Here Are a Lot of Things We Accomplished Over Our First Decade
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Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Realist Cinema As World Cinema Non-Cinema, Intermedial Passages, Total Cinema Lúcia Nagib Realist Cinema As World Cinema
FILM CULTURE IN TRANSITION Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema lúcia nagib Realist Cinema as World Cinema Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema Lúcia Nagib Amsterdam University Press Cover illustration: Photo by Mateo Contreras Gallego, for the film Birds of Passages (Pájaros de Verano, Cristina Gallego and Ciro Guerra, 2018), courtesy of the authors. Cover design: Kok Korpershoek Lay-out: Crius Group, Hulshout isbn 978 94 6298 751 7 e-isbn 978 90 4853 921 5 doi 10.5117/9789462987517 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) L. Nagib / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents List of Illustrations 7 Acknowledgements 11 Introduction 15 Part I Non-cinema 1 The Death of (a) Cinema 41 The State of Things 2 Jafar Panahi’s Forbidden Tetralogy 63 This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death 87 The Act of Killing 4 The Blind Spot of History 107 Colonialism in Tabu Part II -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
The Isaiah Berlin Papers (PDF)
Catalogue of the papers of Sir Isaiah Berlin, 1897-1998, with some family papers, 1903-1972 This finding aid was produced using ArchivesSpace on 2019-10-14 Finding aid written in English Bodleian Libraries Weston Library Broad Street Oxford, , OX1 3BG [email protected] https://www.bodleian.ox.ac.uk/weston Catalogue of the papers of Sir Isaiah Berlin, 1897-1998, with some family papers, 1903-1972 Table Of Contents Summary Information .............................................................................................................................. 4 Language of Materials ......................................................................................................................... 4 Overview ............................................................................................................................................. 4 Biographical / Historical ..................................................................................................................... 4 Scope and Contents ............................................................................................................................. 5 Arrangement ........................................................................................................................................ 5 Custodial History ................................................................................................................................. 5 Immediate Source of Acquisition ....................................................................................................... -
Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work
1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia. -
The Leadership Issue
SUMMER 2017 NON PROFIT ORG. U.S. POSTAGE PAID ROLAND PARK COUNTRY SCHOOL connections BALTIMORE, MD 5204 Roland Avenue THE MAGAZINE OF ROLAND PARK COUNTRY SCHOOL Baltimore, MD 21210 PERMIT NO. 3621 connections THE ROLAND PARK COUNTRY SCHOOL COUNTRY PARK ROLAND SUMMER 2017 LEADERSHIP ISSUE connections ROLAND AVE. TO WALL ST. PAGE 6 INNOVATION MASTER PAGE 12 WE ARE THE ROSES PAGE 16 ADENA TESTA FRIEDMAN, 1987 FROM THE HEAD OF SCHOOL Dear Roland Park Country School Community, Leadership. A cornerstone of our programming here at Roland Park Country School. Since we feel so passionately about this topic we thought it was fitting to commence our first themed issue of Connections around this important facet of our connections teaching and learning environment. In all divisions and across all ages here at Roland Park Country School — and life beyond From Roland Avenue to Wall Street graduation — leadership is one of the connecting, lasting 06 President and CEO of Nasdaq, Adena Testa Friedman, 1987 themes that spans the past, present, and future lives of our (cover) reflects on her time at RPCS community members. Joe LePain, Innovation Master The range of leadership experiences reflected in this issue of Get to know our new Director of Information and Innovation Connections indicates a key understanding we have about the 12 education we provide at RPCS: we are intentional about how we create leadership opportunities for our students of today — and We Are The Roses for the ever-changing world of tomorrow. We want our students 16 20 years. 163 Roses. One Dance. to have the skills they need to be successful in the future. -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
Du 9 Octobre 2019 Au 12 Novembre 2019 N°
Du 9 octobre 2019 Cinéma Art Et Essai au 12 novembre 2019 Jeune Public N° 169 Patrimoine CINÉMA BIARRITZ Recherche À l'affiche Entre nous SORTIES NATIONALES Chambre 212 4 Papicha 4 Tout est possible (The biggest little farm) 4 Mon chien stupide 5 Matthias et Maxime 5 Hors normes 5 Adults in the Room 6 J’ai perdu mon corps 6 Le Traître 7 Sorry We Missed You 7 Camille 8 «Place aux jeunes en quelque sorte... » ÉVÉNEMENTS - AVANT PREMIÈRES Mariage de Verida 8 Le Festival Amérique Latine à peine terminé, nous accueillons deux The bra 9 festivals : L’Invitation aux voyages et le Txiki Festival. Du 17 au 20 Jacob et les chiens qui parlent 9 octobre, L’Invitation aux voyages a choisi pour sa 4ème édition le thème Maya 10 "En reportage" et organise son ouverture au Royal avec la projection, le Le Gouffre aux chimères 10 16 octobre, de Camille un film de Boris Lojkine consacré à Camille Le sel de la terre 11 Lepage, cette jeune photo-reporter assassinée en République Sympathie pour le Diable 11 centrafricaine le 12 mai 2014. Du 30 octobre au 2 novembre la 7ème J'accuse 12 édition du Txiki Festival sera consacrée à "la terre". Sujet vaste et surtout Don't Give a Fox 12 d’une actualité brulante quand la jeunesse du monde affiche sa détermination à sauver notre planète ! Pour ce qui est de l’enjeu plus PATRIMOINE modeste du cinéma, il est évident, depuis des années, que la survie du 7ème Art passe par la reconquête du public jeune, « le cœur de cible » The Kid 13 du Txiki Festival. -
