Your Beautiful Brain DISPATCHES from the FRONTIERS of NEUROSCIENCE
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The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
Two Maine Stations Carry Colby's First Varsity Show
~ , I . I I MHH~~ ,' . - ,' Track Meet Mere Reading Knowledge . With Norwich Examinations Saturday Afternoon Tomorrow Afternoon Geology Stud ents " liiferarf Associates Meet To Leave Frida y "Prexy Johnson Decides Prob Fifteen Plan To Take 3O0 able Winning Run Mile Trip To Bar Harbor y Pirdfes sors Weber , Wilkinson , And In Favor Of Facilit This Friday fifteen of the Geology Mars hall Are Speake rs For classes will make a three-hundredmile Cap And Gown Elects Picnic Closes With Singing trip that will take in a complete study Gf Alma Mater of the Geological features in and Seven New Members Eveni ng around Bar Harbor. This excursion has been an annual feature for many Over four hundred wildly stamping, years having been started probably Purpose Of Society To Initi- Book Exhibit Is Held In rd Represents , madly yelling specimens of the most Packa by the late Professor Perkins. ate And Promote College rabid "type of Gus H. Fan known to Social Room OF Alumnae Moot Court The group will leave Friday noon captivity stampeded for the over- Marshall and' will spend the two nights while Activities And Standards flowing food tables when our un- Building at the Y. W. C. A. in Mr. Joseph Packard, son of Mr. they are away, biased arbiter "Prexy" Johnson stop- Bar Harbor. The small group that and Mrs. Thomas P. Packard of 3 ped all athletic proceedings because Tuesday evening, May 10, the first will remain to take in the fraternity At women's assembly, Monday Prospect St., Houlton, Maine, first morning, of Midget - Peck's mighty homer and regular* meeting of the Colby Library Friday night, will May 16, the annual induc- year student at Columbia Law School dances at Colby consequent lost nail in deep left field Associates was held in the Y. -
Maquette 2016
Éditos page 4 L’association Cannes Cinéma page 8 Les Rencontres de Cannes page12 Cannes Cinéphiles page 21 Cannes Écrans Juniors page 24 Les événements spéciaux page 27 Trois jours avec... Philippe Le Guay page 28 En avant les premières page 31 Premier Festival du Cinéma italien de Cannes page 31 Les Mercredis de l’Image page 32 Cannes Cinéma et les événements de la ville de Cannes page 33 Les Jeudis de Cannes Cinéma page 35 Le Lundi, c’est blockbuster ou comédie ! page 43 Les ciné-conférences avec Cannes Université page 49 La saison du Cinéma Bel Âge - Voir et revoir sur grand écran page 53 La saison du Film Club de Cannes page 67 Cannes Filmécole page 81 Les lieux de projection de Cannes Cinéma page 85 Calendrier des projections page 88 Remerciements page 94 3 Éclairer l’obscurité Créateur de vies, d’émotions, source d’évasion et de réflexion, témoin de tant de naissances et de révélations… Le cinéma est un art particulier. Un art qu’il faut choyer, respecter et encourager. Un art à partager, autour duquel discuter, et avec qui il est agréable et conseillé de passer du temps, quelques heures par semaines, ou plus si affinités. Septième art, le cinéma arrive toujours premier à Cannes, où il est comme chez lui. Un fait confirmé chaque année grâce au travail et à la programmation de Cannes Cinéma, que je tiens à saluer et à féliciter, tout comme le Film Club, le cinéma Bel Âge et Filmécole. Projections d’avant- premières et d’inédits, invitations à des débats et rencontres, soirées dédiées à de grands distributeurs ou à un genre spécifique… Avec Cannes Cinéma, les activités ne manquent pas. -
Faculty Distinction
Two Thousand Fourteen acult istinction F y D Celebrating the awards, honors and recognition of the Faculty of Arts & Sciences ntroduction I he Faculty of the Arts and Sciences at Columbia University comprises a remarkable array of professors who have been recognized with some of the Tworld’s most prestigious scholarly awards and honors. Over the course of the last academic year, four faculty members were elected to the National Academy of Sciences and three were elected fellows of the American Academy of Arts and Sciences. Our faculty also received nine honorary degrees, five Guggenheim fellowships, and one Tony Award nomination, in addition to a whole host of other awards and honors. In short, our faculty is exceptional. Standing at the forefront of our distinguished faculty is a commitment to teaching that bears the rigorous and disciplined hallmark of our university. At Columbia, we champion undergraduate, graduate and professional education and celebrate the professors who continue to advance this rich tradition. Through the excellence of our faculty, a Columbia education prepares our students for fulfilling and successful careers that leave a positive