Gay Killings Task Team Makes Arrest

Total Page:16

File Type:pdf, Size:1020Kb

Gay Killings Task Team Makes Arrest The Star MONDAY MARCH 12 2012 NEWS 3 Gay killings task team makes arrest Suspect has apparently already Best actress in a TV soap – Karin confessed to one murder van der Laag in Isidingo. SHAIN GERMANER intervening months. They each involved gay men murdered in UST days after the forma- similar ways – all were found tion of a task team to bound and murdered in their Jinvestigate the murders of homes. eight gay men across Gauteng, The latest victim, theatre a man has been arrested over manager Rulov Senekal, was one of the killings. found bound and suffocated in The 29-year-old was arrested his home on February 26 after in Orlando on Friday morning a meeting with two men in his for the murder of Siphiwe apartment the night before. Nhlapo, who was found bound Police have CCTV footage of and strangled in the two men his Kliptown leaving the apartment in building. They September last appear to have year. Nhlapo, 36, taken with Best actor in a feature film – was one of eight them a laptop SHINING STARS: The sixth annual SA Film and Television Awards ceremony was held at the Gallagher Convention Centre in Midrand at the Deon Lotz for Skoonheid. men killed in and a plastic weekend. Some of the cast of Isidingo won the public vote for best TV soap and best ensemble in a TV soap. PICTURES: HUSH NAIDOO / JADE PHOTOGRAPHY Gauteng in sim- bag with some ilar circum- other goods. stances over the Manolis Ve- past two years. loudos was the ‘Intersexions’ steals the limelight with 11 awards According to first to be killed, provincial in April 2010. STAFF REPORTER (the awards) was important on The team are already work- Ronnie Nyakale and Re Dumele police spokes- VICTIM: Siphiwe Selby Nhlapo His death was two levels. ing on Intersexions Two, which Harriet Manamela man Lieute- followed in 2011 IT WAS glitz and glamour at “It’s important to say to is expected to hit the screens FEATURE FILM: nant-Colonel Lungelo Dlamini, by the deaths of Jim Cathels, Gallagher Estate on Saturday, everyone involved – well done. some time next year. BEST SOAPIE: Black Butterflies with nine another man suspected of Oscar O’Hara, 33, an unnamed when the South African Film It’s the best performance in a Below is a list of the big win- Isidingo nominations – received R50 000 killing Nhlapo is yet to be landlord. In September, Nhlapo and Television Awards (Saftas) long time in South Africa that ners of the day: BEST ACTOR IN A SOAPIE: arrested. and Barney van Heerden, 39, were handed to the country’s came out of Intersexions. It’s Tumisho Masha – for his character BEST ACTOR IN FEATURE FILM: The 29-year-old was due to were found dead. top actors, actresses and not just an ordinary drama BEST TV DRAMA SERIES: Modise Tladi on the M-Net soapie Deon Lotz for his role in the feature appear in the Protea Magis- HIV activist Jason Wasse- behind-the-scenes crews. series but one that deals with Intersexions – Winning 11 Golden The Wild film Skoonheid trate’s Court today in connec- naar was murdered in his As television stars were the HIV pandemic in South Horns after the much talked-about tion with the murder. home in December and Senekal honoured for their acting Africa. It was important to series, which had an HIV/Aids BEST ACTRESS IN A SOAPIE: BEST DIRECTOR OF A FEATURE According to a source close was found dead last month. skills, it was the TV series have people dialogue it. It’s storyline, received 23 nominations. Karin van der Laag – for her FILM: to the investigation, the man Another gay man has also Intersexions that stole the show, amazing to have the industry character Maggie in Isidingo Oliver Hermanus for Skoonheid is said to have confessed to gone