Shirley Adams

Total Page:16

File Type:pdf, Size:1020Kb

Shirley Adams Shirley Adams PRESS BOOK www.shirleyadamsmovie.com Shirley Adams Portrait of a mother Length 91 minutes Original Language English and Afrikaans Subtitled Versions English, French Aspect Ratio 1:1.77 Delivery Format HD, Digibeta (Colour, PAL) Sound Stereo Website www.shirleyadamsmovie.com Contents: Credit Block Logline and Synopsis Director’s Vision Production Notes Biographies Director Writers Cast Crew Credits: Cast and Crew Producer Contact: Director of Photography Jamie Ramsay Original Music Score Philip Miller Jeremy Nathan and Michelle Wheatley Editor Garreth Fradgley Production Designer Nick Mostert Costume Designer Maleen Nökel Makeup/Hair Naeema Clayton Sound Design Warrick Sony, Jim Petrak & Ivan Milborrow Dv8 Films Sound Recordist Gita Cerveira Online Editor and Colourist Paul Hanrahan PO Box 308, Parklands, 2121 Line Producer Moroba Nkawe 1st Assistant Director/Production Manager Eva Franzen Johannesburg, South Africa Executive Producer Roland Emmerich Co-Producer Kirstin Winkler Tel: +27-11-880-0191 Written by Oliver Hermanus and Stavros Pamballis Produced by Jeremy Nathan and Michelle Wheatley Email: [email protected] & [email protected] Mobile: +27-83-454-8997 & +27-82-336-6897 Directed by Oliver Hermanus Web: www.dv8.co.za www.shirleyadamsmovie.com Centropolis Entertainment Inc London Film School and Dv8 Films in association with National Film and Video Foundation (NFVF) Department of Trade and Industry of South Africa (DTI) present A film by Oliver Hermanus SHIRLEY ADAMS with Denise Newman and Keenan Arrison “I have known this woman for over a decade. I can’t remember when I first gave her this name.” Oliver Hermanus LOGLINE without a trace months ago. Shirley’s life now shooter is one of Donovan’s childhood friends. from his ever-present disability. Shirley is even- The story of a woman who loses her family consists of trying to make ends meet by shop- tually left without an sign of the family she to violence and poverty, but gains her own lifting and relying on the charity of others. Her reaction to the betrayal is so overwhelm- once had. sense of self worth. ing that she chooses not to tell Donovan in When a young, eager occupational thera- fear of further damaging his already unstable Set in Mitchell’s Plain, Cape Town, Shirley Ad- SYNOPSIS pist, Tamsin Ranger, comes into their lives, emotional state. am’s story is symptomatic of the relationship Shirley Adams spends her days caring for Shirley hopes that it might lift her son’s spirits between violence and poverty – the destruc- her disabled son, Donovan - he was shot in and finally put them on path to some form of Determined to make a change in their lives, tion of an entire family is related to one single the back of the neck on his way home from stability. Shirley actively decides to embrace their new incident that cannot be erased or repaired. school one afternoon over a year ago. circumstances, hoping that Donovan will fol- At the same time Shirley receives a phone low her example. Riddled with the socio-political and racial Since then the Adams family has lost all their call one afternoon informing her that Dono- tensions that plague these Cape Flats slums worldly posessions to medical bills. Shirley has vans case is finally going to trial, but the glory But his mental state continues to deteriorate Shirley Adams is the story of one woman’s no money, no job and no husband - he left is short lived when Shirley discovers that the and Tamsin is unsuccessful in distracting him amazing strength and self sacrifice. “Yes - its about race, and crime in post apartheid South Africa, but at its core it is simply the film about a woman, named Shirley Adams.” Oliver Hermanus DIRECTOR’S NOTES by Oliver Hermanus destroyed an entire family. It has taken ten dinary people, told in an ordinary way. it’s the struggle that this character endures years or so to find the right way of telling ‘Social realism’ is not necessarily a movement that I find most interesting as a filmmaker. Shirley Adams is a woman I have known this story – the right method or technique. reserved for cinema, it is a term that I use to for over a decade. I don’t know when I first express how I interperet this woman. I admire I want you to experience life as she does gave her this name, but she has always been That method was portraiture. My hope is that her, I believe her to be a true survivor – a true during this time. I want you to ‘uncomfort- a mother, who’s son was shot while cross- this film allows you to coexist with Shirley, in her heroine. She is a coloured woman from Mitch- ably’ suspend your disbelief and allow ing a field on his way home from school. home, seeing her struggle to give her son Do- ell’s Plain but she is just like any other poor yourself to be introduced to a place and novan some kind of reason to keep on fight- disenfranchised