Martin Gschlacht Director of Photography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A FILM by Götz Spielmann Nora Vonwaldstätten Ursula Strauss
Nora von Waldstätten Ursula Strauss A FILM BY Götz Spielmann “Nobody knows what he's really like. In fact ‘really‘ doesn't exist.” Sonja CONTACTS OCTOBER NOVEMBER Production World Sales A FILM BY Götz Spielmann coop99 filmproduktion The Match Factory GmbH Wasagasse 12/1/1 Balthasarstraße 79-81 A-1090 Vienna, Austria D-50670 Cologne, Germany WITH Nora von Waldstätten P +43. 1. 319 58 25 P +49. 221. 539 709-0 Ursula Strauss F +43. 1. 319 58 25-20 F +49. 221. 539 709-10 Peter Simonischek E [email protected] E [email protected] Sebastian Koch www.coop99.at www.matchfactory.de Johannes Zeiler SpielmannFilm International Press Production Austria 2013 Kettenbrückengasse 19/6 WOLF Genre Drama A-1050 Vienna, Austria Gordon Spragg Length 114 min P +43. 1. 585 98 59 Laurin Dietrich Format DCP, 35mm E [email protected] Michael Arnon Aspect Ratio 1:1,85 P +49 157 7474 9724 Sound Dolby 5.1 Festivals E [email protected] Original Language German AFC www.wolf-con.com Austrian Film Commission www.oktober-november.at Stiftgasse 6 A-1060 Vienna, Austria P +43. 1. 526 33 23 F +43. 1. 526 68 01 E [email protected] www.afc.at page 3 SYNOPSIS In a small village in the Austrian Alps there is a hotel, now no longer A new chapter begins; old relationships are reconfigured. in use. Many years ago, when people still took summer vacations The reunion slowly but relentlessly brings to light old conflicts in such places, it was a thriving business. -
The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
Waldheim's Degree Will Stand SMC Students Agree To
Thursday, November 30, 1995 • Vol. XXVII No. 64 TilE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Forum questions sports ethics By ANDY CABINESS Notre Dame for a long time." ference is that Notre Dame News Writer He also noted that it still is forces its student-athletes to when he added, "We could live by the same rules as all Even though college athletics have a Nobel winner at Notre other students, helping to has become a big business, Dame and it might get a little remind them that their role as Notre Dame has been able to coverage, but if Ron Powlus students is important. Finally, maintain high ethical standards breaks his arm, it's all over the the school takes great care to and remain competitive, ac country." schedule events around exam cording to a panel that spoke Beauchamp also pointed out periods and in a way that min last evening at Zahm Hall. three things Notre Dame does imizes missed classes. Father William Beauchamp, differently than most schools Tybor added to Beauchamp's Notre Dame's Executive Vice that allows it to maintain high point by noting that at Notre President; Joseph Tybor, a levels of athletic excellence Dame, the admissions depart sports writer from the Chicago without sacrificing integrity. ment decides which athletes get Tribune; and George Kelly, as The first is that Notre Dame in and not the coaches. sistant to Notre Dame's Athletic maintains institutional control He also commented on the Director all spoke from differ over its athletic programs. He media's attitude towards Notre ent perspectives on the issue of noted that at many schools, Dame's standards. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
AMOUR FOU Von Jessica Hausner Ab 7
