IFFR Feature Film Contact List

Total Page:16

File Type:pdf, Size:1020Kb

IFFR Feature Film Contact List Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod. Countries: Argentina Prod. Year: 2019 El cazador Length: 90 World premiere Genre: Creative Documentary Programme section: Big Screen Competition Company: El Pampero Cine Director(s): Marco Berger Contact: Ingrid Pokropek Prod. Countries: Argentina Email: [email protected] Prod. Year: 2020 Logline: When a young journalist and poet Length: 101 inherits the oeuvre of Argentinian poet Juana Genre: Fiction Bignozzi, the question arises: What to do with it? Company: Wildstar Sales And how do you make a film about poetry? Contact: Murray Dibbs Charming, universally understandable film Email: [email protected] about creativity and filmmaking by the El Logline: 15-year old homosexual Ezéquiel’s Pampero Cine team (La mujer de los perros, La sexual awakening rapidly lands him in a moral Flor). dilemma. Compact, conspicuously subdued Trailer: drama by Argentinian director Marco Berger, https://www.youtube.com/watch?v=mHAUdhX who won the Berlin festival's Teddy Award for fcKk Ausente in 2011. Trailer: https://www.youtube.com/watch?v=9Co6JL4y Emilia M1g World premiere Sold territories: All available Programme section: Voices Main Programme Director(s): César Sodero Si yo fuera el invierno mismo Prod. Countries: Argentina World premiere Prod. Year: 2020 Programme section: Tiger Competition Length: 97 Director(s): Jazmín López Genre: Fiction Prod. Countries: Argentina Company: Tarea Fina Prod. Year: 2020 Contact: Juan Pablo Miller Length: 92 Email: [email protected] Genre: Fiction Logline: After breaking up with her girlfriend, Contact: Jazmín López Emilia returns from the city to her village in Email: [email protected] Logline: Four friends meet at a remote estate to Logline: Two women meet at the same places at create a cinematic re-enactment of three iconic various moments in their lives. Treading in the works by Jean-Luc Godard, Harun Farocki and footsteps of great philosophers and masters of Ana Mendieta. During the artistic process one of cinema, the exceptionally young director does them becomes entangled in her memories of an not shy away from evoking existential questions ex-lover she can't forget. from a provincial town on the pampas in his Trailer: ultra-low-budget debut. Universal and unique. https://www.youtube.com/watch?v=L7rt6Say0Is Trailer: https://www.youtube.com/watch?v=58hcPV4C MSM La dosis Sold territories: All available World premiere Programme section: Bright Future Main Piedra sola Programme World premiere Director(s): Martín Kraut Programme section: Tiger Competition Prod. Countries: Argentina Director(s): Alejandro Telemaco Tarraf Prod. Year: 2020 Prod. Countries: Argentina, Mexico, Qatar, Length: 93 United Kingdom Genre: Fiction Prod. Year: 2020 Company: Oration Films Length: 82 Contact: Timothy O’Brien Genre: Fiction Email: [email protected] Company: RamondaParis Logline: An Argentine hospital thriller that Contact: Pascale Ramonda doesn't speak ill of the dead. But what about the Email: [email protected] living? Experienced nurse Marcos loves his Phone: +33 1 43586029 patients, which leads him to sometimes take Logline: In the far north of Argentina, at a drastic measures to end their suffering. His breathtaking four thousand metre elevation, a secret is made more complicated by the arrival of lama herder lives close to nature. When a puma charismatic nurse Gabriel, who also has a dark threatens his herd, he goes in search of the secret. predator. A mystical meeting ensues. Visually Sold territories: All available impressive portrait, at the intersection of fiction and documentary, of a centuries-old culture. Ofrenda Sold territories: All available World premiere Programme section: Bright Future Competition Director(s): Juan Mónaco Cagni Prod. Countries: Argentina Prod. Year: 2020 Length: 65 Genre: Fiction Contact: Juan Mónaco Cagni Email: [email protected] young woman. Australia Austria True History of the Kelly Gang Programme section: Limelight With Love – Volume One 1987-1996 Director(s): Justin Kurzel World premiere Prod. Countries: Australia, United Kingdom Programme section: The Tyger Burns Prod. Year: 2019 Length: 124 Director(s): Michael Pilz Genre: Fiction Prod. Countries: Austria Company: Memento Films International Prod. Year: 2020 Contact: Gaëlle Palluel Length: 111 Genre: Experimental Email: [email protected] Logline: Mad Max meets Jesse James in this Company: Michael Pilz Film version of the life and crimes of the infamous Contact: Michael Pilz Email: [email protected] nineteenth-century bush ranger Ned Kelly. An energetic and punky coming-of-age story about Logline: Austrian maverick master Michael Pilz is an obsessive