16:20 WILLKOMMEN Wir gratulieren der Mit gerade mal acht Jahren trat Yo-Yo Ma an der Seite von Leonard Bernstein zum ersten Mal im Stadt Hamburg, amerikanischen Fernsehen auf. Heute, mehr als ihren Bürgern und 50 Jahre später, ist er der erfolgreichste Cellist allen Beteiligten der Welt, mit nicht weniger als 18 Grammys im Regal und umjubelten Konzerten auf der ganzen Welt. Mit dem Programm »Arc of Life« zieht er im zur gelungenen großartigen Komposition der heutigen Konzert Bilanz seiner bewegten Musik- karriere, begleitet von seiner engen künstleri- schen Partnerin Kathryn Stott. -
DE 3415 Mendelssohn: Complete Music for Cello and Piano Emanuel Gruber, Cello • Arnon Erez, Piano
DE 3415 Mendelssohn: Complete Music for Cello and Piano Emanuel Gruber, cello • Arnon Erez, piano Variations Concertantes, Op. 17 Dear Listener, 1. Theme (Andante con moto) (1:04) The idea of a complete recording of Mendelssohn’s works for 2. Variation 1 (:30) cello and piano came to me two years ago, in 2009, when the 3. Variation 2 (:29) musical world celebrated the composer’s 200th birthday anniver- 4. Variation 3 (Più vivace) (:32) sary. I had already recorded Beethoven’s music for these instru- 5. Variation 4 (Allegro con fuoco) (:40) ments, and this new project seemed a logical continuation. 6. Variation 5 (L’istesso tempo) (:46) 7. Variation 6 (L’istesso tempo) (:31) Mendelssohn had a great gift for melody, and knew how to de- velop his musical themes with clarity and impact. The cello is an 8. Variation 7 (Presto ed agitato) (:1:37) ideal medium for rendering the warm, singing quality of his 9. Variation 8 (Tempo 1) - Coda (3:03) music, as well as its playfulness and exuberance. His creations are noble, generous, optimistic and full of joyful enthusiasm. There Sonata No.1 in B-flat Major, Op. 45 may be moments of doubt, melancholy and pain – but they dis- 10. Allegro vivace (11:58) appear quickly as his impetuous, ever-youthful drive and positive 11. Andante (5:16) energy take over, lifting us up into an ideal world filled with goodness and hope. 12. Allegro assai (6:33) 13. Song Without Words, Op. 109 (4:45) Arnon and I hope that you’ll enjoy our interpretations and share our joy in bringing you this beautiful music. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia. -
De Negen Symfonieën in De Grote Zaal
HET CONCERTGEBOUW Seizoen 2020-2021 Series Eigen Programmering ‘Voor mij stijgt Mozart boven alles uit’ mitsuko uchida ‘Het Concertgebouw is ‘Kamermuziek spelen is voor een goed onderhouden mij als chocoladetaart eten’ Stradivarius’ alexandre tharaud jaap van zweden ‘Muziek is een hogere ‘Ik wilde de muziek beter begrijpen, openbaring dan alle daarom ben ik gaan dirigeren’ wijsheid en filosofie’ gustavo gimeno ludwig van beethoven 4 5 Inhoud Voorwoord Inhoud Helden VOORWOORD 5 Een fascinatie voor helden is van alle tijden. Of het nu wereldberoemde helden zijn of onbekende WELKOM 6 helden, ze roepen onze bewondering op. Het Concertgebouw is bij uitstek een ‘huis’ dat helden BEETHOVEN 2020 8 huisvest. Zowel voor als achter de schermen. Elke dag weer leveren musici sublieme prestaties op onze podia. In de mooiste akoestiek ter wereld voeren zij muziek uit van de allergrootste componisten CONCERTKALENDER inclusief keuzeserie 10 uit heden en verleden. En dat is mede mogelijk dankzij onze eigen helden: de medewerkers die ervoor SERIES GROTE ZAAL zorgen dat alles rondom de concerten op rolletjes verloopt. Wereldberoemde Symfonieorkesten 60 Grote Solisten 62 Dé held onder de componisten is ongetwijfeld Ludwig van Beethoven. In 2020 vieren we zijn Nieuwe Wereldsterren 64 Onsterfelijke Noten 66 tweehonderdvijftigste geboortejaar. Dat doen we met een uitvoering van al zijn symfonieën binnen Klassieke Meesterwerken 68 één week. Vijf daarin gespecialiseerde orkesten spelen ze op instrumenten uit zijn tijd. In de Kleine Zaal klinken Beethovens strijkkwartetten en zijn viool-, cello- en pianosonates. SERIES KLEINE ZAAL Strijkkwartetten 72 Beethoven 2020 inspireerde ons op zoek te gaan naar andere helden in ons programma. Grote sterren Strijkkwartetten op woensdag 74 als Cecilia Bartoli, Yuja Wang en Emmanuel Pahud bijvoorbeeld. -