missing. Thebe Mogamisi scooping 11 Golden Horns. recognise us.” BEST DIRECTOR OF Lifetime achievement award – Nhlapo’s killing, as well as had met a potential love inter- The series explores the The series deals with the A DRAMA SERIES: BEST DIRECTOR OF A SOAPIE: LIFETIME ACHIEVEMENT Humble Mhlongo. other crimes. But it is unclear est online late last year, and stereotypes surrounding concept of six degrees of sepa- Rolie Nikiwe – Intersexions Alex Yazbek – The Wild AWARDS: if the man is in any way related travelled from Bloemfon- HIV/Aids and contracting the ration and how we are all inter- ● Athol Fugard – for his two Golden Horns for a to the other seven deaths over tein to Joburg to meet a man HI virus. linked, making it easy for most BEST ACTOR IN BEST COMEDY: contribution in the field of writing documentary which tells the the past two years. known only as Sipho on New Among the stars who shone people to contract the virus. A DRAMA SERIES: Gauteng Maboneng (SABC1) with and development complex story of access to When The Star originally Year’s Eve. brightly was The Wild’s “As a creative director I Siyabonga Radebe nine nominations ● Humble Mhlongo for sound and healthcare in Africa. reported on the first four Mogamisi’s family last Tumisho Masha, who tweeted was… not sure we had enough design deaths in October last year, the heard from him on December after his win: “Thank u thank u actors to fill all 26 episodes, but BEST ACTRESS IN BEST ACTOR IN A TV COMEDY: ● Roberta Durrant for her role in BEST NEWS AND ACTUALITY police said there was no reason 31, when he said he would thank u! It feels so good to win we made individually amazing A DRAMA SERIES: Boiki Pholo – Ratau in Ga the production and development of PROGRAMME: to believe there were links finally be meeting his new best actor in a soap!” episodes. We’ve got so much tal- Lungelo Dladla Re Dumele local TV comedy Speak Out (SABC2) between the crimes. friend in person. That was the Rolie Nikiwe, who won an ent in terms of acting in South However, four further last his family and friends award for his direction of Inter- Africa that we didn’t have any BEST SUPPORTING ACTOR BEST ACTRESS IN A TV COMEDY: BEST DOCUMENTARY: CREATIVE DIRECTOR: deaths were uncovered in the heard from him. sexions, said: “It felt great. It problems,” Nikiwe said. AND ACTRESS: Meme Ditshego – Josephine in Ga The Dawn of a New Day received Intersexions – Rolie Nikiwe One in three Soweto teen girls has weight problem WHAT PARENTS SAY ● Lesego Modibedi packs her son when she comes home she makes Letlhogonolo, 6, a sandwich made herself food and then eats supper.” THANDI SKADE tuckshop purchases. dren have already established with brown bread, with either The study followed 1 450 good or bad eating habits cheese, eggs or peanut butter, with Some healthy ONE IN every three teenage adolescents between the ages before they even start primary a fruit and a yoghurt or Yogi Sip. lunchbox ideas girls in Soweto is either over- of 13 and 17 and found that school. Her father has type 2 diabetes and weight or obese, while another children ate more snack items “Adolescents do not change her mother suffers from high blood Registered dietitian Brigitte Oswell study found that one in every as they grew older and fewer their eating habits as they grow pressure, so Modibedi is cautious says children need to eat smaller five rural teenage girls is over- teens ate breakfast. up. If they started off with bad about living a healthy lifestyle. meals more often. A basic, healthy weight, according to a study A separate cross-sectional eating habits, that sets the She occasionally gives her son R2 to lunchbox should include starches, conducted by the Medical study found that 17-year-olds scene for later on in life” Feeley