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Let Me Just Add That While the Piece in Newsweek Is Extremely Annoying
From: Michael Oppenheimer To: Eric Steig; Stephen H Schneider Cc: Gabi Hegerl; Mark B Boslough; [email protected]; Thomas Crowley; Dr. Krishna AchutaRao; Myles Allen; Natalia Andronova; Tim C Atkinson; Rick Anthes; Caspar Ammann; David C. Bader; Tim Barnett; Eric Barron; Graham" "Bench; Pat Berge; George Boer; Celine J. W. Bonfils; James A." "Bono; James Boyle; Ray Bradley; Robin Bravender; Keith Briffa; Wolfgang Brueggemann; Lisa Butler; Ken Caldeira; Peter Caldwell; Dan Cayan; Peter U. Clark; Amy Clement; Nancy Cole; William Collins; Tina Conrad; Curtis Covey; birte dar; Davies Trevor Prof; Jay Davis; Tomas Diaz De La Rubia; Andrew Dessler; Michael" "Dettinger; Phil Duffy; Paul J." "Ehlenbach; Kerry Emanuel; James Estes; Veronika" "Eyring; David Fahey; Chris Field; Peter Foukal; Melissa Free; Julio Friedmann; Bill Fulkerson; Inez Fung; Jeff Garberson; PETER GENT; Nathan Gillett; peter gleckler; Bill Goldstein; Hal Graboske; Tom Guilderson; Leopold Haimberger; Alex Hall; James Hansen; harvey; Klaus Hasselmann; Susan Joy Hassol; Isaac Held; Bob Hirschfeld; Jeremy Hobbs; Dr. Elisabeth A. Holland; Greg Holland; Brian Hoskins; mhughes; James Hurrell; Ken Jackson; c jakob; Gardar Johannesson; Philip D. Jones; Helen Kang; Thomas R Karl; David Karoly; Jeffrey Kiehl; Steve Klein; Knutti Reto; John Lanzante; [email protected]; Ron Lehman; John lewis; Steven A. "Lloyd (GSFC-610.2)[R S INFORMATION SYSTEMS INC]"; Jane Long; Janice Lough; mann; [email protected]; Linda Mearns; carl mears; Jerry Meehl; Jerry Melillo; George Miller; Norman Miller; Art Mirin; John FB" "Mitchell; Phil Mote; Neville Nicholls; Gerald R. North; Astrid E.J. Ogilvie; Stephanie Ohshita; Tim Osborn; Stu" "Ostro; j palutikof; Joyce Penner; Thomas C Peterson; Tom Phillips; David Pierce; [email protected]; V. -
Master and Commander Ficha Didáctica CLIL
IES Pintor Juan Lara Recursos Didácticos: Cine y Didáctica Departamento: Geografía e Historia Nivel: 4º ESO Social Sciences, History CLIL ORIGINAL TITLE: Master and Commander: The Far Side of the World YEAR: 2003 RUNNING TIME: 137 min. COUNTRY: USA. DIRECTOR: Peter Weir SCREENWRITER: Peter Weir & John Collee (Novels: Patrick O'Brian) COMPOSER: Christopher Gordon, Iva Davies, Richard Tognetti CINEMATOGRAPHER: Russell Boyd CAST: Russell Crowe (Capt. Jack Aubrey) , Paul Bettany (Doctor Stephen Maturin, surgeon), Lee Ingleby (Hollom, Midshipman ), David Threlfall (Preserved Killick, Captain’s Steward) , James D'Arcy (1st . lt. Tom Pullings) , Edward Woodall (2 nd .lt William Mowett), Ian Mercer (Mr Hoar, Boatswain), Robert Pugh (Mr. Allen, Master), Billy Boyd (Barrett Bonden, Coxswain), Richard McCabe (Mr. Higgins, Surgeon Mate), Chris Larkin (Capt. Howard, Royal Marines), George Innes (Joe Plaice, Able Seaman), Mark Lewis Jones (Mr. Hogg, Whaler), Bryan Dick (Joseph Nagle, Carpenter’s Mate), Joseph Morgan (William Warley, Cpt. of Mizzentop), Alex Palmer (Nehemiah Slade, Able Seaman), John DeSantis (Padeen, Loblolly Boy), Patrick Gallagher (Awkward Davies, Able Seaman), Max Pirkis (Blakeney, Midshipman), Max Benitz (Calamy, Midshipman) PLOT During the Napoleonic Wars, Lucky Jack Aubrey captains the crew of the H.M.S. Surprise . When the ship is suddenly attacked by a superior enemy, it is badly damaged and much of his crew is injured. In a bold and dangerous move, Aubrey decides to set sail in a high stakes chase across two oceans to intercept and capture their foe. It's a mission that can decide the fate of a nation--or destroy Lucky Jack and his crew. INTERESTING FACTS Master and Commander was the first Patrick O’Brian novel based on the exploits of Jack Aubrey and his friend Stephen Maturin. -
Uk Films for Sale in Cannes 2009