AMOUR FOU von Jessica Hausner ab 7. November im Kino „Man denkt, man möchte leben und möchte doch sterben.“ Jessica Hausner Regisseurin Besetzung Birte Schnöink, Christian Friedel, Stephan Grossmann, Sandra Hüller, Holger Handtke, Barbara Schnitzler, Alissa Wilms, Paraschiva Dragus, Peter Jordan, Katharina Schüttler, Gustav-Peter Wöhler, Marie-Paule von Roesgen, Marc Bischoff, Josiane Peiffer, Nickel Bösenberg Stab Regie / Drehbuch: Jessica Hausner Kamera: Martin Gschlacht Szenenbild: Katharina Wöppermann Kostüm: Tanja Hausner Casting: Ulrike Müller Förderer Maske: Heiko Schmidt & Kerstin Gaecklein Film Fund Luxembourg Ton: Uwe Haußig Österreichisches Filminstitut Sound Design: Nicolas Tran Trong FISA Filmstandort Österreich Mischung: Michel Schillings Medienboard Berlin-Brandenburg Schnitt: Karina Ressler Filmfonds Wien Mitarbeit am Drehbuch: Géraldine Bajard Land Niederösterreich ProduzentInnen: Martin Gschlacht, Antonin Svoboda, Bruno Wagner, Media Bady Minck, Alexander Dumreicher-Ivanceanu, Philippe Bober Produktion: Coop99 Filmproduktion, AMOUR FOU Luxembourg, In Kooperation mit: Essential Filmproduktion ORF Film/Fernsehabkommen Drehorte: Österreich, Luxemburg, Deutschland WDR/ARTE Verleih: Stadtkino Filmverleih ARTE France Cinéma International Sales: Coproduction Office WDR AMOUR FOU Von Jessica Hausner 2014, 96 Min., Farbe, Österreich, Luxemburg, Deutschland Synopsis Berlin, zur Zeit der Romantik. Der Dichter Heinrich hat den Wunsch, durch die Liebe den unausweichlichen Tod zu überwinden: seine ihm nahe stehende Cousine Marie lässt sich aber partout nicht davon überzeugen, zu zweit dem übermächtigen Schicksal entgegenzutreten, und gemeinsam mit Heinrich den eigenen Tod zu bestimmen. Doch die junge Ehefrau eines Bekannten, Henriette findet – als sie erfährt, dass sie sterbenskrank sei – Gefallen an dem Angebot. „Eine romantische Komödie“, frei inspiriert durch den Suizid des Dichters Heinrich von Kleist 1811. Die Weltpremiere von Amour Fou fand am Freitag, den 16. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Derrière Le Rideau Femmes Cinéastes : Jessica Hausner
Film März 2015 57 Derrière le rideau Femmes cinéastes : Jessica Hausner Avec quatre longs métrages à son actif (dont trois présentés à Cannes et un à Venise), Jessica Hausner s’est imposée comme une figure incontournable du cinéma autrichien. Dès son premier long métrage Lovely Rita (2001), surgit des plans noirs, des couloirs vides et des bruits Viviane Thill la réalisatrice autrichienne Jessica Hausner se risque non identifiables : c’est l’inconnu qui symbolise la à un sujet difficile : une jeune fille de famille -bour part cachée de l’univers, quelque chose qu’on ne geoise et catholique tue ses deux parents. Comment peut pas appréhender et qui est pourtant là, invi- comprendre un tel acte ? Qu’est-ce qui s’est passé, sible, indicible et terrifiant. Dans le film, le noir est dans la vie et dans la tête de cette adolescente, pour un espace faisant partie du champ (de l’écran) tout qu’elle en vienne à faire ce geste ? La jeune réalisatrice en apparaissant comme hors-champ (du regard du évite toute explication psychologisante, mais observe spectateur) puisqu’on ne peut rien y voir. Un bou- minutieusement, imperturbablement, la vie de cette ton rouge d’alerte luit parfois de façon tentante, plus famille et les tentatives désespérées de Rita pour se menaçant que sécurisant. Des portes se referment faire remarquer. Elle filme de façon frontale, avec sans explications, une croix appartenant à Irene va un humour aussi discret que féroce, un milieu petit- disparaître. Dans les séquences plus quotidiennes, de bourgeois, très catholique et ostensiblement bien- lourds rideaux ne semblent être là que pour dissimu- pensant. -
Department/Program Curriculum