collector of images. For him this the dismal teenage years of a troubled rebel, in constant conflict with his British colonial almost invariably means encounters with people masters. A cruel, violent portrait of the and moments of resonating silence that offer spaces for meditation and self-realisation. You legendary Australian criminal. Trailer: are invited to enter his spiritual space. https://www.youtube.com/watch?v=9uiYcuPbTjk Sold territories: All available Babyteeth Little Joe Programme section: Limelight Programme section: Signatures Director(s): Shannon Murphy Director(s): Jessica Hausner Prod. Countries: Australia Prod. Countries: Austria, United Kingdom, Prod. Year: 2019 Germany Length: 120 Prod. Year: 2019 Company: Celluloid Dreams Length: 105 Contact: Hengameh Panahi Genre: Fiction Email: [email protected] Company: Coproduction Office Logline: Loving, tragic portrait of a terminally ill Contact: Christina Demetriou Australian teenager who falls in love with a no- Email: [email protected] good drugs dealer. A subtle, comic debut about Logline: In this cold-blooded thriller, bio love, pain and letting go, with a stunning scientist Alice (Emily Beecham) dedicates her life performance from Eliza Scanlen in the lead role to the invention of a new plant that makes its as a teenage girl who can all too briefly become a owners happy. But the prototype, ‘Little Joe’, maybe works too well. The users turn into anaesthetised zombies incapable of feeling any other emotions. through valuable memories: her childhood, her Trailer: artistic vocation, her loved ones and her son, https://www.youtube.com/watch?v=Rt2WL9wIsfs with whom she is close. Trailer: https://www.youtube.com/watch?v=lo0Aua2TjdI Sicherheit123 Sold territories: Belgium Programme section: Wait and See Director(s): Julia Gutweniger, Florian Kofler On a le temps pour nous Prod. Countries: Austria, Italy Prod. Year: 2019 Programme section: Scopitone Length: 72 Director(s): Katy Léna Ndiaye Genre: Creative Documentary Prod. Countries: Belgium, Burkina Faso, Senegal Contact: Julia Gutweniger Prod. Year: 2019 Email: [email protected] Length: 67 Logline: Increasingly, the sublime beauty of the Genre: Creative Documentary Alps is tainted by construction works intended Company: Indigo Mood Films to protect inhabitants from natural disasters. Contact: Katy Léna Ndiaye The makers avoid any commentary, but the Email: [email protected] critical distance that accompanies their laconic Logline: The 1987 assassination of Marxist observations says it all. As if the forces of nature politician Thomas Sankara prematurely ended would ever obey the human desire for control. Burkina Faso's fledgling democracy. Rapper, Trailer: poet and activist Smockey keeps the spirit alive, https://www.youtube.com/watch?v=VcpKilBIV2k rapping social commentary, political Sold territories: All available commitment and solidarity with the oppressed. Trailer: Belgium https://www.youtube.com/watch?v=NBosUVn m1yA Il était un petit navire Sold territories: All available International premiere Adoration Programme section: Marion Hänsel, à la vie Programme
Recommended publications
  • IN STILL ROOMS CONSTANTINE JONES the Operating System Print//Document
    IN STILL ROOMS CONSTANTINE JONES the operating system print//document IN STILL ROOMS ISBN: 978-1-946031-86-0 Library of Congress Control Number: 2020933062 copyright © 2020 by Constantine Jones edited and designed by ELÆ [Lynne DeSilva-Johnson] is released under a Creative Commons CC-BY-NC-ND (Attribution, Non Commercial, No Derivatives) License: its reproduction is encouraged for those who otherwise could not aff ord its purchase in the case of academic, personal, and other creative usage from which no profi t will accrue. Complete rules and restrictions are available at: http://creativecommons.org/licenses/by-nc-nd/3.0/ For additional questions regarding reproduction, quotation, or to request a pdf for review contact [email protected] Th is text was set in avenir, minion pro, europa, and OCR standard. Books from Th e Operating System are distributed to the trade via Ingram, with additional production by Spencer Printing, in Honesdale, PA, in the USA. the operating system www.theoperatingsystem.org [email protected] IN STILL ROOMS for my mother & her mother & all the saints Aιωνία η mνήμη — “Eternal be their memory” Greek Orthodox hymn for the dead I N S I D E Dramatis Personae 13 OVERTURE Chorus 14 ACT I Heirloom 17 Chorus 73 Kairos 75 ACT II Mnemosynon 83 Chorus 110 Nostos 113 CODA Memory Eternal 121 * Gratitude Pages 137 Q&A—A Close-Quarters Epic 143 Bio 148 D R A M A T I S P E R S O N A E CHORUS of Southern ghosts in the house ELENI WARREN 35. Mother of twins Effie & Jr.; younger twin sister of Evan Warren EVAN WARREN 35.