Sounds Like Paradise
Music in the tropics... Sounds like paradise. Australian Festival of Chamber TOWNSVILLE Music 27 JULY — 5 AUGUST 2018 ARTISTIC DIRECTOR KATHRYN STOTT Wu Tong Enjoy a truly unique combination of exquisite music and tropical winter warmth at the Australian Festival of Chamber Music. Explore the natural beauty of Townsville with its stunning coastline, beaches and lush rainforests. Take a dip in the ocean before immersing yourself in some of the world’s finest chamber music. Don’t miss your chance to experience an internationally acclaimed ten-day Festival program with more than 30 musicians visiting from around the world. WELCOME FROM KATHRYN STOTT 02 TRAVEL & ACCOMMODATION 30 2018 PROGRAM 04 PRE & POST TOURING 31 ARTISTIC DIRECTOR 13 DAY OFF DISCOVERIES 32 IN RESIDENCE 14 FESTIVAL VENUES 34 ARTISTS 15 FESTIVAL BUSES & MAP 34 ENSEMBLES 21 BOOKING INFORMATION 36 SPECIAL EVENTS 22 FREQUENTLY ASKED QUESTIONS 37 TICKET PACKAGES 24 TRANSPORT OPTIONS 38 HOLIDAY PACKAGES 26 SUPPORTING THE FESTIVAL 52 WINTERSCHOOL 28 CONTACT INFORMATION 52 Magnetic Island KATHRYN STOTT Welcome from the Artistic Director Hurray! It’s with great pleasure that I finally find myself in the position of being able to tell you about this year’s festival. This moment is one of both relief and great excitement! I don’t really want to single out any For my Composer-in-Residence, I welcome young cellists from one person because I feel strongly I have chosen Julian Yu who, years ANAM who will make up part of that every artist, whether they are ago, made a brilliant arrangement our Cello Octet. -
2019/20 S E a S
2019/20 SEASON JANUARY - MARCH 2020 2 • Director’s Introduction • 3 We are delighted to welcome the French mezzo-soprano Marianne Crebassa for her Wigmore Hall debut this spring, presenting a programme of her native repertoire alongside two works from the distinguished Turkish pianist, Fazıl Say, who will accompany Crebassa in January. Vijay Iyer continues his contemplations on musicality with two events in January. Ritual Ensemble draws on various musical systems to forge a unity of orchestrated and ecstatic expressions in their music. The following afternoon, Iyer is joined in conversation by Professor Georgina Born for an exchange of ideas traversing the arts, humanities, and social and natural sciences. Our Beethoven celebrations continue with the cycles begun in autumn, including Trio Shaham Erez Wallfisch’s complete piano trios, Jonathan Biss in the complete piano sonatas, and James Ehnes and Andrew Armstrong’s exploration of the composer’s violin sonatas. An evening in March is dedicated to Beethoven’s string trios with Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras. The Dover Quartet presents two consecutive concerts in January covering composers from Mozart and Rossini to Hindemith and double bassist Edgar Meyer. Meyer joins the quartet on the Sunday night for a Rossini duet and his own Quintet for strings. In February 2020, Wigmore Hall Learning presents its annual Learning Festival. From Monday 10 to Saturday 22 February, we will explore the concept of Musical Conversations, with a special Bechstein Session event with the Sacconi Quartet to open the festival on 10 February. The celebrated soprano Nelly Miricioiu will be leading what promises to be an insightful masterclass in March, following her lunchtime recital a week before. -
