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A FILM by Götz Spielmann Nora Vonwaldstätten Ursula Strauss
Nora von Waldstätten Ursula Strauss A FILM BY Götz Spielmann “Nobody knows what he's really like. In fact ‘really‘ doesn't exist.” Sonja CONTACTS OCTOBER NOVEMBER Production World Sales A FILM BY Götz Spielmann coop99 filmproduktion The Match Factory GmbH Wasagasse 12/1/1 Balthasarstraße 79-81 A-1090 Vienna, Austria D-50670 Cologne, Germany WITH Nora von Waldstätten P +43. 1. 319 58 25 P +49. 221. 539 709-0 Ursula Strauss F +43. 1. 319 58 25-20 F +49. 221. 539 709-10 Peter Simonischek E [email protected] E [email protected] Sebastian Koch www.coop99.at www.matchfactory.de Johannes Zeiler SpielmannFilm International Press Production Austria 2013 Kettenbrückengasse 19/6 WOLF Genre Drama A-1050 Vienna, Austria Gordon Spragg Length 114 min P +43. 1. 585 98 59 Laurin Dietrich Format DCP, 35mm E [email protected] Michael Arnon Aspect Ratio 1:1,85 P +49 157 7474 9724 Sound Dolby 5.1 Festivals E [email protected] Original Language German AFC www.wolf-con.com Austrian Film Commission www.oktober-november.at Stiftgasse 6 A-1060 Vienna, Austria P +43. 1. 526 33 23 F +43. 1. 526 68 01 E [email protected] www.afc.at page 3 SYNOPSIS In a small village in the Austrian Alps there is a hotel, now no longer A new chapter begins; old relationships are reconfigured. in use. Many years ago, when people still took summer vacations The reunion slowly but relentlessly brings to light old conflicts in such places, it was a thriving business. -
Come Hell Or High Water Pdf, Epub, Ebook
COME HELL OR HIGH WATER PDF, EPUB, EBOOK Michele Bardsley | 303 pages | 25 Jul 2011 | Penguin Putnam Inc | 9780451228789 | English | New York, United States Come Hell or High Water PDF Book Hell or high water contracts require payment whether or not the good or service is working as planned. CBS Interactive. The vendor or lessor might only handle the financing aspect of the transaction and otherwise hold a passive role regarding the equipment itself. Added to Watchlist. Lessor A lessor is a person or other entity that owns an asset but which is leased under an agreement to the lessee. Casino Pit Boss uncredited Jameson Macmillan For an enhanced browsing experience, get the IMDb app on your smartphone or tablet. Running time. Casino Dealer uncredited Jack T. Hell and High Water. Meanwhile, Tanner robs another bank while Toby unknowingly waits at a nearby diner, conversing with a waitress. Bar Girl uncredited Michael Fletcher The equipment may be shipped directly from the manufacturer or supplier to the lessee without the lessor ever coming into contact with it. Casino Patron uncredited Kathie Westgate Starting your day with water might keep you from seeking out coffee or caffeinated tea -- or help you cut back. Ferguson Jr. Proctor Robert Rabello Investopedia uses cookies to provide you with a great user experience. Statistics for come hell or high water Look-up Popularity. Loan Officer Heidi Sulzman Albuquerque Journal. Coleman Resident uncredited Mary Bowman Road Block Trooper. Cruz Casey Duncan More From Healthy Eating Tips. Need even more definitions? We already have this email. Or something like that. -
The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
Sherlock Holmes
sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself. -
108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains. -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
Finding Aid to the Historymakers ® Video Oral History with Chaz Ebert
Finding Aid to The HistoryMakers ® Video Oral History with Chaz Ebert Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ebert, Chaz, 1952- Title: The HistoryMakers® Video Oral History Interview with Chaz Ebert, Dates: August 7, 2017 Bulk Dates: 2017 Physical 5 uncompressed MOV digital video files (2:30:48). Description: Abstract: Lawyer Chaz Ebert (1952 - ) worked as a litigation attorney and served as vice president of the Ebert Company Ltd. Ebert was interviewed by The HistoryMakers® on August 7, 2017, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2017_121 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Lawyer and entertainment manager Chaz Ebert was born on October 15, 1952 in Chicago, Illinois to Johnnie Hobbs Hammel and Wiley Hammel, Sr. She attended John M. Smyth Elementary School and Crane Technical High School in Chicago, Illinois and graduated in 1969. Ebert earned her B.A. degree in political science at the University of Dubuque in Dubuque, Iowa in 1972. She then received her M.A. degree in social science at the University of Wisconsin-Platteville in Platteville, Wisconsin. Ebert went on to receive her J.D. degree from DePaul University College of Law in Chicago. Ebert began her career in 1977 as a litigator for the Region Five office of the U.S. Environmental Protection Agency. After three years, she left the agency to join the litigation department at the Chicago law firm of Bell Boyd and Lloyd LLP, where she focused on mergers and acquisitions and intellectual property. -