    [Show full text]
  • Realist Cinema As World Cinema Non-Cinema, Intermedial Passages, Total Cinema Lúcia Nagib Realist Cinema As World Cinema
    FILM CULTURE IN TRANSITION Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema lúcia nagib Realist Cinema as World Cinema Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema Lúcia Nagib Amsterdam University Press Cover illustration: Photo by Mateo Contreras Gallego, for the film Birds of Passages (Pájaros de Verano, Cristina Gallego and Ciro Guerra, 2018), courtesy of the authors. Cover design: Kok Korpershoek Lay-out: Crius Group, Hulshout isbn 978 94 6298 751 7 e-isbn 978 90 4853 921 5 doi 10.5117/9789462987517 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) L. Nagib / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents List of Illustrations 7 Acknowledgements 11 Introduction 15 Part I Non-cinema 1 The Death of (a) Cinema 41 The State of Things 2 Jafar Panahi’s Forbidden Tetralogy 63 This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death 87 The Act of Killing 4 The Blind Spot of History 107 Colonialism in Tabu Part II
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • Update: Corona Und Die Filmindustrie Nach Wie Vor Bestimmt Das Coronavirus Die Internationalen Schlagzeilen Und Macht Auch Vor Den Kulturbranchen Nicht Halt
    Filmnewsletter April Liebe Filmfreunde, ich bin David und werde, wie Rafael schon erwähnt hat, in Zukunft den Filmnewsletter weiterführen. An dieser Stelle nochmal einen herzlichen Dank für Rafaels tolle Arbeit. Kurz zu mir: ich studiere im Bachelor Ostasienwissenschaften bzw. Sinologie und bin schon länger sehr interessiert am ostasiatischen Film. Trotz des sehr besonderen Semesterstarts freue ich mich darauf, euch in den nächsten Monaten über das ostasiatische Kino zu berichten und hoffe, dass wir uns mithilfe von spannenden Filmen die Zeit verkürzen können. Allerdings gibt es bessere Zeiten für Filminteressierte, denn durch das Coronavirus ist nicht nur der Uni-Alltag eingeschränkt, sondern auch die Filmindustrie ist stark limitiert. Rafael hat hierauf bereits im Februar aufmerksam gemacht, aufgrund der rasanten Veränderungen will ich aber nochmals ein Update über die Situation geben. Zudem ist am 10. April traurigerweise der japanische Regisseur Nobuhiko Obayashi (⼤林 宣彦) gestorben, auf dessen Leben und Werk ich daher zurückblicken möchte. Update: Corona und die Filmindustrie Nach wie vor bestimmt das Coronavirus die internationalen Schlagzeilen und macht auch vor den Kulturbranchen nicht halt. Viele Künstler haben Probleme, ihre Werke zu zeigen und zu verkaufen und auch Filmproduktionen mussten pausiert werden und Kinos wurden geschlossen. Dies gilt ebenso für die 1/4 ostasiatische Filmindustrie. Zwar wurden in China kurzzeitig wieder viele Kinos geöffnet, doch wurde dies inzwischen wieder zurückgenommen, um größere Menschenansammlungen dort zu vermeiden. Dies führt allmählich bei Kinobetreibern zu deutlichen Einbußen, die sich vor allem für kleinere Betreiber empfindlich auswirken. So haben allein in China bisher etwa 5000 TV- und Film-Unternehmen ihre Registrierung zurückgezogen, mehr als doppelt so viele wie im ganzen letzten Jahr.
