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A FILM by Götz Spielmann Nora Vonwaldstätten Ursula Strauss
Nora von Waldstätten Ursula Strauss A FILM BY Götz Spielmann “Nobody knows what he's really like. In fact ‘really‘ doesn't exist.” Sonja CONTACTS OCTOBER NOVEMBER Production World Sales A FILM BY Götz Spielmann coop99 filmproduktion The Match Factory GmbH Wasagasse 12/1/1 Balthasarstraße 79-81 A-1090 Vienna, Austria D-50670 Cologne, Germany WITH Nora von Waldstätten P +43. 1. 319 58 25 P +49. 221. 539 709-0 Ursula Strauss F +43. 1. 319 58 25-20 F +49. 221. 539 709-10 Peter Simonischek E [email protected] E [email protected] Sebastian Koch www.coop99.at www.matchfactory.de Johannes Zeiler SpielmannFilm International Press Production Austria 2013 Kettenbrückengasse 19/6 WOLF Genre Drama A-1050 Vienna, Austria Gordon Spragg Length 114 min P +43. 1. 585 98 59 Laurin Dietrich Format DCP, 35mm E [email protected] Michael Arnon Aspect Ratio 1:1,85 P +49 157 7474 9724 Sound Dolby 5.1 Festivals E [email protected] Original Language German AFC www.wolf-con.com Austrian Film Commission www.oktober-november.at Stiftgasse 6 A-1060 Vienna, Austria P +43. 1. 526 33 23 F +43. 1. 526 68 01 E [email protected] www.afc.at page 3 SYNOPSIS In a small village in the Austrian Alps there is a hotel, now no longer A new chapter begins; old relationships are reconfigured. in use. Many years ago, when people still took summer vacations The reunion slowly but relentlessly brings to light old conflicts in such places, it was a thriving business. -
The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
LE QUATTRO VOLTE a Film by Michelangelo Frammartino
LE QUATTRO VOLTE a film by Michelangelo Frammartino Europa Cinemas Award Cannes 2010 Italy/Germany/Switzerland 2010 / 88 mins /certificate : tbc Release date: Spring 2011 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk SYNOPSIS In the backcountry of southern Italy’s mountainous region of Calabria, an old shepherd leads his flock to pasture along paths in the hills which have fallen into disuse. Every morning, the church housekeeper trades a handful of the church’s dust for some of the shepherd’s fresh milk. Every evening, the elderly shepherd dissolves the «magic» powder in water and drinks this mixture to remedy his aches and pains. One day, he doesn’t show up for their trade. The next day, he dies in his bed as his goats keep vigil over his passing. A kid takes its first steps, but he is slower than the rest of the flock and falls behind. He falls into a ditch in the middle of the forest. Unable to climb out, he bleats for help, but neither the new shepherd, nor his dog, hear him. The flock leaves the kid in their wake, leaving him to his fate. When he finally emerges from the ditch, he finds that he is alone. He wanders aimlessly until, as night begins to fall, he stumbles onto a majestic fir tree in which he seeks shelter. -
6 Month Paid Internship with Possible Further Employment German
6 Month Paid Internship with possible further employment Coproduction Office is looking forward to welcome a German-speaking Production and Business Affairs Intern By: Coproduction Office Business sector: Film industry, High End Gastronomy Field of expertise: Film production, Cinema and Restaurants Company Location: Berlin Paid Internship: Yes, amount depending on profile, career progression possible Duration: 6 months, full time Start date: according to availability COMPANY PROFILE Based in Paris and Berlin, Coproduction Office is an international distributor and producer of bold, award- winning films. We are looking for a globally-minded colleague, who has organizational skills, is result-oriented and has an interest in art-house cinema, to assist our founder and complete our team of 12 people, working in a dynamic and international environment. Coproduction Office's CEO and founder Philippe Bober has worked with prominent ground-breaking directors* from early on in their careers and has produced thirty-two films to date (including SUZHOU RIVER by Lou Ye). The majority of these films were selected for the main competitions in Cannes, Venice and Berlin, where they have received many major prizes, most notably the Venice Golden Lion in 2014 for Roy Andersson’s A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, and the Palme d’Or in 2017 for THE SQUARE by Ruben Östlund. Coproduction Office's international sales division distributes a catalogue composed of films produced by Philippe Bober as well as acquired titles and restored classics, including Roberto Rossellini’s key films. The catalogue is unique for its artistic strength, with films that have an individual and distinctive cinematic language, and often daring content. -
