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The Evolving Heroine in Nintendo Adventure Games
The Princess and the Platformer: The Evolving Heroine in Nintendo Adventure Games Katharine Phelps Humanities 497W December 15, 2007 Just remember that my being a woman doesn't make me any less important! --Faris Final Fantasy V 1 The Princess and the Platformer: The Evolving Heroine in Nintendo Adventure Games Female characters, even as a token love interest, have been a mainstay in adventure games ever since Nintendo became a household name. One of the oldest and most famous is the princess of the Super Mario games, whose only role is to be kidnapped and rescued again and again, ad infinitum. Such a character is hardly emblematic of feminism and female empowerment. Yet much has changed in video games since the early 1980s, when Mario was born. Have female characters, too, changed fundamentally? How much has feminism and changing ideas of women in Japan and the US impacted their portrayal in console games? To address these questions, I will discuss three popular female characters in Nintendo adventure game series. By examining the changes in portrayal of these characters through time and new incarnations, I hope to find a kind of evolution of treatment of women and their gender roles. With such a small sample of games, this study cannot be considered definitive of adventure gaming as a whole. But by selecting several long-lasting, iconic female figures, it becomes possible to show a pertinent and specific example of how some of the ideas of women in this medium have changed over time. A premise of this paper is the idea that focusing on characters that are all created within one company can show a clearer line of evolution in the portrayal of the characters, as each heroine had her starting point in the same basic place—within Nintendo. -
Super Smash Bros. Melee) X25 - Battlefield Ver
BATTLEFIELD X04 - Battlefield T02 - Menu (Super Smash Bros. Melee) X25 - Battlefield Ver. 2 W21 - Battlefield (Melee) W23 - Multi-Man Melee 1 (Melee) FINAL DESTINATION X05 - Final Destination T01 - Credits (Super Smash Bros.) T03 - Multi Man Melee 2 (Melee) W25 - Final Destination (Melee) W31 - Giga Bowser (Melee) DELFINO'S SECRET A13 - Delfino's Secret A07 - Title / Ending (Super Mario World) A08 - Main Theme (New Super Mario Bros.) A14 - Ricco Harbor A15 - Main Theme (Super Mario 64) Luigi's Mansion A09 - Luigi's Mansion Theme A06 - Castle / Boss Fortress (Super Mario World / SMB3) A05 - Airship Theme (Super Mario Bros. 3) Q10 - Tetris: Type A Q11 - Tetris: Type B Metal Cavern 1-1 A01 - Metal Mario (Super Smash Bros.) A16 - Ground Theme 2 (Super Mario Bros.) A10 - Metal Cavern by MG3 1-2 A02 - Underground Theme (Super Mario Bros.) A03 - Underwater Theme (Super Mario Bros.) A04 - Underground Theme (Super Mario Land) Bowser's Castle A20 - Bowser's Castle Ver. M A21 - Luigi Circuit A22 - Waluigi Pinball A23 - Rainbow Road R05 - Mario Tennis/Mario Golf R14 - Excite Truck Q09 - Title (3D Hot Rally) RUMBLE FALLS B01 - Jungle Level Ver.2 B08 - Jungle Level B05 - King K. Rool / Ship Deck 2 B06 - Bramble Blast B07 - Battle for Storm Hill B10 - DK Jungle 1 Theme (Barrel Blast) B02 - The Map Page / Bonus Level Hyrule Castle (N64) C02 - Main Theme (The Legend of Zelda) C09 - Ocarina of Time Medley C01 - Title (The Legend of Zelda) C04 - The Dark World C05 - Hidden Mountain & Forest C08 - Hyrule Field Theme C17 - Main Theme (Twilight Princess) C18 - Hyrule Castle (Super Smash Bros.) C19 - Midna's Lament PIRATE SHIP C15 - Dragon Roost Island C16 - The Great Sea C07 - Tal Tal Heights C10 - Song of Storms C13 - Gerudo Valley C11 - Molgera Battle C12 - Village of the Blue Maiden C14 - Termina Field NORFAIR D01 - Main Theme (Metroid) D03 - Ending (Metroid) D02 - Norfair D05 - Theme of Samus Aran, Space Warrior R12 - Battle Scene / Final Boss (Golden Sun) R07 - Marionation Gear FRIGATE ORPHEON D04 - Vs. -
Gaming Insurrection Reflects on the Series That Introduced Samus Aran to the World ALL ABOUT METROID