2017 Producers Book Finalists
PRODUCERS BOOK & PRINT SOURCE LIST Pre-Festival Edition THE 2017 PRODUCERS BOOK A LETTER FROM THE SCREENPLAY & FILM COMPETITION DIRECTORS Hello! Each year, we prepare our annual Producers Book which contains loglines and contact information for the year’s top scripts in our various Script Competitions. Please feel free to reach out to any of the writers listed here to request a copy of their scripts. Also included is our Print Source List containing information for all films selected for the 2017 Festival. This year’s Semifinalists and Finalists were chosen from a field of 9,487 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Each year we are amazed by the professional quality and talent that we receive and this year wasn’t any different. The Competition is open to feature-length scripts in the genres of drama, comedy, sci-fi, and horror; teleplay pilots and specs, short scripts, stage plays, fiction podcast scripts, and digital series scripts. Year after year, our strive in programming the Austin Film Festival film slate is to discover and champion the writers and those who can translate amazing stories to the screen. We received over 5,000 film submissions this year and had the task of whittling it down to 182 films that embody our mission and passion for storytelling. It was a harrowing task, but it led to our strongest year of film yet. We’re so proud of this year’s diverse group of filmmakers and unique voices and can’t wait for these works to be seen, shared, and loved. -
George Morlan Plumbing Supply
Selling Soul’d Out YOUR ONLINE LOCAL Onward, upward Organizers make festival more Winterhawks enter next musically eclectic DAILY NEWS series happy with game — See LIFE, B1 www.portlandtribune.com — See SPORTS, B8 Portlandthursday, april 4, 2013 • twice chosen the nation’s best nondaily paperTribune • www.portlandtribune.com • published thursday PCC lands SUN(n)Y East side squeaky wheel catch for top post gets city’s funding grease Candidate Jeremy Brown rises to the top of president search By JENNIFER ANDERSON The Tribune Portland Community Col- lege began negotiations this week with one of the three candidates vying to replace President Preston Pulliams, who will retire in June. The candidate, Jeremy Brown, hasn’t been waiting by the phone. Two weeks ago, he accept- ed an offer to serve as acting president of SUNY (State University of BROWN New York) Canton, a two- and four-year college in North- ern New York for about 6,000 students studying technology, health, management and public service. “We were aware of this,” says Deanna Palm, co-chair- Jose Estrada smooths pavement for a new woman of the PCC board and sidewalk in front of storefronts being president of the search commit- remodeled on Southeast 92nd Avenue in tee. “Obviously, (SUNY) wasn’t Lents. East Portland is getting a healthy sum his first choice, and he made us of city urban renewal funds, including the aware of that during the entire current project to make the commercial interview process.” heart of Lents more walkable. Brown was named as acting president of SUNY when its president left to take a job in Washington state. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Elia Suliman, the TIME THAT REMAINS (2009, 109 Min)
November 17, 2015 (XXXI:12) Elia Suliman, THE TIME THAT REMAINS (2009, 109 min) (The version of this handout on the website has color images and hot urls.) Asia Pacific Screen Awards in 2009, Elia Suleiman won Jury Grand Prize for The Time that Remains (2009) and the film was also nominated for Best Film that same year. Cannes Film Festival 2009 Nominated for a Palme d'Or to Elia Suleiman Directed and written by Elia Suleiman Produced by Michael Gentile and Elia Suleiman Cinematography by Marc-André Batigne Film Editing by Véronique Lange Cast Ali Suliman…Eliza's Boyfriend Saleh Bakri…Fuad Doraid Liddawi…Ramalla IDF officer Elia Suleiman…ES Menashe Noy…Taxi Driver Ehab Assal…Man With Cell Phone / Tank Tarik Kopty…Neighbor Ziyad Bakri…Jamal Cannes Film Festival for The Time that Remains (2009). At the Maisa Abd Elhadi…Woman in West Bank taxi Cannes Film Festival in 2002, Suleiman won the Jury Prize and the Avi Kleinberger…Government Official Prize Competition for Divine Intervention (2002). He was also Baher Agbariya…Iraqi soldier nominated that same year for the Palme d'Or for Divine Yaniv Biton…Haganah Soldier Intervention (2002). At the 1996 Venice Film Festival he won the Nati Ravitz…IDF Commander Luigi De Laurentiis Award for Chronicle of a Disappearance Zuhair Abu Hanna…ES Child (1996). Suleiman wrote, directed, acted and produced in The Time George Khleifi…Mayor that Remains (2009) and Divine Intervention (2002); additionally, Lutuf Nouasser…Abu Elias (as Lotuf Neusser) he wrote, directed and produced Chronicle of a Disappearance Yasmine Haj…Nadia (1996), in addition to writing directing 7 Days in Havana (2012, Alon Leshem…IDF Officer segment "Diary of a Beginner") and Cyber Palestine (1999).