(Pdf) Download
NATIONAL & LOCAL NEWS MEDIA TV, RADIO, PRINT & ONLINE SOURCES Master List - Updated 04/2019 Pain Warriors Unite Washington Post: Website: https://www.washingtonpost.com/opinions/submit-an-op-ed/?utm_term=.d1efbe184dbb What are the guidelines for letter submissions? Email: [email protected] We prefer letters that are fewer than 200 words and take as their starting point an article or other item appearing in The Post. They may not have been submitted to, posted to or published by any other media. They must include the writer's full name; anonymous letters and letters written under pseudonyms will not be considered. For verification purposes, they must also include the writer's home address, email address and telephone numbers, including a daytime telephone number. Writers should disclose any personal or financial interest in the subject matter of their letters. If sending email, please put the text of the letter in the body and do not send attachments; attachments will not be read. What are the guidelines for op-ed submissions? Submissions should be limited to 800 words. We consider only completed articles and cannot commit to, or provide guidance on, article proposals. Op-eds may not have been submitted to, posted to or published by any other media. They must include the writer's full name — anonymous op-eds or op-eds written under pseudonyms will not be considered. They also must include the writer's home address, email address and telephone numbers. Additionally, we ask that writers disclose any personal or financial interest in the subject at hand. Please use our op-ed submission form L.A. -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
AMOUR FOU Von Jessica Hausner Ab 7
AMOUR FOU von Jessica Hausner ab 7. November im Kino „Man denkt, man möchte leben und möchte doch sterben.“ Jessica Hausner Regisseurin Besetzung Birte Schnöink, Christian Friedel, Stephan Grossmann, Sandra Hüller, Holger Handtke, Barbara Schnitzler, Alissa Wilms, Paraschiva Dragus, Peter Jordan, Katharina Schüttler, Gustav-Peter Wöhler, Marie-Paule von Roesgen, Marc Bischoff, Josiane Peiffer, Nickel Bösenberg Stab Regie / Drehbuch: Jessica Hausner Kamera: Martin Gschlacht Szenenbild: Katharina Wöppermann Kostüm: Tanja Hausner Casting: Ulrike Müller Förderer Maske: Heiko Schmidt & Kerstin Gaecklein Film Fund Luxembourg Ton: Uwe Haußig Österreichisches Filminstitut Sound Design: Nicolas Tran Trong FISA Filmstandort Österreich Mischung: Michel Schillings Medienboard Berlin-Brandenburg Schnitt: Karina Ressler Filmfonds Wien Mitarbeit am Drehbuch: Géraldine Bajard Land Niederösterreich ProduzentInnen: Martin Gschlacht, Antonin Svoboda, Bruno Wagner, Media Bady Minck, Alexander Dumreicher-Ivanceanu, Philippe Bober Produktion: Coop99 Filmproduktion, AMOUR FOU Luxembourg, In Kooperation mit: Essential Filmproduktion ORF Film/Fernsehabkommen Drehorte: Österreich, Luxemburg, Deutschland WDR/ARTE Verleih: Stadtkino Filmverleih ARTE France Cinéma International Sales: Coproduction Office WDR AMOUR FOU Von Jessica Hausner 2014, 96 Min., Farbe, Österreich, Luxemburg, Deutschland Synopsis Berlin, zur Zeit der Romantik. Der Dichter Heinrich hat den Wunsch, durch die Liebe den unausweichlichen Tod zu überwinden: seine ihm nahe stehende Cousine Marie lässt sich aber partout nicht davon überzeugen, zu zweit dem übermächtigen Schicksal entgegenzutreten, und gemeinsam mit Heinrich den eigenen Tod zu bestimmen. Doch die junge Ehefrau eines Bekannten, Henriette findet – als sie erfährt, dass sie sterbenskrank sei – Gefallen an dem Angebot. „Eine romantische Komödie“, frei inspiriert durch den Suizid des Dichters Heinrich von Kleist 1811. Die Weltpremiere von Amour Fou fand am Freitag, den 16. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.