mark on the world. Carlos J. Alonso David B. Madigan James J. Valentini Dean of the Graduate Executive Vice President Dean of Columbia College School of Arts & Sciences for Arts & Sciences Vice President for Dean of the Faculty Vice President for Graduate Education of Arts & Sciences Undergraduate Education Morris A. and Alma Schapiro Professor of Statistics Henry L. and Lucy G. Professor in the Humanities Moses Professor umanities umanities H H Rachel Adams Professor of English and Comparative Literature Delta Kappa Gamma Educators Award Schoff Publication Award from the University Seminars program Allison Busch Associate Professor of Middle Eastern, South Asian and African Studies Collaborative Research Award, American Council of Learned Societies (ACLS) Antoine Compagnon Blanche W. -
Applying the Rome Statute of the International Criminal Court: a Case Study of Henry Kissinger
Applying the Rome Statute of the International Criminal Court: A Case Study of Henry Kissinger Steven Feldsteint TABLE OF CONTENTS Introduction .......................................... 1665 I. Background ........... ....... ..................... 1671 A . H enry Kissinger ........................................................................ 1672 B. The Development of International Humanitarian Law ............. 1675 1. Sources of International Law ............................................. 1676 2. Historical Development of International Humanitarian L aw ..................................................................................... 16 7 7 3. Post-World War 11 Efforts to Codify International Hum anitarian Principles ................................................. 1680 a. The 1948 Genocide Convention ......................................... 1680 b. The Geneva Conventions ................................................... 1682 c. United Nations Suite of Human Rights Conventions ......... 1684 C. The Development of International War Crimes Tribunals ....... 1685 1. N urem berg Tribunal ........................................................... 1685 2. IC TY and IC TR .................................................................. 1687 3. The International Criminal Court ....................................... 1688 4. U niversal Jurisdiction ......................................................... 1694 5. A lien Tort Claim s A ct ........................................................ 1695 I1. Individual Accountability -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
The Last Days of Night
FEATURE CLE: THE LAST DAYS OF NIGHT CLE Credit: 1.0 Thursday, June 14, 2018 1:25 p.m. - 2:25 p.m. Heritage East and Center Lexington Convention Center Lexington, Kentucky A NOTE CONCERNING THE PROGRAM MATERIALS The materials included in this Kentucky Bar Association Continuing Legal Education handbook are intended to provide current and accurate information about the subject matter covered. No representation or warranty is made concerning the application of the legal or other principles discussed by the instructors to any specific fact situation, nor is any prediction made concerning how any particular judge or jury will interpret or apply such principles. The proper interpretation or application of the principles discussed is a matter for the considered judgment of the individual legal practitioner. The faculty and staff of this Kentucky Bar Association CLE program disclaim liability therefore. Attorneys using these materials, or information otherwise conveyed during the program, in dealing with a specific legal matter have a duty to research original and current sources of authority. Printed by: Evolution Creative Solutions 7107 Shona Drive Cincinnati, Ohio 45237 Kentucky Bar Association TABLE OF CONTENTS The Presenter .................................................................................................................. i The War of the Currents: Examining the History Behind The Last Days of Night .................................................................................................... 1 AC/DC: The Two Currents -
The 114Th Annual Varsity Show “Morningside Hates”
THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY , EST . 1890 The Varsity Show May 2008 THE 114TH ANNUAL VARSITY SHOW “Morningside Hates” May 2, 3, and 4 in Roone Arledge Auditorium ALSO : CAN YOU MAKE A VARSITY SHOW ? THE WRITERS ’ NOTEBOOK PLAYBILL STAFF Editor ANNA PHILLIPS Managing Editor KATIE REEDY Senior Editors JULI WEINER HANNAH GOLDFIELD Layout Editor JUSTIN VLASITS Consigliere ZACHARY VAN SCHOUWEN Copy Chief ALEXANDER STATMAN Artists JULIA BUTAREVA JENNY LAM MAXINE KEYES SONIA TYCKO Contributors BECKY ABRAMS PAUL B. BARNDT ANNA LOUISE CORKE ANDREW MCKAY FLYNN TONY GONG KATE LINTHICUM JOSEPH MEYERS MICHAEL MOLINA CHRISTOPHER MORRIS-LENT ALEXEXANDRA MUHLER MARYAM PARHIZKAR MARIELA QUINTANA ALEX WEINBERG Editor Emerita TAYLOR WALSH 2 THE BLUE AND WHITE THE BLUE AND WHITE Vol. CXIV THE VARSITY SHOW No. MMMML 4 THE CAST OF CHARACTERS . .Your new best friends for the next two hours. 5 SCENES AND SONGS . Whatever happens, happens. 6 CAST AND CREW . Because Facebook profiles aren’t enough. 16 THE VARSITY GLOSSARY . Columbia for dummies. 18 A CONVERSATION WITH THE WRITERS . .It takes two to do it right. 21 FROM THE WRITERS ’ NOTEBOOKS . How are we going to end this show again? 22 114 YEARS OF VARSITY DRAMA . No one ever remembers. 23 BEHIND THE SCENES . The art of unpaid labor. 26 CAN YOU MAKE A VARSITY SHOW ? . A quiz for JV scribblers. 27 VARSITY GOSSIP . The feverish ramblings of the co-lyricist, plus cupcakes. he Varsity Show was born in 1894, four gloriously quiet years after THE BLUE AND WHI T E emerged from Alma Mater’s iron womb. As the bookish older sibling sat doodling in the corner, the Columbia family gathered around the precocious little runt. -
Disaster Preparedness, Resilience, and Response Forum Report
Columbia World Projects: Disaster Preparedness, Resilience, and Response Forum Report August 15, 2019 Foreword Dear Reader, On behalf of Columbia World Projects (CWP), we are pleased to present the following report on our Forum on Disaster Preparedness, Resilience, and Response, one of an ongoing series of meetings dedicated to bringing together academia with partners from government, non- governmental and intergovernmental organizations, the media, and the private sector to identify projects designed to tackle fundamental challenges facing humanity. Natural disasters and public health emergencies impact tens of millions of people each year. At the individual level, the impact is often felt physically, mentally, and emotionally, and can destroy homes and businesses, wipe out financial resources, uproot families, and cause lasting injuries and even deaths. At the community and regional level, the impact can be equally devastating, inflicting enormous environmental and structural damage; stalling or even reversing a society’s economic growth and development; and producing and exacerbating poverty and instability. While natural disasters and public health emergencies have been a consistent feature of human existence, the frequency and intensity of such incidents have increased over the last few decades, in significant part as a result of climate change and growing mobility. All of this has made managing disasters more urgent, more expensive, and more complex. On June 10, 2019, CWP invited approximately 35 experts from a range of fields and disciplines to take part in a Forum with the aim not only of deepening our understanding of natural disasters and public health emergencies, but also of proposing concrete ways to improve the lives of people affected by these events. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
The Academy Launches 2016 Student Academy Awards® Competition
MEDIA CONTACT Daniel Gomez [email protected] March 28, 2016 FOR IMMEDIATE RELEASE THE ACADEMY LAUNCHES 2016 STUDENT ACADEMY AWARDS® COMPETITION New Expanded Foreign Film Category Winners Eligible for Oscars® LOS ANGELES, CA - The Academy is now accepting entries for its 2016 Student Academy Awards® competition. All Student Academy Award® winners become eligible for Oscars® consideration. The entry deadline for submissions is Wednesday, June 1. New this year, the Foreign Film category has been expanded to include separate awards for narrative, animation and documentary entries. Gold, Silver and Bronze Medal awards may be given in the Foreign Film Narrative category; Gold Medal awards may be given in the Foreign Film Animation and the Foreign Film Documentary categories. The U.S. competition categories remain the same: Alternative, Animation, Narrative and Documentary. For the second year, students are asked to submit their films online using FilmFreeway, a Widely used festival and competition platform. Complete rules and a link to the online submission platform are available at www.oscars.org /saa. The 43rd Student Academy Awards presentation will be held on Thursday, September 22, at the Academy's Samuel Goldwyn Theater in Beverly Hills. Past winners have gone on to receive 49 Oscar nominations and have won or shared eight awards. This year two 2015 Student Academy Award winners received Oscar nominations in the Live Action Short Film category: Henry Hughes, a Gold Medal winner in the Narrative category for " Day One," and Patrick Vollrath, a Bronze Medal winner in the Fareign Film category for " Everything Will Be Okay (Alles Wird Gut)." Past Student Academy Award winners include acclaimed filmmakers Pete Docter, Cary Fukunaga, John Lasseter, Spike Lee , Trey Parker and Robert Zemeckis.