UK FILMS FOR SALE IN CANNES 2009 Supported by Produced by 1234 TMoviehouse Entertainment Cast: Ian Bonar, Lyndsey Marshal, Kieran Bew, Mathew Baynton Gary Phillips Genre: Drama Rés. Du Grand Hotel 47 La Croisette, 6Th Director: Giles Borg Floor Producer Simon Kearney Tel: +33 4 93 38 65 93 Status : Completed [email protected] Home Office Tel: +44 20 7836 5536 Synopsis Ardent musician Stevie (guitar, vocals) endures a day-job he despises and can't find a girlfriend but... at least he has his music! With friend Neil (drums) he's been kicking around for a while not achieving much but when the pair of misfits team-up with the more-experienced Billy (guitar) and his cute pal Emily (bass) the possibility they might be on to something really good presents itself. For Stevie this is the opportunity he's been waiting for with the band and just maybe... Emily too! 13 Hrs TEyeline Entertainment Cast: Isabella Calthorpe, Gemma Atkinson, Tom Felton, Joshua Duncan Napier-Bell Bowman Lerins Stand R10 Genre: Horror Tel: +33 4 92 99 33 02 Director: Jonathan Glendening [email protected] Writer: Adam Phillips Home Office Tel: +44 20 8144 2994 Producer Nick Napier-Bell, Romain Schroeder, Tom Reeve Status : Post-Production Synopsis A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Sydney Film Festival 6-17 June 2012 Program Launch
MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world. -
The Last Days of Night
FEATURE CLE: THE LAST DAYS OF NIGHT CLE Credit: 1.0 Thursday, June 14, 2018 1:25 p.m. - 2:25 p.m. Heritage East and Center Lexington Convention Center Lexington, Kentucky A NOTE CONCERNING THE PROGRAM MATERIALS The materials included in this Kentucky Bar Association Continuing Legal Education handbook are intended to provide current and accurate information about the subject matter covered. No representation or warranty is made concerning the application of the legal or other principles discussed by the instructors to any specific fact situation, nor is any prediction made concerning how any particular judge or jury will interpret or apply such principles. The proper interpretation or application of the principles discussed is a matter for the considered judgment of the individual legal practitioner. The faculty and staff of this Kentucky Bar Association CLE program disclaim liability therefore. Attorneys using these materials, or information otherwise conveyed during the program, in dealing with a specific legal matter have a duty to research original and current sources of authority. Printed by: Evolution Creative Solutions 7107 Shona Drive Cincinnati, Ohio 45237 Kentucky Bar Association TABLE OF CONTENTS The Presenter .................................................................................................................. i The War of the Currents: Examining the History Behind The Last Days of Night .................................................................................................... 1 AC/DC: The Two Currents -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
JOHN COLLEE Writer Agent: Norman North US Agent: Verve Talent and Literary Agency (Adam Levine)
JOHN COLLEE Writer Agent: Norman North US Agent: Verve Talent and Literary Agency (Adam Levine) Published Novels: KINGSLEY'S TOUCH Viking / Penguin A PAPER MASK Viking / Penguin THE RIG Viking / Penguin Movies Produced/ in Production: THE PATRIARCH The Patriarch Ltd WALKING WITH DINOSAURS Evergreen Pty Ltd/Reliance Big Pictures/BBC Worldwide CREATION Recorded Picture Company Director: Jon Amiel Cast: Paul Bettany, Jennifer Connelly HAPPY FEET Kennedy Miller / Warner Bros (co-written) MASTER AND COMMANDER Fox 2000 Co-written with Peter Weir. (Release November 2003) Bafta nomination - Best Film London Film Critics' Circle Awards - Best Scriptwriter THE MAN WHO SUED GOD (Uncredited re-write). Director Mark Joffe A PAPER MASK Granada Films Director Christopher Morahan Produced original non-series TV: THE HEART