mother of the world. She is a time that is riddled with hypocrisy and I had heard of such a story at the supper ing the demons that have poisoned his life. desperate. hardship. But out of which should come table one night at home. My sister, retelling a message about survival and strength. an experience she was having as an oc- It is only through the education that I Her story is meant to be simple and unsen- cupational therapy student, working with have subsequently received in filmmak- timental. As much as she fights against the Yes – its about race, and crime in post apart- a disabled youth and his family. She was ing, that I came to discover the filmmak- extinction of everything she has worked heid South Africa, but at its core it is simply the shocked at how this one single event had. ers and the films that tell the stories of or for her entire life, she cannot stop it, and film about a woman, named Shirley Adams. “I want you to experience life as she does during this time.” BIOGRAPHIES commissioned to adapt the Graphic Novel, His latest theatre production, Dalliances, trav- TAMSIN RANGER Emily Childs Quebrada for Filmmaker SRL (Italy) and his latest elled to Dublin Theatre Festival. Others thea- DIRECTOR AND CO-WRITER Oliver Hermanus feature project, Saving Abeo has been selected tre productions include; The boy who fell from Emily graduated from the University of Cape to the final round of the Channel 4, 4Talent/SWF the roof, The Bacchae, King Lear and his own Town (2007) with a Theatre and Performance 25 year old Oliver, is a Cape Town native who 2009 Pitch In Time competition. award winning play, A Birds Eye View per- Degree. She won the Ruth Pfeffer Award for started his professional career as a press pho- formed at festivals around South Africa. acting and a Fleur du Cap Award as Best Stu- tographer covering events such as the Glas- CAST dent for her final year’s work. tonbury Music Festival and the G-8 Summit. Keenan has made guest appearances in lo- SHIRLEY ADAMS Denise Newman cal TV shows like Madame and Eve and Inter- Emily has been actively involved in theatre He has a BA in Film Media and Visual Stud- rogation Room. His first big television role was and television from a young age and has ies from the University of Cape Town, during Denise Newman is a one of South Africa’s fore- in the action drama Divers Down. He is also worked for numerous local and international which time he was awarded a scholarship to most actresses, dominating the South African a regular feature on Etv’s Shooting Stars, in channels including National Geographic. attend the University of California. performance scene for decades. She has been which he plays the lead. Last year Emily produced and starred in Gone seen in a slew of plays, working with Pieter Dirk- Dottie - a one–woman show. Emily is currently In 2006 acclaimed Hollywood film director Ro- Uys and Athol Fugard, touring nationally and KARIEMA SAMSODIEN Theresa C Sedras a professional actor, M.C, voice artist and land Emmerich (Independence Day) offered globally. Denise has also been part of the lo- founder of new and upcoming production him a private scholarship to complete an MA cal television hits Erfsondes, Generations, Zero Theresa C Sedras has worked in theatre, film, company - Child’s Play Productions. in practical filmmaking at the London Film Tolerance, 7de Laan, and Isidingo among oth- radio and television over the past two dec- School. Oliver has also shot many short films ers. She has starred in five feature films, including ades. PHILDA JACOBS Lee-Ann van Rooi and documentaries. Forgiveness. Denise has won numerous awards and nominations for her work in theatre, televi- She has been the lead in several stage pro- Lee-Ann van Rooi has been working in the CO-WRITER Stavros Pamballis sion and the cinema. ductions, including Medea, and acted in with entertainment industry for nearly 18 years. She renowned theatre artists such as Pieter Dirk Uys has acted in seven TV-series, and the feature Stavros Pamballis received his BFA in Film Pro- DONOVAN ADAMS Keenan Arrison and Peter Snyders. On television she has per- films Interrogation Room, This Life, Fishy Fes- duction from New York University in 2002. He formed in Once upon a Krismis and D.O.T.S. huns, Cape of Good Hope and White Lioness. then returned to his home country, Cyprus, Keenan Arrison (28) is a young vibrant and en- In theatre she has performed in plays such where he spent three years writing and direct- ergetic actor, singer and performer, who gradu- She is a qualified voice artist, and performed as Shirley Goodness & Mercy, Equus, Twelfth ing commercials before moving to London, ated with a BA (Drama, 2005) from the AFDA film on radio, in both English and Afrikaans.
Recommended publications
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • Download Booklet
    559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization.