    [Show full text]
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • Du 9 Octobre 2019 Au 12 Novembre 2019 N°
    Du 9 octobre 2019 Cinéma Art Et Essai au 12 novembre 2019 Jeune Public N° 169 Patrimoine CINÉMA BIARRITZ Recherche À l'affiche Entre nous SORTIES NATIONALES Chambre 212 4 Papicha 4 Tout est possible (The biggest little farm) 4 Mon chien stupide 5 Matthias et Maxime 5 Hors normes 5 Adults in the Room 6 J’ai perdu mon corps 6 Le Traître 7 Sorry We Missed You 7 Camille 8 «Place aux jeunes en quelque sorte... » ÉVÉNEMENTS - AVANT PREMIÈRES Mariage de Verida 8 Le Festival Amérique Latine à peine terminé, nous accueillons deux The bra 9 festivals : L’Invitation aux voyages et le Txiki Festival. Du 17 au 20 Jacob et les chiens qui parlent 9 octobre, L’Invitation aux voyages a choisi pour sa 4ème édition le thème Maya 10 "En reportage" et organise son ouverture au Royal avec la projection, le Le Gouffre aux chimères 10 16 octobre, de Camille un film de Boris Lojkine consacré à Camille Le sel de la terre 11 Lepage, cette jeune photo-reporter assassinée en République Sympathie pour le Diable 11 centrafricaine le 12 mai 2014. Du 30 octobre au 2 novembre la 7ème J'accuse 12 édition du Txiki Festival sera consacrée à "la terre". Sujet vaste et surtout Don't Give a Fox 12 d’une actualité brulante quand la jeunesse du monde affiche sa détermination à sauver notre planète ! Pour ce qui est de l’enjeu plus PATRIMOINE modeste du cinéma, il est évident, depuis des années, que la survie du 7ème Art passe par la reconquête du public jeune, « le cœur de cible » The Kid 13 du Txiki Festival.
    [Show full text]
  • LE QUATTRO VOLTE a Film by Michelangelo Frammartino
    LE QUATTRO VOLTE a film by Michelangelo Frammartino Europa Cinemas Award Cannes 2010 Italy/Germany/Switzerland 2010 / 88 mins /certificate : tbc Release date: Spring 2011 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk SYNOPSIS In the backcountry of southern Italy’s mountainous region of Calabria, an old shepherd leads his flock to pasture along paths in the hills which have fallen into disuse. Every morning, the church housekeeper trades a handful of the church’s dust for some of the shepherd’s fresh milk. Every evening, the elderly shepherd dissolves the «magic» powder in water and drinks this mixture to remedy his aches and pains. One day, he doesn’t show up for their trade. The next day, he dies in his bed as his goats keep vigil over his passing. A kid takes its first steps, but he is slower than the rest of the flock and falls behind. He falls into a ditch in the middle of the forest. Unable to climb out, he bleats for help, but neither the new shepherd, nor his dog, hear him. The flock leaves the kid in their wake, leaving him to his fate. When he finally emerges from the ditch, he finds that he is alone. He wanders aimlessly until, as night begins to fall, he stumbles onto a majestic fir tree in which he seeks shelter.
    [Show full text]
  • 6 Month Paid Internship with Possible Further Employment German
    6 Month Paid Internship with possible further employment Coproduction Office is looking forward to welcome a German-speaking Production and Business Affairs Intern By: Coproduction Office Business sector: Film industry, High End Gastronomy Field of expertise: Film production, Cinema and Restaurants Company Location: Berlin Paid Internship: Yes, amount depending on profile, career progression possible Duration: 6 months, full time Start date: according to availability COMPANY PROFILE Based in Paris and Berlin, Coproduction Office is an international distributor and producer of bold, award- winning films. We are looking for a globally-minded colleague, who has organizational skills, is result-oriented and has an interest in art-house cinema, to assist our founder and complete our team of 12 people, working in a dynamic and international environment. Coproduction Office's CEO and founder Philippe Bober has worked with prominent ground-breaking directors* from early on in their careers and has produced thirty-two films to date (including SUZHOU RIVER by Lou Ye). The majority of these films were selected for the main competitions in Cannes, Venice and Berlin, where they have received many major prizes, most notably the Venice Golden Lion in 2014 for Roy Andersson’s A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, and the Palme d’Or in 2017 for THE SQUARE by Ruben Östlund. Coproduction Office's international sales division distributes a catalogue composed of films produced by Philippe Bober as well as acquired titles and restored classics, including Roberto Rossellini’s key films. The catalogue is unique for its artistic strength, with films that have an individual and distinctive cinematic language, and often daring content.