spend at the tuckshop. protein, fruit, vegetables, dairy Research Council and Wits ate fast food items at least seven says. ● No matter what fruit Michelle* products and fluid. Development Pathways for times a week, with the “kota” Obese people are at an packs for John*, 9, it comes back ● Starches: wholewheat bread or Health Research Unit. proving the most popular item. increased risk of suffering uneaten, and her 16-year-old son rolls, pita bread, wraps or pasta Less than 20 percent of 13- At just R9, the kota – a quar- from cardiovascular disease refuses to take a lunchbox to ● Protein: skinless chicken, thinly year-old teenagers took a ter loaf of white bread with and developing type 2 diabetes school. shaved cold meats, tuna, cheese, packed lunch to school, while “slap” chips, cheese, processed at an accelerated pace. “For the little one I pack peanut butter, egg or meatballs about 85 percent of partici- meats and sauces – is afford- Paediatric dietitian Debo- awholewheat sandwich with ● Dairy: yoghurt, cheese or cottage pants bought food from their able for teenagers on a tight rah Jacobson says South peanut butter and jam or cheese or cheese school tuck-shop. budget, but a composition Africans have adopted a “very chicken mayo. I pack a fruit, but he ● Fluids: water, homemade ice tea Scientific researcher and analysis showed that an aver- American way of being”, never eats it. My older son refuses or fruit juice first author of the study Alison age kota contains around including an increase in to take lunch to school because it’s An example of a healthy lunchbox, Feeley says teens who bring a 5369kJ, and52g offat, ofwhich restaurant portion sizes. uncool,” she says. Oswell says, is a wholewheat packed lunch to school gener- 13g is saturated fatty acids.
Recommended publications
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • Sydney Film Festival 6-17 June 2012 Program Launch
    MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world.
    [Show full text]
  • Shirley Adams
    Shirley Adams PRESS BOOK www.shirleyadamsmovie.com Shirley Adams Portrait of a mother Length 91 minutes Original Language English and Afrikaans Subtitled Versions English, French Aspect Ratio 1:1.77 Delivery Format HD, Digibeta (Colour, PAL) Sound Stereo Website www.shirleyadamsmovie.com Contents: Credit Block Logline and Synopsis Director’s Vision Production Notes Biographies Director Writers Cast Crew Credits: Cast and Crew Producer Contact: Director of Photography Jamie Ramsay Original Music Score Philip Miller Jeremy Nathan and Michelle Wheatley Editor Garreth Fradgley Production Designer Nick Mostert Costume Designer Maleen Nökel Makeup/Hair Naeema Clayton Sound Design Warrick Sony, Jim Petrak & Ivan Milborrow Dv8 Films Sound Recordist Gita Cerveira Online Editor and Colourist Paul Hanrahan PO Box 308, Parklands, 2121 Line Producer Moroba Nkawe 1st Assistant Director/Production Manager Eva Franzen Johannesburg, South Africa Executive Producer Roland Emmerich Co-Producer Kirstin Winkler Tel: +27-11-880-0191 Written by Oliver Hermanus and Stavros Pamballis Produced by Jeremy Nathan and Michelle Wheatley Email: [email protected] & [email protected] Mobile: +27-83-454-8997 & +27-82-336-6897 Directed by Oliver Hermanus Web: www.dv8.co.za www.shirleyadamsmovie.com Centropolis Entertainment Inc London Film School and Dv8 Films in association with National Film and Video Foundation (NFVF) Department of Trade and Industry of South Africa (DTI) present A film by Oliver Hermanus SHIRLEY ADAMS with Denise Newman and Keenan Arrison “I have known this woman for over a decade. I can’t remember when I first gave her this name.” Oliver Hermanus LOGLINE without a trace months ago. Shirley’s life now shooter is one of Donovan’s childhood friends.