02 Main Catalogue Front
THE MASTERS 大師級 Sweden/Germany/Norway 瑞典/德國/挪威 2019 | Swedish | DCP | Colour | 76min Director Roy Andersson Producer Pernilla Sandström, Johan Carlsson Scriptwriter Roy Andersson Cinematographer Gergely Pálos Editor Johan Carlsson, Kalle Boman, Roy Andersson Production Designer Anders Hellström, Frida E. Elmström, Nicklas Nilsson Sound Robert Hefter Cast Martin Serner, Jessica Louthander, Tatiana Delaunay, Anders Hellström Production Roy Andersson Filmproduktion World Sales Coproduction Office ©Roy Andersson Film Production • Studio 24 ©KG Productions About Endlessness Om det oändliga 明明無盡 Some of the themes in About Endlessness are presented in your [導演訪問] other films: optimism represented by youth, but also war and 《明明無盡》裏有一些主題,常見於你的其他電影:青 despair, and the absence of God. Here you show a priest who 年代表希望,不過亦有戰爭與絕望,以及上帝的缺席。 doesn’t believe in God. Would you say there is always a balance 片中神父並不相信神。你認為希望與絕望之間是否總 between hope and despair? 能平衡? The main theme of my work is the vulnerability of human beings. 我的作品主題是人類的脆弱,我認為展現脆弱是希望 And I think it is a hopeful act to create something showing 之舉。因為當人注意到脆弱的存在,你會學懂尊重及 vulnerability. Because if you are aware of the vulnerability of 珍惜。 existence, you can become respectful and careful of what you have. 我想強調存在之美、生存之美。然而,要呈現美需要 I wanted to emphasise the beauty of existence, of being alive. But of 有對比,展示存在的敗壞及殘酷。 course, to get that, you need to have a contrast. You need to show the bad side, the cruel side of existence. 回望藝術史,不少畫作也很悲慘。即使畫作描繪殘酷 與悲傷,但畫家可透過畫作傳達力量,創造希望。 Looking at art history, for example, a lot of paintings are very tragic. But even if they depict cruel and sad scenes, by painting them the 影片雖有歷史場景,卻有永恆無盡的感覺,片名亦如是。 artists have in some way transferred the energy and created hope. -
FRAMMARTINO Lequattrovolte
LE QUATTRO VOLTE a lm by MICHELANGELO FRAMMARTINO “In Calabria, nature is not hierarchical; all beings have a soul. You can see it when you look into an animal’s eyes. You can hear it in the sound made by charcoal, which sings as if it had its own voice. You can see it in the tall fir tree swaying in the wind, summoning us all to its side.” Michelangelo Frammartino Director «En Calabre la nature ne connait pas de hiérarchie. Tout être possède une âme. Pour s’en convaincre, il suffit de croiser le regard d’une bête, d’entendre le son de la charbonnière, qui est comme une voix, ou bien d’observer le flottement du sapin battu par le vent, qui appelle tout le monde à se grouper.» Cast / Distribution Giuseppe Fuda (The Shepherd / Le Berger) Bruno Timpano (A Coal Maker / Un charbonnier) Nazareno Timpano (A Coal Maker / Un charbonnier) Crew / Equipe technique Written and Directed by / Écrit et réalisé par : Michelangelo Frammartino Line Producer Vivo film / Directrice de Production Vivo film : Francesca Zanza Production Manager / Directeur de Production : Marco Serrecchia Director of Photography / Directeur de la photographie : Andrea Locatelli Set Design / Chef décorateur : Matthew Broussard Costume Design / Costumes : Gabriella Maiolo Editing / Montage : Benni Atria, Maurizio Grillo Sound / Son : Paolo Benvenutti, Simone Paolo Olivero LE QUATTRO VOLTE Sound Editing & Design / Mixage Son et Sound design : Daniel Iribarren in collaboration with Benni Atria Directed by Michelangelo Frammartino Italy/Germany/Switzerland, 2010, 88 min, color -
AMOUR FOU Von Jessica Hausner Ab 7
