Sydney Film Festival 6-17 June 2012 Program Launch 09/05/2012
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
2012 Sundance Film Festival Announces Awards
FOR IMMEDIATE RELEASE Media Contacts: January 28, 2012 Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS The House I Live In, Beasts of the Southern Wild, The Law in These Parts and Violeta Went to Heaven Earn Grand Jury Prizes Audience Favorites Include The Invisible War, The Surrogate, SEARCHING FOR SUGAR MAN and Valley of Saints Sleepwalk With Me Receives Best of NEXT <=> Audience Award Park City, UT — Sundance Institute this evening announced the Jury, Audience, NEXT <=> and other special awards of the 2012 Sundance Film Festival at the Festival‘s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.sundance.org/live. ―Every year the Sundance Film Festival brings to light exciting new directions and fresh voices in independent film, and this year is no different,‖ said John Cooper, Director of the Sundance Film Festival. ―While these awards further distinguish those that have had the most impact on audiences and our jury, the level of talent showcased across the board at the Festival was really impressive, and all are to be congratulated and thanked for sharing their work with us.‖ Keri Putnam, Executive Director of Sundance Institute, said, ―As we close what was a remarkable 10 days of the 2012 Sundance Film Festival, we look to the year ahead with incredible optimism for the independent film community. As filmmakers continue to push each other to achieve new heights in storytelling we are excited to see what‘s next.‖ The 2012 Sundance Film Festival Awards presented this evening were: The Grand Jury Prize: Documentary was presented by Charles Ferguson to: The House I Live In / U.S.A. -
Maquette 2016
Éditos page 4 L’association Cannes Cinéma page 8 Les Rencontres de Cannes page12 Cannes Cinéphiles page 21 Cannes Écrans Juniors page 24 Les événements spéciaux page 27 Trois jours avec... Philippe Le Guay page 28 En avant les premières page 31 Premier Festival du Cinéma italien de Cannes page 31 Les Mercredis de l’Image page 32 Cannes Cinéma et les événements de la ville de Cannes page 33 Les Jeudis de Cannes Cinéma page 35 Le Lundi, c’est blockbuster ou comédie ! page 43 Les ciné-conférences avec Cannes Université page 49 La saison du Cinéma Bel Âge - Voir et revoir sur grand écran page 53 La saison du Film Club de Cannes page 67 Cannes Filmécole page 81 Les lieux de projection de Cannes Cinéma page 85 Calendrier des projections page 88 Remerciements page 94 3 Éclairer l’obscurité Créateur de vies, d’émotions, source d’évasion et de réflexion, témoin de tant de naissances et de révélations… Le cinéma est un art particulier. Un art qu’il faut choyer, respecter et encourager. Un art à partager, autour duquel discuter, et avec qui il est agréable et conseillé de passer du temps, quelques heures par semaines, ou plus si affinités. Septième art, le cinéma arrive toujours premier à Cannes, où il est comme chez lui. Un fait confirmé chaque année grâce au travail et à la programmation de Cannes Cinéma, que je tiens à saluer et à féliciter, tout comme le Film Club, le cinéma Bel Âge et Filmécole. Projections d’avant- premières et d’inédits, invitations à des débats et rencontres, soirées dédiées à de grands distributeurs ou à un genre spécifique… Avec Cannes Cinéma, les activités ne manquent pas. -
Let Me Just Add That While the Piece in Newsweek Is Extremely Annoying
From: Michael Oppenheimer To: Eric Steig; Stephen H Schneider Cc: Gabi Hegerl; Mark B Boslough; [email protected]; Thomas Crowley; Dr. Krishna AchutaRao; Myles Allen; Natalia Andronova; Tim C Atkinson; Rick Anthes; Caspar Ammann; David C. Bader; Tim Barnett; Eric Barron; Graham" "Bench; Pat Berge; George Boer; Celine J. W. Bonfils; James A." "Bono; James Boyle; Ray Bradley; Robin Bravender; Keith Briffa; Wolfgang Brueggemann; Lisa Butler; Ken Caldeira; Peter Caldwell; Dan Cayan; Peter U. Clark; Amy Clement; Nancy Cole; William Collins; Tina Conrad; Curtis Covey; birte dar; Davies Trevor Prof; Jay Davis; Tomas Diaz De La Rubia; Andrew Dessler; Michael" "Dettinger; Phil Duffy; Paul J." "Ehlenbach; Kerry Emanuel; James Estes; Veronika" "Eyring; David Fahey; Chris Field; Peter Foukal; Melissa Free; Julio Friedmann; Bill Fulkerson; Inez Fung; Jeff Garberson; PETER GENT; Nathan Gillett; peter gleckler; Bill Goldstein; Hal Graboske; Tom Guilderson; Leopold Haimberger; Alex Hall; James Hansen; harvey; Klaus Hasselmann; Susan Joy Hassol; Isaac Held; Bob Hirschfeld; Jeremy Hobbs; Dr. Elisabeth A. Holland; Greg Holland; Brian Hoskins; mhughes; James Hurrell; Ken Jackson; c jakob; Gardar Johannesson; Philip D. Jones; Helen Kang; Thomas R Karl; David Karoly; Jeffrey Kiehl; Steve Klein; Knutti Reto; John Lanzante; [email protected]; Ron Lehman; John lewis; Steven A. "Lloyd (GSFC-610.2)[R S INFORMATION SYSTEMS INC]"; Jane Long; Janice Lough; mann; [email protected]; Linda Mearns; carl mears; Jerry Meehl; Jerry Melillo; George Miller; Norman Miller; Art Mirin; John FB" "Mitchell; Phil Mote; Neville Nicholls; Gerald R. North; Astrid E.J. Ogilvie; Stephanie Ohshita; Tim Osborn; Stu" "Ostro; j palutikof; Joyce Penner; Thomas C Peterson; Tom Phillips; David Pierce; [email protected]; V. -
