Shirley Adams
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry. -
Download Booklet
559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization. -
Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change. -
Sydney Film Festival 6-17 June 2012 Program Launch
MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Music to Move the Masses: Protest Music Of
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Music to Move the Masses: Protest Music of the 1980s as a Facilitator for Social Change in South Africa. Town Cape of Claudia Mohr University Dissertation submitted in partial fulfilment of the requirements for the degree of Masters of Music, University of Cape Town. P a g e | 1 A project such as this is a singular undertaking, not for the faint hearted, and would surely not be achieved without help. Having said this I must express my sincere gratitude to those that have helped me. To the University of Cape Town and the National Research Foundation, as Benjamin Franklin would say ‘time is money’, and indeed I would not have been able to spend the time writing this had I not been able to pay for it, so thank you for your contribution. To my supervisor, Sylvia Bruinders. Thank you for your patience and guidance, without which I would not have been able to curb my lyrical writing style into the semblance of academic writing. To Dr. Michael Drewett and Dr. Ingrid Byerly: although I haven’t met you personally, your work has served as an inspiration to me, and ITown thank you. -
South African Pavilion at 56Th Venice Biennale: Artists Announced on 17 April 2015
South African Pavilion at 56th Venice Biennale: Artists Announced on 17 April 2015. The South African pavilion at the Venice Biennale has been shrouded in controversy for a number of years. This year has proven to be no different. From an alarming lack of information, mere weeks before the event, to what some might call a questionable line- up, ARTsouthAFRICA sought to find out more. ABOVE: Installation view of the South African Pavilion at the 54th Venice Biennale in 2013. Image source: Elle Decoration. The South African pavilion at the Venice Biennale has been shrouded in controversy for a number of years. In 2011, under the leadership of gallerist Monna Mokoena, issues around the transparency of funds and practices plagued the pavilion, while in 2013, ahead of the showcase, there were issues involving “condensed time frames” from the department and the lack of diverse representation of artists by the curators. This time around, for the 56th edition of what has become known as the “world’s greatest contemporary arts showcase,” the South African pavilion is attracting no less attention. The initial problem was the alarming lack of information available about the pavilion – to the extent that just three weeks before the Biennale itself there is still no mention of the South African pavilion on the official National Participations roster. Now, with under a month to go until the 56th Venice Biennale, the names of the artists participating in the South African Pavilion have finally been announced, but there are undoubtedly a few who question the curators’ selection (the show’s curators for this edition are Apartheid Museum director Christopher Till and Jeremy Rose of architecture firm Mashabane Rose Associates). -
Sydney Film Festival 6-17 June Reveals First Films 02/04/2012
MEDIA RELEASE EMBARGOED UNTIL: Monday 2 April, 2012 Sydney Film Festival 6-17 June reveals first films The 59th Sydney Film Festival today announced early highlights in advance of the full program launch on Wednesday, 9 May. ‘Revealing the first confirmed films for this year's Festival really lets us share our excitement,’ said Nashen Moodley in his first year as Festival Director for Sydney Film Festival. ‘This is just a cross-section and a taste of what we have in store, but you'll already see the extraordinary diversity in subject, style and geography that makes a great international film festival memorable and thought-provoking. From the film that everyone was talking about in Sundance to a look inside Woody Allen's head to Some Guy Who Kills People, cinema lovers in Sydney, NSW or around Australia will have many reasons to join us here in June.’ This first announcement comprises 25 titles including 22 Australian premieres, 15 features and 10 documentaries, as well as some of the top prize-winning films from Sundance, Rotterdam and Berlin. Today’s announcement includes the winner of the US Dramatic Grand Jury Prize at Sundance Film Festival Beasts of the Southern Wild, the winner of the FIPRESCI prize at Berlin Film Festival Tabu, the winner of the FIPRESCI prize at International Film Festival Rotterdam Neighbouring Sounds and the winner of the World Cinema Grand Jury Prize Documentary at Sundance, The Law In These Parts. Since its inception in 1954, Sydney Film Festival (SFF) has become a key cultural event for Sydney and well- established in the international film festival calendar. -
She Crossed the Border in Search of a Better Life Her Name Is
A NEW FILM BY DARRELL JAMES ROODT International Film Festival Rotterdam 2008 World Premiere SHE CROSSED THE BORDER IN SEARCH OF A BETTER LIFE HER NAME IS... PRESS BOOK DV8 FILMS AND INTERNATIONAL ORGANIZATION FOR MIGRATION (IOM) PRESENT IN ASSOCIATION WITH HUBERT BALS FUND (INTERNATIONAL FILM FESTIVAL ROTTERDAM) NATIONAL FILM AND VIDEO FOUNDATION FONDS IMAGE AFRIQUE A NEW FILM BY DARRELL JAMES ROODT © Dv8 Films, IOM, DJ Roodt 2007 LENGTH 84 MINUTES LANGUAGE SHONA AND ENGLISH TECHNICAL SUBTITLES ENGLISH SPECIFICATIONS FORMAT DIGIBETA SOUND DIGITAL STEREO WORLD SALES Jeremy Nathan Moroba Nkawe Dv8 Films Dv8 Films PO Box 308, Parklands, 2121 PO Box 308, Parklands, 2121 Johannesburg, South Africa Johannesburg, South Africa Tel : +27 11 880 0191 Tel : +27 11 880 0191 Mobile : +27 83 454 8997 Mobile : +27 82 446 1931 Email : [email protected] Email : [email protected] www.dv8.co.za 1 WITH KUDZAI CHIMBAIRA FARAI VEREMU MILDRED CHIPURIRO ARNOLD TONGAI CHIRISA DAVID DUKAS JENNIFER STEYN AND ANDREW WORSDALE Sound and Music Design Warrick Sony Editor Kosta Kalarytis Executive Producers Michelle Wheatley, Moroba Nkawe Producers Nicola Simmonds, Jeremy Nathan Written, Directed & Photographed by Darrell James Roodt 2 LOGLINE A young 19 year old rural girl, named Zimbabwe worker but is repeatedly abused by her employer. by her patriotic father, is orphaned. Starving and She must commit a violent act to protect herself, with few choices, she leaves her village in search and escapes by handing herself over to the of a distant aunt. In the remote border town of authorities. She is repatriated back to Zimbabwe, Beitbridge, she is smuggled across the border into only to find that her brother has jumped the border South Africa, in search of any life at all. -
Sydney Film Festival 6-17 June 2012 Program Launch 09/05/2012
MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world. -
IFFR Feature Film Contact List
Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod. -
Curriculum Vitae of Keenan Arrison
Althea Greenland / Tel: 072 910 8922/ Cell: 074 188 2094 / [email protected] CURRICULUM VITAE OF KEENAN ARRISON gender: Male age: 40 height: 1.77 waist: 32 hips: 32 shoe: 9 hair: Black eyes: Brown languages: English, Afrikaans accents: American, British SKILLS STUNT TRAINING, COMBAT TRAINING, GUN HANDLING TRAINING, HORSERIDING, GUITAR (BASICS), SINGING (TENOR) TERTIARY EDUCATION year qualification institution BA in Motion Picture and Live Performance 2003-2005 AFDA (CAPE TOWN) (CUM LAUDE) FILM EXPERIENCE year production role Cabin Fever 2020 Cameo DIR: Tim Greene Tomb Raider 2017 Cameo DIR: Roar Uthaug Accident 2015 Lead DIR: Dan Tondowski Twee Grade Van Moord 2014 Lead Kyknet, Mnet To The Passerby (Short Film) 2014 Lead DIR: Diana Ippilito Precious Metal 2011 Lead DIR: Daryne Joshua A Lucky Man 2011 Lead DIR: Gordon Clarke 2010 Skeem Support Althea Greenland / Tel: 072 910 8922/ Cell: 074 188 2094 / [email protected] DIR: Tim Greene 2010 Muti DIR: Lorenzo D’Orsi Lead 2010 Umbrella Man DIR: John Barker Support 2009 I Now Pronounce You DIR: Oliver Rodger Support 2008 Shirley Adams DIR: Oliver Hermanus Lead 2005 ONGERIEWE DIR: Robin Kleinshmidt Lead 2004 The Piano DIR: Angus Gibson Lead TELEVISION EXPERIENCE year production role Siende Blind 2020 Ricky SHOWMAX The Riviera 2019 Naz Isaacs SABC 2 Sarah se Geheim 2019 Danny KYKNET Saints and Strangers 2017 Canacum National Geographic Jahmilla & Alladin 2015 Raja Pashima BBC When We Were Black 2 2014 SHAHEED (Lead) SABC 1 Our Girl (International Series) 2014 Taj (Support) BBC One DOMINION