TUTORIAL PROGRAM The Tutorial Program offers students a distinctive opportunity to take a heightened form of responsibility for their own intellectual development. No student is required to take a tutorial course, but any student with the appropriate qualifications and interests is invited to do so. Tutorials place much greater weight than regular courses—or even small seminars—on student participation. They aim to teach students how to develop and present arguments; listen carefully, and then refine their positions in the context of a challenging discussion; and respond quickly and cogently to critiques of their work. Tutorials place particular emphasis on developing analytical skills, writing abilities, and the talents of engaging in rigorous conversation and oral debate. Since the program’s inception in 1988, students have ranked tutorials among the most demanding—and rewarding—courses they have taken at Williams. While not designed to be more difficult than other courses, tutorials are nonetheless challenging, with frequent writing assignments and the expectation that students will be well prepared to participate actively and effectively in weekly discussions. At the same time, students have consistently placed tutorials among the most enriching and consequential courses they have taken. They have appreciated the close attention to their writing and argumentation skills; the opportunity to be held accountable, in a detailed way, for the extended implications of their ideas; the chance to develop their oral abilities as they engage in debate; and the close intellectual bonds tutorials build between teachers and students, and students with each other. Many students have formed important advising and mentoring relationships with their tutorial teachers. -
3Rd Newsletter Cine-Regio - CANNES FILM FESTIVAL 2004
3rd Newsletter Cine-Regio - CANNES FILM FESTIVAL 2004 IDEAL PLATFORM TO MEET PRODUCERS EC IMPACT STUDY ON AID SCHEMES This year, the Festival de Cannes and the Marché du Film The European Commission plans to are having their first outing with a new venture called the conduct a cultural and economic impact Producers Network (http://www.cannesmarket.com/pn) study on the existing aid schemss during which looks set to be an ideal launch platform for Cine- the three-year extension to the 2001 regi- Regio. me on national support schemes, which npw runs to 30 June, 2007. "The Market contacted Wallimage about becoming a In a Communication on European Cinema sponsor and this was an example of the power of the issued in March, the EC said it wanted "to Cine-Regio coordination," recalls Philippe Reynaert. examine whether the current regime can "Being a sponsor would have been financially prohibitive fully cope with the future challenges for Wallimage itself, but it made sense for the coordina- facing the European audiovisual market. tion and the five founding members to put up the money Marché du Film As part of this work, it intends the check together. We are really happy that Cine-Regio's first offi- executive director whether disportionate territorialisation cial appearance can be linked with the Network." Jérôme Paillard requirements cause undue fragmentation of the European audiovisual market, for "The response to this new initiative is very good, more than 450 producers have regis- example by creating obstacles to pan- tered coming from 40 countries!," Marché du Film executive director Jérôme Paillard European co-productions." Cine-Regio told the Newsletter. -
HAULOU-Pressbook.Pdf
“Someone is going to be saved? But why him and not me?” Jessica Hausner Director « Quelqu’un va être sauvé ? Mais pourquoi lui et pas moi ? » Cast /Distribution Crew/Équipe technique Sylvie Testud, Léa Seydoux, Bruno Todeschini, Casting: Kris de Bellair, Markus Schleinzer Elina Löwensohn, Gerhard Liebmann, Linde Prelog, Make-up / Maquillage : Maya Benamer, Silvia Pernegger, Heidi Baratta, Hubsi Kramar, Helga Illich Martha Ruess, Loli Avallanas Costume Design / Costumier : Tanja Hausner Sound / Ingénieur du son : Uve Haußig Sound Mix / Mixeur : Elektrofilm Matthias Lempert, Bernhard Maisch Sound Design / Sound Design : Out of silence Erik Mischijew Production Design / Décors : Katharina Wöppermann Editing / Montage : Karina Ressler Director of Photography / Directeur de la Photographie : Martin Gschlacht Line Producer / Directeur de Production : Bruno Wagner Producers / Producteurs délégués : Martin