Sofia Coppola and the Significance of an Appealing Aesthetic
SOFIA COPPOLA AND THE SIGNIFICANCE OF AN APPEALING AESTHETIC by LEILA OZERAN A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Leila Ozeran for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2016 Title: Sofia Coppola and the Significance of an Appealing Aesthetic Approved: r--~ ~ Professor Priscilla Pena Ovalle This thesis grew out of an interest in the films of female directors, producers, and writers and the substantially lower opportunities for such filmmakers in Hollywood and Independent film. The particular look and atmosphere which Sofia Coppola is able to compose in her five films is a point of interest and a viable course of study. This project uses her fifth and latest film, Bling Ring (2013), to showcase Coppola's merits as a filmmaker at the intersection of box office and critical appeal. I first describe the current filmmaking landscape in terms of gender. Using studies by Dr. Martha Lauzen from San Diego State University and the Geena Davis Institute on Gender in Media to illustrate the statistical lack of a female presence in creative film roles and also why it is important to have women represented in above-the-line positions. Then I used close readings of Bling Ring to analyze formal aspects of Sofia Coppola's filmmaking style namely her use of distinct color palettes, provocative soundtracks, car shots, and tableaus. Third and lastly I went on to describe the sociocultural aspects of Coppola's interpretation of the "Sling Ring." The way the film explores the relationships between characters, portrays parents as absent or misguided, and through film form shows the pervasiveness of celebrity culture, Sofia Coppola has given Bling Ring has a central ii message, substance, and meaning: glamorous contemporary celebrity culture can have dangerous consequences on unchecked youth. -
Cinema and Politics
Cinema and Politics Cinema and Politics: Turkish Cinema and The New Europe Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy Cinema and Politics: Turkish Cinema and The New Europe, Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Deniz Bayrakdar and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0343-X, ISBN (13): 978-1-4438-0343-4 TABLE OF CONTENTS List of Images and Tables ......................................................................... viii Acknowledgements .................................................................................... ix Preface ........................................................................................................ xi Introduction ............................................................................................. xvii ‘Son of Turks’ claim: ‘I’m a child of European Cinema’ Deniz Bayrakdar Part I: Politics of Text and Image Chapter One ................................................................................................ -
The Honorable Mentions Movies- LIST 1
The Honorable mentions Movies- LIST 1: 1. A Dog's Life by Charlie Chaplin (1918) 2. Gone with the Wind Victor Fleming, George Cukor, Sam Wood (1940) 3. Sunset Boulevard by Billy Wilder (1950) 4. On the Waterfront by Elia Kazan (1954) 5. Through the Glass Darkly by Ingmar Bergman (1961) 6. La Notte by Michelangelo Antonioni (1961) 7. An Autumn Afternoon by Yasujirō Ozu (1962) 8. From Russia with Love by Terence Young (1963) 9. Shadows of Forgotten Ancestors by Sergei Parajanov (1965) 10. Stolen Kisses by François Truffaut (1968) 11. The Godfather Part II by Francis Ford Coppola (1974) 12. The Mirror by Andrei Tarkovsky (1975) 13. 1900 by Bernardo Bertolucci (1976) 14. Sophie's Choice by Alan J. Pakula (1982) 15. Nostalghia by Andrei Tarkovsky (1983) 16. Paris, Texas by Wim Wenders (1984) 17. The Color Purple by Steven Spielberg (1985) 18. The Last Emperor by Bernardo Bertolucci (1987) 19. Where Is the Friend's Home? by Abbas Kiarostami (1987) 20. My Neighbor Totoro by Hayao Miyazaki (1988) 21. The Sheltering Sky by Bernardo Bertolucci (1990) 22. The Decalogue by Krzysztof Kieślowski (1990) 23. The Silence of the Lambs by Jonathan Demme (1991) 24. Three Colors: Red by Krzysztof Kieślowski (1994) 25. Legends of the Fall by Edward Zwick (1994) 26. The English Patient by Anthony Minghella (1996) 27. Lost highway by David Lynch (1997) 28. Life Is Beautiful by Roberto Benigni (1997) 29. Magnolia by Paul Thomas Anderson (1999) 30. Malèna by Giuseppe Tornatore (2000) 31. Gladiator by Ridley Scott (2000) 32. The Lord of the Rings: The Fellowship of the Ring by Peter Jackson (2001) 33. -