Gaming Insurrection reflects on the series that introduced Samus Aran to the world ALL ABOUT METROID Who is Samus Aran? …......... 3 Series symbolism …............... 5 Editor’s take …......................... 6 Did you know? …..................... 6 Metroid resources …............ 6 BY LYNDSEY HICKS hen Metroid hit the exploration. With Metroid, I learned to ap- start and complete. Its present and future scene in 1986, there preciate the advances made in technology. rely on that fact, as well. With a long- W weren’t many like Metroid was the catalyst for exploring my hinted-at sequel to Metroid Fusion on hiatus, Samus Aran and the roots and learning where I came from as a now is the time to look at Samus, where eponymous jellyfish-like gamer. she’s been and where she can go and de- creatures. No game had Metroid as a series isn’t just some series. cide if she should go there. Now is the time a lead female protagonist Rather, it’s a look at space and what hap- to reflect on all that Samus has achieved as who could convey such pens when someone is forced to survive on a character and as a property and decide wonder and exploration as their own with virtually no help. Actually, her place in annals of gaming history. Now Samus did in the series’ opening it’s a lot like the move Alien. That being is the time to give Samus the credit she is game. With Samus’ introduction, the gam- said, the starkness of Metroid’s landscape due as a forerunner to the modern gaming ing world finally realized that women were provides an interesting case study in char- woman. -
Wii Metroid Other M.Pdf
NEED HELP WITH INSTALLATION, BESOIN D’AIDE POUR L’INSTALLATION, ¿NECESITAS AYUDA DE INSTALACIÓN, MAINTENANCE OR SERVICE? L’ENTRETIEN OU LA RÉPARATION? MANTENIMIENTO O SERVICIO? Nintendo Customer Service Service à la clientèle de Nintendo Servicio al Cliente de Nintendo SUPPORT.NINTENDO.COM SUPPORT.NINTENDO.COM SUPPORT.NINTENDO.COM or call 1-800-255-3700 ou composez le 1 800 255-3700 o llama al 1-800-255-3700 NEED HELP PLAYING A GAME? BESOIN D’AIDE DANS UN JEU? ¿NECESITAS AYUDA CON UN JUEGO? Recorded tips for many titles are available on Des astuces préenregistrées pour de nombreux Puedes escuchar consejos grabados para Nintendo’s Power Line at (425) 885-7529. titres sont disponibles sur la Power Line de muchos títulos a través del servicio Power Line This may be a long-distance call, so please ask Nintendo au (425) 885-7529 (en anglais de Nintendo, llamando al (425) 885-7529. Esta permission from whoever pays the phone bill. seulement). Puisque l’appel pourrait être puede ser una llamada de larga distancia, así If the information you need is not on the Power interurbain, demandez la permission à la que asegúrate de pedir permiso a la persona que Line, you may want to try using your favorite personne qui paie les factures de téléphone paga la factura del teléfono. Si el servicio Power Internet search engine to find tips for the game avant d’appeler. Vous pouvez aussi utiliser Line no tiene la información que necesitas, te you are playing. Some helpful words to include in votre moteur de recherche préféré pour recomendamos que uses el motor de búsqueda the search, along with the game’s title, are: “walk trouver des astuces sur Internet. -
Wii U SOFTWARE QUICK GUIDE NINTENDO LAND™
MAAWUPALCPUKV Wii U SOFTWARE QUICK GUIDE NINTENDO LAND™ 2 1 5 4 3 The Legend of Zelda: Battle Quest 1 to 4 Players Enter a world of archery and swordplay and vanquish enemies left, right and centre in a valiant quest for the Triforce. Recommended for team play! 1–3 Some modes require the Wii Remote™ Plus. Pikmin Adventure 1 to 5 Players As Olimar and the Pikmin, work together to brave the dangers of a strange new world. Smash blocks, defeat enemies and overcome the odds to make it safely back to your spaceship! 1–4 Team Attractions Team Metroid Blast 1 to 5 Players Assume the role of Samus Aran and take on dangerous missions on a distant planet. Engage fearsome foes on foot or in the ying Gunship and blast your way to victory! Some modes require the 1–4 Wii Remote Plus and Nunchuk™. Mario Chase 2 to 5 Players Step into the shoes of Mario and his friends the Toads, and get set for a heart-racing game of tig. Can Mario outrun and outwit his relentless pursuers for long enough? 