    [Show full text]
  • Sydney Film Festival 6-17 June Reveals First Films 02/04/2012
    MEDIA RELEASE EMBARGOED UNTIL: Monday 2 April, 2012 Sydney Film Festival 6-17 June reveals first films The 59th Sydney Film Festival today announced early highlights in advance of the full program launch on Wednesday, 9 May. ‘Revealing the first confirmed films for this year's Festival really lets us share our excitement,’ said Nashen Moodley in his first year as Festival Director for Sydney Film Festival. ‘This is just a cross-section and a taste of what we have in store, but you'll already see the extraordinary diversity in subject, style and geography that makes a great international film festival memorable and thought-provoking. From the film that everyone was talking about in Sundance to a look inside Woody Allen's head to Some Guy Who Kills People, cinema lovers in Sydney, NSW or around Australia will have many reasons to join us here in June.’ This first announcement comprises 25 titles including 22 Australian premieres, 15 features and 10 documentaries, as well as some of the top prize-winning films from Sundance, Rotterdam and Berlin. Today’s announcement includes the winner of the US Dramatic Grand Jury Prize at Sundance Film Festival Beasts of the Southern Wild, the winner of the FIPRESCI prize at Berlin Film Festival Tabu, the winner of the FIPRESCI prize at International Film Festival Rotterdam Neighbouring Sounds and the winner of the World Cinema Grand Jury Prize Documentary at Sundance, The Law In These Parts. Since its inception in 1954, Sydney Film Festival (SFF) has become a key cultural event for Sydney and well- established in the international film festival calendar.
    [Show full text]
  • Sydney Film Festival 6-17 June 2012 Program Launch 09/05/2012
    MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world.
    [Show full text]
  • IFFR Feature Film Contact List
    Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod.
    [Show full text]
  • Curriculum Vitae of Keenan Arrison
    Althea Greenland / Tel: 072 910 8922/ Cell: 074 188 2094 / [email protected] CURRICULUM VITAE OF KEENAN ARRISON gender: Male age: 40 height: 1.77 waist: 32 hips: 32 shoe: 9 hair: Black eyes: Brown languages: English, Afrikaans accents: American, British SKILLS STUNT TRAINING, COMBAT TRAINING, GUN HANDLING TRAINING, HORSERIDING, GUITAR (BASICS), SINGING (TENOR) TERTIARY EDUCATION year qualification institution BA in Motion Picture and Live Performance 2003-2005 AFDA (CAPE TOWN) (CUM LAUDE) FILM EXPERIENCE year production role Cabin Fever 2020 Cameo DIR: Tim Greene Tomb Raider 2017 Cameo DIR: Roar Uthaug Accident 2015 Lead DIR: Dan Tondowski Twee Grade Van Moord 2014 Lead Kyknet, Mnet To The Passerby (Short Film) 2014 Lead DIR: Diana Ippilito Precious Metal 2011 Lead DIR: Daryne Joshua A Lucky Man 2011 Lead DIR: Gordon Clarke 2010 Skeem Support Althea Greenland / Tel: 072 910 8922/ Cell: 074 188 2094 / [email protected] DIR: Tim Greene 2010 Muti DIR: Lorenzo D’Orsi Lead 2010 Umbrella Man DIR: John Barker Support 2009 I Now Pronounce You DIR: Oliver Rodger Support 2008 Shirley Adams DIR: Oliver Hermanus Lead 2005 ONGERIEWE DIR: Robin Kleinshmidt Lead 2004 The Piano DIR: Angus Gibson Lead TELEVISION EXPERIENCE year production role Siende Blind 2020 Ricky SHOWMAX The Riviera 2019 Naz Isaacs SABC 2 Sarah se Geheim 2019 Danny KYKNET Saints and Strangers 2017 Canacum National Geographic Jahmilla & Alladin 2015 Raja Pashima BBC When We Were Black 2 2014 SHAHEED (Lead) SABC 1 Our Girl (International Series) 2014 Taj (Support) BBC One DOMINION
    [Show full text]
  • Redalyc.Post-Apartheid Cinema: a Thematic and Aesthetic Exploration
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Botha, Martin P. Post-apartheid cinema: A thematic and aesthetic exploration of selected short and feature films Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 61, julio-diciembre, 2011, pp. 225-267 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348699009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative http://dx.doi.org/10.5007/2175-8026.2011n61p225 POST-aPARTHEID CINEMA: A THEMATIC AND AESTHETIC EXPLORATION OF seLECTED SHORT AND FEATURE FILMS Martin P. Botha1 University of Cape Town Abstract The revival in short filmmaking in post-apartheid cinema has thus far received little attention by academic scholars. The article is an attempt to describe, contextualise and analyse the highlights of South African short filmmaking by focusing on thematic and aesthetic developments in post-apartheid cinema. Hundreds of short fiction and nonfiction films have been made in South Africa since 1980. The themes of most of these films were initially limited to anti-apartheid texts, which were instruments in the anti-apartheid struggle. During the late 1980s and early 1990s short filmmakers have also explored themes other than apartheid, for example equal rights for gay and lesbian South Africans.