AMOUR FOU von Jessica Hausner ab 7. November im Kino „Man denkt, man möchte leben und möchte doch sterben.“ Jessica Hausner Regisseurin Besetzung Birte Schnöink, Christian Friedel, Stephan Grossmann, Sandra Hüller, Holger Handtke, Barbara Schnitzler, Alissa Wilms, Paraschiva Dragus, Peter Jordan, Katharina Schüttler, Gustav-Peter Wöhler, Marie-Paule von Roesgen, Marc Bischoff, Josiane Peiffer, Nickel Bösenberg Stab Regie / Drehbuch: Jessica Hausner Kamera: Martin Gschlacht Szenenbild: Katharina Wöppermann Kostüm: Tanja Hausner Casting: Ulrike Müller Förderer Maske: Heiko Schmidt & Kerstin Gaecklein Film Fund Luxembourg Ton: Uwe Haußig Österreichisches Filminstitut Sound Design: Nicolas Tran Trong FISA Filmstandort Österreich Mischung: Michel Schillings Medienboard Berlin-Brandenburg Schnitt: Karina Ressler Filmfonds Wien Mitarbeit am Drehbuch: Géraldine Bajard Land Niederösterreich ProduzentInnen: Martin Gschlacht, Antonin Svoboda, Bruno Wagner, Media Bady Minck, Alexander Dumreicher-Ivanceanu, Philippe Bober Produktion: Coop99 Filmproduktion, AMOUR FOU Luxembourg, In Kooperation mit: Essential Filmproduktion ORF Film/Fernsehabkommen Drehorte: Österreich, Luxemburg, Deutschland WDR/ARTE Verleih: Stadtkino Filmverleih ARTE France Cinéma International Sales: Coproduction Office WDR AMOUR FOU Von Jessica Hausner 2014, 96 Min., Farbe, Österreich, Luxemburg, Deutschland Synopsis Berlin, zur Zeit der Romantik. Der Dichter Heinrich hat den Wunsch, durch die Liebe den unausweichlichen Tod zu überwinden: seine ihm nahe stehende Cousine Marie lässt sich aber partout nicht davon überzeugen, zu zweit dem übermächtigen Schicksal entgegenzutreten, und gemeinsam mit Heinrich den eigenen Tod zu bestimmen. Doch die junge Ehefrau eines Bekannten, Henriette findet – als sie erfährt, dass sie sterbenskrank sei – Gefallen an dem Angebot. „Eine romantische Komödie“, frei inspiriert durch den Suizid des Dichters Heinrich von Kleist 1811. Die Weltpremiere von Amour Fou fand am Freitag, den 16. -
2020/ Austrian Films Coming Soon /2020/ Austrian Films Coming Soon Austrian Films 2020 – Coming Soon
/2020/ Austrian Films Coming Soon /2020/ Austrian Films Coming Soon Austrian Films 2020 – Coming Soon Published/Copyright by: Austrian Film Commission Stiftgasse 6 1070 Vienna – Austria tel +43 1 526 33 23 [email protected] www.AustrianFilms.Com www.afc.at Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer Appendix: Christa Casanova-Calvi, Brigitte Weich Graphic design: Perndl+Co Cover illustration: Perndl+Co Printed by: Druckerei Walla, Vienna Austrian Films Coming Soon 2020 Fiction Films 5 Documentary Films 19 Appendix 39 Directors, Producers 40 Industry Guide 41 3 Fiction Films Fiction 6 Fiction Böse Spiele Wicked Games Directed by Ulrich Seidl Two men, two brothers, their German / digital / 1:1.85 / 180 min childhood home in Lower Key cast Hans Michael Rehberg, Georg Friedrich, Austria. They drink to their late Michael Thomas mother, they bury her. Then Written by Ulrich Seidl, Veronika Franz they drive back to their real Cinematography Wolfgang Thaler lives. One back to Romania, to Editing Mona Willi resume living his newly-begun Production design Andreas Donhauser, Renate Martin life, the other to Rimini, to go Producers Ulrich Seidl, Philippe Bober back to dreaming his old dream. Production companies Ulrich Seidl Filmproduktion (A), But sooner or later both their Essential Filmproduktion (D), Parisienne de Production (F) pasts will catch up with them. Supported by Austrian Film Institute, FISA, ORF, Vienna Film Fund, Land Niederösterreich and MDM, MBB, ARTE, BR, Eurimages Contact Coproduction Office 24 rue Lamartine -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Derrière Le Rideau Femmes Cinéastes : Jessica Hausner
Film März 2015 57 Derrière le rideau Femmes cinéastes : Jessica Hausner Avec quatre longs métrages à son actif (dont trois présentés à Cannes et un à Venise), Jessica Hausner s’est imposée comme une figure incontournable du cinéma autrichien. Dès son premier long métrage Lovely Rita (2001), surgit des plans noirs, des couloirs vides et des bruits Viviane Thill la réalisatrice autrichienne Jessica Hausner se risque non identifiables : c’est l’inconnu qui symbolise la à un sujet difficile : une jeune fille de famille -bour part cachée de l’univers, quelque chose qu’on ne geoise et catholique tue ses deux parents. Comment peut pas appréhender et qui est pourtant là, invi- comprendre un tel acte ? Qu’est-ce qui s’est passé, sible, indicible et terrifiant. Dans le film, le noir est dans la vie et dans la tête de cette adolescente, pour