South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry. -
Title of Question Paper
First Practice Set of General Awareness for SSC WWW JAGRANJOSH COM . Combined Graduate Level (Tier-I) First Practice Set of General Awareness for SSC Combined Graduate Level (Tier-I) First Practice Set of General Awareness for SSC Combined Graduate Level (Tier-I) Q.1 Who won the’Jnanpith Award’ is the year 2010- (a) Girish Karnad (b) Indira Goswami (c) Chandrashekhara Kambara (d) Dr.O.N.V. Kurup Q.2 ‘Shekel’ is the currency of – (a) Kenya (b) Iran (c) Israel (d) Iraq Q.3 The Monetary Policy in India is formulated by (a) Central Government (b) Reserve Bank of India (c) Industrial Financial Corporation of India (d) Industrial Development Bank of India Q.4 Who is the author of the book ‘Half of Life’? (a) V.V. Giri (b) V.S. Naipaul (c) Salman Rushdie (d) Pt Ravishankar Q.5 Which of the following is observed as ‘National Consumer Day’ in India? (a) 24th October (b) 22nd December (c) 24th December (d) 20th March 2 First Practice Set of General Awareness for SSC Combined Graduate Level (Tier-I) Q.6 Who among the following won the Dadasaheb Phalke award in 2011? (a) Soumitra Chatterjee (b) Manoj Kumar (c) Manna Dey (d) Shyam Benegal Q.7 Which Constitutional right is not a fundamental right? (a) Right to life (b) Right to equality (c) Right to freedom (d) Right to property Q.8 If we exclude the day of Journey, then how many days in advance tickets may be reserved on regular trains? (a) 60 days (b) 90 days (c) 50 days (d) 100 days Q.9 Hydrogen Bomb is based on: (a) Nuclear Fusion (b) Nuclear Fission (c) Atomic Energy (d) Fission & Fusion Q.10 Monopoly is a form of market where there is (a) Small number of markets (b) Large number of markets (c) A single firm controlling the market (d) None of these 3 First Practice Set of General Awareness for SSC Combined Graduate Level (Tier-I) Q.11 Shape of the total fixed cost curve is (a) Vertical (b) Horizontal (c) A curve (d) None of these Q.12 What is the currency of Switzerland? (a) Maloti (b) Emalangeni (c) Metical (d) Dobra Q.13 _______ has the most favorable sex ratio. -
1 May 2008 Committee Secretary Community Affairs Committee
1 May 2008 Committee Secretary Community Affairs Committee Department of the Senate Parliament House Canberra ACT By email: [email protected] Dear Secretary AUSTAR Responses to Outstanding Community Affairs Committee Questions Thank you again for the opportunity to appear before the Community Affairs Committee in Alice Springs on Tuesday 29 April 2008. You will recall that at the end of our session we agreed to come back to the Committee with answers to certain outstanding questions the Senators had raised. Our responses to these outstanding questions follow. AUSTAR Subscribers in ‘prescribed areas’ The Senators requested an estimate of how many AUSTAR customers we believe are located in ‘prescribed areas’ and, of these, how many are subscribers to our ‘Adults Only’, BOX OFFICE movies and World Movies services. In order to perform this analysis we require certain mapping and coordinate information from the Department of Families, Housing, Community Services and Indigenous Affairs ( FaHCSIA or the Department ). The Department has advised that this information will not be available before the beginning of next week. We will of course send through our estimates as soon as possible after we receive the information we need from the Department. However, we do not expect to be able to do this before Tuesday, 7 May. In the meantime, we note that as at 19 September 2007 the following was true: • 414 ‘prescribed areas’ were identified in the original Northern Territory emergency response legislation • Some of these had the same name, leaving 214 distinctly named areas Austar United Communications Limited Level 1, 46-52 Mountain Street, Ultimo NSW 2007 Locked Bag A3940, Sydney South, NSW 1235, Australia t. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.