    [Show full text]
  • SKOONHEID Een Film Van Oliver Hermanus
    SKOONHEID Een film van Oliver Hermanus Nederlandse release 23 februari 2012 SKOONHEID SYNOPSIS Gevangen in een verstikkend huwelijk en een onderdrukkende samenleving is Francois (Deon Lotz) te bang om eerlijk naar zichzelf en de wereld te zijn. Totdat hij verliefd wordt. SKOONHEID is een indringend meesterwerk over een hartverscheurende zoektocht van een man naar liefde. Het Zuid-Afrikaanse SKOONHEID beleefde zijn wereldpremière op het filmfestival van Cannes 2011 (Un Certain Regard) en kreeg er staande ovaties en lovende recensies. Hoofdrolspeler Deon Lotz won voor zijn rol op het filmfestival van Zürich de Golden Eye for Best Performance. Op het internationale filmfestival van Durban won de film de prijs voor Beste Zuid-Afrikaanse Speelfilm en de Juryprijs. Het is de eerste Afrikaans-gesproken film die in Cannes te zien was en won daar de Queer Palm. Elisabeth Quin (jury-voorzitter): ‘Skoonheid is a disturbing, radical film, real cinema…’ Skoonheid/99 minuten/Zuid-Afrika, 2011/Afrikaans en Engels gesproken SKOONHEID wordt in Nederland gedistribueerd door ABC/ Cinemien. Beeldmateriaal kan gedownload worden van: www.cinemien.nl/pers of vanaf www.filmdepot.nl Voor meer informatie kunt u zich wenden tot Gideon Querido van Frank: +31(0)20-5776010 of [email protected] SKOONHEID CAST EN CREW Deon Lotz Francois van Heerden Charlie Keegan Christian Roodt Michelle Scott Elena van Heerden Albert Maritz Willem Roodt Sue Diepeveen Marika Roodt Roeline Daneel Anika van Heerden Director Oliver Hermanus Producer Didier Costet Co-producer Dylan Voogt Executive producer Marvin Saven Writer Oliver Hermanus Director of Photography Jamie Ramsay Editor George Hammer SKOONHEID OLIVER HERMANUS De in Kaapstad geboren Oliver Hermanus behaalde zijn Bachelor of Arts voor Film, Media en Visuele Studies aan de Universiteit van Kaapstad.
    [Show full text]
  • The Boundaries of Desire and Intimacy in Post-Apartheid South African Queer Film: Oliver Hermanus’S Skoonheid
    The boundaries of desire and intimacy in post-apartheid South African queer film: Oliver Hermanus’s Skoonheid > Grant Andrews Research Fellow, English Department, Stellenbosch University, Stellenbosch, South Africa Lecturer, School of Education, University of the Witwatersrand, Johannesburg, South Africa [email protected] ABSTRACT South African cinema is still dominated, both in terms of number and commercial success, by films featuring white Afrikaans-speaking characters. These films are mostly politically voiceless, ignoring the contentious racial and economic dynamics in the country, and they fail to represent queer realities. Skoonheid [Beauty] (2011), the powerful South African film directed by Oliver Hermanus, challenges this trend and offers a portrayal of sexualities and racial hostilities which are often silenced or ignored in mainstream cinema. The film depicts a white Afrikaans- speaking man named François, who becomes obsessed with his friend’s son, Christian. François has secret sex with a group of other white Afrikaans-speaking men on a farm near Bloemfontein. The group has strict rules that “moffies” (queers) and “kleurlinge” (“coloureds” or people of colour) are not welcome to join their sexual gatherings. These regulations and the secrecy that enshrouds same-sex attraction in the film belie François’s longing for intimacy, a longing which develops into an obsession with Christian that ends violently. In this paper, I locate the film within the broader trends of Afrikaans cinema and queer cinema in the country. I then perform a reading of the film to show how it offers an important voice to repressed sexualities, and exposes some of the hostilities which underlie relations in post-apartheid South African society.