SURGEON BBC TV 2 x 90 mins. Director Audrey Cooke Film Scripts: THE CAUSE The Producers JANDAMARA With Steve Hawke for Fox Icon THE RETURN With Edward Bond for Fox Searchlight John Collee -2- TOUCHING THE VOID Martin Brown Films/Homerun Adaptation THE SHORES OF TRIPOLI Disney / Valhallah Jean-Jacques Annaud to direct THE ZERO GAME Universal THE SIXTEEN PLEASURES Young Racers / Nicole Kidman SINK THE BISMARCK Steven Spielberg/ Fox 2000 TRUE NORTH Pathe Productions OCEANS Galatee Films TARZAN Warner Bros THE DROWNER Impian Films (Pty) Ltd. TV Scripts: THE APOSTLES USA Networks 4 x 1 hr FLYING HOSPITAL Scott Free Productions Pilot WAN TOK Greenlit Productions Pilot THE OPEN CAGE Warner Sisters Adaptation BIRTHRIGHT ITV 3 x 1 hr Script Editor (Features): SPECIAL BOY by Rachel Ward DIRT MUSIC by Justin Monjo from the novel by Tim Winton, for director Phil Noyce and producer Miranda Culley CANDY by Luke Davies for director Neil Armfield and producer Margaret Fink © Copyright The Agency (London) Ltd. -
Repartitie Aferenta Trimestrului I - 2019 - Straini DACIN SARA
Repartitie aferenta trimestrului I - 2019 - straini DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 S1 S2 S3 S4 S5 S6 S7 S8 13 13 2010 US Gela Babluani Gela Babluani Greg Pruss - Gregory Pruss Roland Emmerich - VG Roland Emmerich - VG 2012 2012 2009 US BILD KUNST Harald Kloser BILD KUNST 007: Coordonata Skyfall Skyfall 2012 GB/US Sam Mendes - ALCS Neal Purvis - ALCS Robert Wade - ALCS John Logan - ALCS 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 007: Viitorul e in mainile lui - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Roger Spottiswoode Bruce Feirstein - ALCS Roland Emmerich - VG Roland Emmerich - VG 10 000 HR 10 000 BC 2008 US BILD KUNST Harlad Kloser BILD KUNST 1000 post Terra After Earth 2013 US M. Night Shyamalan Gary Whitta M. Night Shyamalan Binbir Gece - season 1, episode 1001 de nopti (ep.001) 1 2006 TR Kudret Sabanci - SETEM Yildiz Tunc Murat Lutfu Mehmet Bilal Ethem Yekta Binbir Gece - season 1, episode 1001 de nopti (ep.002) 2 2006 TR Kudret Sabanci - SETEM Yildiz Tunc Murat Lutfu Mehmet Bilal Ethem Yekta Binbir Gece - season 1, episode 1001 de nopti (ep.003) 3 2006 TR Kudret Sabanci - SETEM Yildiz Tunc Murat Lutfu Mehmet Bilal Ethem Yekta Binbir Gece - season 1, episode 1001 de nopti (ep.004) 4 2006 TR Kudret Sabanci - SETEM Yildiz Tunc Murat Lutfu Mehmet Bilal Ethem Yekta Binbir Gece - season 1, episode 1001 de nopti (ep.005) 5 2006 TR Kudret Sabanci - SETEM Yildiz Tunc Murat Lutfu Mehmet Bilal Ethem Yekta -
Nominations by Film and Distributor
EE BRITISH ACADEMY FILM AWARDS IN 2015 NOMINATIONS BY FILM/DISTRIBUTOR BY FILM (40 films) ‘71 2 Into the Woods 2 20 Feet From Stardom 1 Kajaki: The True Story 1 20,000 Days on Earth 1 The Lego Movie 1 American Sniper 2 Leviathan 1 Big Eyes 2 Lilting 1 Big Hero 6 1 The Lunchbox 1 Birdman 10 Mr. Turner 4 The Boxtrolls 1 Nightcrawler 4 Boyhood 5 Northern Soul 1 Citzenfour 1 Paddington 2 Dawn of the Planet of the Apes 1 Pride 3 Finding Vivian Maier 1 Still Alice 1 Foxcatcher 2 The Theory of Everything 10 Gone Girl 2 Trash 1 The Grand Budapest Hotel 11 Two Days, One Night 1 Guardians of the Galaxy 2 Under the Skin 2 The Hobbit: The Battle of the Five Armies 1 Virunga 1 Ida 2 Whiplash 5 The Imitation Game 9 Wild 1 Interstellar 4 X-Men:Days of Future Past 1 BY DISTRIBUTOR Alchemy (1) Soda Pictures (1) Kajaki: The True Story 1 Finding Vivian Maier 1 Altitude (1) Sony Pictures (5) 20 Feet From Stardom 1 Whiplash 5 Artificial Eye (8) Studio Canal (15) Citizenfour 1 ‘71 2 Ida 2 The Imitation Game 9 Leviathan 1 Paddington 2 Lilting 1 Under the Skin 2 The Lunchbox 1 Twentieth Century Fox (26) Still Alice 1 Birdman 10 Two Days, One Night 1 Dawn of the Planet of the Apes 1 Disney (5) Gone Girl 2 Big Hero 6 1 The Grand Budapest Hotel 11 Guardians of the Galaxy 2 Wild 1 Into the Woods 2 X-Men: Days of Future Past 1 Entertainment Film (2) Universal (17) Big Eyes 2 The Boxtrolls 1 Entertainment One (10) Boyhood 5 Foxcatcher 2 The Theory of Everything 10 Mr. -