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • The Cultural Traffic of Classic Indonesian Exploitation Cinema
    The Cultural Traffic of Classic Indonesian Exploitation Cinema Ekky Imanjaya Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2016 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract Classic Indonesian exploitation films (originally produced, distributed, and exhibited in the New Order’s Indonesia from 1979 to 1995) are commonly negligible in both national and transnational cinema contexts, in the discourses of film criticism, journalism, and studies. Nonetheless, in the 2000s, there has been a global interest in re-circulating and consuming this kind of films. The films are internationally considered as “cult movies” and celebrated by global fans. This thesis will focus on the cultural traffic of the films, from late 1970s to early 2010s, from Indonesia to other countries. By analyzing the global flows of the films I will argue that despite the marginal status of the films, classic Indonesian exploitation films become the center of a taste battle among a variety of interest groups and agencies. The process will include challenging the official history of Indonesian cinema by investigating the framework of cultural traffic as well as politics of taste, and highlighting the significance of exploitation and B-films, paving the way into some findings that recommend accommodating the movies in serious discourses on cinema, nationally and globally.
    [Show full text]
  • Fukushima 50” at New York’S “Japan Cuts” Film Festival, July 17-30
    Weekly Cultural News, substitute for monthly Cultural News July 13 - 19, 2020 US online premiere of film “Fukushima 50” at New York’s “Japan Cuts” film festival, July 17-30 New York – Japan Society announces the full Fukushima 50 lineup for the 14th annual JAPAN CUTS: Directed by Setsuro Festival of New Japanese Film, the largest Wakamatsu, 2020, 122 min. festival of its kind in North America, set for July 17-30 as an entirely online experience. When the magnitude 9.0 Great East Japan Earthquake Continuing its annual mission to showcase the struck off the coast of the best and most exciting films coming out of Japan Tohoku region in northeast- Fukushima 50 © 2020 “FUKUSHIMA 50” today, the summer festival will expand its reach ern Japan at 2:46 PM on Production Committee beyond New York to introduce 30 features and March 11, 2011, it caused a 12 short films to audiences across the U.S. massive tsunami that soon reached the Fukushima Daiichi Nuclear Power Plant. The festival’s Centerpiece Presentation is the online premiere of Fukushima 50 , a blockbuster In Fukushima 50, as waves penetrate the facili- drama that details the heroic actions of workers ties, shift supervisor Toshio Izaki (Koichi Sato) at the Fukushima Daiichi Nuclear Power Plant assesses the overheating reactors while coordi- who stayed behind to avert a catastrophe of nating with plant manager Masao Yoshida (Ken global magnitude. Watanabe), who mediates with Tepco (Tokyo Electric Power Company) headquarters amidst Virtual tickets go on sale Friday, July 10 at 10:00 micro-management and government inaction.
    [Show full text]
  • 02 Main Catalogue Front
    THE MASTERS 大師級 Sweden/Germany/Norway 瑞典/德國/挪威 2019 | Swedish | DCP | Colour | 76min Director Roy Andersson Producer Pernilla Sandström, Johan Carlsson Scriptwriter Roy Andersson Cinematographer Gergely Pálos Editor Johan Carlsson, Kalle Boman, Roy Andersson Production Designer Anders Hellström, Frida E. Elmström, Nicklas Nilsson Sound Robert Hefter Cast Martin Serner, Jessica Louthander, Tatiana Delaunay, Anders Hellström Production Roy Andersson Filmproduktion World Sales Coproduction Office ©Roy Andersson Film Production • Studio 24 ©KG Productions About Endlessness Om det oändliga 明明無盡 Some of the themes in About Endlessness are presented in your [導演訪問] other films: optimism represented by youth, but also war and 《明明無盡》裏有一些主題,常見於你的其他電影:青 despair, and the absence of God. Here you show a priest who 年代表希望,不過亦有戰爭與絕望,以及上帝的缺席。 doesn’t believe in God. Would you say there is always a balance 片中神父並不相信神。你認為希望與絕望之間是否總 between hope and despair? 能平衡? The main theme of my work is the vulnerability of human beings. 我的作品主題是人類的脆弱,我認為展現脆弱是希望 And I think it is a hopeful act to create something showing 之舉。因為當人注意到脆弱的存在,你會學懂尊重及 vulnerability. Because if you are aware of the vulnerability of 珍惜。 existence, you can become respectful and careful of what you have. 我想強調存在之美、生存之美。然而,要呈現美需要 I wanted to emphasise the beauty of existence, of being alive. But of 有對比,展示存在的敗壞及殘酷。 course, to get that, you need to have a contrast. You need to show the bad side, the cruel side of existence. 回望藝術史,不少畫作也很悲慘。即使畫作描繪殘酷 與悲傷,但畫家可透過畫作傳達力量,創造希望。 Looking at art history, for example, a lot of paintings are very tragic. But even if they depict cruel and sad scenes, by painting them the 影片雖有歷史場景,卻有永恆無盡的感覺,片名亦如是。 artists have in some way transferred the energy and created hope.
    [Show full text]