un espace faisant partie du champ (de l’écran) tout qu’elle en vienne à faire ce geste ? La jeune réalisatrice en apparaissant comme hors-champ (du regard du évite toute explication psychologisante, mais observe spectateur) puisqu’on ne peut rien y voir. Un bou- minutieusement, imperturbablement, la vie de cette ton rouge d’alerte luit parfois de façon tentante, plus famille et les tentatives désespérées de Rita pour se menaçant que sécurisant. Des portes se referment faire remarquer. Elle filme de façon frontale, avec sans explications, une croix appartenant à Irene va un humour aussi discret que féroce, un milieu petit- disparaître. Dans les séquences plus quotidiennes, de bourgeois, très catholique et ostensiblement bien- lourds rideaux ne semblent être là que pour dissimu- pensant. -
Journey to Italy Press Notes
Janus Films Presents Roberto Rossellini’s Journey to Italy NEW DCP RESTORATION! http://www.janusfilms.com/journey Director: Roberto Rossellini JANUS FILMS Country: Italy Sarah Finklea Language: English Ph: 212-756-8715 Year: 1954 [email protected] Run time: 86 minutes B&W / 1.37 / Mono JOURNEY TO ITALY SYNOPSIS Among the most influential films of the postwar era, Roberto Rossellini’s Journey to Italy charts the declining marriage of a British couple (Ingrid Bergman and George Sanders) on a trip in the countryside near Naples. More than just an anatomy of a relationship, Rossellini’s masterpiece is a heartrending work of emotional transcendence and profound spirituality. Considered an ancestor of the existential works of Michelangelo Antonioni; hailed as a groundbreaking work of modernism by the critics of Cahiers du cinéma; and named by Martin Scorsese as one of his favorite films, Journey to Italy is a breathtaking cinematic landmark. Janus Films is proud to present a new, definitive restoration of the essential English-language version of the film, featuring Bergman and Sanders voicing their own dialogue. JOURNEY TO ITALY ABOUT THE ROSSELLINI PROJECT The Rossellini Project continues the initiative created by Luce Cinecittà, Cineteca di Bologna, CSC-Cineteca Nazionale, and the Coproduction Office as a means of rediscovering and showcasing the work of a reference point in the art of cinema: Roberto Rossellini. Three of Italian cinema’s great institutions and an influential international production house have joined forces to restore a central and fundamental part of the filmmaker’s filmography, as well as promote and distribute it on an international level. -
3Rd Newsletter Cine-Regio - CANNES FILM FESTIVAL 2004
3rd Newsletter Cine-Regio - CANNES FILM FESTIVAL 2004 IDEAL PLATFORM TO MEET PRODUCERS EC IMPACT STUDY ON AID SCHEMES This year, the Festival de Cannes and the Marché du Film The European Commission plans to are having their first outing with a new venture called the conduct a cultural and economic impact Producers Network (http://www.cannesmarket.com/pn) study on the existing aid schemss during which looks set to be an ideal launch platform for Cine- the three-year extension to the 2001 regi- Regio. me on national support schemes, which npw runs to 30 June, 2007. "The Market contacted Wallimage about becoming a In a Communication on European Cinema sponsor and this was an example of the power of the issued in March, the EC said it wanted "to Cine-Regio coordination," recalls Philippe Reynaert. examine whether the current regime can "Being a sponsor would have been financially prohibitive fully cope with the future challenges for Wallimage itself, but it made sense for the coordina- facing the European audiovisual market. tion and the five founding members to put up the money Marché du Film As part of this work, it intends the check together. We are really happy that Cine-Regio's first offi- executive director whether disportionate territorialisation cial appearance can be linked with the Network." Jérôme Paillard requirements cause undue fragmentation of the European audiovisual market, for "The response to this new initiative is very good, more than 450 producers have regis- example by creating obstacles to pan- tered coming from 40 countries!," Marché du Film executive director Jérôme Paillard European co-productions." Cine-Regio told the Newsletter.