    [Show full text]
  • Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
    VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.
    [Show full text]
  • Sydney Film Festival 6-17 June 2012 Program Launch
    MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • Music to Move the Masses: Protest Music Of
    The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Music to Move the Masses: Protest Music of the 1980s as a Facilitator for Social Change in South Africa. Town Cape of Claudia Mohr University Dissertation submitted in partial fulfilment of the requirements for the degree of Masters of Music, University of Cape Town. P a g e | 1 A project such as this is a singular undertaking, not for the faint hearted, and would surely not be achieved without help. Having said this I must express my sincere gratitude to those that have helped me. To the University of Cape Town and the National Research Foundation, as Benjamin Franklin would say ‘time is money’, and indeed I would not have been able to spend the time writing this had I not been able to pay for it, so thank you for your contribution. To my supervisor, Sylvia Bruinders. Thank you for your patience and guidance, without which I would not have been able to curb my lyrical writing style into the semblance of academic writing. To Dr. Michael Drewett and Dr. Ingrid Byerly: although I haven’t met you personally, your work has served as an inspiration to me, and ITown thank you.
    [Show full text]
  • South African Pavilion at 56Th Venice Biennale: Artists Announced on 17 April 2015
    South African Pavilion at 56th Venice Biennale: Artists Announced on 17 April 2015. The South African pavilion at the Venice Biennale has been shrouded in controversy for a number of years. This year has proven to be no different. From an alarming lack of information, mere weeks before the event, to what some might call a questionable line- up, ARTsouthAFRICA sought to find out more. ABOVE: Installation view of the South African Pavilion at the 54th Venice Biennale in 2013. Image source: Elle Decoration. The South African pavilion at the Venice Biennale has been shrouded in controversy for a number of years. In 2011, under the leadership of gallerist Monna Mokoena, issues around the transparency of funds and practices plagued the pavilion, while in 2013, ahead of the showcase, there were issues involving “condensed time frames” from the department and the lack of diverse representation of artists by the curators. This time around, for the 56th edition of what has become known as the “world’s greatest contemporary arts showcase,” the South African pavilion is attracting no less attention. The initial problem was the alarming lack of information available about the pavilion – to the extent that just three weeks before the Biennale itself there is still no mention of the South African pavilion on the official National Participations roster. Now, with under a month to go until the 56th Venice Biennale, the names of the artists participating in the South African Pavilion have finally been announced, but there are undoubtedly a few who question the curators’ selection (the show’s curators for this edition are Apartheid Museum director Christopher Till and Jeremy Rose of architecture firm Mashabane Rose Associates).
    [Show full text]
  • Sydney Film Festival 6-17 June Reveals First Films 02/04/2012
    MEDIA RELEASE EMBARGOED UNTIL: Monday 2 April, 2012 Sydney Film Festival 6-17 June reveals first films The 59th Sydney Film Festival today announced early highlights in advance of the full program launch on Wednesday, 9 May. ‘Revealing the first confirmed films for this year's Festival really lets us share our excitement,’ said Nashen Moodley in his first year as Festival Director for Sydney Film Festival. ‘This is just a cross-section and a taste of what we have in store, but you'll already see the extraordinary diversity in subject, style and geography that makes a great international film festival memorable and thought-provoking. From the film that everyone was talking about in Sundance to a look inside Woody Allen's head to Some Guy Who Kills People, cinema lovers in Sydney, NSW or around Australia will have many reasons to join us here in June.’ This first announcement comprises 25 titles including 22 Australian premieres, 15 features and 10 documentaries, as well as some of the top prize-winning films from Sundance, Rotterdam and Berlin. Today’s announcement includes the winner of the US Dramatic Grand Jury Prize at Sundance Film Festival Beasts of the Southern Wild, the winner of the FIPRESCI prize at Berlin Film Festival Tabu, the winner of the FIPRESCI prize at International Film Festival Rotterdam Neighbouring Sounds and the winner of the World Cinema Grand Jury Prize Documentary at Sundance, The Law In These Parts. Since its inception in 1954, Sydney Film Festival (SFF) has become a key cultural event for Sydney and well- established in the international film festival calendar.