    [Show full text]
  • The Representation of Gays and Lesbians in South African Cinema 1985–2013
    The Representation of Gays and Lesbians in South African Cinema 1985–2013 By Martin P. Botha Fall 2013 Issue of KINEMA THE REPRESENTATION OF GAYS AND LESBIANS IN SOUTH AFRICAN CINEMA 1895-2013 Despite South Africa’s progressive constitution which prohibits discrimination against gays and lesbians, as well as a strong gay movement, South African cinematic images of gay men and women are limited and still at the margin of the South African film industry. One ends up with less than 20 short films,afew documentaries and less than 10 features with openly gay and lesbian characters in the past 114 years of South African cinema. Under apartheid, gay and lesbian voices in film and television were silenced. In a 20-year study of the representation of gays and lesbians in African, Asian and Latin American cinema (Botha 2003; 2012; Botha & Swinnen 2010), the author has noted that homosexual experience is unique in South Africa, precisely because of South Africa’s history of racial division and subsequent resistance. South African gay identities have been formed by a long history of racial struggle. These gay identities were also deformed by an oppressive system, which classified homosexuals into those with freedom and those without. Apartheid legislated who South Africans were, where they could live, with whom they could associate and even what kind of sex they could have. Asserting a lesbian and gay identity in South Africa became a defiance of the fixed identities - of race, ethnicity, class, gender and sexuality- that the apartheid system attempted to impose upon all of South African society (Gevisser & Cameron 1994; Peach 2005; 2007).
    [Show full text]
  • Ubuntu-Newsflash-Issue-471-Of-16
    Issue 471 | 16 April 2021 ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ SA WELCOMES NEW AMBASSADORS AND HIGH COMMISSIONERS President Cyril Ramaphosa on Wednesday, 14 April 2021, welcomed new ambassadors and high commissioners-designate from nine countries, at a ceremony held at the Sefako Makgatho Presidential Guesthouse in Tshwane. The ambassadors and high commissioners-designate were nominated by their respective governments to serve in diplomatic missions in South Africa. The ambassadors are to advance diplomatic relations between their home countries and South Africa. Handing over their letters of credence to President Ramaphosa, the ambassadors emphasised the need to strengthen the existing relations with the Government of South Africa. The senior diplomats who are officially taking up the reins in South Africa are from the following countries: • Democratic Socialist Republic of Sri Lanka • Republic of Korea • Hungary • Federative Republic of Brazil • Republic of Lithuania • Republic of Kenya • Republic of Cameroon • Republic of Panama • Federal Republic of Nepal – Source: SAnews.gov.za ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ CALL FOR AFRICAN MEDICAL SUPPLIES MANUFACTURING FACILITY President Cyril Ramaphosa says the continent needs to build a vibrant and innovative African medical supplies manufacturing capability that meets the health needs of the continent’s people. Addressing the High-Level Virtual Conference on Africa's Vaccine Manufacturing for Health Security on Monday, 12 April 2021, the President said throughout the COVID-19 pandemic, Africa had demonstrated that it had extensive and substantial capabilities, resources and skills to address the challenges given rise to by the pandemic. “Our task now is to harness all these capabilities, and to draw on the experience of the past year to build a vibrant and innovative African medical supplies manufacturing capability that meets the health needs of the continent’s people.
    [Show full text]