1–4 Luigi’s Ghost Mansion 2 to 5 Players In a dark, dank and creepy mansion, ghost hunters contend with a phantasmal foe. Shine light on the ghost to extinguish its eerie presence before it catches you! 1–4 Animal Crossing: Sweet Day 2 to 5 Players Competitive Attractions In time-honoured tradition, the animals are out to grab as many sweets as they can throughout the festival. It’s up to the vigilant village guards to apprehend these pesky creatures! 1–4 Requires Wii U GamePad Number of required X to X Players No. -
RARE Metroid Prime Samus Aran ADULT Standee!! Item # 3011703436
eBay item 3011703436 (Ends Mar-12-03 12:57:50 PST ) - RARE Metroid Prime Samus Aran... Page ADULT 1 of Standee!!3 RARE Metroid Prime Samus Aran ADULT Standee!! Item # 3011703436 Consumer Electronics:Video Games:Nintendo GameCube:Accessories Current bid US $1.00 Starting bid US $1.00 Quantity 1 # of bids 0 Bid history Time left 6 days, 7 hours + Location Oregon Country/Region United States /Portland Started Mar-05-03 12:57:50 PST Mail this auction to a friend Ends Mar-12-03 12:57:50 PST Watch this item Seller max-lords (112) (rating) View seller's feedback | view seller's other items | ask seller a question High -- bidder Payment PayPal, money order/cashiers check, or see PayPal: Fast, easy, secure payment. Learn item description for payment More . methods accepted. Shipping Buyer pays for all shipping costs. Will ship to United States and the following regions: Canada. Seller Revise item | Sell similar item services Description THERE IS NO RESERVE ON THIS AUCTION! You are bidding on an insanely rare item, a prototype Metroid Prime standee, devised by Nintendo for possible use in Playboy magazine! History When Nintendo marketing was designing the Metroid Prime ad campaign, one of the ideas was to make the series appeal to more adult gamers. In one of the meetings I had a chance to sit in on, one of marketing women had an idea to market Samus Aran in a bra and panties, and she stood up, ripped her clothes off, and put her bra and panties on this Metroid Prime Standee! The execs at NOA loved the idea, but it was shot down by Nintendo of Japan as being too risque for the American gaming public. -
Reporting from a Video Game Industry in Transition, 2003 – 2011
Save Point Reporting from a video game industry in transition, 2003 – 2011 Kyle Orland Carnegie Mellon University: ETC Press Pittsburgh, PA Save Point: Reporting from a video game industry in transition, 2003— 2011 by Carnegie Mellon University: ETC Press is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, except where otherwise noted. Copyright by ETC Press 2021 http://press.etc.cmu.edu/ ISBN: 9-781304-268426 (eBook) TEXT: The text of this work is licensed under a Creative Commons Attribution-NonCommercial-NonDerivative 2.5 License (http://creativecommons.org/licenses/by-nc-nd/2.5/) IMAGES: The images of this work is licensed under a Creative Commons Attribution-NonCommercial-NonDerivative 2.5 License (http://creativecommons.org/licenses/by-nc-nd/2.5/) Table of Contents Introduction COMMUNITY Infinite Princesses WebGame 2.0 @TopHatProfessor Layton and the Curious Twitter Accounts Madden in the Mist Pinball Wizards: A Visual Tour of the Pinball World Championships A Zombie of a Chance: LooKing BacK at the Left 4 Dead 2 Boycott The MaKing (and UnmaKing) of a Nintendo Fanboy Alone in the StreetPass Crowd CRAFT Steel Battalion and the Future of Direct-InVolVement Games A Horse of a Different Color Sympathy for the DeVil The Slow Death of the Game OVer The Game at the End of the Bar The World in a Chain Chomp Retro-Colored Glasses Do ArKham City’s Language Critics HaVe A Right To 'Bitch'? COMMERCE Hard DriVin’, Hard Bargainin’: InVestigating Midway’s ‘Ghost Racer’ Patent Indie Game Store Holiday Rush What If? MaKing a “Bundle” off of Indie Gaming Portal Goes Potato: How ValVe And Indie DeVs Built a Meta-Game Around Portal 2’s Launch Introduction As I write this introduction in 2021, we’re just about a year away from the 50th anniVersary of Pong, the first commercially successful video game and probably the simplest point to mark the start of what we now consider “the video game industry.” That makes video games one of the newest distinct artistic mediums out there, but not exactly new anymore. -