DOCUME104RESUME ED 403 012 PS 024 112 AUTHOR Torkington, Kate TITLE Enhancing the Skills of Early Childhood Trainers: Training P
DOCUME104RESUME ED 403 012 PS 024 112 AUTHOR Torkington, Kate TITLE Enhancing the Skills of Early Childhood Trainers: Training Pack, Parts 1-5. INSTITUTION Bernard Van Leer Foundation, The Hague (Netherlands).; United Nations Educational, Scientific, and Cultural Organization, Paris (France). REPORT NO ISBN-90-6195-034-1; ISBN-92-3-103130-9 PUB DATE 95 NOTE 240p. AVAILABLE FROM UNIPUB, 4611-F Assembly Drive, Lanham, MD 20706 ($40). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Adult Education; Annotated Bibliographies; Cultural Awareness; Early Childhood Education; Educational Resources; *Experiential Learning; Foreign Countries; Instructional Leadership; Instructional Materials; Knowledge Base for Teaching; Multicultural Education; *Resource Materials; Teacher Education Programs; *Teacher Educators; *Teacher Participation; *Training Methods IDENTIFIERS *Caregiver Training; Early Childhood Development Programs; Hands on Experience; Learning Groups; *Participation Training; Trainer Role; Training Materials ABSTRACT Intended as a resource for both trainers and trainees in early childhood development and education, and based on the principles of active learning and participatory training, this five-part training pack encourages the incorporation of active learning materials in training and invites cooperation in adapting participatory training materials to specific cultural setting. The first part of the training pack, "Introduction to the Training Pack," introduces the principles of active learning and participatory training; discusses reasons for the development of the training pack; outlines the four main distinguishing features of the training materials; and provides an overview of the contents of the training pack. The second part, "Delivering Effective Training," discusses principles related to the processes of training adults and of adult learning, and details seven effective participatory training methods, including role-play, focused activities, and case studies. -
The Screenplay As Text
University of Lund Ammar Al Subahi Centre For Languages And Literature Supervisor: Lars Gustaf Andersson Masters Thesis in Film & Media Production 17/08/2012 Mise-En-Page An Introduction To Screenplay Style & Form Table of Content Introduction ................................................................................................................................ 3 i. Purpose and disposition of essay ............................................................................. 3 ii. Theory & Method .................................................................................................... 4 iii. A Note on The Sample of Screenplays ................................................................... 4 A Brief History of The Academic Research on The Screenplay ............................................... 5 iv. The Screenplay and Issues of Authorship ............................................................... 5 v. The Screenplay as Literature ................................................................................... 8 vi. The Blueprint Metaphor ........................................................................................ 11 vii. Politique des Collaborateurs .................................................................................. 17 viii. The Screenplay As Text ........................................................................................ 20 ix. Image Building and the Screenplay ...................................................................... 23 x. Pasolini and The Screenplay