    [Show full text]
  • She Crossed the Border in Search of a Better Life Her Name Is
    A NEW FILM BY DARRELL JAMES ROODT International Film Festival Rotterdam 2008 World Premiere SHE CROSSED THE BORDER IN SEARCH OF A BETTER LIFE HER NAME IS... PRESS BOOK DV8 FILMS AND INTERNATIONAL ORGANIZATION FOR MIGRATION (IOM) PRESENT IN ASSOCIATION WITH HUBERT BALS FUND (INTERNATIONAL FILM FESTIVAL ROTTERDAM) NATIONAL FILM AND VIDEO FOUNDATION FONDS IMAGE AFRIQUE A NEW FILM BY DARRELL JAMES ROODT © Dv8 Films, IOM, DJ Roodt 2007 LENGTH 84 MINUTES LANGUAGE SHONA AND ENGLISH TECHNICAL SUBTITLES ENGLISH SPECIFICATIONS FORMAT DIGIBETA SOUND DIGITAL STEREO WORLD SALES Jeremy Nathan Moroba Nkawe Dv8 Films Dv8 Films PO Box 308, Parklands, 2121 PO Box 308, Parklands, 2121 Johannesburg, South Africa Johannesburg, South Africa Tel : +27 11 880 0191 Tel : +27 11 880 0191 Mobile : +27 83 454 8997 Mobile : +27 82 446 1931 Email : [email protected] Email : [email protected] www.dv8.co.za 1 WITH KUDZAI CHIMBAIRA FARAI VEREMU MILDRED CHIPURIRO ARNOLD TONGAI CHIRISA DAVID DUKAS JENNIFER STEYN AND ANDREW WORSDALE Sound and Music Design Warrick Sony Editor Kosta Kalarytis Executive Producers Michelle Wheatley, Moroba Nkawe Producers Nicola Simmonds, Jeremy Nathan Written, Directed & Photographed by Darrell James Roodt 2 LOGLINE A young 19 year old rural girl, named Zimbabwe worker but is repeatedly abused by her employer. by her patriotic father, is orphaned. Starving and She must commit a violent act to protect herself, with few choices, she leaves her village in search and escapes by handing herself over to the of a distant aunt. In the remote border town of authorities. She is repatriated back to Zimbabwe, Beitbridge, she is smuggled across the border into only to find that her brother has jumped the border South Africa, in search of any life at all.
    [Show full text]
  • Sydney Film Festival 6-17 June 2012 Program Launch 09/05/2012
    MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world.
    [Show full text]
  • IFFR Feature Film Contact List
    Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod.
    [Show full text]
  • Curriculum Vitae of Keenan Arrison
    Althea Greenland / Tel: 072 910 8922/ Cell: 074 188 2094 / [email protected] CURRICULUM VITAE OF KEENAN ARRISON gender: Male age: 40 height: 1.77 waist: 32 hips: 32 shoe: 9 hair: Black eyes: Brown languages: English, Afrikaans accents: American, British SKILLS STUNT TRAINING, COMBAT TRAINING, GUN HANDLING TRAINING, HORSERIDING, GUITAR (BASICS), SINGING (TENOR) TERTIARY EDUCATION year qualification institution BA in Motion Picture and Live Performance 2003-2005 AFDA (CAPE TOWN) (CUM LAUDE) FILM EXPERIENCE year production role Cabin Fever 2020 Cameo DIR: Tim Greene Tomb Raider 2017 Cameo DIR: Roar Uthaug Accident 2015 Lead DIR: Dan Tondowski Twee Grade Van Moord 2014 Lead Kyknet, Mnet To The Passerby (Short Film) 2014 Lead DIR: Diana Ippilito Precious Metal 2011 Lead DIR: Daryne Joshua A Lucky Man 2011 Lead DIR: Gordon Clarke 2010 Skeem Support Althea Greenland / Tel: 072 910 8922/ Cell: 074 188 2094 / [email protected] DIR: Tim Greene 2010 Muti DIR: Lorenzo D’Orsi Lead 2010 Umbrella Man DIR: John Barker Support 2009 I Now Pronounce You DIR: Oliver Rodger Support 2008 Shirley Adams DIR: Oliver Hermanus Lead 2005 ONGERIEWE DIR: Robin Kleinshmidt Lead 2004 The Piano DIR: Angus Gibson Lead TELEVISION EXPERIENCE year production role Siende Blind 2020 Ricky SHOWMAX The Riviera 2019 Naz Isaacs SABC 2 Sarah se Geheim 2019 Danny KYKNET Saints and Strangers 2017 Canacum National Geographic Jahmilla & Alladin 2015 Raja Pashima BBC When We Were Black 2 2014 SHAHEED (Lead) SABC 1 Our Girl (International Series) 2014 Taj (Support) BBC One DOMINION
    [Show full text]