Gschlacht, LOURDES Philippe Bober, Susanne Marian By/De Jessica Hausner Written and Directed by / Écrit et réalisé par : Jessica Hausner Austria/France/Germany, 2009, 99 min, colour/couleur Supported by / Avec le soutien de : Österreichisches Filminstitut, Filmfonds Wien, Eurimages Council of Europe, Medienboard Berlin-Brandenburg, Filmstiftung Nordrhein-Westfalen, Région Midi-Pyrénées, Land Niederösterreich In collaboration with / En collaboration avec : ZDF/Arte, Arte France Cinema, ORF (Film/Fernseh- Abkommen), Tps Star Christine has been confined to a wheelchair for most of her life. In The film tells the story of a pilgrimage to Lourdes. Among the order to escape her isolation, she makes a journey to Lourdes, the pilgrims are sufferers of various illnesses as well as others in good iconic site of pilgrimage in the Pyrenees mountains. She wakes health. They undertake the journey in hopes of finding spiritual up one morning seemingly cured by a miracle. -
The Representation of Women in European Holocaust Films: Perpetrators, Victims and Resisters
The Representation of Women in European Holocaust Films: Perpetrators, Victims and Resisters Ingrid Lewis B.A.(Hons), M.A.(Hons) This thesis is submitted to Dublin City University for the award of PhD June 2015 School of Communications Supervisor: Dr. Debbie Ging I hereby declare that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copywright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: 12210142 Date: ii Acknowledgements This thesis is dedicated to my most beloved parents, Iosefina and Dumitru, and to my sister Cristina I am extremely indebted to my supervisor, Dr. Debbie Ging, for her insightful suggestions and exemplary guidance. Her positive attitude and continuous encouragement throughout this thesis were invaluable. She’s definitely the best supervisor one could ever ask for. I would like to thank the staff from the School of Communications, Dublin City University and especially to the Head of Department, Dr. Pat Brereton. Also special thanks to Dr. Roddy Flynn who was very generous with his time and help in some of the key moments of my PhD. I would like to acknowledge the financial support granted by Laois County Council that made the completion of this PhD possible. -
LITTLE JOE a Film by Jessica Hausner Cast / Distribution
LITTLE JOE a film by Jessica Hausner Cast / Distribution Alice Emily Beecham Karl David Wilmot Chris Ben Whishaw Ric Phénix Brossard Bella Kerry Fox Ivan Sebastian Hülk Joe Kit Connor Phsychotherapist Lindsay Duncan Crew / Équipe technique Screenplay / Scénario : Jessica Hausner, Géraldine Bajard Little Joe Animation / Animation Little Joe : Markus Kircher Direction / Réalisation : Jessica Hausner Producers / Producteurs : Bruno Wagner, Bertrand Faivre, Cinematography / Directeur de la photographie : Martin Gschlacht Philippe Bober, Martin Gschlacht, Jessica Hausner, Production Design / Décors : Katharina Wöppermann Gerardine O’Flynn LITTLE JOE Costume Design / Costumes : Tanja Hausner Production Companies / Sociétés de Production : Coop99, Make-Up / Maquillage : Heiko Schmidt, Kerstin Gaecklein The Bureau, Essential Films Editing / Montage : Karina Ressler In collaboration with / En collaboration avec : ORF (Film/Television- by Jessica Hausner Casting / Casting : Jina Jay, Jessie Frost Agreement), ARTE, Coproduction Office Austria / UK / Germany, 2019, 105 min, colour Sound Engineer / Ingénieur du son : Malcolm Cromie Supported by / Avec le soutien de : Austrian Film Institute, FISA- Sound Design / Chef monteur son : Erik Mischijev, Matz Müller Filmstandort Austria, Vienna Film Fund, BBC Films, BFI, Re-Recording Mixer / Mixage son : Tobias Fleig Bayerischer Rundfunk, Medienboard Berlin Brandenburg, Little Joe Design / Design Little Joe : Marko Waschke Eurimages Short Synopsis Synopsis court Alice, a single mother, is a dedicated senior