Super Metroid Super Metroid Impressions Post! Having Played
Super Metroid Play Journal Entries Christian TheCalzoneZone 01/07/2017 1:10 AM Super Metroid Impressions Post! Having played both Metroid and Metroid II: Return of Samus, I am now ready to embark on a game that has been so hyped up at this point that I honestly don't know what to expect. Although I /have/ seen a fair portion of the game before, it was in a speedrun setting in which things were moving far too fast to be understood, so I'm still excited for my own playthrough. E Yeah! e 11 r 100 D Advertisement Share this Post 2 Share Embed Comment Christian 01/07/2017 1:14 AM You can of course comment here to follow my journey through the game, and note that I will leave most comments unSpoilered. - Right away I'm greeted with some sweet imagery and a remix of Metroid I's title theme. Yay! I know that other themes come from the NES installment too, and I'm excited to know which ones. The Intermission theme is a given, perhaps Brinstar as well, but what about Kraid's E Yeah! e 2 D Christian 01/07/2017 1:22 AM Lair? Norfair? Tourian? The Mother Brain theme which is really more noise than actual music? Since I see no point in holding this off till later, I'll go ahead right now to say that I've seen the game's ending. You'd think that'd put me out, but not really, actually. It's really cool to know where my Metroid pal from RoS ended up, and I'm not too concerned that I know it from the get-go, either. -
Creating Guidelines for Game Character Designs Bachelor Thesis in the Subject of Computer Graphics Arts
Creating guidelines for game character designs Bachelor thesis in the subject of computer graphics arts Clara Lundwall Computer Graphic Arts, bachelor's level 2017 Luleå University of Technology Department of Arts, Communication and Education Creating guidelines for game character designs. Bachelor thesis in the subject of computer graphics arts. Clara Lundwall Institution for art, communication and teaching Luleå tekniska universitet, Skellefteå 2017 Bachelor thesis 15 hp Computer Graphics Arts, Bachelor of Fine Arts 180 hp Preface This paper ends my three years of studies at Luleå University of Technology's computer graphics programme. Through these three years I have gained knowledge in both VFX and game graphics, although my interest in the game industry has always been stronger. I’ve always had a large interest in artistic aspect of games, the visual experience and not so much the technical process. So the direction of my thesis, writing about design rather than technique, felt quite obvious. Character design is the subject of this thesis. The subject of character design has always been interesting to me, and choosing a subject that is interesting and that I already have some basic knowledge about for this thesis felt like a good choice. For the duration of this last course I have been working as an intern at Paradox Arctic in Umeå, where I also did practical work on a character for games. Although related to the subject of character design, this is not something I will discuss in this thesis. Clara Lundwall Abstract This thesis will address the subject of character design for games. -
Metroid Prime Manual