Sæson 2006 2007
SÆSON TORSDAGSKONCERT – SÆSONÅBNING FREDAGSKONCERTTorsdagskoncert 2.10. september maj 2007 kl. 2004 20 kL. 20 3.Radiohusets september Koncertsal2004 kl. 20 Radiohusets Koncertsal 2006 2007 TORSDAGSKONCERT – SÆSONAFSLUTNING Torsdagskoncert – Sæsonafslutning DR Radiosymfoniorkestret Torsdag 10. maj kl. 20 Radiohusets Koncertsal Dirigent: Marc Albrecht Solister: Eva Johansson, Isolde John Treleaven, Tristan Randi Stene, Brangäne / Wesendonk Lieder Attila Jun, kong Marke Poul Elming, Kurvenal / Melot Koncertmester: Christina Åstrand Richard Wagner (1813-1883) Richard Wagner Tristan og Isolde, forspil (1857-59) Tristan og Isolde, 2. akt (1857-59) Varighed: ca. 10’ Varighed: ca. 86’ Richard Wagner Torsdagskoncerten sendes direkte i P2 og Wesendonk Lieder (1857-58) genudsendes i P2 søndag 13. maj kl. 10. Koncerten sendes desuden til Estland og 1. Der Engel (instrumenteret af F. Mottl) via EBUs Natradio. 2. Stehe still (instrumenteret af F. Mottl) 3. Im Treibhaus (instrumenteret af F. Mottl) 4. Schmerzen (instrumenteret af F. Mottl) 5. Träume (instrumenteret af R. Wagner) Varighed: ca. 21’ Pause ca. 20.35 Redaktion og opsætning: Line Breuning. Korrektur og sangtekster: Magna Blanke. Tryk: Rek-Art Offset. Producent: Per Holst. Producer: Ivar Munk. Teknik: Jan Oldrup Regissør: Morten Danvad Foto: Marco Borggreve Marc Albrecht Den tyske dirigent Marc Albrecht er i dag chef for Strasbourg Filharmonikerne og en af de mest efter- spurgte yngre Wagner-dirigenter. Efternavnet får sikkert nogen til at tænke på DR Radiosymfoniorkestrets tidligere chefdirigent, Gerd Albrecht, men de to er ikke i familie. Det måtte Marc Albrecht fortælle mange gange, da han som 24-årig fik en af sine første stillinger på Operaen i Hamborg – som assistent for Gerd Albrecht! Derimod er Marc Albrecht søn af en anden tysk dirigent, George Alexander Albrecht, der også var hans første lærer. -
Parsifal Teatr Wielki Poznan 19
IERWJZE W DZIEJACH Hl/TORII TEATRU WIELKIEGO W POZNANIU PRZEDJTAWIENIE „PARllFALA" WIEŃCZY DZIEJE GMACHU POD PE TEATR~ GAZEM W NAJZYM JTULECIU. NIEMCY, NA POCZĄTKU WIEKU, WY WIELKI JTAWILI WPRAWDZIE TO UROCZY/TE MIJTERIUM JCENICZNE, A PRZED Im. STAN!Sł.A\VA MONIUSZIO JTAWl ENIE 17 JIERPNIA 1919 ROKU NA TEJ /CENIE BYŁO OJTATNIM W POZNANIU DYREKTOR NACZELNY NIEMIECKIM JPEKTAKLEM ZANIM „WYBUCHŁA" POUKA. CZUJĄC JIĘ PRA .flAWOMIR PIETRAJ" WNUKAMI TAMTEGO CZAJU, PODEJMUJEMY POUKIMI /IŁAMI ZAJZCZYT NY TRUD WYKONANIA TEGO ARCYDZIEŁA PO MIĘDZYWOJNIU, HAŃBIE OKUPACYJNEJ, LECZENIU POWOJENNYCH RAN I PRÓBACH CORAZ MĄDRZEJ JZEGO POROZUMIENIA W OJTATNICH DZIEJIĘCIOLECIACH. CHCEMY POWIEDZIEĆ NIEMCOM, ŻE W RAMACH IDEAŁÓW WJPÓLNEJ EUROPY, PODAWANIU JOBIE RĄK POWINNY RÓWNIEŻ TOWARZYJZYĆ POD RICHARD NIOJlE TONY MUZYKI WAGNERA, UŻYTEJ JAKO JYMBOLU WIĘZI I ZGODY, WAGN€R A NIE - PODZIAŁU I NIENAWl/CI. DLATEGO WJPÓŁPRACUJEMY NAD REALI ZACJĄ „PARJIFALA" Z NIEDERIACHJIJCHE JTAATJTHEATER W HANOWERZE, JEGO ARTYJTAMI HAN/EM-PETEREM LEHMANNEM (REŻYJERIA) I EKKEHAR DEM GRUBLEREM (JCENOGRAFIA) ORAZ FUNDACJĄ POUKO-NIEMIECKĄ, POMAGAJĄCĄ NAM FINANJOWO. KAŻDE WYKONANIE „PAR.fi FALA" DLA ARTYJTÓW I PUBLICZNO/Cl JEJT PREMIERA 4 GRUDNIA 1999 WIELKIM .fwlĘTEM I NIEZWYKŁYM PRZEŻYCIEM. TRUDNO LEPIEJ UWIEŃCZYĆ DZIEJE OPEROWEGO POZNAfl-!IA W KOŃCZĄCYM JIĘ WŁA/NIE XX WIEKU. RICHARD KUNDRY VERA BANIEWICZ WA.GN€R RYCERZE GRAALA KAROL BOCHAŃ.fKI ALEKJANDER BURANDT RAFAŁ KORPI K PAWEŁ MYJZKOW.fKI UROCZYJTE MIJTERIUM JCENICZNE W 3 AKTACH GIERMKOWIE DYMITR FOMENKO LIBRETTO RICHARD