OFFICIAL NINTENDO POWER PLAYER'S GUIDE AVAILABLE AT YOUR NEAREST RETAILER! WWW.NINTENDO.COM Nintendo of America Inc. P. O. Box 957, Redmond, WA 98073-0957 U.S.A. www.nintendo.com 49492A PRINTED IN USA INSTRUCTION BOOKLET WARNING: PLEASE CAREFULLY READ THE PRECAUTIONS BOOKLET INCLUDED WITH THIS PRODUCT BEFORE USING WARNING - Electric Shock ® YOUR NINTENDO HARDWARE SYSTEM, GAME DISC OR To avoid electric shock when you use this system: ACCESSORY. THIS BOOKLET CONTAINS IMPORTANT SAFETY INFORMATION. Use only the AC adapter that comes with your system. Do not use the AC adapter if it has damaged, split or broken cords or wires. Make sure that the AC adapter cord is fully inserted into the wall outlet or extension cord. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING Always carefully disconnect all plugs by pulling on the plug and not on the cord. WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES Make sure the Nintendo GameCube power switch is turned OFF before removing the AC adapter cord from an outlet. WARNING - Seizures CAUTION - Motion Sickness Some people (about 1 in 4000) may have seizures or blackouts triggered by light Playing video games can cause motion sickness. If you or your child feel dizzy or flashes, such as while watching TV or playing video games, even if they have nauseous when playing video games with this system, stop playing and rest. Do never had a seizure before. not drive or engage in other demanding activity until you feel better. Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before playing a video game. -
A Look Into the Development and Presence of Early Video Game Music in Popular Culture
Wesleyan University The Honors College 8-Bit Heroes: A Look into the Development and Presence of Early Video Game Music in Popular Culture by Anthony Martello Class of 2010 A thesis (or essay) submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Music Middletown, Connecticut April, 2010 2 8-Bit Heroes: A Look into the Development and Presence of Early Video Game Music in Popular Culture Introduction Video games are more popular than ever. Youth spend their days with their eyes glued to the video screen spending countless hours gaining unimaginable power and prowess in simulated worlds. Video games are often written off as just another example of simple popular culture. But as many other art forms possessed similar conceptions in their beginnings, video games may one day be considered a new serious art medium. Though there are many key aspects to the popularity of video games, most of them at base level are visual by nature. However, when it comes to relating a character or environment in a virtual world to a person in the real world, audio is a key component in empathizing with the gamer. The different sound effects in a game and the background music to each setting present the simulated world in a more defined environment that the player can relate to. For example, dark ominous music can represent impending danger, while upbeat cheery music allows the gamer to relax in safety. Not only does music give these video game worlds a sound environment, but it also creates a sense of feeling and emotion within the gamer. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames Permalink https://escholarship.org/uc/item/2xz3k527 Author Goetz, Christopher James Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames By Christopher James Goetz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Linda Williams Associate Professor Abigail De Kosnik Summer 2016 At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames © 2016 by Christopher James Goetz 1 Abstract At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames By Christopher James Goetz Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media University of California, Berkeley Professor Kristen Whissel, Chair This dissertation engages conversations about the meaning and function of videogames within domestic spaces in 1990s and 2000s convergence culture. The introductory chapter discusses fantasy as a constituent of domesticity, and makes a case for how fantasy can be thought of as a bridge for videogame formalism and research into the context of play. It begins by discussing the “rhetorics of play” in game studies along with videogame medium specificity, introducing the notion of empowerment fantasy in relation to a rhetoric of frivolity, and providing a historical sketch of the arcade spaces where games were played before they were a primarily domestic phenomenon.